Act Of Story Quotes & Sayings

Who hurts the most? In the world you have invented, who suffers the most? Chances are that it is among the characters who are in pain that you will find your main character, partly because your readers' sympathy will be drawn toward a suffering character and partly because a character in pain is a character who wants things to change. He's likely to act. Of course, a character who suffers a lot and then dies won't be a productive main character unless your story is about life after death. But your eye should be drawn toward pain. Stories about contented people are miserably dull. — Orson Scott Card

The anxiety of the sexual act is my sexual act: a love story. — Melissa Broder

I must have wondered if the police were right, if the entire story was a figment of my imagination. This is the worst impact of severe trauma: the victim loses faith in the evidence of her own senses. And this is the great gift Paul Macone gave to me. He believed what I told the police back then. He believed me enough to try to solve the case, and he did.
Perhaps because I've sought out evil in this world, attempting to understand and tame it, I am particularly moved by goodness. There is a light that animates an act of generosity, when a person is kind - not to call attention to his own goodness, or to make a pact with God, but just because he feels it's right. I see this light in Paul Macone. Still, his kindness is almost too much to bear. I feel shy around him, despite this conversation. I even feel shy writing this down. (184) — Jessica Stern

The Cuban Liberty and Democratic Solidarity or Libertad Act of 1996, better known as the Helms-Burton Act, was passed by the 104th United States Congress on March 6, 1996 and enacted into law by President Bill Clinton on March 12, 1996. Its intention was to bolster and continue the United States embargo against Cuba. It also opposes Cuban membership in international institutions, and prohibits commercial television broadcasts from the United States to Cuba. Further, the law provides for protection of the property rights of certain United States nationals and the property formerly owned by U.S. citizens but confiscated by Cuba after the Cuban revolution, The Act is named for the original sponsors, Senator Jesse Helms of North Carolina, and Representative Dan Burton of Indiana. — Hank Bracker

They saw me and screamed in terror, not knowing that I was gay and full of rainbows! I let them run for now because soon they would know my story and how nice I really was inside even though I looked like a big scary bear. Maybe they got scared seeing my enormous dong, so I stopped at a clothing store and put on a tuxedo so maybe people would know that I was a class act. — Monsieur Loads

The telling and the hearing of a story is not a simple act. The one who tells must reach down into deeper layers of the self, reviving old feelings, reviewing the past. Whatever is retrieved is reworked into a new form, one that narrates events and gives the listener a path through these events that leads to some fragment of wisdom. The one who hears takes the story in, even to a place not visible or conscious to the mind, yet there. In this inner place a story from another life suffers a subtle change. As it enters the memory of the listener it is augmented by reflection, by other memories, and even the body hearing and responding in the moment of the telling. By such transmissions, consciousness is woven. — Susan Griffin

We grew up watching Woody Allen and Albert Brooks movies, and we see this neurotic, annoying, unlikeable male at the center of a story, and people root for him anyway. I think that's really what we have been craving as women is the hero who doesn't look perfect and doesn't act perfectly. — Jill Soloway

The poet should even act his story with the very gestures of his personages. Given the same natural qualifications, he who feels the emotions to be described will be the most convincing; distress and anger, for instance, are portrayed most truthfully by one who is feeling them at the moment. Hence it is that poetry demands a man with a special gift for it, or else one with a touch of madness in him; the former can easily assume the required mood, and the latter may be actually beside himself with emotion. — Aristotle.

Each of us has a sophisticated system that throws away most of our experiences, keeps only a few choice samples, mixes them up with bits from movies we've seen, novels we've read, speeches we've heard, and daydreams we've savoured, and out of all that jumble it weaves a seemingly coherent story about who I am, where I came from and where I am going. This story tells me what to love, whom to hate and what to do with myself. This story may even cause me to sacrifice my life, if that's what the plot requires. We all have our genre. Some people live a tragedy, others inhabit a never-ending religious drama, some approach life as if it were an action film, and not a few act as if in a comedy. But in the end, they are all just stories. What, — Yuval Noah Harari

I think the success of every novel - if it's a novel of action - depends on the high spots. The thing to do is to say to yourself, 'Which are my big scenes?' and then get every drop of juice out of them. The principle I always go on in writing a novel is to think of the characters in terms of actors in a play. I say to myself, if a big name were playing this part, and if he found that after a strong first act he had practically nothing to do in the second act, he would walk out. Now, then, can I twist the story so as to give him plenty to do all the way through? — P.G. Wodehouse

