Aesthetic Body Quotes & Sayings

We recognize that our progress as a species does not have to be defined in terms of wealth or material and physical growth any more than our progress as individuals has to be defined in terms of physical growth. Physical growth of the body reaches a limit, but the character and the soul of the individual continues to grow, or at least has a chance to continue, often to our last breath. It is simple minded to define our well being in material terms, when that well-being has an aesthetic dimension, and intellectual dimension, a moral dimension. — Wes Jackson

Our entire being is fashioned as an instrument of praise. Just as a master violin maker designs an instrument to produce maximum aesthetic results, so God tailor-made our bodies, souls and spirits to work together in consonance to produce pleasing expressions of praise and worship. When we use body language to express praise, that which is internal becomes visible. — LaMar Boschman

A woman's beauty lies, not in any exaggeration of the specialized zones, nor in any general harmony that could be worked out by means of the sectio aurea or a similar aesthetic superstition; but in the arabesque of the spine. The curve by which the back modulates into the buttocks. It is here that grace sits and rides a woman's body. — John Updike

Every human body has its optimum weight and contour, which only health and efficiency can establish. Whenever we treat women's bodies as aesthetic objects without function we deform them. — Germaine Greer

In the popular imagination hairiness is like furriness, an index of bestiality, and as such an indication of aggressive sexuality. Men cultivate it, just as they are encouraged to develop competitive and aggressive instincts, women suppress it, just as they suppress all the aspects of their vigour and libido. — Germaine Greer

Even as a child I was fascinated by death, not in a spiritual sense, but in an aesthetic one. A hamster or guinea pig would pass away, and, after burying the body, I'd dig it back up: over and over, until all that remained was a shoddy pelt. It earned me a certain reputation, especially when I moved on to other people's pets. "Igor," they called me. "Wicked, spooky." But I think my interest was actually fairly common, at least among adolescent boys. At that age, death is something that happens only to animals and grandparents, and studying it is like a science project. — David Sedaris

A crucial point here is that understanding is not only a matter of reflection, using finitary propositions, on some preexistent, already determinate experience. Rather, understanding is the way we "have a world," the way we experience our world as a comprehensible reality. Such understanding, therefore, involves our whole being - our bodily capacities and skills, our values, our moods and attitudes, our entire cultural tradition, the way in which we are bound up with a linguistic community, our aesthetic sensibilities, and so forth. I short, our understanding is our mode of "being in the world." It is the way we are meaningfully situated in our world through our bodily interactions, our cultural institutions , our linguistic tradition, and our historical context. Our more abstract reflective acts of understanding (which may involve grasping of finitary propositions) are simply an extension of our understanding in this more basic sense of "having a world. — Mark Johnson

A decayed body is not made the least more aesthetic by a brilliant mind, indeed the highest intellectual training could not be justified if its bearers were at the same time physically degenerate and crippled, weak-minded, wavering and cowardly individuals. What make the Greek ideal of beauty a model is the wonderful combination of the most magnificent physical beauty with brilliant mind and noblest soul. — Adolf Hitler

I don't spend time thinking about an aesthetic out of which I create or an ideal toward which my body of work is heading. It's amazing, when I read interviews with other poets, to see how articulately they discuss their own writing, as if they were sharing long-held theories on the work of Pope or Keats. I'm happy enough that I've poured the best of myself into the poems themselves. — Albert Goldbarth

When I saw them on the beach, perfectly tanned, or when I watched them twirling in the waves, I grasped the transcendental element in surf music. It was all about freedom from the rules of life, the whole of your being concentrated in the act of shooting the tube. For several years after that trip to L.A. I subscribed to Surfer magazine, and I practiced the Atlantic Ocean version of the sport, though only with my body and on rather tame waves. With my voice muffled by the water I would shout a line from "Surf City." To me, this was the ultimate fantasy of plenty: "two girls for every boy," except I sang it as "Two girls for every goy." Fortunately, Brian has survived the schizoid tendencies that seemed close to the surface when I met him. He's still performing and writing songs. But it was his emotional battle and the intersection of that struggle with the acid-dosed aesthetic of the sixties that produced his most astonishing music. — Richard Goldstein

