Quotes & Sayings About A Knife In The Back

Does a king let his friends die for him?" Yarvi glanced guiltily across at Shadikshirram's sword, and remembered the feeling, punching, punching, the red knife in his red hand, and shivered under his stolen cloak. "Does a king stab women in the back?" The tears were still wet on Nothing's wasted face. "A good one sacrifices everything to win, and stabs whom he must however he can. The great warrior is the one who still breathes when the crows feast. The great king is the one who watches the carcasses of his enemies burn. Let Father Peace spill tears over the methods. Mother War smiles upon results." "That's what my uncle would have said." "A wise man, then, and a worthy enemy. Perhaps you will stab him in the back and we can watch him burn together. — Joe Abercrombie

Blood fills my mouth. Fire sears my veins. I choke back a howl. The silver knife slips
the
choice is mine.
I am death or life. I am salvation or destruction. Angel or demon.
I am grace.
I plunge in the knife.
This is my sacrifice
I am the monster. — Bree Despain

A one-armed bunk master sets forth rules in a belligerent torrent. "This is your parade uniform, this is your field uniform, this is your gym uniform. Suspenders crossed in the back, parallel in the front. Sleeves rolled to the elbow. Each boy is to carry a knife in a scabbard on the right side of the belt. Raise your right arm when you wish to be called upon. Always align in rows of ten. No books, no cigarettes, no food, no personal possessions, nothing in your locker but uniforms, boots, knife, polish. No talking after lights-out. Letters home will be posted on Wednesdays. You will strip away your weakness, your cowardice, your hesitation. You will become like a waterfall, a volley of bullets - you will all surge in the same direction at the same pace toward the same cause. You will forgo comforts; you will live by duty alone. You will eat country and breathe nation." Do — Anthony Doerr

A woman's mind is her most precious weapon. It must not be employed clumsily or prematurely. Much like the aforementioned knife in the back, a clever gibe is most effective when it is unanticipated. — Brandon Sanderson

It's the people who smile at you during the day while plunging a knife in your back that are the monsters. — Katie McGarry

She wrapped her head in a towel and croaked." That sounded reasonable to me ... except for the paring knife with blood and pieces of hair stuck to it. Lula bent at the waist and examined the towel, wrapped turban style. "Must have been a good clonk she took. Lots of blood." Usually when people die their bodies evacuate and the smell gets bad fast. Mrs. Nowicki didn't smell dead. Mrs. Nowicki smelled like Jim Beam. Carl and I were both registering this oddity, looking at each other sideways when Mrs. Nowicki opened one eye and fixed it on Lula. "YOW!" Lula yelled, jumping back a foot, knocking into Sally. "Her eye popped open!" "The better — Janet Evanovich

Rucksacks. What do people whose life stops here take with them? Makina could see their rucksacks crammed with time. Amulets, letters, sometimes a huapango violin, sometimes a jaranera harp. Jackets. People who left took jackets because they'd been told that if there was one thing they could be sure of over there, it was the freezing cold, even if it was desert all the way. They hid what little money they had in their underwear and stuck a knife in their back pocket. Photos, photos, photos. They carried photos like promises but by the time they came back they were in tatters. — Yuri Herrera

I can't turn around without hearing about some 'civil rights advance'! White people seem to think the black ought to be shouting 'hallelujah'! Four hundred years the white man has had his foot-long knife in the black man's back - and now the white man starts to wiggle the knife out, maybe six inches! The black man's supposed to be grateful? Why, if the white man jerked the knife out, it's still going to leave a scar! — Malcolm X

Mallor reached into a pocket and tossed a pair of hazel eyeballs onto the table. They bounced softly and wobbled to a bloody stop next to the butcher's knife. "Go untie the man in my room, and see to it that he gets those back. — Shawn Wickersheim

Writers acquire the hedge habit to conform to the bureaucratic imperative that's abbreviated as CYA, which I'll spell out as Cover Your Anatomy. They hope it will get them off the hook, or at least allow them to plead guilty to a lesser charge, should a critic ever try to prove them wrong. It's the same reason that lawsuit-wary journalists drizzle the words allegedly and reportedly throughout their copy, as in The alleged victim was found lying in a pool of blood with a knife in his back. — Steven Pinker

People will knife you in the back for a stinking crumb and then go on with their lives as if you're nothing but a worthless roach. (Aiden) — Sherrilyn Kenyon

Some time later there was a knock at his door. He was surprised to find it was now evening and the room was quite dark. The knock sounded again. The landlord was at the door. The landlord began to talk, but Strange could not understand him. This was because the man had a pineapple in his mouth. How he had managed to cram the whole thing in there, Strange could not imagine. Green, spiky leaves emerged slowly out of his mouth and then were sucked back in again as he spoke. Strange wondered if perhaps he ought to go and fetch a knife or a hook and try and fish the pineapple out, in case the landlord should choke. But at the same time he did not care much about it. 'After all,' he thought with some irritation, 'it is his own fault. He put it there. — Susanna Clarke

Mr. Pembroke, watching his broad back, desired to bury a knife in it. The desire passed, partly because it was unclerical, partly because he had no knife, and partly because he soon blurred over what had happened. To him all criticism was "rudeness": he never heeded it, for he never needed it: he was never wrong. — E. M. Forster

Marcus smiled back at her nervously, eyeing not only the rifle but the pair of knives he now saw clipped to her belt. Not one knife - a pair of knives. Who needs two knives? How many things does she have to cut at once? He was in no hurry to find out. — Dan Wells

Kate stops grinding the knife and begins to pass it over the length of the stone. Turning her wrist, she pulls the blade, swiping one side after the other, honing it to a fine edge. She wipes it dry with an old cloth and picks up a long piece of dark leather. One end of the strop she ties to the knob on the back of her chair, then holds it taught with her left hand. She counts in her head as she passes the blade over the length of the leather, flipping it at the bottom and the top of each pass. When she gets to twenty, she releases her hold on the strop and looks closely at the knife blade. Even in the dim light of the room, it shines. — Kari Aguila