He's been looking at my file. So the question has to be right there on the tip of his tongue right about now, waiting to be spoken. But he keeps up the 'act professional' charade, makes it feel like he sees this kind of thing all the time, but in reality he's having a little fun with it. I'm the story he's going to tell at a bar after making my name anonymous. I'm the case study that's going to become dinner conversation when he takes some rich bitch out next week. He's going to do it to make himself look well-balanced, prove how normal he is in a world full of weirdoes. In short, he's going to look 'normal' at my expense. — Cyma Rizwaan Khan

Telling other people our life story changes us in a startling and profound way. The act of telling demands selection, prioritization, evaluation, and synthesis, which intellectual activities increase understanding, make us more sensitive to key distinctions in principles, and expand our empathy for other people. — Kilroy J. Oldster

The act of writing involves documenting and studiously examining interactions of all aspects of the self, the environment, and culture. Writing is an illustrious act of self-expression. Writing resembles a 'coming of the age' story because the ongoing process of defining a person's personality and character is representative of the synergistic product of the continuous and cumulative interaction of an organic self with the world, the constant process of developing psychological, social, cognitive and ethical self. — Kilroy J. Oldster

Your only guidepost is your own instinct and judicious editing. In my stand-up act I learned that in the first 10 minutes I could say anything and it would get a laugh. Then I'd better deliver. In the movie it's the same thing. You get a lot of laughs when people first sit down and then the story better kick in. Many years in front of an audience, I would hope, give me a sense of what works. — Steve Martin

If Janet Jackson does the story of her life and I'm still young enough, I am there. No one can pull her off like I can. I have a dance background. I'm definitely not cutting an album anytime soon, but I can lip-synch all day. I can't sing, but I can act like it very well. — Keshia Knight Pulliam

I took many notes, more than usual before I sat down and wrote Act One, Scene One. I had perhaps eighty pages of notes ... I was so prepared that the script seemed inevitable. It was almost all there. I could almost collate it from my notes. The story line, the rather tenuous plot we have, seemed to work out itself. It was a very helpful way to write, and it wasn't so scary. I wasn't starting with a completely blank page. — Charles Busch

What's your story? It's all in the telling. Stories are compasses and architecture; we navigate by them, and to be without a story is to be lost in the vastness of world that spreads in all directions like arctic tundra or sea ice. To love someone is to put yourself in their place, we say, which is to put yourself in their story, or figure out how to tell yourself their story. Which means that a place is a story, and stories are geography, and empathy is first of all an act of imagination, a storyteller's art, and then a way of traveling from here to there. — Rebecca Solnit

There's a small percentage of people who can act. There's a small percentage who get to do this for a living. There's a swath of the population that are able to keep a story in their head and fight all the battles against self-consciousness and the surreal unnaturalness of acting in a movie. The technical aspects you can learn fairly quickly. — Tom Hanks

'Cars 2' is about a character learning to be himself. There's times in our lives where people always say, 'Well, you've gotta act differently. You should always be yourself.' That's the emotional core of the story. — John Lasseter

But is it crime or an act of war? Depends on who's telling the story ... — Lavie Tidhar

column writing is an act of chemistry - precisely because you must conjure it up yourself. A column doesn't write itself the way a breaking news story does. A column has to be created. This act of chemistry usually involves mixing three basic ingredients: your own values, priorities, and aspirations; how you think the biggest forces, the world's biggest gears and pulleys, are shaping events; and what you've learned about people and culture - how they react or don't - when the big forces impact them. When — Thomas L. Friedman

Do not despise the small but significant symbolic act. God probably does not want you to reorganize the entire discipline or the entire world of your vocation overnight. Learn to be symbol-makers and story-tellers for the kingdom of God. — N. T. Wright

I'm afraid that the act of writing is so scary and anxiety-filled that I never laugh at all. In fact, when people tell me that such and such a scene or story is comical, I tend to gape. I did not intend comedy - ever, as far as I know. It's probably all a mistake. I am essentially a lugubrious writer. Ha ha! — Cynthia Ozick

