Quotes & Sayings About Adverbs
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Top Adverbs Quotes
This is love, and the trouble with it: it can make you embarrassed. Love is really liking someone a whole lot and not wanting to screw that up. Everybody's chewed this over. This unites us, this part of love. — Daniel Handler
A very long sentence, anchored in solid nouns, with countless subordinate clauses, scores of adjectives and adverbs, and bold conjunctions that launched the sentence in a new direction
besides unexpected interludes
has finally, with a surprisingly quiet full stop, come to an end. — Yann Martel
Both of our memories were deteriorating, and in recent years the effort required to recall a name or incident felt almost wearyingly physical, like clearing out an attic. Proper nouns were particularly elusive. Adverbs and adjectives would go next, until we were left with pronouns and imperative verbs. Eat! Walk! Sleep now! — David Nicholls
And when you write a poem within the accepted poem-form, making it sound like a poem because a poem is a poem is a poem, you are saying "good morning" in that poem, and well, your morals are straight and you have not said SHIT, but wouldn't it be wonderful if you could ... instead of sweating out the correct image, the precise phrase, the turn of a thought ... simply sit down and write the god damned thing, throwing on the color and sound, shaking us alive with the force, the blackbirds, the wheat fields, the ear in the hand of the whore, sun, sun, sun, SUN!; let's make poetry the way we make love; let's make poetry and leave the laws and the rules and the morals to the churches and the politicians; let's make poetry the way we tilt the head back for the good liquor; let a drunken bum make his flame, and some day, Robert, I'll think of you, pretty and difficult, measuring vowels and adverbs, making rules instead of poetry. — Charles Bukowski
We laughed the rest of the way, because the point of this story is, it is not the cookies. It is the love. — Daniel Handler
He thought she knew what he meant, but the biggest mistake you can make is thinking they know what you mean. — Daniel Handler
During my sixteen years as a teacher of writing, I removed many adverbs and adverbial phrases from students' writing. I decided long ago that a writer who needlessly modifies words is either a nervous writer who does not believe in the worth of what they are writing or a vain writer who wants to be seen as discriminating and sensitive to nuances or meaning. — Gerald Murnane
I get imaginative with a mouth full of adjectives,
A brain full of adverbs, and a box full of laxatives,
Shittin' on rappers, causin' hospital accidents. — Eminem
The question that arises as we use all these adjectives and adverbs to describe our physicians as we approach a Supreme Court nominee is where are we in America when we decide that it's legal to kill our unborn children? — Tom Coburn
Breathe deep."
"Deeply," I forced out through my tingling mouth.
"What?"
"Deeply. Adverbs follow verbs."
"Seriously? You're giving me a grammar lesson in the middle of your barfing? — Rachel Hawthorne
Don Basilio was a forbidding-looking man with a bushy mustache who did not suffer fools and who subscribed to the theory that the liberal use of adverbs and adjectives was the mark of a pervert or someone with a vitamin deficiency. — Carlos Ruiz Zafon
To take a few nouns, and a few pronouns, and adverbs and adjectives, and put them together, ball them up, and throw them against the wall to make them bounce. That's what Norman Mailer did. That's what James Baldwin did, and Joan Didion did, and that's what I do - that's what I mean to do. — Maya Angelou
Younger women tend to be busier, wearing more layers and more make-up. I don't know if it's because older women are more confident, or just that we don't care any more. But that pared-down approach is the same with the sentences I write; I take out adjectives and adverbs and keep the description to a minimum. — Tracy Chevalier
We write every day, we fight every day, we think and scheme and dream a little dream every day. manuscripts pile up in the kitchen sink, run-on sentences dangle around our necks. we plant purple prose in our gardens and snip the adverbs only to thread them in our hair. we write with no guarantees, no certainties, no promises of what might come and we do it anyway. this is who we are. — Tahereh Mafi
No, when you love someone you spend hours and hours with them, and even the mightiest forces in the netherworld could not say whether the hours you spend increase your love or if you simply spend more hours with someone as your love increases. — Daniel Handler
During that reading, the top part of my mind is concentrating on story and toolbox concerns: knocking out pronouns with unclear antecedents (I hate and mistrust pronouns, every one of them as slippery as a fly-by-night personal-injury lawyer), adding clarifying phrases where they seem necessary, and of course, deleting all the adverbs I can bear to part with (never all of them; never enough). Underneath, — Stephen King
For two years I have refused to answer idle questions on the order of "Is your novel an open work or not?" How should I know? That is your business, not mine. Or "With which of your characters do you identify?" For God's sake, with whom does an author identify? With the adverbs, obviously. — Umberto Eco
I'm glad you like adverbs - I adore them; they are the only qualifications I really much respect. — Henry James
There was a noise above us like an airplane zoom, but it was getting too dark to see. People started laying on the horn, braying like bad geese in a panic. "I am here," Lila said with a trembly smile. Our driver's ed teacher had told us that's what the horn should mean. Not Move along, buddy or I am displeased but I am here. I am here, I am here, I am here! — Daniel Handler
I am such a person of words. I've spent so much of my life trying to get it right, say it right, say it eloquently, say it truthfully, say it honestly, that when I hear it said in ways that none of those adverbs would describe I find myself so repelled that it almost shuts my mind off. — Frederick Buechner
Nouns and verbs are the guts of the language. Beware of covering up with adjectives and adverbs. — A.B. Guthrie Jr.
