After Novel Quotes & Sayings

Two-thousand-word scenes/chapters are potato chip length. That is, if you are about to go to bed and you're reading a terrific novel and the scenes/chapters come in around two-thousand-word bites, you'll tell yourself that you'll read just one more chapter. But if the narrative is really moving after you finish one of these bites, you won't be able to help yourself reading another. If the Story is extremely well told, you'll just keep eating the potato chip scenes all through the night. — Shawn Coyne

He fits me without a flaw. At the beginning, I was apprehensive that he might swallow me whole and I'd disappear for having him. After the time spent together, I'm certain that Colton is the day to my night. And we both have the same value, power, control, individuality and independency. No one disappears. We are like an equinox. Just like the day moves into the night and then night into day, we both complete each other and build a partnership. We are two different entities co-existing superbly, letting each other be but never leaving each other's side. — Kristina Steiner

In '94, I started writing a novel about an enormous terrorist act that destroyed the United States. The novel takes place twenty years after this destruction, with all the stuff that we're dealing with now - a dirty war, the disappeared, the concept of terrorism. Anyway, 9/11 happened some years into the process, and I was like, OK, I don't have a novel. — Junot Diaz

It has long been a tradition among novel writers that a book must end by everybody getting just what they wanted, or if the conventional happy ending was impossible, then it must be a tragedy in which one or both should die. In real life very few of us get what we want, our tragedies don't kill us, but we go on living them year after year, carrying them with us like a scar on an old wound. — Willa Cather

We've been hearing about the death of the novel ever since the day after Don Quixote was published. — Jay McInerney

Anything I run across can light up the circuitry of my brain, and set me on an adventure. To research strains of yeast; hiccup fetishists; the proper use of inverse, obverse, converse and reverse; the ratio of main narrative to tangent, of forward action to aside. What else do we do but quest, pursue meaning in the information wash? Where does that storm sewer opening from the river into the city's underneath go to, anyhow? I grab a headlamp and head in. It's long and low and dark and stinks and extends for miles. Underneath the city is another city. The one above begins to disappear. That's what we're after, isn't it? To disappear? To venture into darkness, to let what we know or think we know recede for an hour, a day, a novel's length, and see what meaning can be made of what remains? — Ander Monson

In my 20s, I became obsessed with the role-playing game 'Romance of the Three Kingdoms,' named after a classical Chinese novel, and later 'The Sims,' a life-simulation game, and 'StarCraft,' a science-fiction game. — Kim Young-ha

Here's what I want from a book, what I demand, what I pray for when I take up a novel and begin to read the first sentence: I want everything and nothing less, the full measure of a writer's heart. I want a novel so poetic that I do not have to turn to the standby anthologies of poetry to satisfy that itch for music, for perfection and economy of phrasing, for exactness of tone. Then, too, I want a book so filled with story and character that I read page after page without thinking of food or drink because a writer has possessed me, crazed with an unappeasable thirst to know what happens next. — Pat Conroy

The idea that one will die is more painful than dying, but less painful than the idea that another person is dead, that, becoming once more a still, plane surface after having engulfed a person, a reality extends, without even a ripple at the point of disappearance from which that person is excluded, in which there no longer exists any will, any knowledge, and from which it is as difficult to reascend to the idea that that person has lived as, from the still recent memory of his life, it is to think that he is comparable with the insubstantial images, the memories, left us by the characters in a novel we have been reading. — Marcel Proust

Mind you, after your silly debutantes have finished their proper posture and walking lessons, tell them it never killed any young lady to remove the book from off the top of her head and open it for a change. Just like I taught you. — Gaelen Foley

Satisfaction involves an active pursuit- it is the emotional reward we get after adapting to a new situation or solving a novel problem. — Mark Andrews

Madly, futilely, I wrote novel after novel, eight in all, that failed to find a publisher. I persisted because for me the novel was the supreme literary form - not just one among many, not a relic of the past, but the way we communicate to one another the subtlest truths about this business of living. — William Nicholson

There is one final point, the point that separates a true multivolume work from a short story, a novel, or a series. The ending of the final volume should leave the reader with the feeling that he has gone through the defining circumstances of Main Character's life. The leading character in a series can wander off into another book and a new adventure better even than this one. Main Character cannot, at the end of your multivolume work. (Or at least, it should seem so.) His life may continue, and in most cases it will. He may or may not live happily ever after. But the problems he will face in the future will not be as important to him or to us, nor the summers as golden. — Gene Wolfe