Women ought to be religious; faith was the natural fragrance of their minds. The more incredible the things they believed, the more lovely was the act of belief. To him the story of "Paradise Lost" was as mythical as the "Odyssey"; yet when his mother read it aloud to him, it was not only beautiful but true. A woman who didn't have holy thoughts about mysterious things far away would be prosaic and commonplace, like a man. — Willa Cather

I was a news reporter for 16 years, seven of them a foreign correspondent in the Middle East, Africa and the Balkans. Perhaps the most useful equipment I acquired in that time is a lack of preciousness about the act of writing. A reporter must write. There must be a story. The mot juste unarriving? Tell that to your desk. — Geraldine Brooks

New doesn't always look perfect. Like the Easter story itself, new is often messy. New looks like recovering alcoholics. New looks like reconciliation between family members who don't actually deserve it. New looks like every time I manage to admit I was wrong and every time I manage to not mention when I'm right. New looks like every fresh start and every act of forgiveness and every moment of letting go of what we thought we couldn't live without and then somehow living without it anyway. New is the thing we never saw coming - never even hoped for - but ends up being what we needed all along. It — Nadia Bolz-Weber

Writing is an act of discovery in which you peel back the layers of the story as you write it down. — Matt Forbeck

This world is beautiful but badly broken. St. Paul said that it groans, but I love it even in its groaning. I love this round stage where we act out the tragedies and the comedies of history. I love it with all of its villains and petty liars and self-righteous pompers. I love the ants and the laughter of wide-eyed children encountering their first butterfly. I love it as it is, because it is a story, and it isn't stuck in one place. It is full of conflict and darkness like every good story. And like every good story, there will be an ending. I love the world as it is, because I love what it will be. I love it because it spins and tilts, because it's dizzying, because of the night sky and the swirling lights. But I have run too far ahead. We should be more ... philosophical. — N.D. Wilson

Telling our stories is what saves us. The story is enough ... The very act of storytelling, of arranging memory and invention according to the structure of narrative is, by definition, holy. — James Carroll

That file full of letters meant I met with a Special Needs teacher in the hallway to get something called Individualized Attention, and let me tell you, working in the hallway with a teacher is like being the street person of a school. People pass you by, and they act like they don't see you, but three steps away they've got a whole story in their heads about why you're out there instead of in the nice cozy classroom where you belong, Stupid? Unlucky? Unloved? — Esme Raji Codell

The point, the essential quality of the act of reading, now and always, is that it tends to no foreseeable end, to no conclusion. Every reading prolongs another, begun in some afternoon thousands of years ago and of which we know nothing; every reading projects its shadow onto the following page, lending it content and context. In this way, the story grows, layer after layer, like the skin of the society whose history this act preserves. — Alberto Manguel

I suppose you could even argue that the very act of telling a story is an act of faith... — Kim Wright

Many people, after spending a long weekend being stealthily seduced by this grand dame of the South, mistakenly think that they have gotten to know her: they believe (in error) that after a long stroll amongst the rustling palmettoes and gas lamps, a couple of sumptuous meals, and a tour or two, that they have discovered everything there is to know about this seemingly genteel, elegant city. But like any great seductress, Charleston presents a careful veneer of half-truths and outright fabrications, and it lets you, the intended conquest, fill in many of the blanks. Seduction, after all, is not true love, nor is it a gentle act. She whispers stories spun from sugar about pirates and patriots and rebels, about plantations and traditions and manners and yes, even ghosts; but the entire time she is guarded about the real story. Few tourists ever hear the truth, because at the dark heart of Charleston is a winding tale of violence, tragedy and, most of all, sin. — James Caskey

The past doesn't exist except as a memory, a mental story, and though past events aren't changeable, your stories about them are. You can act now to transform the way you tell the story of your past, ultimately making it a stalwart protector of your future. — Martha Beck

Matthews' shout of treason in the House was no random outburst of lunacy, but the last act in an astonishing adventure: one that might indeed have changed the history of Europe. But by this point there was no-one left to confirm the truth of the story. Most of the witnesses were dead, and those who were alive were not interested in talking. — Mike Jay

Men, to act with vigour and effect, must have time to mature measures, and judgment and experience, as to the best method of applying them. They must not be hurried on to their conclusions by the passions, or the fears of the multitude. They must deliberate, as well as resolve. — Joseph Story