I stare at his forearms. I can make out a naked woman with a snake going up her vagina. She's holding a knife, slitting her own throat. There are three playing cards on the back of his right hand: the Queen of Spades, the Jack of Hearts and the Joker. Red flames lick his elbow.
There's a watch tattooed on his left wrist with 'Fuck Time' inscribed on its face. Fuck o'clock.
He's not that tall, but his body is carefully cut. The lines of his face, his cheekbones and jaw, are sharp and precise. I can see the tufts of his blond underarm hairs and under them the ladder of his ribs. He's beautiful, in the way that a knife is beautiful. — Kirsty Eagar

We got us a good sergeant, is what I'm saying.' Maybe nodded, and glanced back at Crump. 'You listening, soldier? Don't mess it up.' The tall, long-faced man with the strangely wide-spaced eyes blinked confusedly. 'They stepped on my cussers,' he said. 'Now I ain't got any more.' 'Can you use that sword on your belt, sapper?' 'What? This? No, why would I want to do that? We're just marching.' Lagging behind, breath coming in harsh gasps, Limp said, 'Crump had a bag of munitions. Stuck his brain in there, too. For, uh, safekeeping. It all went up, throwing Nah'ruk everywhere. He's just an empty skull now, Maybe.' 'So he can't fight? What about using a crossbow?' 'Never seen him try one of those. But fight? Crump fights, don't worry about that.' 'Well, with what, then? That stupid bush knife?' 'He uses his hands, Maybe.' 'Well, that's just great then.' 'We're just marching,' said Crump again, and then he laughed. — Steven Erikson

All the general fear I've been feeling condenses into an immediate fear of this girl, this predator who might kill me in seconds. Adrenaline shoots through me and I sling the pack over one shoulder and run full-speed for the woods. I can hear the blade whistling toward me and reflexively hike the pack up to protect my head. The blade lodges in the pack. Both straps on my shoulders now, I make for the trees. Somehow I knew the girl will not pursue me. That she'll be drawn back into the Cornucopia before all the good stuff is gone. A grin crosses my face. Thanks for the knife, I think. — Suzanne Collins

One of the things you learn, after years of dealing with drug people, is that everything is serious. You can turn your back on a person, but never turn your back on a drug - especially when it's waving a razor-sharp hunting knife in your eyes. — Hunter S. Thompson

Either you're with me or you're against me. I can't afford to be looking over my shoulder all the time waiting for you to stick a knife in my back. — Kyra Dune

In his two hundred and seventy-five years on this earth, he had walked in battle and bathed in blood, felt the hot kiss of a whip on his back, the cold thrust of a knife into his gut, but never had he been called an infant until this moment. — Nalini Singh

A Book I Can Put Down

I'm halfway through
and I've gotten used
to the way it wants
to be read. This writer
wants to spoon it up,
wants to watch me
swallow it. This writer
makes a point of good
deeds, clean living,
god and country,
when what I want
is sin and shame,
the rusty metal edge
of cruelty, varieties
of pain, his mother
still crying years later,
just like mine. I want
a writer who's given up
on the moral of the story,
one who'll hand me
a knife and sit back
to see what I do with it.

(Published in Anderbo) — Antonia Clark

I can recall back in 1998, in August of that year, when we had a horrible disaster along the Mexican border in the town of Del Rio. At the time, FEMA was the shining star of the federal government. It's now perceived as many to be the dullest knife in the drawer. Right or wrong, that's the perception. — Henry Bonilla

Kaz leaned back. "What's the easiest way to steal a man's wallet?"
"Knife to the throat?" asked Inej.
"Gun to the back?" said Jesper.
"Poison in his cup?" suggested Nina.
"You're all horrible," said Matthias. — Leigh Bardugo

I found a brief piece of by Antonio Vivaldi around this time which became my 'Pinhead Mood Music'. Called Al Santo Sepolcro (At The Holy Sepulchre), it opens more like a piece of modern orchestral music, and although it it moves toward Vivaldi's familiar harmonies, there is always the threat that it will fall back into dissonance. The piece progresses in an exquisite agony, poised on a knife edge between beauty and disfigurement, joy and sorrow, pleasure and pain. Perfect. — Doug Bradley

And the pain is too much it's too much it's too much and my hands are on my head and I'm rearing back and my mouth is open in a never-ending wordless wail of all the blackness that's inside me.
And i fall back into it. — Patrick Ness

I am the woman at the water's edge,
offering you oranges for the peeling,
knife glistening in the sun.
This is the scent and taste
of my skin: citon and sweet.
Touch me and your life will unfold
before you, easily as this skirt
billows then sinks,
lapping against my legs, my toes
filtering through the rivers silt.
Following the current out to sea,
I am the kind of woman
who will come back to haunt
your dreams, move through your
humid nights the way honey
swirls through a cup of hot tea — Shara McCallum

And once, a sophomore English teacher, Mr. Watts, found out that one of his students had spent the past eight class periods carving an elaborate design into his desk. The "artwork" read: "Mr. Watts and Dickens sucks dick." Mr. Watts confronted the carver, telling him, "That's wrong!" Then Mr. Watts took the knife and crossed out the last s in sucks. "This sentence has two objects," he explained. "You need to conjugate the verb differently." And he handed the knife back. — Flynn Meaney

Why is she kissing me back like she's trying to crawn inside of me?
I hate that her taste quenches something hidden deep in the dark shadows of my soulless being that's been starving for so long. I hate that her warm touch feels like a jagged knife stabbing the pain I've tucked away for the day when I can avenge it.
If we don't stop, she could awaken something that cannot be brought to life. Not ever. — Jewel E. Ann

