Quotes & Sayings About A Horses Eyes

She had streaked blonde hair, long and straight, parted in the middle framing high cheek bones, an aquiline nose and beautiful deep blue eyes. She was young, around 30, tall and lithe with a good body, athletic, not skinny. She wore a sleeveless black dress that exposed her toned arms and shoulders, indicating regular workouts or yoga. There was a hint of vein running the length of her lean muscle. This girl stood out like an arabian in a corral full of draft horses. — Nick Hahn

The kingdom of God is not about what we see with these eyes. It's not about eating or drinking or walking or throwing away the crutches. Those can be good gifts, like wealth and prosperity. But they touch only the surface and they are quite incidental. His kingdom is about peace and joy and love and a kind of power that will turn your heart into a herd of thundering horses if you let it. It — Ted Dekker

She played with her eyes closed. He closed his own eyes, joining her in the darkness. She had said the song depicted a battle, but nothing of the sort came to mind, no lofty images of horses and banners waving or battalions clashing over hills. Only darkness and a pure sound that filled him, creeping into spaces he hadn't known were empty. — Jeannie Lin

I agree. To me, it [galloping on horseback] is the essence of freedom - the power of the beast beneath you, the wind in your face, the thundering of the hooves. It is a great elixir for the soul."
"And does your soul need healing, Benjamin?" she asked quietly, gently running her fingertips across his bicep and down his forearm.
He turned away from the view of the pond and looked at her with clear, blue eyes, his expression serious. He captured her fingers in the palm of his hand. "My healing started the day I met you. You are my elixir."
"Then perhaps you need another dose," she whispered, her face upturned as she leaned closer to him. — Suzannah Daniels

Let me drive," she said, reaching for the reins.
He turned to her in disbelief. "This is a phaeton, not a single-horse wagon."
Sophie fought the urge to throttle him. His nose was running, his eyes were red, he couldn't stop coughing, and still he found the energy to act like an arrogant peacock. "I assure you," she said slowly, "that I know how to drive a team of horses. — Julia Quinn

I see what I want of Love ... I see horses making the meadow dance, fifty guitars sighing, and a swarm of bees suckling the wild berries, and I close my eyes until I see our shadow behind this dispossessed place ...
I see what I want of people: their desire to long for anything, their lateness in getting to work and their hurry to return to their folk ... and their need to say: Good Morning ... — Mahmoud Darwish

Charlie Rose is too much of a ladies' man for my liking. He thinks a lot of himself with his bluer-than-blue eyes and charming smile. I'm sure in his day he's enchanted more women than we have horses."
Nell gave the mare a quick hug and kissed her neck. "Sorry again, Georgia." With a lighthearted chuckle, she stepped through the gate.
And came face-to-face with Charlie. — Caroline Fyffe

What is life when you come to think upon it, but a most excellent, accurately set, infinitely complicated machine for turning fat playful puppies into old mangy blind dogs, and proud war horses into skinny nags, and succulent young boys, to whom the world holds great delights and terrors, into old weak men, with running eyes, who drink ground rhino-horn? — Isak Dinesen

Want to know a secret?"
"Yeah!" His smile grew big and broad.
"I don't know how to saddle a horse either. And I've never even ridden on one before." His eyes grew wide as the moon. "Jase!" he bellowed, spinning toward his brother."She's never ridden a horse before!"
Well, there went my secret. — J. Lynn

Impossibly, the static coalesces into music. Volkheimer's eyes open as wide as they can. Straining the blackness for every stray photon. A single piano runs up scales. Then back down. He listens to the notes and the silences between them, and then finds himself leading horses through a forest at dawn, trudging through snow behind his great-grandfather, who walks with a saw draped over his huge shoulders, the snow squeaking beneath boots and hooves, all the trees above them whispering and creaking. They reach the edge of a frozen pond, where a pine grows as tall as a cathedral. His great-grandfather goes to his knees like a penitent, fits the saw into a groove in the bark, and begins to cut. — Anthony Doerr