Art is aesthetic communication of the soul - in fact, it's the best of that communication - and taken in its entirety has formed a body of work to stand alongside Science and Religion as one of the three great constructs of culture to aid the individual in his or her struggle to survive in Nature. — Anthony Marais

Merleau-Ponty's painting inhabits the same rhetoric as early cinema: it makes the invisible visible, or rather it makes visibility visible; it forms from the thresholds of the visible and invisible world, an order, mode, or aesthetic of visuality. Not only of the small or fast, but of visibility as such. The visuality of the visible and the invisible is found in the mixture of the body and its world, of your body and your world, all your worlds, all your bodies in this world and all those others. Painting is the process by which the visuality of the visible and invisible is made manifest: "Painting mixes up all our categories in laying out its oneiric universe of carnal essences, of effective likenesses, of mute meanings." Each painting is a universal archive, a picture of the universe, a universal image - and like a dream. — Akira Mizuta Lippit

Somaaesthetics can be provisionally defined a the critical meliorative study of one's experience and use of one's body as a locus of sensory-aesthetic appreciation (aesthesis) and creative self-fashioning. It is therefore also devoted to the knowledge, discourses, and disciplines that structure such somatic care or can improve it. — Richard Shusterman

The superhero aesthetic is all about the human form and showing the body, whether they be female or male. — Oscar Isaac

IN PERSIA I SAW that poetry is meant to be set to music & chanted or sung
for one reason alone
because it works.
A right combination of image & tune plunges the audience into a hal (something between emotional/aesthetic mood & trance of hyperawareness), outbursts of weeping, fits of dancing
measurable physical response to art. For us the link between poetry & body died with the bardic era
we read under the influence of a cartesian anaesthetic gas. — Hakim Bey

The internationalization of art becomes a factor contributing to the estrangement of art from the artist. The sum of works of all times and places stands against him as an entity with objectives and values of its own. In turn, since becoming aware of the organized body of artworks as the obstacle to his own aesthetic self-affirmation, the artist is pushed toward anti-intellectualism and willful dismissal of the art of the past. — Harold Rosenberg

There is a "yoga body" aesthetic, which is long and sinewy. I am curvy. I get praised on a regular basis, with people telling me, "Wow, you're so brave," simply for showing my curvy body. Being brave is going to war; being curvy is not brave. We need to be careful with how we use our words. — Kathryn Budig

shoes are supreme symbols of aesthetic, and hence by extension psychological, compatibility. Certain areas and coverings of the body say more about a person than others: shoes suggest more than pullovers, thumbs more than elbows, underwear more than overcoats, ankles more than shoulders. 7. — Alain De Botton

It had been in a Paris house, with many people around, and my dear friend Jules Darboux, wishing to do me a refined aesthetic favor, had touched my sleeve and said, "I want you to meet-" and led me to Nina, who sat in the corner of a couch, her body folded Z-wise, with an ashtray at her heel, and she took a long turquoise cigarette holder from her lips and joyfully, slowly exclaimed, "Well, of all people-" and then all evening my heart felt like breaking, as I passed from group to group with a sticky glass in my fist, now and then looking at her from a distance (she did not look ... ), and listening to scraps of conversation, and overheard one man saying to another, "Funny, how they all smell alike, burnt leaf through whatever perfume they use, those angular dark-haired girls," and as it often happens, a trivial remark related to some unknown topic coiled and clung to one's own intimate recollection, a parasite of its sadness. — Vladimir Nabokov

I'm actually happier with my body now ... because the body I have now is the body I've worked for. I have a better relationship with it. From a purely aesthetic point of view, my body was better when I was 22, 23. But I didn't enjoy it. I was too busy comparing it to everyone else's. — Cindy Crawford