You don't think I could bring myself to mark your lovely skin? I'll take my knife to you, if that's the case. I'll carve my name in your breast so that every beat of your heart will remind you that you are mine - and mine alone. Because blood is binding, and because I would rather see you destroyed than see you free or in the possession of another, so I suggest you not try me, or you will suffer as no earthly creature has." He slammed her back against the wall. "Or ever will. But that is a suggestion, and one you are free to disregard at your own peril. But you are are going to answer my question. — Nenia Campbell

What I want back is what I was Before the bed, before the knife, Before the brooch-pin and the salve Fixed me in this parenthesis; Horses fluent in the wind, A place, a time gone out of mind. — Sylvia Plath

Straightening himself and stealthily fingering his pocket-knife he started after her to follow this woman, this excitement, which seemed even with its back turned to shed on him a light which connected them, which singled him out, as if the random uproar of the traffic had whispered through hallowed hands his name, not Peter, but his private name which he called himself in his own thoughts. — Virginia Woolf

The man was of fine figure, swarthy, and stern in aspect; and he showed in profile a facial angle so slightly inclined as to be almost perpendicular. He wore a short jacket of brown corduroy, newer than the remainder of his suit, which was a fustian waistcoat with white horn buttons, breeches of the same, tanned leggings, and a straw hat overlaid with black glazed canvas. At his back he carried by a looped strap a rush basket, from which protruded at one end the crutch of a hay-knife, a wimble for hay-bonds being also visible in the aperture. His measured, springless walk was the walk of the skilled countryman as distinct from the desultory shamble of the general labourer; while in the turn and plant of each foot there was, further, a dogged and cynical indifference personal to himself, showing its presence even in the regularly interchanging fustian folds, now in the left leg, now in the right, as he paced along. — Thomas Hardy

But my attention's elsewhere, drawn to that warm wonderful pull, the familiar loving essence that only belongs to one person - only belongs to him
Watching as Damen cuts through the water, board tucked under his arm, body so sculpted, so bronzed, Rembrandt would weep. Water sluicing behind him like a hot knife through butter, cleanly, fluidly, as though parting the sea.
My lips part, desperate to speak, to call out his name and bring him back to me. But just as I'm about to, my eyes meet his and I see what he sees: me - hair tangled and wet - clothes twisted and clinging - frolicking in the ocean on a hot sunny day with Jude's tanned strong arms still wrapped around me.
I release myself from Jude's grip, but it's too late. Damen's already seen me.
Already moved on.
Leaving me hollow, breathless, as I watch him retreat.
No tulips, no telepathic message, just a sad, empty void left behind in his place. — Alyson Noel

You are sauntering along the back streets of Avallon; you step into a tavern for a cup of wine. A great lummox claims that you have molested his wife; he takes up his cutlass and comes at you. So now! With your knife! Draw and throw! All in a single movement! You advance, pull your knife from the villain's neck, wipe it on his sleeve. If in fact you have molested the dead churl's wife, bid her begone! The episode has quite dampened your spirit. But you are attacked from another side by another husband. Quick! — Jack Vance

Swear, that woman's got a mouth on her worse than you do," Tyler commented, following in after Bones. "Ian gave her the tiniest smack on the rear when she walked by, and she told him to - "
"Ian smacked my mother on the ass?" I cut him off. At Tyler's nod, I stopped lighting sage and grabbed a silver knife, feeling my fangs pop out of their own accord. "Wait here, I'll be right back. — Jeaniene Frost

Manchee comes outta the bushes and sits down next to me cuz I've stopped right there in the middle of a trail. He looks around to see what I might be seeing and then he says, "Good poo, Todd."
"I'm sure it was, Manchee."
I'd better not get another ruddy dog when my birthday comes. What I want this year is a hunting knife like the one Ben carries on the back of his belt. Now that's a present for a man.
"Poo," Manchee's says quietly. — Patrick Ness

Is this how you will die? Is this what you were meant for? To simply be bled out like a pig?
A spark of rage flickers, an antidote to despair.
Will you not even try to survive? Did the scientists make you too stupid even to consider fighting for your own life?
Emiko closes her eyes and prays to Mizuko Jizo Bodhisattva, and then the bakeneko cheshire spirit for good measure. She takes a breath, and then with all her strength she slams her hand against the knife. The blade slices past her neck, a searing line.
"Arai wa?!" the man shouts.
Emiko shoves hard against him and ducks under his flailing knife. Behind her, she hears a grunt and thud as she bolts for the street. She doesn't look back. She plunges into the street, not caring that she shows herself as a windup, not caring that in running she will burn up and die. She runs, determined only to escape the demon behind her. She will burn, but she will not die passive like some pig led to slaughter. — Paolo Bacigalupi

Quick as a flash, Sawney Rath's eyes hardened. "Then I'm ordering you to skin Felch alive!" He took the otter's paw, closing it over the knife handle. "Obey me!"
The crowded clearing became as silent as a tomb. All eyes were upon the Taggerung, awaiting his reaction to the order.
Tagg turned his back on Sawney and strode to the side of the fox strung up to the beech bough. He raised the blade. Felch shut his eyes tight, his head shaking back and forth as his nerves quivered uncontrollably. With a sudden slash Tagg severed the thongs that bound him. Felch slumped to the ground in a shaking heap. Tagg's voice was flat and hard as he turned to face Sawney.
"I'm sorry to disobey your order. The fox is a sorry thief, but I will not take the life of a helpless beast. — Brian Jacques

Our frog lies on her back. Waiting for a prince to come and princessify her with a smooch? I stand over her with my knife. Ms. Keen's voice fades to a mosquito whine. My throat closes off. It is hard to breathe. I put out my hand to steady myself against the table. David pins her froggy hands to the dissection tray. He spreads her froggy legs and pins her froggy feet. I have to slice open her belly. She doesn't say a word. She is already dead. A scream starts in my gut - I can feel the cut, smell the dirt, leaves in my hair. I don't remember passing out. David says I hit my head on the edge of the table on my way down. The nurse calls my mom because I need stitches. The doctor stares into the back of my eyes with a bright light. Can she read the — Laurie Halse Anderson

