Aarons Quotes & Sayings
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Top Aarons Quotes

When I was at Disney and was a character art manager and handing out artwork that had to be inked we had a thing where if there was any lettering on it I'd hear, "I don't letter," and I said, "Look at it. It's drawing. Ink the drawing." I just learned from Mike Aarons how each letter was just part of the drawing. — Mike Royer

Despite her love of pineapple on pizza, Lark was perfection. I felt like a love starved moth drawn to the light of her smile. — Bijou Hunter

All of us need Aarons and Hurs in our lives. We need people who are strong when we're weak. We need people who are full of faith when we're running on empty. We need people who will fight for us on their knees. We all need a prayer circle! — Mark Batterson

Lark soaked in the claw foot tub with the dogs sleeping nearby. I knew she was tired and pretending otherwise. Eventually, the day would come when she would look at me and admit the pregnancy hormones were a pain in the ass. When she did so, I would baby the hell out of her and make her feel like a princess. Until then, she wanted to put on a brave face without admitting she took mini-naps through out the day. — Bijou Hunter

I'm probably a little more like my dad. But because of my mom, I never saw being a woman as being an impediment to being able to do something. She had her Ph.D. before I was born. — Mary Cheney

They ate a late lunch in the cafeteria. When she mentioned lunch, he realized with horror that he would need money, and he didn't know how to tell her that he hadn't brought any - didn't have any to bring, for that matter. But before he had time to figure anything out, she said, Now I'm not going to have any argument about whose paying. I'm a liberated woman, Jess Aarons. When I invite a man out, I pay. — Katherine Paterson

Nothing sobers a wandering philosophical imagination like the thought of having a wife and children to support. — John Piper

The moment I saw the red mark across Lark's face, a little part of my humanity died. While she entered the house and tried to explain, I heard only part of her words. The ones about who hurt her and who needed to bleed. — Bijou Hunter

Farts demand to be passed," Augustus said, which was a line from A Posterior Affliction. — Adam Aarons

Photographing attractive people who were doing attractive things in attractive places. (Summary of his photographic career) — Slim Aarons

You will have many more Aarons building you golden calves than Moseses leading you on any exodus. — Richard Rohr

Images barraged him. Connections darted electric. Veins. Roots. Forked lightning. Tributaries. Branches. Vines snaked around trees, herds of animals, drops of water running together.
I don't understand.
Fingers twined together. Shoulder leaned on shoulder. Fist bumping fist. Hand dragging Adam up from the dirt.
Cabeswater rifled madly through Adam's own memories and flashed them through his mind. It hurled images of Gansey, Ronan, Noah, and Blue so fast that Adam couldn't keep up with all of them.
Then the grid of lightning blasted across the world, an illuminated grid of energy.
Adam still did not understand, and then he did.
There was more than one Cabeswater. Or more of whatever it was. — Maggie Stiefvater

When you photograph a lot of women, you get to know things. — Slim Aarons

From the day I met her at the wedding rehearsal, I couldn't stop thinking of her beautiful face. I was forever drawing her, sketching her, and even tattooing her. How many people in Ellsberg were walking around with tattoos of Lark's face? Whenever a client didn't bring a specific image in and a woman's face was involved, I used Lark's. Hell, I hadn't even noticed this fact until two happy clients showed off their tattoos and I realized the pinup girl and fairy princess had the same face. — Bijou Hunter

Her name was Lark and she was my muse. — Bijou Hunter

Enough tiny sharp jabs can cut as deeply as any knife. — Roshani Chokshi

I went into Hollywood and met Mike Aarons and went to Grantray-Lawrence Animation to work on the, by today's standards, extremely cheap and crude Marvel superheroes cartoons which basically consisted of taking stacks of the comic book art, taking parts of the art, pasting it down, extending it down into drawings and occasionally a new piece of art to bridge the comic book panels and limited animation and lip movement. — Mike Royer