Adorno Music Quotes & Sayings
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Top Adorno Music Quotes
I know you can live your life without all of those things, but can you really live your life without Jack? -Gran — J. Sterling
I have always used the world of make-believe with a certain desperation. — Ruth Benedict
She thought of Aziza's stutter, and of what Aziza had said earlier about fractures and powerful collisions deep down and how sometimes all we see on the surface is a slight tremor. — Khaled Hosseini
Words are really beautiful, but they're limited. Words are very male, very structured. But the voice is the netherworld, the darkness, where there's nothing to hang onto. The voice comes from a part of you that just knows and expresses and is. — Jeff Buckley
I have learned that the kindness of a teacher, a coach, a policeman, a neighbor, the parent of a friend, is never wasted. These moments are likely to pass with neither the child nor the adult fully knowing the significance of the contribution. No ceremony attaches to the moment that a child sees his own worth reflected in the eyes of an encouraging adult. Though nothing apparent marks the occasion, inside that child a new view of self might take hold. He is not just a person deserving of neglect or violence, not just a person who is a burden to the sad adults in his life, not just a child who fails to solve his family's problems, who fails to rescue them from pain or madness or addiction or poverty or unhappiness. No, this child might be someone else, someone whose appearance before this one adult revealed specialness or lovability, or value. — Gavin De Becker
Bob slid his chair back and moved the coal-oil lamp from the kitchen to the sitting room. He said, "Oftentimes things seem impossible up until they're attempted." Then he lidded the chimney glass with his palm and suffocated the light. — Ron Hansen
Mahler was a poor yea-sayer. His voice cracks, like Nietzsche's, when he proclaims values, speaks from mere conviction, when he himself puts into practice the abhorrent notion of overcoming on which the thematic analyses capitalise, and makes music as if joy were already in the world. His vainly jubilant movements unmask jubilation; his subjective incapacity for the happy end denounces itself. — Theodor W. Adorno