But there is no doubt that to attempt a novel of ideas is to give oneself a handicap: the parochialism of our culture is intense. For instance, decade after decade bright young men and women emerge from their universities able to say proudly: 'Of course I know nothing about German literature.' It is the mode. The Victorians knew everything about German literature, but were able with a clear conscience not to know much about the French. — Doris Lessing

I think the success of every novel - if it's a novel of action - depends on the high spots. The thing to do is to say to yourself, 'Which are my big scenes?' and then get every drop of juice out of them. The principle I always go on in writing a novel is to think of the characters in terms of actors in a play. I say to myself, if a big name were playing this part, and if he found that after a strong first act he had practically nothing to do in the second act, he would walk out. Now, then, can I twist the story so as to give him plenty to do all the way through? — P.G. Wodehouse

5 1/2 centuries after its 1.0 release, the book is a surprisingly robust piece of information technology. Sure, its memory is relatively tiny
one novel adds up to less than a megabyte. But it doesn't need charging, and it never crashes. Its interface is rapidly and intuitively navigable. The scroll never stood a chance. — Lev Grossman

A fine memoir is to a fine novel as a well-wrought blanket is to a fancifully embroidered patchwork quilt. The memoir, a logical creation, dissects and dignifies reality. Fiction, wholly extravagant, magnifies it and gives it moral shape. Fiction has no practical purpose. Fiction, after all, is art. — Julia Glass

A novel is really like a symphony where instrument after instrument has to come in at its own time, and no other. — Katherine Anne Porter

You know," Kavita begins, "I think I can pick out my own furniture. I am an artist after all. I do have some taste."
"No you don't." Nick plainly states. "No man has taste. Besides, I didn't pick it out, she did. Wives are good for things like that. — Carroll Bryant

A novel is a conversation starter, and if the author isn't there for the after-party, both the writer and the reader are missing a lot. — Maggie Stiefvater

You know what I did after I wrote my first novel? I shut up and wrote twenty-three more."
("The Castle") — Michael Connelly

Mary Wollstonecraft Shelley (whose mother died ten days after she was born) wrote a novel that anticipates Semmelweis's discovery and serves as a parable for the destructive power of decaying matter. — Laura Mullen

Every page of a great novel should be crafted like a beautiful melody, to linger on long after the music stops playing. — Johnny Flora

The reality that we were growing up in was very young and vibrant, and nobody was capturing that part of India. I started to backpack after getting out of college. I hiked and did a lot of things nobody was capturing in art at all in India, so I wrote my first novel. It was a very, trippy, experience-filled novel, and it ended up doing very well in India because nobody was writing about that at that point. — Karan Bajaj

The few times I've tried to write original screenplays, it's a difficult process because I just don't feel like I know the characters the way I know them after the year or two it takes to write a novel. — Tom Perrotta

My novel, which I had started with such hope shortly after publishing my first book of stories, wouldn't budge past the 75-page mark. Nothing I wrote past page 75 made any kind of sense. Nothing. Which would have been fine if the first 75 pages hadn't been pretty damn cool. — Junot Diaz

Then, although it was still the end of the story, I put it at the beginning of the novel, as if I needed to tell the end first in order to go on and tell the rest. It would have been simpler to begin at the beginning, but the beginning didn't mean much without what came after, and what came after didn't mean much without the end. — Lydia Davis

I wish I could say when Michael's dark eyes met mind, I was completely cool and collected about seeing him again after all this time, and that I laughed airily and said all the right things. I wish I could say after having pretty much single-handedly brought democracy to a country I happen to be a princess of, and written a four-hundred-page romance novel, and gotten into every college to which I applied (even if it's just because I'm a princess), that I handled meeting Michael for the first time again after throwing my snowflake necklace in his face almost two years ago with total grace and aplomb.
But I totally didn't. — Meg Cabot

After fifty years of living, it occurs to me that the most significant thing that people do is go to work, whether it is to go to work on their novel or at the assembly plant or fixing somebody's teeth. — Thomas McGuane

After immersing myself in the mysteries of the Electoral College for a novel I wrote in the '90s, I came away believing that the case for scrapping it is less obvious than I originally thought. — Jeff Greenfield

Every day that we can open our eyes and take a look at the world around us, is another day to be thankful for. It's a chance to remember how far we've come, and to remember how we did it -- by being honest with ourselves about who we are and what we've done. By letting hope back into our lives, and learning to lean on those who care when we're too weak to stand on our own two feet.