I need to give you one last bit of advice in the off chance this rather extraordinary and enviable situation in which you find yourself is actually true- that somehow you've fallen deep down into a Cordova story. I stared back at him. Be the good guy, he said. How do I know I'm the good guy? He pointed at me, nodding. A very wise question. You don't. Most bad guys think they're good. But there are a few signifiers. You'll be miserable. You'll be hated. You'll fumble around in the dark, alone and confused. You'll have little insight as to the true nature of things, not until the very last minute, and only if you have the stamina and the madness to go to the very, very end. But most importantly- and critically- you will act without regard for yourself. You'll be motivated by something that has nothing to do with the ego. You'll do it for justice. For grace. For love. Those large rather heroic qualities only the good have the strength to carry on their shoulders. And you'll listen. — Marisha Pessl

Observing people. A spark of idea for a story sometimes comes from the simple act of observation. — Ika Natassa

In Murakami's short story 'The Kidney-Shaped Stone That Moves Every Day,' the main character is a writer. In describing the act of writing to a tightrope walker, he says, 'What a writer is *supposed* to do is observe and observe and observe again, and put off making judgments to the last possible moment.' I think that is a beautiful description of writing; it lets the world be, but also there is a moment, finally, of some kind of opinion. There is that moment, but to hold it off is a lovely and worthwhile goal. — Aimee Bender

Structure 19. You worried about structure when you came up with your story! If you did, I'm sorry. You missed some of the most joyous moments in writing. Character and story come first. Before anything. Certainly before all that Act One, Two, and Three crapola. When you're teasing out your story, make lots of notes. Think out loud. Talk to a tape recorder. Make more notes. Fill up oceans of 3x5 cards. Write on yellow legal pads. Write on white legal pads. Scribble on napkins or beer coasters. Write down cool stuff for characters to do that may never find its way into the movie. Make notes and more notes and more notes, but do not trouble yourself with structure. Screw structure. Have fun. Structure is for later. For now, just let your incredibly creative mind run free. Make notes about character and plot and story and funny moments and locations you'd like to visit. Tape record dialogue for your — William M. Akers

One of the main reasons I wanted to work on 'World War Z' was because I'm a huge fan of the book, and I love the idea of taking a non-linear story and creating a three-act structure out of it. — Marc Forster

I was watching TV at age 9 or 10, and my mom said that I came from the front room and I told her that I want to act. And she said if you want to do this at 18, then you can. It was a very simple story, yet, I do not even remember the conversation that I had with my mother. Until she reminded me of the story many years later. — Derek Luke

Stephen Schlesinger's Act of Creation tells a dazzling story of the dramatic events that have shaped the world in which we live. Never has a book been more relevant to present dangers and future hopes. — James Chace

This book is a story of encounters between Reef peoples and places, ideas, and environments, over more than two centuries, beginning with James Cook's bewildered voyage through a coral maze and ending with the searing mission of reef scientist John "Charlie" Veron to goad us to act over the impending death of the Reef. — Iain McCalman

Existential anguish derives from the human freedom to think and act, experience love for life, and fear death. We must decide whether we wish to embrace all experience and encounters in life or seek escape from various aspect of human nature. How we resolve to address existential anguish becomes a large part of our personal story. — Kilroy J. Oldster

Little story that changed everything." "How so?" Nathan asked. "Well, the story changed the way I looked at change - from losing something to gaining something - and it showed me how to do it. After that, things quickly improved-at work and in my life. "At first I was annoyed with the obvious simplicity of the story because it sounded like something we might have been told in school. "Then I realized I was really annoyed with myself for not seeing the obvious and doing what works when things change. "When I realized the four characters in the story represented the various parts of myself, I decided who I wanted to act like and I changed. "Later, I passed the story on to some people in our company and they passed it on to others, and soon our business did much better, because most of us adapted to change better. And like me, many people said it helped them in their personal lives. "However there were a few people who said they — Spencer Johnson

It's the story of the City of Women; of how it came to be, how it flourished, and how it was destroyed by a reckless and irrevocable act of mercy. — Louise Carey

...his favorite books, those he'd read over and over so he knew just the lurch his heart would make when he turned the page and encountered the illustration of the despondent dragon under a half-moon or the fervor with which he flipped the final pages of another, the story so vivid he felt his relationship with that book was less an act of reading than a visit, a place he went to. — Keith Miller