A BIRTHDAY
Something continues and I don't know what to call it
though the language is full of suggestions
in the way of language
but they are all anonymous
and it's almost your birthday music next to my bones
these nights we hear the horses running in the rain
it stops and the moon comes out and we are still here
the leaks in the roof go on dripping after the rain has passed
smell of ginger flowers slips through the dark house
down near the sea the slow heart of the beacon flashes
the long way to you is still tied to me but it brought me to you
I keep wanting to give you what is already yours
it is the morning of the mornings together
breath of summer oh my found one
the sleep in the same current and each waking to you
when I open my eyes you are what I wanted to see. — W.S. Merwin

I raised you to be a thoroughbred. When thoroughbreds run, they wear blinders to keep their eyes focused straight ahead with no distractions, no other horses. They hear the crowd, but they don't listen. They just run their own race. That's what you have to do. Don't listen to anyone comparing you to me or to anyone else. You just run your own race. — Marlo Thomas

Love!" She threw the pillow aside and sat up, pulling the be clothes around her. "You hypocrite. 'Tis nothing to you to say that, is it? You prate about love and roses and devotion, but you don't know the meaning of the word. You never have, and I doubt you ever will."
He let out a harsh breath. "I don't understand you. How you can say that, after - " He spread his hands and made a baffled sound. "After this."
"This! This is fancy, 'tis infatuation, 'tis a dream. Maybe you love your horses, maybe you love Nemo - all you require of me is a reflection of yourself. You and your bloody mask!" She was crying openly now, her head tilted back, her eyes shut against the tears. "Don't keep trying to dress it up as love, because I know what love is, and it hurts, it hurts, it hurts. — Laura Kinsale

Hush-a-bye, don't you cry
Go to sleepy, little baby
When you wake, you shall have
All the pretty little horses
Way down yonder in the meadow
Lies a poor little lambie
Bees and butterflies, picking out its eyes ... — Lauren DeStefano

Her mind, shaped so long before my own, was for me the equivalent of what had been offered me by the behaviour of the girls of the little gang along the sea-shore. Mme de Guermantes offered me, tamed and subdued by good manners, by respect for intellectual values, the energy and charm of a cruel little girl from one of the noble families around Combray, who from her childhood had ridden horses, sadistically tormented cats, gouged out the eyes of rabbits, and, while remaining a paragon of virtue, might equally well have been, some years back now, and so much did she share his dashing style, the most glamorous mistress of the Prince de Sagan. — Marcel Proust

But Little Spinoza was only interested in that satchel-bellied ten-dollar billy goat. First he jumped back like insulted when the goat lift his head at him and stare. What you think this is, son? Ain't nothing but a spotted he-goat, good for nothing save to be the horse's friend. He gone urinate in you hay and shove his head in you feed bucket and race you to you eats. You don't mind out, he win too. You want that? Medicine Ed reached down and touched that peculiar armor-plate forehead of the goat between his coin-slot eyes, and shuddered. But Little Spinoza dance around and look happy and want a billy goat all his own. — Jaimy Gordon

Looking at her, he was in London again. He saw the gaslight and smelled the smoke and dirt and horses, the metallic tang of fog, the flowers in Kew Gardens. He saw a boy with black hair and blue eyes like Alec's. A girl with long brown curls and a serious face. In a world where everything went away from him eventually, she was one of the few remaining constants. — Cassandra Clare

The man peered through the doorway - a blond bearded man with steel blue eyes, who first considered her holding Niall's sword, and then Niall in her bed. She couldn't believe he would grin at them. The heathen. His friend was sick and could be dying and Gunnolf was grinning?
What kind of a friend did that?
"I should have known you would be in a lass' bed while I have been searching for you everywhere. Not to mention trying to locate our horses, and the lass we should be finding. Is the woman protecting you with your own sword, mon?" Gunnolf laughed.
"He was wounded and is now feverish. There is naught to jest about," Anora said harshly.
Gunnolf laughed again. "I hope you plan to wed the lass, Niall. She appears to be just the one for you. Every mon needs a woman who will fight to protect him. — Terry Spear