You got great hair, babe." "Tate - ""Thick.""Tate - ""Soft.""Tate," I whispered. "Shame it gets hacked off with a knife after some guy rapes you with that knife!" he finished on a roar. My body jolted. "Tate!""There's bad guys out there, Ace. Bad. Do things to you that'll make you glad you end up dead. You don't open a goddamned door not knowin' who's behind it." "I thought it was you." "Well it wasn't." "Tate - ""He fuck you?" Tate asked suddenly and my head jerked again. "Brad?" I asked back, confused. Tate leaned in and bellowed, "Wood!""No!" I shouted back. Then I was flying through the air. Literally, flying through the air. I bounced once on the bed and then Tate was on top of me. — Kristen Ashley

Thanks for the good times. Thank you for being so generous with what you have withheld. Thank you for being the snake in my grass, the thorn in my side, the pain in my ass, the knife in my back, the wrench in my works, the fly in my ointment. My Achilles' heart. Caught in a whirlpool without an anchor, relaxing into it, calmly going under for one of many last times. — Carrie Fisher

Called nine-one-one," Howie was saying, "and then I heard something in the alleyway, so I went back there and"
Howie coughed
"and valiantly attacked his knife with my guts, to no avail."
"Did you get a good look at him? Could you describe him?"
Howie smiled wanly. "Yeah. He was about yay long"
he held up his hands, four inches apart
"thin, made of steel. Pointy. Sharp. — Barry Lyga

He put the fork, knife, and spoon back in his pocket and tucked the flower behind his ear, then walked to the door, reaching it right before that butler did. He gave the man a glare - it was only a matter of time before he cracked and tried to kill them all - then pulled open the door.
( ... )
"Nice flower," the kandra said. "Can I have your skeleton when you're dead?"
"My ... " Wayne felt at his head.
"You're a Bloodmaker, correct? Can heal yourself? Bloodmaker bones tend to be particularly interesting, as your time spent weak and sickly creates oddities in your joints and bones that can be quite distinctive. I'd love to have your skeleton. If you don't mind."
Taken aback by this request, Wayne stopped in place. Then he ran past him, pushing into the room where Wax and Steris were talking. "Wax," he complained, pointing, "the immortal bloke is being creepy again. — Brandon Sanderson

Who're them?" says he to the curate.
"Them are the fallen angels," says the curate.
They had a human form, no wings. God took the wings off of 'em after Lucifer rebelled - that way they couldn't go back, d'you see. They had no wings. But there was so many of 'em that you couldn't drive a knife down between 'em. They were as thick as hair on a dog's back. They were the finest people he ever seen. And whatever way he looked at 'em, some o' the finest girls he ever seen was in it, he said. They had to be good-looking, you know! 'Twas the sin o' pride put Lucifer down, d'you see. The best-looking angel in Heaven, 'twas the sin o' pride put him down. I s'pose they were nearly all as good-looking. — Eddie Lenihan

The despicable phoniness of people who say, "Listen, I'm going to level with you here." What does that mean? It shouldn't even need to be said. It should be obvious - written in block letters on your forehead. It should be audible in your voice, visible in your eyes, like a lover who looks into your face and takes in the whole story at a glance. A straightforward, honest person should be like someone who stinks: when you're in the same room with him, you know it. But false straightforwardness is like a knife in the back. — Marcus Aurelius

The plunge was easier than the pull. The serrated edge caught the flaps of skin on the way out. It wasn't the nature of the blade; he'd chosen specific tools for the torture and wasn't about to skimp on the final cut. Most would have picked the sharpest. The sharpest would allow smooth entry both into and out of the body. He'd used the sharpest on the torso; four quick stabs just above the waist and one to pierce his side. No water; only blood. This final task required a specific tool and he'd chosen a bread knife. It'd been used for that too; winter soups with a rustic loaf, hearty bacon sandwiches in the family home. Use only a little pressure, move it back and forth, letting the edge do the work. That was the easy way to do it, but this wasn't — Darryl Donaghue

The moment he laid eyes on Kuga, I knew. There's a reason I'm doing this to him. I want to see it; how he's fallen in love with a guy, and how he makes him his own. And then what I've done will become a sharp knife, thrown right back at me.
That's right. I just wanted to see.
And the meaning behind the sharp knife flying towards me: Why not me? Why can't it be me? All this time, I would be lying if I said I've never wished for it, but by being merely an observer, I've somehow managed to distance myself.
Kuga is a bright light, like the sun. I, on the other hand ...
(Yashiro) — Kou Yoneda

When we got back to the house Logan grabbed his basketball, threw it really hard against the hallway wall, knocked the framed family photo to the floor-it didn't break, he didn't pick it up-and left with a couple of his friends. Thebes picked up the photo, hung it back on the wall, sighed heavily like she'd travelled to every corner of the world, on her knees, with a knife in her back and a boa constrictor wrapped around her chest, and then made us a couple of blueberry smoothies. — Miriam Toews

You need to be clever to best him. Are you clever, Rachel?"
Oh God. She wants to know if I'm clever. I glanced at Al, and he stared at me, then shrugged. Licking my lips, I said, "It's the shiny pot that puts a hole in the sky."
Al's mouth dropped open, but Newt thought about it, her expression thoughtful and her fingers finally leaving her knife. "Very true," she said as she eased back into the cushions.
With a soft click of his teeth, Al's mouth shut. His eyes were cross, and he seemed peeved that I'd found a way to satisfy her without compromising myself at all. — Kim Harrison