Is this a case of "Do as I say, not as I do?" The reader has a perfect right to ask the question, and I have a duty to provide an honest answer. Yes. It is. You need only look back through some of my own fiction to know that I'm just another ordinary sinner. I've been pretty good about avoiding the passive tense, but I've spilled out my share of adverbs in my time, including some (it shames me to say it) in dialogue attribution. (I have never fallen so low as "he grated" or "Bill jerked out," though.) When I do it, it's usually for the same reason any writer does it: because I am afraid the reader won't understand me if I don't. I'm convinced that fear is at the root of most bad writing. — Stephen King
And there was never a better time to delve for pleasure in language than the sixteenth century, when novelty blew through English like a spring breeze. Some twelve thousand words, a phenomenal number, entered the language between 1500 and 1650, about half of them still in use today, and old words were employed in ways not tried before. Nouns became verbs and adverbs; adverbs became adjectives. Expressions that could not have grammatically existed before - such as 'breathing one's last' and 'backing a horse', both coined by Shakespeare - were suddenly popping up everywhere. — Bill Bryson
Consider the sentence "He closed the door firmly." It's by no means a terrible sentence (at least it's got an active verb going for it), but ask yourself if firmly really has to be there. You can argue that it expresses a degree of difference between "He closed the door" and "He slammed the door," and you'll get no argument from me . . . but what about context? What about all the enlightening (not to say emotionally moving) prose which came before "He closed the door firmly?" Shouldn't this tell us how he closed the door? And if the foregoing prose does tell us, isn't firmly an extra word? Isn't it redundant? — Stephen King
The road to hell is paved with adverbs. — Stephen King
The writer has to take the most used, most familiar objects - nouns, pronouns, verbs, adverbs - ball them together and make them bounce, turn them a certain way and make people get into a romantic mood; and another way, into a bellicose mood. I'm most happy to be a writer. — Maya Angelou
I am dead to adverbs; they cannot excite me. To misplace an adverb is a thing which I am able to do with frozen indifference; it can never give me a pang. There are subtleties which I cannot master at all - they confuse me, they mean absolutely nothing to me - and this adverb plague is one of them. — Mark Twain
Adjectives are the sugar of literature and adverbs the salt. — Henry James
Why haven't we fixed sick yet? You scientists there
put down those starfish and HELP us. I hereby demand that all the people who are good at math make the world free of illness. The rest of us will write you epic poems and staple them together into a booklet. — Daniel Handler
The Hebrews have a saying that God is more delighted in adverbs than in nouns; it is not so much the matter that is done, but the matter how it is done, that God minds. Not how much, but how well! It is the well-doing that meets with a well-done. Let us therefore serve God, not nominally or verbally, but adverbially. — Ralph Venning
Overuse at best is needless clutter; at worst, it creates the impression that the characters are overacting, emoting like silent film stars. Still, an adverb can be exactly what a sentence needs. They can add important intonation to dialogue, or subtly convey information. — Howard Mittelmark
I have no policy, for or against: only a personal style. Which is to say, I use them when I think it's appropriate to; for example, an internal monologue by a locquacious and verbose narrator is more likely to be larded with adverbs than an exchange of instant messages between cops at a crime scene. — Charles Stross
Cross out as many adjectives and adverbs as you can. — Anton Chekhov
Y
That perfect letter. The wishbone, fork in the road, empty wineglass. The question we ask over and over. Why? Me with my arms outstretched, feet in first position. The chromosome half of us don't have. Second to last in the alphabet: almost there. Coupled with an L, let's make an adverb. A modest X, legs closed. Y or N? Yes, of course. Upside-down peace sign. Little bird tracks in the sand.