That morning, the two eagerly awaited fairy-tale princes had left their white horses in the stable for once and traveled by Tube," declaimed Xemerius unctuously. "At the sight of them, the eyes of the two princesses shone, and when the two concentrated sets of young hormones collided, expressing themselves in the form of embarrassed kisses and silly grins, the clever and incomparably handsome demon unfortunately had to throw up in a garbage bin. — Kerstin Gier

War is not two great armies meeting in the clash and frenzy of battle. War is a boy being carried on a stretcher, looking up at God's blue sky with bewildered eyes that are soon to close; war is a woman carrying a child that has been injured by a shell; war is spirited horses tied in burning buildings and waiting for death; war is the flower of a race, battered, hungry, bleeding, up to its knees in filthy water; war is an old woman burning a candle before the Mater Dolorsa for the son she has given. — Mary Roberts Rinehart

I lean back against the velvet-cushioned seat and close my eyes to the sound of hooves pounding hard against the cobblestone streets. Their clip-clopping harmony keeping perfect tempo with the rumble of carriage wheels, affording a sound as sweet as any symphony I've ever heard.
It's the sound of escape
The sound of goodbye
A sound that's served to soothe me in the past, providing the much-needed assurance that the unwelcome inquiries and suspicions of newly alerted acquaintances would soon fade - allowing for a brief respite in a new location, before I'm on the move again.
I'm a gypsy.
A nomad.
A vagabond.
A drifter. — Alyson Noel

There the black horse stood - his feet planted firm on the ground, afraid to move. His coat was covered in sweat and a stark white rim lined his eyes. All three of us gawked at his sudden silence. The rattling metal gate was now the only sound. — Brittney Joy

The cracks grew over him like vines, faster and faster. At first he bucked, whinnying metallic screeches. Then he gradually stilled, looking up at me with frightened glass eyes.
He was growing.
New, molten glass leeched out between his fissures, cooled and hardened only to crack again and make room for more liquid glass. The gears inside him moaned and creaked, and metal filings gathered at the base of his transparent stomach, only to fly up again and form more joints and chains and gears. Black smoke poured from his nostrils.
Soon he was the size of a large dog, then a man, and still he grew and grew until he towered over my bed, as big as any plow horse I'd ever seen. Glass dripped down his flanks like sweat, a few rivulets still glowing with molten heat. — Betsy Cornwell

What are your pleasures and pursuits, Lord Moncrieffe?" Miss Eversea asked too brightly, when the silence had gone on for more than was strictly comfortable or polite.
That creaky conversation lubricant. It irritated him again that she was humoring him.
"Well, I'm partial to whores."
Her head whipped toward him like a weather-vane in a hurricane. Her eyes, he noted, were enormous, and such a dark blue they were nearly purple. Her mouth dropped, and the lower lip was quivering with shock or ... or ...
"Whor ... whores ... ?" She choked out the word as if she'd just inhaled it like bad cigar smoke.
He widened his own eyes with alarm, recoiling slightly.
"I ... I beg your pardon - Horses. Honestly, Miss Eversea," he stammered. "I do wonder what you think of me if that's what you heard. — Julie Anne Long

He found Podrick Payne asleep in a chair outside the door of the solar, and shook him by the shoulder. "Summon Bronn, and then tun down to the stables and have two horses saddled." (Tyrion).
The squire's eyes were cloudy with sleep. "Horses". (squire)
"Those big brown animals that love apples, I'm sure you've seen them. Four legs and a tail. But Bronn first." (Tyrion) — George R R Martin