We marched him to the turfy shack where he lived with his parents and while the youth sulked Petronius Longus put the whole moral issue in succinct terms to them: Ollia's father was a legionary veteran who had served in Egypt and Syria for over twenty years until he left with double pay, three medals, and a diploma that made Ollia legitimate; he now ran a boxers' training school where he was famous for his high-minded attitude and his fighters were notorious for their loyalty to him ... The old fisherman was a toothless, hapless, faithless cove you would not trust too near you with a filleting knife, but whether from fear or simple cunning he co-operated eagerly. The lad agreed to marry the girl and since Silvia would never abandon Ollia here, we decided that the fisherboy had to come back with us to Rome. His relations looked impressed by this result. We accepted it as the best we could achieve. — Lindsey Davis

When I was younger and ran free in the forest, a hunter caught my mate and stunned him with a blow and locked him in a cage. I went to the place in the broad white of the spring moon; near to the hunter's fire I went, near enough to hear his man's breathing and see the flamelight catch on the knife in his hand. I gnawed through the bars of the cage and dragged at my mate, and half carried him as I would carry a cub, away into the trees. My paws were sore, I lost a tooth, my back pained me and I was afraid, but I never thought I could do otherwise. That is what love is. — Tanith Lee

O gouvernment francais, I think it was not very clever of You to put this terrible doll in La Ferte; for when Governments are found dead there is always a little doll on top of them, pulling and tweaking with his little hands to get back at the microscopic knife which sticks firmly in the quiet meat of their hearts. — E. E. Cummings

The familiar sound of the kitchen knife, and the stove's smell, mom's back...
It feels like my life in Tokyo was
just
a dream. — Mika Yamamori

So he was deserted. The whole world was clamouring: Kill yourself, kill yourself, for our sakes. But why should he kill himself for their sakes? Food was pleasant, the sun was hot; and this killing oneself, how does one set about it, with a table knife, uglily, with floods of blood,
by sucking a gaspipe? He was too weak; he could scarcely raise his hand. Besides, now that he was quite alone, condemned, deserted, as those we are about to die are alone, there was a luxury in it, an isolation full of sublimity; a freedom which the attached can never know. Holmes had won of course, the brute with the red nostrils had won. But even Holmes himself could not touch this last relic straying on the edge of the world, this outcast, who gazed back at the inhabited regions, who lay, like a drowned sailor, on the shore of the world. — Virginia Woolf

Enemies will kill you with a knife in the back. Friends will kill you with kindness. Either way you're dead. — Richard Kadrey

In the dark room she sits and in front of her is a plate and on the plate lies a black hunk of bread the size of a deck of cards. The bread has sawdust in it, and cardboard. She takes a knife and a fork, and cuts it slowly into four pieces. She eats one, chews it deliberately, pushes it with difficulty through her dry throat. eats another and another and finally the last one. She lingers especially on the last one. She knows after this piece is gone there will be no more food until tommorow morning. She wishes she could be strong enough to save half of the bread until dinner, but she isn't, she can't. When she looks up from her plate, her sister Dasha, is staring at her. Her plate is long empty.
" I wish Alexander was coming back" says Dasha. " He might have food for us"
I wish Alexander was coming back, thinks Tatiana. — Paullina Simons

I'm always fine," Andi snapped. But she knew that Lira sensed the lie the moment it left her lips. She sighed. "I'm just in shock. Seeing Dex again after I thought her was gone for good... I stuck a knife through him, Lira. And now he's come back to haunt me. — Sasha Alsberg

Footballers are more likely to work better if they get a pat on their back from the boss. A knife in the back is never the answer. — Gary Lineker

The young woman went to rummage in a sideboard and came back to the table with a stout cook's knife. But instead of using it to cut the fruit, she showed the point to each of the men in a meaningful way, then tucked the blade into her kirtle. They — George R R Martin

Back around the counter to fetch my rifle. Rifle, sidearm, knife, a couple of flash grenades. And one more thing, the most essential weapon in my arsenal: a heart full of rage. — Rick Yancey

Jordan loomed over her and a flash of light blinded her momentarily. The knife. Shane felt her newfound courage faltering, felt herself falling back through the years, into the body of that little girl.
No.
She closed her eyes, pictured Matt's face, Gram's face, and felt her strength returning. She would not let Jordan terrify her again. She might fail tonight, she might die, but she would not be his whimpering victim.
Opening her eyes, she braved the flashing glare of the hunting knife he held above her face. She willed her body to lie still as she stared straight into his eyes. With a thrill of triumph, she saw the surprise in the gray eyes that stared back at her.
Neither of them spoke a word, but they both knew the final moves in the game were at hand, and that Shane had just altered the rules. She could see the dawn of awareness in his eyes: She was no longer a mere pawn to toy with as he pleased.
On the other hand, he still had the knife. — Jane Taylor Starwood

I believe Triumvirate Holdings wants to control all the ancient Oracles. And I Believe the most ancient Oracle of all, the Grove of Dodona, is right here at Camp Half-Blood"

I WAS A DREAMATIC GOD.

I thought my last statement was a great line, I expected gasps, perhaps some organ music in the background. Maybe the lights would go out just before I could say more. Moments later I would be found dead with a knife in my back. That would be exciting!

Wait. I'm a mortal. Murder would kill me. Never mind — Rick Riordan

Dear Aspiring Writer, you are not ready. Stop. Put that finished story away and start another one. In a month, go back and look at the first story. RE-EDIT it. Then send it to a person you respect in the field who will be hard on you. Pray for many many many red marks. Fix them. Then put it away for two weeks. Work on something else. Finally, edit one last time. Now you are ready to sub your first work.
Criticism is hard to take at first. Trust me, I've been there. But learn to think of crit marks as a knife. Each one is designed to cut away the bad and leave a scar. Scars prove you've lived, learned and walked away a winner. Any writer who tells you they don't need edits is lying. I don't care if they have 100 books out. Edits make you grow and if you aren't growing as a writer, you are dead. — Inez Kelley

I can't go and shoot people in the back of the head because It's a kids' movie, which is actually quite a good test because you haven't got the overt threat of a knife in the face. — Ralph Fiennes