It hasn't been easy, and it never will be. After all, every day is also a chance to slide back into the darkness. To live in ourselves and our regrets, instead of this moment. To run away from those that would help us and let self-hatred drive us back into isolation, despair, and destruction.

So let's make a promise this morning -- that we will spend today with our eyes fixed forward.

Step by step, we will do things that help make life better, for ourselves and those around us. Because just as they have forgiven us -- we must also forgive ourselves. — Nick Spencer

I'm writing another novel and I know what I'm going to do after, which may be something more like this again, maybe some strange mixture of fiction and non-fiction. — Penelope Lively

Figuring out the secret of the universe is like trying to read a brand after the steer's been made into hamburger."

~Will Durham from Crossroads, A Music Novel — M.T. Bass

I knew it was a risk but what I was after was a novel that is about the feeling that comes with a coincidence in real life - that you feel as if something divine has intervened and has arrived with a message. — Alexander Chee

Was he shiny and bright and something sucked it out of him? Cecilia thought. But stars are a load of fire, maybe his were flamed out, but could they burn out again? After Cecilia drew him and his empty eyes, she wanted to write those words down, it felt like song lyrics. And she did. Making it in bold letters. — Basma Salem

We're not going to make it, I said.
The words caught in my throat, choking me. What was it Leslie had said to me when we were discussing Shannon's and Antoinetta's disappearance? 'You're beginning to sound like one of the characters in your books, Adam.' She'd been right. If this were a novel my heroes would have arrived just in the nick of time and saved the day. But real life didn't work like that. Real life had no happy endings. Despite our best efforts, despite my love for Tara [his wife] and my determination to protect her, and after everything we'd been through at the LeHorn house, fate conspired against us. We were still nine or ten miles from home, and night was almost upon us. By the time we got there it would already be too late. I fought back tears. I had the urge just to lie down in the middle of the road and let the next car run over me. — Brian Keene

As sneakily addictive as a game of Pong (which was named, we're told, after the narrator's dad), this zany zip-line of a novel takes the piss out of the Asian-American 'good immigrant' story. Full of charming antiheroes making comically bad choices, the story dazzles us with its absurdity, which makes its eventual wisdom--about lineage, ethnicity, and the meaning of family--all the more wonderfully surprising. — Michael Lowenthal

Novels teach the youthful mind to sigh after happiness that never existed. — Oliver Goldsmith

I had left the music industry at the end of 2001, after 10 years, and had spent three years writing every single day - producing two unpublished novels, one abandoned novel, and three unproduced screenplays. The word 'no' and I were on more than nodding terms. The word 'no' and I were talking about going on holiday together. — John Niven

I sold my first short story while I was home on maternity leave, then began working on novels. Since I was reading and enjoying romance novels at the time, the first two unpublished manuscripts I wrote were both romances. I sold my third novel, 'Call After Midnight,' to Harlequin Intrigue after submitting it unagented. — Tess Gerritsen

My foray into young adult lit was by no means planned. I wrote the first 'Alfred Kropp' book as an adult novel, which everyone loved but no one would publish - until I changed my protagonist from a thirty-something P.I. into a 15-year-old kid. After that, it was off to the races, and I am so glad. — Rick Yancey

I couldn't decide on a title for my first novel and my editor came up with Everything Good Will Come. After that, I thought I should name my own books.A Bit of Difference seems just right. — Sefi Atta

In my mind what novels do best is that they immerse us deeply into our character's world - they truly transport us deep into these spaces - but the same way you know a Hollywood movie won't end after thirty minutes, you carry in yourself the implicit contract that the novel won't throw you out of itself 'til the very end. That bulk of pages is a form of consolation, of security. — Junot Diaz

Rebecca Mead's My Life in Middlemarch is a wise, humane, and delightful study of what some regard as the best novel in English. Mead has discovered an original and highly personal way to make herself an inhabitant both of the book and of George Eliot's imaginary city. Though I have read and taught the book these many years I find myself desiring to go back to it after reading Rebecca Mead's work. — Harold Bloom