Although I've played a wide variety of roles, I've never had the chance to act in a story written specially for me. It's a pity as they are the only stories that really let you reveal your personality. — Grace Kelly

There's nothing fundamentally wrong with people. Given a story to enact that puts them in accord with the world, they will live in accord with the world. But given a story to enact that puts them at odds with the world, as yours does, they will live at odds with the world. Given a story to enact in which they are the lords of the world, they will ACT like lords of the world. And, given a story to enact in which the world is a foe to be conquered, they will conquer it like a foe, and one day, inevitably, their foe will lie bleeding to death at their feet, as the world is now. — Daniel Quinn

At every point in the story of the transmission of biblical material from the original text to today we are dealing with the interaction of men and women with God. At every point, human judgment and human fallibility are involved, as they are in every attempt we make today to act faithfully in new situations. The idea that at a certain point in this long story a line was drawn before which everything is divine word and after which everything is human judgment is absurd. — Lesslie Newbigin

There should be a period of time during each practice session when you perform. Invite some friends in to your practice room and play a passage or a page of something ... What I'm trying to indicate is that each day should contain some amount of performing. You should engage in the deliberate act of story telling each day you practice. Don't only gather information when you practice, spend time imparting it. This is important. — Arnold Jacobs

If I'm serious, yes, I'd like to have done what Shakespeare did ... to act and write. You learn so much from acting. One of our great writers, Alan Bennett, does both supremely well. When I write a story, I tend to speak it aloud as I'm writing it. — Michael Morpurgo

Our task is to announce in deed and word that the exile is over, to enact the symbols that speak of healing and forgiveness, to act body in God's world in the power of the Spirit. Luther's definition of sin was homo incurvatus in se, "humans turned in on themselves." Does the industry in which you find yourself foster or challenge that? You may not be able to change the way your discipline currently works, but that isn't necessarily your vocation. Your task is to find the symbolic ways of doing things differently, planting flags in hostile soil, setting up signposts that say there is a different way to be human. And when people are puzzled at what you are doing, find ways - fresh ways - of telling the story of the return of the human race from its exile, and use those stories as your explanation. — N. T. Wright

Death finally comes, usually in the evening, when something in the raconteur fades out for good and in the midst of his story his eyes fix on the horizon and he trails off into silence, thinking of nothing. For this reason the Phaeacians consider silence an act of kindness, as sacred as guest friendship, a grant of repose to a distant stranger. — Zachary Mason

While we may judge things as good or bad, karma doesn't. It's a simple case of like gets like, the ultimate balancing act, nothing more, nothing less. And if you're deteremined to fix every situation you deem as bad, or difficult, or somehow unsavory, then you rob the person of their own chance to fix it, learn from it, or even grow from it. Some things, no matter how painful, happen for a reason. A reason you or I may not be able to grasp at first sight, not without knowing a person's entire life story - their cumulative past. And to just barge in and interfere, no matter how well-intentioned, would be akin to robbing them of their journey. Something that's better not done. — Alyson Noel

For me, writing is a job. I do not separate the work from the act of writing like two things that have nothing to do with each other. I arrange words one after another, or one in front of another, to tell a story, to say something that I consider important or useful, or at least important or useful to me. — Jose Saramago

The cousin said that Gypsy [Rose Lee] took a full fifteen minutes to peel off a single glove, and that she was so damn good at it he gladly would've given her fifteen more. So this story got me thinking, who was Gypsy Rose Lee? Who could possibly take the simple act of peeling off a glove and make it so riveting that one might be compelled to watch this for a full half-hour? So I began researching, and I came across a series of articles from the year 1940 about Gypsy in Life magazine. — Karen Abbott

My craziest on-set story comes from during the Goonies, when I came up to Spielberg and said that I wanted to climb the walls of the tunnels and that it represented my mother's womb, for some odd reason. I was reading Stanislawski at the time and Spielberg's response was "Why don't you just act." — Josh Brolin

The enormity of problems like hunger and social injustice can certainly motivate us to act. We can be convinced logically of the need for intervention and change. But it is the story of one individual that ultimately makes the difference - by offering
living proof. — John Capecci And Timothy Cage

I once made the mistake of writing a story with David Corbett. The man smoked me. He can delineate the character and personality of an accordion in three strokes. I didn't even know accordions had character. This act of generosity and wisdom from a very good writer will help anyone who is staring at a blank page, any day, any time. Highly recommended. — Luis Alberto Urrea

