Akira Kurosawa Film Quotes & Sayings

Human beings share the same common problems. A film can only be understood if it depicts these properly. — Akira Kurosawa

The great appeal of film is its relatability. — Akira Kurosawa

The censors were so far gone as to find the following sentence obscene: 'The factory gate waited for the student workers, thrown open in longing.' What can I say? This obscenity verdict was handed down by a censor in response to my script for my 1944 film about a girls' volunteer corps, Ichiban utsukushiku (The Most Beautiful). I could not fathom what it was he found to be obscene about this sentence. Probably none of you can either. But for the mentally disturbed censor this sentence was unquestionably obscene. He explained that the word 'gate' very vividly suggested to him the vagina! For these people suffering from sexual manias, anything and everything made them feel carnal desire. Because they were obscene themselves, everything seen through their obscene eyes naturally became obscene. Nothing more or less than a case of sexual pathology. — Akira Kurosawa

I like silent pictures and I always have ... I wanted to restore some of this beauty. I thought of it, I remember in this way: one of techniques of modern art is simplification, and that I must therefore simplify this film. — Akira Kurosawa

The root of any film project for me is this inner need to express something. What nurtures this root and makes it grow into a tree is the script. What makes the tree bear flowers and fruit is the directing. — Akira Kurosawa

The great Japanese film director Akira Kurosawa said that to be an artist means never to avert your eyes. And that's the hardest thing, because we want to flinch. The artist must go into the white hot center of himself, and our impulse when we get there is to look away and avert our eyes. — Robert Olen Butler

Of all my films, people wrote to me most about this one ... I had wanted to make The Idiot long before Rashomon. Since I was little I've liked Russian literature, but I find that I like Dostoevsky the best and had long thought that this book would make a wonderful film. He is still my favourite author, and he is the one - I still think - who writes most honestly about human existence. — Akira Kurosawa

With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can't possibly make a good film. For truly cinematic expression, the camera and the microphone must be able to cross both fire and water. That is what makes a real movie. The script must be something that has the power to do this. — Akira Kurosawa

I'm not Akira Kurosawa. He used to write ... He used to write a completely new spec script over a couple of nights. I'm not like that. It takes me a long time to put a film together that I want to make. — Duncan Jones

For me, filmmaking combines everything. That's the reason I've made cinema my life's work. In films, painting and literature, theatre and music come together. But a film is still a film. — Akira Kurosawa

Mifune had a kind of talent I had never encountered before in the Japanese film world. It was, above all, the speed with which he expressed himself that was astounding. The ordinary Japanese actor might need ten feet of film to get across an impression; Mifune needed only three feet. The speed of his movements was such that he said in a single action what took ordinary actors three separate movements to express. He put forth everything directly and boldly, and his sense of timing was the keenest I had ever seen in a Japanese actor. And yet with all his quickness he also had surprisingly fine sensibilities. — Akira Kurosawa

There is something that might be called cinematic beauty. It can only be expressed in a film, and it must be present for that film to be a moving work. When it is very well expressed, one experiences a particularly deep emotion while watching that film. I believe that it is this quality that draws people to come and see a film, and that it is the hope of attaining this quality that inspires the filmmaker to make his film in the first place. — Akira Kurosawa

The cinematic language and interior destiny of each Iranian film-maker is different. The international influences on them vary from Rossellini to Fellini, Akira Kurosawa to Hou Hsiao-hsien, but there is a strong sense of solidarity. — Tariq Ali

The films an audience really enjoys are the ones that were enjoyable in the making. Yet pleasure in the work can't be achieved unless you know you have put all of your strength into it and have done your best to make it come alive. A film made in this spirit reveals the hearts of the crew. — Akira Kurosawa