Y, a Greet letter, joined the Latin alphabet after the Romans conquered Greece in the first century
a double agent: consonant and vowel. No one used adverbs before then, and no one was happy. — Marjorie Celona
And then he has nothing to do. After three weeks-or is it a lifetime?-of ceaseless activity, he has nothing to do. A very long sentence, anchored in solid nouns, with countless subordinate clauses, scores of adjectives and adverbs, and bold conjunctions that launched the sentence in a new direction-besides unexpected interludes-has finally, with a surprisingly quiet full stop, come to an end. For an hour or so, sitting outside on the landing at the top of the stairs, nursing a coffee, tired, a little relieved, a little worried, he contemplates that full stop. What will the next sentence bring? — Yann Martel
There's enough adverbs in the world for you to start creating new ones. — Christopher Owens
Using adverbs is a mortal sin. — Elmore Leonard
A preposition is a word that shows a relationship between its object and another word in the sentence. Examples: By grace are ye saved through faith. (Ephesians 2:8a) These two prepositions introduce phrases that tell us how individuals are saved: By grace and through faith. Both prepositional phrases are used as adverbs because they modify the verb are saved. — Shirley M. Forsen
Don Basilio was a severe, forbidden-looking man who did not suffer fools and who subscribed to the theory that the liberal use of adverbs and adjectives was the mark of a pervert or of someone with a vitamin deficiency. — Carlos Ruiz Zafon
It is not the diamonds or the birds, the people or the potatoes; it is not any of the nouns. The miracle is the adverbs, the way things are done. It is the way love gets done despite every catastrophe. — Daniel Handler
I think the best way to put it is that newspictures are the noun and the verb; our kind of photography is the adjective and adverb. The newspicture is a single frame; ours, a subject viewed in series. The newspicture is dramatic, all subject and action. Ours shows what's back of the action. — Roy Stryker
Adverbs are cholesterol in the veins of prose. Halve your adverbs and your prose pumps twice as well. — David Mitchell
The miracle is the adverbs. The way things are done. — Daniel Handler
Write with nouns and verbs, not with adjectives and adverbs. The adjective hasn't been built that can pull a weak or inaccurate noun out of a tight place. — E.B. White
I want to make you really happy."
My heart fluttered. "Really happy?"
He dropped his hands to my outer thighs, his long fingers slipping under the material. "Exceedingly, insanely happy."
I was breathless. "There you go again with the adverbs.
His hands inched up, causing heat to flood my body. "You love it when I whip out the adverbs."
"Maybe."
He trailed his lips in a hot line down my throat. "Let me make you exceedingly, insanely happy, Kat. — Jennifer L. Armentrout
How many happy people do you think there are in the world? Twelve? — Daniel Handler
It becomes a matter to be put to the test of battle, when someone makes a conjunction of a word which belongs in the bailiwick of the adverbs. — Erasmus
Adverbs is a book about love, and I thought that was pretty cheerful, but people who are reading it now are telling me that it's actually quite dark. — Daniel Handler
Empty your knapsack of all adjectives, adverbs and clauses that slo your stride and weaken your pace. Travel light. Remember the most memorable sentences in the English language are also the shortest: "The King is dead" and "Jesus wept." — Bill Moyers
I think I can say without fear of inaccuracy that description is my strong point. Possibly this fact is central to my feeling excluded and so on in what might be called "the scene." There appears to be a particular divide in literature that has "description" and all it implies, as its focus. Some people hate "fancy writing," and just want to "cut to the chase," and so on. This attitude deeply irritates me. If you can't try and take words to their limit in the field of literature, then where can you? I actually think that variety is good, but it's usually the enemies of "fancy writing" who also seem to deplore variety and believe that there's only one way to write - without adverbs etc. etc. — Quentin S. Crisp
The English language has been thrust upon Americans. And it is wrong. As static and immobile as are the English, just so ever-moving are Americans. Here is a huge country. Not a mere island. Naturally people move. And they need a moving language. A language that can interpret American life. Nouns and adjectives won't express American life. They are too weak, too immobile. But verbs, adverbs, prepositions and the like, ah, they are moving, just as Americans. Obviously we cannot suddenly junk the English language and adopt some other tongue. English is too connotative, too close to us. Our problem is to adapt the English language to American needs. To make it move with us Americans. That is the problem
to write things as they are, not as they seem. our aim must be not to explain things, but to write the thing itself, and thereby in itself be self explanatory. — Gertrude Stein
You can argue that it expresses a degree of difference between He closed the door and He slammed the door, and you'll get no argument from me . . . . but what about context? What about all the enlightening (not to say emotionally moving) prose which came before He closed the door firmly? Shouldn't this tell us how he closed the door? And if the foregoing prose does tell us, isn't firmly an extra word? Isn't it redundant? Someone out there is now accusing me of being tiresome and anal-retentive. I deny it. I believe the road to hell is paved with adverbs, and I will shout it from the rooftops. — Stephen King
All I ask is that you do as well as you can, and remember that, while to write adverbs is human, to write he said or she said is divine. — Stephen King
If you are using an adverb, you have got the verb wrong. — Kingsley Amis
Ah! I--to you, Petrovitch, this--" It must be known that Akakiy Akakievitch expressed himself chiefly by prepositions, adverbs, and scraps of phrases which had no meaning whatever. — Nikolai Gogol
If you've used adverbs, look at them carefully. Adverbs are the weakest words; verbs are the strongest. Many, many times I've found that I have the wrong verb so I'm attempting to cheat and modify the wrong verb by using an adverb. — Chris Offutt
I believe the road to hell is paved with adverbs, and I will shout it from the rooftops. To put it another way, they're like dandelions. If you have one on your lawn, it looks pretty and unique. If you fail to root it out, however, you find five the next day ... fifty the day after that ... and then, my brothers and sisters, your lawn is totally, completely, and profligately covered with dandelions. By then you see them for the weeds they really are, but by then it's - GASP!! - too late. — Stephen King