There are two kinds of anger: hot and cold. Boys and girls experience both, but as they grow up the anger separates according to the sex. Boys need hot anger to survive. They need inclination to fight, the drive to sink the knife into the flesh, the energy and initiative of fury. It's a requirement of hunting, of defense, of pride. Maybe of sex too. And girls need cold anger. They need the cold simmer, the ceaseless grudge, the talent to avoid forgiveness, the sidestepping of compromise. They need to know when they say something that they will never back down, ever, ever. It's the compensation for a more limited scope in the world. Cross a man and you struggle, one of you wins, you would adjust and go on
or you lie there dead. Cross a woman and the universe is changed, once again, for cold anger requires an eternal vigilance in all matters of slight and offense. — Gregory Maguire

But Thomas didn't have time to finish his thought. Gally reached behind himself, pulled something long and shiny from his back pocket. The lights of the chamber flashed off the silvery surface - a wicked-looking dagger, gripped tightly in his fingers. With unexpected speed, he reared back and threw the knife at Thomas. As he did so, Thomas heard a shout to his right, sensed movement. Toward him. The blade windmilled, its every turn visible to Thomas, as if the world had turned to slow motion. As if it did so for the sole purpose of allowing him to feel the terror of seeing such a thing. On the knife came, flipping over and over, straight at him. A strangled cry was forming in his throat; he urged himself to move but he couldn't. Then, inexplicably, Chuck was there, diving in front of him. Thomas felt as if his feet had been frozen in blocks of ice; he could only stare at the scene of horror unfolding before him, completely helpless. — James Dashner

I was stuck back on "you can't have two maids of honor" and therefore fighting back hyperventilation at the same time flashing pictures filled my head of a commando-style wedding; Hawk in black cargos, me in a white flak jacket festooned with lace. The picture of me carrying a bouquet of flowers and Hawk carrying an automatic weapon. The picture of me admiring Hawk's huge-ass hunting knife. The picture of Hawk carrying me out of the reception in a fireman's hold while bullets flew and flames caused by Molotov cocktails danced on the dance floor. — Kristen Ashley

Hanging back to get her reaction under control, she wiped her knife on the edge of her petticoat, then angled her body away so she could raise her skirts enough to slip the knife into its sheath, taking care not to drop the pilfered food cradled in her other arm. When she straightened, she expected Darius and Jacob to be well ahead but instead found her companions only a few yards away, their far-too-curious eyes riveted on her. "So that's where you keep it." Darius's attention dropped to a spot halfway down her skirt. "I had wondered." Nicole lifted her chin. "Yes, well, I tried carrying it around in one of those lacy little reticules, but it kept getting tangled in the ribbons. Not very practical." Keeping her eyes averted from Darius's face, she marched past the gawkers and headed for the house. — Karen Witemeyer

Growing up in Fitzgerald, I lived in an intense microcosm, where your neighbor knows what you're going to do even before you do, where you can recognize a family gene pool by the lift of an eyebrow, or the length of a neck, or a way of walking. What is said, what is left to the imagination, what is denied, withheld, exaggerated-all these secretive, inverted things informed my childhood. Writing the stories that I found in the box, I remember being particularly fascinated by secrets kept in order to protect someone from who you are. That protection, sharpest knife in the drawer, I absorbed as naturally as a southern accent. At that time, I was curious to hold up to the light glimpses of the family that I had so efficiently fled. We were remote-back behind nowhere-when I was growing up, but even so, enormous social change was about to crumble foundations. Who were we, way far South? "We're south of everywhere," my mother used to lament. — Frances Mayes

A moment later, Cat hurtled back into the room as if chased by demons. She stationed herself in front of Raisa, a knife in either hand, all of her genteel patina swept away. "Cuffs! Look sharp! It's him, the whey-faced, gutter-swiving, prig-napping bastard! He's here!"
Han looked as mystified as Raisa. "Who's here? — Cinda Williams Chima

Hawke nodded. He trusted the alphas of the leopard and falcon packs on a gut level. Neither Lucas nor Adam would ever knife him in the back, of that both parts of him were dead certain. — Nalini Singh

No one was standing in the shadows smoking a cigarette or looking about with a shifty-eyed gaze. I couldn't see anyone quickly hiding a bloody knife behind his back or twirling a moustache, either. That ruled out the Dudley Do-Right approach to finding the killer. — Jim Butcher

Here's some advice. Stay alive, says Haymitch, and then bursts out laughing. I exchange a look with Peeta before I remember that I'm having nothing more to do with him. I'm surprised to see the hardness in his eyes. He generally seems so mild.
'That's very funny,' says Peeta. Suddenly, he lashes out at the glass in Haymitch's hand. It shatters on the floor, sending the bloodred liquid running toward the back of the train. 'Only not to us.'
Haymitch considers this a moment, then punches Peeta in the jaw, knocking him from his chair. When he turns back to reach for the spirits, I drive my knife into the table between his hand and the bottle, barely missing his fingers. I brace myself to deflect his hit, but it doesn't come. Instead, he sits back and squints at us.
'Well, what's this?' says Haymitch. 'Did I actually get a pair of fighters this year? — Suzanne Collins

I know there are some people out there
who think I am supposed to end up
in a room by myself

with a gun and a bottle full of hate,
a locked door and my slack mouth open
like a disconnected phone.