When I'm writing a novel or doing other serious writing work, I do it on a schedule that dictates writing either 2,000 words a day or writing until noon. After I hit whichever mark comes first, then I can give my attention to everything else I have to do. — John Scalzi

After I finished college, I got a job on Wall Street as a derivatives trader, but after a couple years of it, I was calling in sick in order to work on my novel. — Philipp Meyer

Blanche Ingram, after having repelled, by supercilious taciturnity, some efforts of Mrs Dent and Mrs Eshton to draw her into conversation, had first murmured over some sentimental tunes and airs on the piano, and then, having fetched a novel from the library, had flung herself in haughty listlessness on a sofa and prepared to beguile, by the spell of fiction, the tedious hours of absence. — Charlotte Bronte

The novel can't compete with cars, the movies, television, and liquor. A guy who's had a good feed and tanked up on good wine gives his old lady a kiss after supper and his day is over. Finished. — Louis-Ferdinand Celine

Yet the experience of reading a novel has certain qualities that remind us of the traditional apprehension of mythology. It can be seen as a form of meditation. Readers have to live with a novel for days or even weeks. It projects them into another world, parallel to but apart from their ordinary lives. They know perfectly well that this fictional realm is not 'real' and yet while they are reading it becomes compelling. A powerful novel becomes part of the backdrop of our lives, long after we have laid the book aside. — Karen Armstrong

My first novel was turned down by half a dozen publishers. And even after having published five or six books, I wasn't making enough money to live on, and was beginning to think I'd have to give up the dream of being a full-time writer. — Ian Rankin

Plot might seem to be a matter of choice. It is not. The particular plot is something the novelist is driven to: it is what is left after the whittling-away of alternatives.' Elizabeth Bowen opened her Notes on Writing a Novel (1945, reprinted in Collected Impressions, Longmans, Green & Co., — Elizabeth Bowen

Reading a novel after reading semiotic theory was like jogging empty-handed after jogging with hand weights. What exquisite guilt she felt, wickedly enjoying narrative! Madeleine felt safe with a nineteenth century novel. There were going to be people in it. Something was going to happen to them in a place resembling the world. Then too there were lots of weddings in Wharton and Austen. There were all kinds of irresistible gloomy men. — Jeffrey Eugenides

Every now and then, I need a little spark of inspiration. It could be from reading (a novel, poetry, story, news article, a blog) or it could be attending an event (play, musical performance, poetry reading, writers conference). Something to wake up the drowsy Artist that lives within. For the past seven months, I have done all of these things and I noticed that my Artist has been up writing articles, a children's story, and most recently, working on new poems. After several years of hibernation, it is good to see my Artist so active. I must continue to give her a jolt to inspire her to do much more. — Sandra Proto

The funny thing about me is I'm kind of schizophrenic, because after four or five nights in a row of going out to parties, I just have to be alone. I hate people and feel like they're keeping me from what I really want to do, like write a fabulous novel, which I probably never will. — Bob Colacello

Maybe I would have become an actor. I was a very outgoing kid, but being in the hospital - being outside of social action for so long - turned me into an observer. Actually, right after I got out of the hospital, I did start writing a novel, but the book was so transparently about me that I stopped. — Brent Runyon

I tried to imagine myself as an old lady, grey and wrinkled, with my life behind me. And suddenly I knew what I wanted. Not in the details, but the broad sweep of things. I wanted my life to be like one of my favourite books: a big, fat novel, each page filled with smallwritten words as though the only way to cram so much life in was to make the writing really small. I wanted to be brave, take risks, make a difference, fall in love. The characters would be colourful, the landscapes exotic. I wanted my life to be a page-turner. — Helen Douglas

For a writer, New York works well. Literary work is very elitist. I worked two hours a day, maximum, and the time after that was very agreeable. I walked a lot with pleasure. Those two hours augmented the day. I wrote more here than in Paris, an entire chapter of a new novel. — Ismail Kadare

After finishing a draft, no matter how rough, I almost always put it aside for a while. It doesn't matter if it's a story or a novel, I find that when it's still fresh in my mind I'm either thoroughly sick of its flaws or completely blind to them. Either way, I'm unable to make substantive edits of any value. — Leslie Jamison