From The Ghost Wars- on the concept of the Torah as ancient science fiction. "Take the story of the fall of the tower of Babel. Let's say this represents not an act of God, nor a metaphor for this planet's diverse linguistic heritage; but a catastrophic act of terrorism by the Divisionists to sever mankind from the neural net. The internet in this situation becomes mankind's attempt to build a physical replacement for a natural ability long lost. Think of it as a wooden leg or a pacemaker. — Cole J. Davis

When King Lear dies in act five, do you know what Shakespeare has written? He has written, 'He dies.' No more. No fanfare, no metaphor, no brilliant final words. The culmination of the most influential piece of dramatic literature is, 'He dies.' Now I am not asking you to be happy at my leaving but all I ask you to do is to turn the page and let the next story begin.
Mr. Magorium — Suzanne Weyn

About five years ago I saw a mockingbird make a straight vertical descent from the roof gutter of a four-story building. It was an act as careless and spontaneous as the curl of a stem or the kindling of a star. — Annie Dillard

the definition of immortality centered on being remembered. The "living dead" were kept from fading into anonymity by being called to life in communal story, song, and dance. Remembering, whether by written or oral means, is an act of distillation. Some memories fall away; others survive, are embellished, and become stronger with the passage of time. Stories — Milton C. Sernett

Science fiction as a genre has the benefit of being able to act as parable, to set up a story at a remove so you can make a real-world point without people throwing up a wall in front of it. — Joe Haldeman

The Polar Express was the easiest of my picture book manuscripts to write ... Once I realized the train was going to the North Pole, finding the story seemed less like a creative effort than an act of recollection. I felt, like the storys narrator, that I was remembering something, not making it up. — Chris Van Allsburg

A story is not a thing. A story is an act. It only exists in the brief moment of its telling. The question you must ask is what a story has the power to do. The truth of something you do is very different from the truth of something you know. — Matthew J. Kirby

For me, the act of telling the story and showing it to somebody is almost gravy. — Joss Whedon

The brilliant creative core of capitalism ... is the story the entrepreneurs and capital investors tell themselves about the future. How they intend to alter it, what they expect to gain in return, where they will raise the capital to accomplish their vision. Many of their stories turn out to be flawed or mistaken, of course, but the capacity to envision a set of future events and then act to fulfill them is a central source of capitalism's strength and its dominance of society. — William Greider

Maybe this was what Aunt Peg meant all along - returning was a weird thing. You can never visit the same place twice. Each time, it's a different story. By the very act of coming back, you wipe our what came before. — Maureen Johnson

So here is the bad news and the good news. The story of human life on Earth is yet to be determined. If there is to be an Act V, it will depend on whether we humans are willing to make changes in our individual and collective beliefs and behaviors and whether we are able to make these changes in time. — Bruce H. Lipton

Because Trickster is looking to stir things up, to scramble the conventions, to undo history and received notions of what is art and what is not, to sing for his supper, to find and lose himself in the act of entertaining. Trickster haunts the boundary lines, the margins, the secret shelves between the sections in the bookstore. And that is where, if it wants to renew itself in the way that the novel has done so often in its long history, the short story must, inevitably, go. — Michael Chabon

This thing called Patriot Act, through which we abdicated a lot of our civil rights to defend the country against terrorism, it's a four-year story. — Neil Young

Every person's story contains chapters of pain and loss, victory and defeat, love and hate, pride and prejudice, courage and fear, faith and self-distrust, charity and kindness, selfishness and jealously. Every person's story also contains folios of hopefulness and truthfulness, deceit and despair, action and change, passion and compassion, excitement and boredom, birth and creation, mutation and defect, generation and preservation, delusions and illusions, imagination and fantasy, bafflement and puzzlement. What makes a person's selfsame story unique is how he or she organizes the pure and impure forces that comprise them, how they respond to internal and external crisis, if they act in a safeguarding and humble manner, or lead a self-seeking and destructive existence. — Kilroy J. Oldster

The only condition for such brand of more sophisticated rationalism: to believe and act as if one does not have the full story - to be sophisticated you need to accept that you are not so. — Nassim Nicholas Taleb