But I hate those people back
from the core of my donkey soul
and the hatred makes me strong
and my survival is their failure,

and my happiness would kill them
so I shove joy like a knife
into my own heart over and over

and I force myself toward pleasure,
and I love this November life
where I run like a train
deeper and deeper
into the land of my enemies. — Tony Hoagland

The marquess held the weapon out, as formally as if he were passing a sword.
Soberly, Ned accepted it. He placed the sacrificial citrus on the table in front of him, and then with one careful
incision, eviscerated it. He speared deep into its heart, his
hands steady, and then cut it to pieces. Jenny allotted herself one short moment of wistful sorrow for her afterdinner treat gone awry as the juice ran everywhere.
"Enough." She reached out and covered his hand midstab.
"It's dead now," she explained gravely.
He pulled his hand away and nodded. Lord Blakely took back his knife and cleaned it with a handkerchief.
Jenny studied the corpse. It was orange. It was pulpy. It
was going to be a mess to clean up. Most importantly, it gave her an excuse to sit and think of something mystical to say - the only reason for this exercise, really. Lord Blakely
demanded particulars. But in Jenny's profession, specifics were the enemy. — Courtney Milan

If Brock Lesnar was here right now, I'd take my boot off and throw it at him, and he'd better polish it up before he brings it back to me. Talking about he's the baddest guy in the UFC? Brock, quit eating so many raw eggs and doing push-ups because it's affecting your realm of reality. Are you kidding me? I'd slap you in your face, and you wouldn't do anything. 'I'm Brock Lesnar. I've got this $5 haircut and a knife tattooed on my chest.' I'll shove it up your face if you get in Chael Sonnen's way. — Chael Sonnen

Dead is dead, Cheris. Do you think it makes any difference whether you're killed by a knife in the back or a bullet? — Yoon Ha Lee

If there is anything certain in life, it is this. Time doesn't always heal. Not really. I know they say it does, but that is not true. What time does is to trick you into believing that you have healed, that the hurt of a great loss has lessened. But a single word, a note of a song, a fragrance, a knife point of dawn light across an empty room, any one of these things will take you back to that one moment you have never truly forgotten. These small things are the agents of memory. They are the sharp needle points piercing the living fabric of your life.

Life, my children, isn't linear where the heart is concerned. It is filled with invisible threads that reach out from your past and into your future. These threads connect every second we have lived and breathed. As your own lives move forward and as the decades pass, the more of these threads are cast. Your task is to weave them into a tapestry, one that tells the story of the time we shared. — Stephen Lee

She knows what it's like to love someone who cannot love you back. Someone who needs you, holds you, yes, but someone who will never know that love is the knife in your heart. — John Dufresne

Roomie Rule #1: Never put a gallon of milk back in the fridge when there is only an inch of milk left in it. (Graham's)
Roomie Rule #2: Do not put a knife in the peanut butter and then use the same knife in the jelly. (Graham's)
Roomie Rule #3: The television must be on football if football is on the television. (Graham's)
Roomie Rule #4: Use your own razor. (Graham's)
Roomie Rule #5: Any chocolate in the apartment belongs to Kennedy, regardless of who bought it. (Mine)

Zart, Lindy (2014-11-20). Roomies (p. 169). . Kindle Edition. — Lindy Zart

The difference between Pride Jaguar and the Drago-Kazov? A Jaguar will stab you in the back to gain an advantage. a Dragan will stab you just to see if his knife is sharp. — Charlemagne

The Swiss have an interesting army. Five hundred years without a war. Pretty impressive. Also pretty lucky for them. Ever seen that little Swiss Army knife they have to fight with? Not much of a weapon there. Corkscrews. Bottle openers. 'Come on, buddy, let's go. You get past me, the guy in the back of me, he's got a spoon. Back off, I've got the toe clippers right here. — Jerry Seinfeld

Edward still had the rifle up, sighted on Titus. Aikensen seemed frozen, standing there with the bloody knife. "Put it down, blondie, right now, or she's dead." "Edward." "Anita," he said. His voice sounded like it always did. We both knew he could drop Titus, but if the man's finger twitched while he died, I died, too. Choices. "Do it," I said. He pulled the trigger. Titus jerked back against the bars. Blood splattered over my face. A glob of something thicker than blood slid down my cheek. I breathed in shallow gasps. Titus slumped along the bars, gun still gripped in his hands. — Laurell K. Hamilton

Clair put down her knife and pickle, then wiped her hands. As she came toward Clay she pulled a large bobby pin from the back of her hair, and her long, thick locks cascaded down her back. She took Clay's right hand and kissed each of his fingertips, licked his thumb, then took his index finger in her mouth and made a show of removing it slowly and with maximum moisture. Clay looked at the floor, shaking. "Baby," she said as she placed the bobby pin firmly between Clay's wet thumb and index finger, "I need you to go over to that wall and take this bobby pin and insert it ever so firmly into that electrical outlet over there." Clay looked up at her at last. "Because," she continued, "I know that you aren't mad at me and that you're just grieving for your friends, but I think you need to be reminded that you aren't invulnerable and that you can hurt even more than you do now. — Christopher Moore

A knife struck the docks between Kell's feet, and he jumped.

"Lila!" he shouted.

"Leaving!" she called from the deck. "And bring me back that knife," she added. "It's my favorite one."

Kell shook his head, and freed the blade from where it had lodged in the wood. "They're all you favorite. — V.E Schwab

Power is like a knife. It can be used to cut bread to share with your neighbor or stab you in the back. — Sadiqua Hamdan

A streak of green fire blasted out of the back of the shed, passed a foot over the heads of the mob, and burned a charred rosette in the woodwork over the door.
Then came a voice that was a honeyed purr of sheer deadly menance.
"This is Lord Mountjoy Quickfang Winterforth IV, the hottest dragon in the city. It could burn your head clean off."
Captain Vimes limped forward from the shadows. A small and extremely frightened golden dragon was clamped firmly under one arm. His other hand held it by the tail. The rioters watched it, hypnotized.
"Now I know what you're thinking," Vimes went on, softly. "You're wondering, after all this excitement, has it got enough flame left? And, y'know, I ain't so sure myself ... "
He leaned forward, sighting between the dragon's ears, and his voice buzzed like a knife blade: "What you've got to ask yourself is: Am I feeling lucky? — Terry Pratchett