I always try to give good ratings to books I have read unless it is really bad. Being a writer I know how a bad rating feels. Sometimes it is better to encourage a writer rather than discourage them. After all the next book they write could be a World Renown novel like Harry Potter. — William Roach

When I am writing a novel, though, then it's usually three or four hours a day. Ideally, right after lunch until three or four, but sometimes picking up again around ten, going until a touch after midnight. I rarely write in the morning, unless I'm on deadline. I do like rewriting in the morning, though. Guess it's the way my brain's put together. Or, the way it's falling apart. — Stephen Graham Jones

What am I to you?'
Sophiel smiled.
'The sun. You are my sun, like Astrid said. My sun, that lights up my life. That looks after me with its fiery rays. I only have to turn towards it for it to set fire to my heart. — A.O. Esther

Every time that I write a novel I am convinced for at least two years that it is the last one, because a novel is like a child. It takes two years after its birth. You have to take care of it. It starts walking, and then speaking. — Umberto Eco

In books and movies, the stories always end when the two people finally have their romantic kiss. The happily-ever-after part is just assumed — Gayle Forman

Beneath Albright's office, the colliery sprawled across the hillside, red brick buildings scattered as though hurled from a great height, a hotchpotch of mismatched structures spattered on the valley floor. At the bottom stood the winding house, wheels motionless, above it, the engineering sheds and workshops, canteen and bath house. All lay empty. No buzz and hum of machinery. No voices raised in laughter or dispute. Gwyn found it unsettling: his lads had been out a month and a half and already the power had drained from the place. In the stillness, he caught the echo of footsteps. The crunch of boots on gravel. Generations of long-gone Pritchards clocking in and out. He was bound to Blackthorn by the coal that clogged his veins and by a bond of duty. The strike left him as diminished as his pit, day dragging after idle day. — Kit Habianic

It's the opening line of a football game returned for a touchdown. Or fumbled.

It's what orange juice is to breakfast, the first minutes of a blind date, a salesman's opening remarks.

It sets the tone, lights the stage, greases the skids for everything to follow.

It's the most important part of everything you'll ever write because if it doesn't work, whatever follows won't matter. It won't get read.

It's your opening paragraph. And enough can't be said about its importance.

Seduction. That's basically what leads are all about--enticing the reader across the threshold of your book, novel or article--because nothing happens until you get 'em inside.

And you literally have only seconds to do it because surveys show that eight out of ten people quit reading whatever it is they've started after the first fifty words. — Lionel Fisher

He wanted to know about day-to-day life in America, what people ate and what consumed them, what shamed them and what attracted them, but he read novel after novel and was disappointed: — Chimamanda Ngozi Adichie

It was only after five years in the army, when I was having to do a very boring job in a very boring place, that I thought: 'Why not try writing a novel?' partly out of youthful arrogance and partly because there had been a long line of writers in my mother's family. — Antony Beevor

One grim Weltanschauung for this new era was well expressed by the Venetian nationalist demagogue in Michael Dibdin's novel, Dead Lagoon: There can be no true friends without true enemies. Unless we hate what we are not, we cannot love what we are. These are the old truths we are painfully rediscovering after a century and more of sentimental cant. Those who deny them deny their family, their heritage, their culture, their birthright, their very selves! They will not lightly be forgiven. — Samuel P. Huntington

To be fair to them, they were only after something that walled them off from the past and from people in general, not something that offered any connection that might prove painful or human. Thet wanted stories, I came to realise, in which they were already imprisoned, not stories in which they appeared along with the storyteller, accomplices in escaping. — Richard Flanagan

Just about everything significant in my life happened after I passed forty. I was a housewife and mother, but yearned to be a writer. I worked at my writing whenever I could snatch a moment, and I assembled several manuscripts. I was just about forty when my first novel, East Wind, West Wind, was published. Then a few months later came The Good Earth. My career was launched at last, and it has given me the richest possible satisfaction — Pearl S. Buck

He joined Jude in the kitchen and began making a salad, and JB slumped to the dining-room table and started flipping through a novel Jude had left there. "I read this," he called over to him. "Do you want to know what happens in the end?"
"No, JB," said Jude. "I'm only halfway through."
"The minister character dies after all."
"JB!"
After that, JB's mood seemed to improve. — Hanya Yanagihara