Defining oneself is a revolutionary act, and, as described in her memoir, Janet Mock fiercely fought to free herself with exquisite bravery and sensitivity. Redefining Realness is full of hope, dreams, and determination. It is a true American girl story. — Michaela Angela Davis

I tend to gravitate toward the "act two," or "act three," or "act four" stories - either things that are underreported, where we think we already know the common narrative, or things that are at the margins of an over-reported story, where we're all so focused in one direction that we're missing something crucial that's unfolding off to the side. — Sarah Stillman

In order that life should be a story or romance to us, it is necessary that a great part of it, at any rate, should be settled for us without our permission. If we wish life to be a system, this may be a nuiseance; but if we wish it to be a drama, it is an essential. It may often happen, no doubt, that a drama may be written by somebody else which we like very little. But we should like it still less if the author came before the curtain every hour or so, and forced on us the whole trouble of inventing the next act. A man has control over many things in his life; he has control over enough things to be the hero of a novel. But if he had control over everything, there would be so much hero that there would be no novel. — G.K. Chesterton

If the writer believes that our life is and will remain essentially mysterious, if he looks upon us as beings existing in a created order to whose laws we freely respond, then what he sees on the surface will be of interest to him only as he can go through it into an experience of mystery itself. His kind of fiction will always be pushing its own limits outward toward the limits of mystery, because for this kind of writer, the meaning of a story does not begin except at a depth where adequate motivation and adequate psychology and the various determinations have been exhausted. Such a writer will be interested in what we don't understand rather than in what we do. He will be interested in possibility rather than probability. He will be interested in characters who are forced out to meet evil and grace and who act on a trust beyond themselves - whether they know clearly what it is they act upon or not. — Flannery O'Connor

That's the thing about choices. They're an act of knowledge, of faith, of love. It's how we make them that sets us apart, because every single day, worlds are colliding, and our choices shape so much more than just our own story. And if we want to change this world for the better, then we must be the best possible version of ourselves, because who we are in each moment is a gift to the universe. This is what the present is: when the sum of one person's past meets a world's collective future. — Sarah Ayoub

Art is central to all our lives, not just the better-off and educated ... I know that from my own story, and from the evidence of every child ever born - they all want to hear and to tell stories, to sing, to make music, to act out little dramas, to paint pictures, to make sculptures. This is born in and we breed it out. And then, when we have bred it out, we say that art is elitist, and at the same time we either fetishize art - the high prices, the jargon, the inaccessibility - or we ignore it. The truth is, artist or not, we are all born on the creative continuum, and that is a heritage and a birthright of all of our lives. — Jeanette Winterson

Our awareness of time affects how we think and act. This is illustrated by the story about the clock in a restaurant window. It "had stopped a few minutes past noon. One day a friend asked the owner if he knew the clock was not running. 'Yes,' replied the restaurant man, 'but you would be surprised to know how many people look at that clock, think they are hungry, and come in to get something to eat."' If only there were some kind of divine timepiece that would arouse a spiritual hunger in people! — James E. Faust

It is the form that allows a writer the greatest opportunity to explore human experience ... For that reason, reading a novel is potentially a significant act. Because there are so many varieties of human experience, so many kinds of interaction between humans, and so many ways of creating patterns in the novel that can't be created in a short story, a play, a poem or a movie. The novel, simply, offers more opportunities for a reader to understand the world better, including the world of artistic creation. That sounds pretty grand, but I think it's true. — Don DeLillo

I suppose the best way to tell the story is simply to narrate it, without an effort to carry belief. The thing did not require belief. It was not a feeling of horror in one's bones, or a misty outline, or anything that needed to be given actuality by an act of faith. It was as solid as a wardrobe. You don't have to believe in wardrobes. They are there, with corners. (The Troll) — T.H. White

So if we're going to keep all kids safe, we have to make incest and child sexual abuse acceptable topics of conversation. When other people want us to keep quiet because the subject makes them uncomfortable, or when someone questions our memory of events, we have to hold to the truth. Sexual abuse of children is preventable! But we can't wait for someone else to act. We're the ones who have to stop this madness. And it starts with each of us telling our story. — Lauren Book