Nell glanced down at her brother and a swell of love lifted her heart. Always her champion.
"Sounds like you think she talks to them, Seth."
Seth shrugged. "She does. Not with words exactly. I can't explain it." He repositioned his hat. "Don't matter how she does it; I'm just glad she can."
Turning back to the horses, Nell let go her breath and flexed her stiff shoulders. All they had to do now was set up camp and begin work tomorrow. Anticipation thrummed inside her chest, not only because of the horses but because of Charlie and the way she felt him looking at her right now. With a light in his eyes that said he was more than a little curious about what she'd reveal next. — Caroline Fyffe

Still doing your best to ruin the horses, I see.'
Katsa froze. The voice came from above rather than behind, and it didn't sound quite like Skye. She turned.
'I though it was supposed to be impossible to sneak up on you. Eyes of a hawk and ears of a wolf and all that,' he said- and there, he was there, standing straight, eyes glimmering, mouth twitching, and the path he'd plowed through the snow stretching behind him. Katsa cried out and ran, tackling Po so hard that he fell back into the snow and she on top of him. And he laughed, and held her tight, and she was crying; and then Bitterblue came and threw herself squealing on top of them. — Kristin Cashore

Hey," Victor said. "Tell me a story."
Thomas closed his eyes and told this story: "There were these two Indian boys who wanted to be warriors. But it was too late to be warriors in the old way. All the horses were gone. So the two Indian boys stole a car and drove to the city. They parked the stolen car in front of the police station and then hitchhiked back home to the reservation. When they got back, all their friends cheered and their parents' eyes shone with pride. You were very brave, everybody said to the two Indian boys. Very brave."
"Ya-hey," Victor said. "That's a good one. I wish I could be a warrior. — Sherman Alexie

I couldn't get to sleep. The book lay nearby. A thin object on the divan. So strange. Between two cardboard covers were noises, doors, howls, horses, people. All side by side, pressed tightly against one another. Boiled down to little black marks. Hair, eyes, voices, nails, legs, knocks on doors, walls, blood, beards, the sound of horseshoes, shouts. All docile, blindly obedient to the little black marks. The letters run in mad haste, now here, now there. The a's, f's, y's, k's all run. They gather together to create a horse or a hailstorm. They run again. Now they create a dagger, a night, a murder. Then streets, slamming doors, silence. Running and running. Never stopping. — Ismail Kadare

In the forest, while the others settled the baskets and dishtowels under the trees, Jacques helped Michel rub down the horses and fasten around their necks the gray-brown canvas nose bags, in which the horses chomped their jaws, opening and closing their large brotherly eyes or chasing away a fly with an impatient hoof. — Albert Camus

The old stage coach was rumbling along the dusty road that runs from Maplewood to Riverboro. The day was as warm as midsummer, though it was only the middle of May, and Mr. Jeremiah Cobb was favoring the horses as much as possible, yet never losing sight of the fact that he carried the mail. The hills were many, and the reins lay loosely in his hands as he lolled back in his seat and extended one foot and leg luxuriously over the dashboard. His brimmed hat of worn felt was well pulled over his eyes, and revolved a quid of tobacco in his left cheek. — Kate Douglas Wiggin

They pulled the wet saddles off the horses and hobbled them and walked off in separate directions through the chaparral to stand spraddle legged clutching their knees and vomiting. The browsing horses jerked their heads up. It was no sound they'd ever heard before. In the grey twilight those retchings seemed to echo like the calls of some rude provisional species loosed upon that waste. A thing smirking deep in the eyes of grace itself like a gorgon in an autumn pool. — Cormac McCarthy