After reading Edgar Allan Poe. Something the critics have not noticed: a new literary world pointing to the literature of the 20th Century. Scientific miracles, fables on the pattern A+ B, a clear-sighted, sickly literature. No more poetry but analytic fantasy. Something monomaniacal. Things playing a more important part than people; love giving away to deductions and other forms of ideas, style, subject and interest. The basis of the novel transferred from the heart to the head, from the passion to the idea, from the drama to the denouement. — Jules De Goncourt

Usually after finishing a novel, I have a head full of bad ideas for the next one. — Charles McCarry

Listen.
Dead people never stop talking. Maybe because death is not death at all, just a detention after school. You know where you're coming from and you're always returning from it. You know where you're going though you never seem to get there and you're just dead. Dead. — Marlon James

Well I think after leaving prison, and having written three diaries about life in prison, it became a sort of a new challenge to write another novel, to write a new novel. — Jeffrey Archer

I write all of my novels and stories, as you have seen, in a great surge of delightful passion. Only recently, glancing at the novel, I realized that Montag is named after a paper manufacturing company. And Faber, of course, is a maker of pencils! What a sly thing my subconscious was, to name them thus. And not tell me! — Ray Bradbury

...the experience of reading a novel has certain qualities that remind us of the traditional apprehension of mythology. It can be seen as a form of meditation. Readers have to live with a novel for days or even weeks. It projects them into another world, parallel to but apart from their ordinary lives. They know perfectly well that this fictional realm is not 'real' and yet while they are reading it becomes compelling. A powerful novel becomes part of the backdrop of our lives, long after we have laid the book asie. It is an exercise of make-believe that, like yoga or a religious festival, breaks down barriers of space and time and extends our sympathies, so that we are able to empathise with others lives and sorrows. It teaches compassion, the ability to 'feel with' others. And, like mythology, an important novel is transformative. If we allow it to do so, it can change us forever. — Karen Armstrong

The novel is a highly corrupt medium, after all - in the end the vast majority of them simply aren't that great, and are destined to be forgotten. — Lev Grossman

Hi, I have just added my new novel, "Incessant Expectations" for your reading enjoyment. It is about commercial salmon fishing on the Oregon coast circa 1976. It is fiction. The industry doesn't exist anymore. A young farmer from the dry country in Southwestern Colorado visits the wet Northwestern Oregon coast, seeking a summer job after his dad's farm is sold in the spring. He has spent his first 22 years in isolation, doing hard labor on the family farm. He knows hard work but has little social experience. During his summer of 1976 he learns about the ocean, fishing, and women. — Kenneth Fenter

Jeanne sensed herself becoming more depressed after tweeting. She felt lonely after all of her thoughts had left her and were now staring at her on the Internet. Jeanne sometimes felt fearful of posting her thoughts on twitter. After posting a thought to twitter she sometimes thought, "No, I should have saved that." Jeanne felt unsure as to why she would need to save her thoughts. Maybe she needed to somehow save up all of her thoughts like carnival tickets, and she would be able to one day trade them in for one big, good thing. She could possible trade them in for a giant stuffed animal with a disproportionately large head that is not a trademarked character but very similar looking to a trademarked character.

She thought that if she ever wrote a novel it would be made up of every thought she has ever had. She would title it "One Big Good Thing" even if it were small and bad. — Gabby Bess

The mere fact of my novel being filmed means very little to me. For a long while after 'The Crimson Petal's publication in 2002, it looked as though Hollywood was going to adapt it. — Michel Faber

After the initial critical learning period of youth is over, the areas of the brain that need to be 'turned on' to allow enhanced, long lasting learning can only be activated when something important, surprising, or novel occurs, or if we make the effort to pay close attention. — Norman Doidge

I love the sound of words, the feel of them, the flow of them. I love the challenge of finding just that perfect combination of words to describe a curl of the lip, a tilt of the chin, a change in the atmosphere. Done well, novel-writing can combine lyricism with practicality in a way that makes one think of grand tapestries, both functional and beautiful. Fifty years from now, I imagine I'll still be questing after just that right combination of words. — Lauren Willig

People often need to describe things quickly and so they use a shorthand. The problem is that after they use a label, they begin to think only in terms of the label instead of the totality of the experience a novel provides. — Akhil Sharma