We'll act as if all this were a bad dream.
A bad dream.
To the person in the bell jar, blank and stopped as a dead baby, the world itself is the bad dream.
A bad dream.
I remembered everything.
I remembered the cadavers and Doreen and the story of the fig tree and Marco's diamond and the sailor on the Common and Doctor Gordon's wall-eyed nurse and the broken thermometers and the Negro with his two kinds of beans and the twenty pounds I gained on insulin and the rock that bulged between sky and sea like a gray skull.
Maybe forgetfulness, like a kind snow, would numb and cover them.
But they were part of me. They were my landscape. — Sylvia Plath

There is a theory that watching unbearable stories about other people lost in grief and rage is good for you - may cleanse you of your darkness. Do you want to go down to the pits of yourself all alone? Not much. What if an actor could do it for you? Isn't that why they are called actors? They act for you. You sacrifice them to action. And this sacrifice is a mode of deepest intimacy of you with your own life. Within it you watch [yourself] act out the present or possible organization of your nature. You can be aware of your own awareness of this nature as you never are at the moment of experience. The actor, by reiterating you, sacrifices a moment of his own life in order to give you a story of yours. — Anne Carson

Because women are such potent ingredients of men's imaginations, we see how much power men feel women have over them, and how women must be suppressed, defanged, or idealized in one way or another. How, with Eve, they are often thought to be the root of the evil in the world -which says more about the man or men who wrote that story than about Eve herself. Eve is curious and wants knowledge, not power over others. [...] Both onstage and offstage, women have two levels of understanding concerning how to behave -one, to behave the way men want them to behave and forget that what they want might be different; two, to find out how they really feel and decide whether or not they are going to act on it! — Tina Packer

As I work, I see my writing - each scene, each chapter, each section, each book - in three-act structures and classic myths, and I analyze them through the handy filter of the detective story. — Nick Harkaway

A hakawati is a teller of tales, myths, and fables. A storyteller, and entertainer. A troubadour of sorts, someone who earns his keep by beguiling an audience with yarns. Like the word "hekayah" story, fable, news, hakawati is derived from the Lebanese word "haki", which means talk or conversation. This suggests that in Lebanese the mere act of talking is storytelling. — Rabih Alameddine

Parents of young children are always acting. You act excited to read a story for the five-hundredth time. You act impressed someone went to the bathroom on the toilet. The excitement I show to some of the children's scribbles should get me a Golden Globe nomination. — Jim Gaffigan

The best stories proceed from a mysterious truth-seeking impulse that narrative has when revised extensively; they are complex and baffling and ambiguous; they tend to make us slower to act, rather than quicker. They make us more humble, cause us to empathize with people we don't know, because they help us imagine these people, and when we imagine them - if the storytelling is good enough - we imagine them as being, essentially, like us. If the story is poor, or has an agenda, if it comes out of a paucity of imagination or is rushed, we imagine those other people as essentially unlike us: unknowable, inscrutable, incontrovertible. — George Saunders

Clothe yourself in your authority. You speak not only as yourself or for yourself. You will speak and act with the courage and endurance that has been yours through the long, beautiful aeons
of your life story ... — Joanna Macy

We are so programmed to feel that our emotions are the most important thing in the Universe ... We write, produce and act in the story of me. And then we write reviews - and read them and get more depressed. All we can do is let go, and that comes from training. And then we spend less and less time in the darker spaces. — Krishna Das

I seldom get into the mood of the story. It's acting. I go in, I act, I quit. I don't take anything away from it. — Morgan Freeman

His father always talked to him - so Seryozha felt - as though he were addressing some boy of his own imagination, one of those boys that exist in books, utterly unlike himself. And Seryozha always tried with his father to act being the story-book boy. — Leo Tolstoy

My own words, when I am at work on a story, I hear too as they go, in the same voice that I hear when I read in books. When I write and the sound of it comes back to my ears, then I act to make changes. I have always trusted this voice. — Eudora Welty

Hannakins: I know you guys are living out your own private Romeo and Juliet love story, but remember: Both of them die in Act V. -A — Sara Shepard

Before they are able to enter a new story, most people - and probably most societies as well - must first navigate the passage out of the old. In between the old and the new there is an empty space. It is a time when the lessons and learnings of the old story are integrated. Only when that work has been done is the old story really complete. Then, there is nothing, the pregnant emptiness from which all being arises. Returning to essence, we regain the ability to act from essence. Returning to the space between stories, we can choose from freedom and not from habit. — Charles Eisenstein