Will bit at his lip. This was the last time Jem, as Jem, might ever touch him. The sharp memory went through him like a knife - of years of Jem's light tap on his shoulder, his hand reaching to help Will up when he fell, Jem holding him back when he was furious, Will's own hands on Jem's thin shoulders as Jem coughed blood into his shirt. Listen to me. I am leaving, but I am living. I will not be gone from you entirely, Will. When you fight now, I will be still by you. When you walk in the world, I will be the light at your side, the ground steady under your feet, the force that drives the sword in your hand. We are bound, beyond the oath. The Marks did not change that. The oath did not change that. It merely gave words to something that existed already. — Cassandra Clare

The question about the page is: what is beneath it? It seems to have only two dimensions, you can pick it up and turn it over and the back is the same as the front. Nothing, you say, disappointed.
But you were looking in the wrong place, you were looking on the back instead of beneath. Beneath the page is another story. Beneath the page is a story. Beneath the page is everything that has ever happened, most of which you would rather not hear about.
The page is not a pool but a skin, a skin is there to hold in and it can feel you touching it. Did you really think it would just lie there and do nothing?
Touch the page at your peril: it is you who are blank and innocent, not the page. Nevertheless you want to know, nothing will stop you. You touch the page, it's as if you've drawn a knife across it, the page has been hurt now, a sinuous wound opens, a thin incision. Darkness wells through. — Margaret Atwood

The Republican party still helps the rich and sticks a knife in the back of the poor. — Harry S. Truman

Movement from Brenda grabbed Thomas's attention. He looked to see her drop the knife away from Minho and step back, absently wiping the small trace of blood there on her pants. "I really would've killed you, ya know," she said in a slightly scratchy voice. Almost husky. "Charge Jorge again and I'll sever an artery."
Minho wiped at his small wound with his thumb, then looked at the bright red smear. "That's one sharp knife. Makes me like you more. — James Dashner

Hey, better than the real thing," I said. "What do you even do with a chimera?"
"What wouldn't you do with a chimera?" Jeff asked. "They're like the Swiss Army knife of animals."
"Party in the front, business in the back," Catcher agreed.
That earned a snort and laugh from me. "Any animal that can be compared to a mullet is a good animal in my book. — Chloe Neill

Let me try," he said, and he took the ends and positioned
himself in front of her mirror.
She watched him for about two seconds before declaring,
"You're going to have to go home."
His eyes did not leave the reflection of his neckcloth in the
mirror. "I haven't even got past the first knot."
"And you're not going to."
He gave her a supercilious look, brow quirked and all.
"You're never going to get it right," she pronounced. "I must
say, between this and your boots, I am revising my opinion on the
impracticalities of couture, male versus female."
"Really?"
Her gaze dropped to his boots, polished to a perfect shine. "No
one has ever had to take a knife to my footwear."
"I wear nothing that buttons up the back," he countered.
"True, but I may choose a dress that buttons in the front,
whereas you cannot go out and about without a neckcloth. — Julia Quinn

He pulled one of his brands out of the fire and stepped toward me, raising it. The sharp smell of red-hot metal made me sneeze--and when I looked up, the man's mouth was open with surprise.
My gaze dropped to the knife embedded squarely in his chest, which seemed to have sprouted there. But knives don't sprout, even in dungeons, I thought hazily, as the torturer fell heavily at my feet. I turned my head, half rising from the chair--
And saw the Marquis of Shevraeth standing framed in the doorway. At his back were four of his liveried equerries, with swords drawn and ready.
The Marquis strolled forward, indicated the knife with a neatly gloved hand, and gave me a faint smile. "I trust the timing was more or less advantageous?"
"More or less," I managed to say before the rushing in my ears washed over me, and I passed out cold right on top of the late torturer. — Sherwood Smith

When I rode away from Jock's farm a week later, I took nothing that I couldn't tie onto the back of my saddle - pyjamas, a toothbrush and comb, a second pair of slacks, a man's shirt in heavy cotton. For Pegasus I carried a thick rug and brush, several pounds of crushed oats, and a small, tarnished blacksmith's knife. It felt wonderful to be riding out in the bush and travelling so lightly, but I was also leaving much unsettled behind me. It was a devil's bargain I had struck with Jock. — Paula McLain

I didn't tell her about the free-for-alls on the school yard, muggings on the bus. A girl burned a cigarette hole in the back of another girl's shirt at nutrition right in front of me looking at me as if daring me to stop her. I saw a boy being threatened with a knife on the hallway outside my spanish class. Girls talked about their abortions in gym class. Claire didn't need to know about that. I wanted the world to be beautiful for her. I wanted things to work out. I always had a great day no matter what. — Janet Fitch

Are you in pain, Frodo?' said Gandalf quietly as he rode by Frodo's side.
'Well, yes I am,' said Frodo. 'It is my shoulder. The wound aches, and the memory of darkness is heavy on me. It was a year ago today.'
'Alas! there are some wounds that cannot be wholly cured,' said Gandalf.
'I fear it may be so with mine,' said Frodo. 'There is no real going back. Though I may come to the Shire, it will not seem the same; for I shall not be the same. I am wounded with knife, sting, and tooth, and a long burden. Where shall I find rest?'
Gandalf did not answer. — J.R.R. Tolkien

On the table in front of me are two baskets. In one is a hunk of cheese, and in the other, a knife the length of my forearm. Behind me, a woman's voice says, "Choose." "Why?" I ask. "Choose," she repeats. I look over my shoulder, but no one is there. I turn back to the baskets. "What will I do with them?" "Choose!" she yells. — Veronica Roth

He drew in a shaky breath. "How can you ask me to let you die?" he choked, still keeping the blade at the prince's throat. A thread of blood formed under the knife, and ran down to Ash's collar. "I'd do anything for you, Meghan. Just ... not that. Not that."
Gently, I reached up and closed my fingers around the knife hilt, easing it down and away from Ash's neck. Puck resisted for a moment, then stepped back with a sob. The dagger fell from his grip and clanged to the floor. — Julie Kagawa