The White Hand did not fry all the brain. He fried some
from the right hemisphere and some from the left. The
remaining brain, The White Hand wrapped in tin foil,
carefully. Tomorrow is, after all, another day, and food should be kept
in storage so it won't go bad. — Siberian Hellhole By Michael Mulvihill

People have quite a simple idea about 'Anna Karenina.' They feel that the novel is entirely about a young married woman who falls in love with a cavalry officer and leaves her husband after much agony, and pays the price for that. — Tom Stoppard

A brief short story may require only a few paragraphs after the climax. On the other hand, in his massive novel 'The World According to Garp,' John Irving's denouement consisted of 10 separate sections, each devoted to an individual character's fate and each almost a story in itself. — Nancy Kress

I've come to realize that however blue my circumstances, if after finishing a chapter of a Dickens novel I feel a miss-my-stop-on-the-train sort of compulsion to read on, then everything is probably going to be just fine. — Amor Towles

A novel is not, after all, a historical document, but a way to travel through the human heart. — Julia Alvarez

Day after day we read about them, each new man more brilliant than the last. They were not just an all-star first team, but an all-star second team as well. There were counts kept on how many Rhodes scholars there were in the Administration, how many books by members of the new Administration (even the Postmaster, J. Edward Day, had written a novel, albeit a bad one). — David Halberstam

The internet. Can we trust in that? Of course not. Give it six months and we'll probably discover Google's sewn together by orphans in sweatshops. Or that Wi-Fi does something horrible to your brain, like eating your fondest memories and replacing them with drawings of cross-eyed bats and a strong smell of puke. There's surely a great dystopian sci-fi novel yet to be written about a world in which it's suddenly discovered that wireless broadband signals deaden the human brain, slowly robbing us of all emotion, until after 10 years of exposure we're all either rutting in stairwells or listlessly reversing our cars over our own offspring with nary the merest glimmer of sympathy or pain on our faces. It'll be set in Basingstoke and called, Cuh, Typical. — Charlie Brooker

Characters simply come and find me. They sit down, I offer them a coffee. They tell me their story and then they almost always leave. When a character, after drinking some coffee and briefly telling her story, wants dinner and then a place to sleep and then breakfast and so on, for me the time has come to write the novel. — Dacia Maraini

It's just the garbage in/garbage out trick. If you're not taking any fiction in, good or bad, then how can you be spitting any back out (good or bad)? I can't even imagine trying to write without reading. Really, I can hardly write a novel at all if I'm not reading just book after book. — Stephen Graham Jones

It seems important to me that beginning writers ponder this - that since 1964, I have never had a book, story or poem rejected that was not later published. If you know what you are doing, eventually you will run into an editor who knows what he/she is doing. It may take years, but never give up. Writing is a lonely business not just because you have to sit alone in a room with your machinery for hours and hours every day, month after month, year after year, but because after all the blood, sweat, toil and tears you still have to find somebody who respects what you have written enough to leave it alone and print it. And, believe me, this remains true, whether the book is your first novel or your thirty-first. — Joseph Hansen

My dear friend, I may be dense,' replied Humblot after having taken a brief and clearly bewildering glance at the opening of the novel, 'but I fail to see why a chap needs thirty pages to describe how he tosses and turns in bed before falling asleep. — Alain De Botton

The choreographic process is exhausting. It happens on one's feet after hours of work, and the energy required is roughly the equivalent of writing a novel and winning a tennis match simultaneously. — Agnes De Mille

Alice Adams wrote a sweet note to me after my first novel came out when I was 26, and I was so blown away that I sent her a bunch of stamps by return mail. I have no idea what I was thinking. It was a star-struck impulse. — Anne Lamott

A major boom in real stock prices in the U.S. after 'Black Tuesday' brought them halfway back to 1929 levels by 1930. This was followed by a second crash, another boom from 1932 to 1937, and a third crash. Speculative bubbles do not end like a short story, novel, or play. There is no final denouement that brings all the strands of a narrative into an impressive final conclusion. In the real world, we never know when the story is over. — Robert J. Shiller

Many years from now when your children ask what New York City was like just after 9/11, this will be the book you give them in response. It's an exquisite novel full of heart, soul, passion and intelligence, and it's the one this great New York author was born to write. — Lee Child

I was thinking about what I wanted to write next, after my first novel, and had decided that I wanted to write a story with a lot of strong female characters in it. — Joan D. Vinge