I will go directly to her home, ring the bell, and walk in. Here I am, take me-or stab me to death. Stab the heart, stab the brains, stab the lungs, the kidneys, the viscera, the eyes, the ears. If only one organ be left alive you are doomed-doomed to be mine, forever, in this world and the next and all the worlds to come. I'm a desperado of love, a scalper, a slayer. I'm insatiable. I eat hair, dirty wax, dry blood clots, anything and everything you call yours. Show me your father, with his kites, his race horses, his free passes for the opera: I will eat them all, swallow them alive. Where is the chair you sit in, where is your favorite comb, your toothbrush, your nail file? Trot them out that I may devour them at one gulp. You have a sister more beautiful than yourself, you say. Show her to me-I want to lick the flesh from her bones. — Henry Miller

There will be ribbons in a range of colors with placings noted and records kept. Ribbons aren't worth much more than that; they're only a symbol. It's your partnership that mattered. That the two of you spent weekends challenging yourselves to improve, always competing against your last show, and balancing winning and losing into a place of faith and trust. That the two of you built a special relationship that made a difference, if not in the huge world, certainly in your own hearts. You persevered through joy and pain, thrill and dread, and in the end, there was a place that the two of your shared. Ribbons say it was worth celebrating. In a world where horses struggle, suffer, and die for the whims of humans, it says that you saw past the surface and shared breath and heart with another soul. You lifted your eyes higher. — Anna Blake

He raised a hand in response and tossed the ear of corn into the wagon. Then he
returned to his fantasy, imagining himself running the livery instead of working there, making the decisions, placing orders, selecting new horses, agreeing to board others, and
hiring a boy to muck out the stalls and pitch hay.
In his daydream, he no longer lived in the back room. He came home at night to a small house he'd bought with his earnings. Inside, a woman waited for him. A wife. In his fantasy her hair was as golden as the ear of corn he tossed into the wagon and her
eyes as blue as the cloudless sky overhead. Catherine smiled at him and he could hear as well as see her say his name. "Jim! Welcome home. — Bonnie Dee

She smiled. Her skin looked whiter than he recalled, and dark spidery veins were beginning to show beneath its surface. Her hair was still the color of spun silver and her eyes were still green as a cat's. She was still beautiful. Looking at her, he was in London again. He saw the gaslight and smelled the smoke and dirt and horses, the metallic tang of fog, the flowers in Kew Gardens. He saw a boy with black hair and blue eyes like Alec's, heard violin music like the sound of silver water. He saw a girl with long brown hair and a serious face. In a world where everything went away from him eventually, she was one of the few remaining constants.
And then there was Camille. — Cassandra Clare

Liking something and wanting to take it for a ride are two very different things', Joslyn sais, climbing out of the truck to stand on the ground. Hutch's eyes sparkled as he came around to face her. 'I'm not touching that one with a ten-foot pole,' he told her. — Linda Lael Miller

And because they had mass, they became simpler," said Beatty. "Once, books appealed to a few people, here, there, everywhere. They could afford to be different. The world was roomy. But then the world got full of eyes and elbows and mouths. Double, triple, quadruple population. Films and radios, magazines, books leveled down to a sort of paste pudding norm, do you follow me?" "I think so." Beatty peered at the smoke pattern he had put out on the air. "Picture it. Nineteenth-century man with his horses, dogs, carts, slow motion. Then, in the twentieth century, speed up your camera. Books cut shorter. Condensations. Digests, Tabloids. Everything boils down to the gag, the snap ending." "Snap ending." Mildred nodded. "Classics cut to fit fifteen-minute radio shows, then cut again to fill a two-minute book column, winding up at last as a ten- or twelve-line dictionary resume. — Ray Bradbury

He stood in rain and the storm, watching a demon with his face standing and laughing at him on a chariot run by drunk horses. The storm threw dust into his eyes, while the demon unleashed the horses one after the other at him. — Akshay Vasu

It's alright" said a dreamy voice from beside Harry as Ron vanished into the coach's dark interior. "You're not going mad or anything. I can see them too."
"Can you?" said Harry desperately, turning to Luna. He could see the bat-winged horses reflected in her wide, silvery eyes.
"Oh yes," said Luna, "I've been able to see them since my first year here. They've always pulled the carriages. Don't worry. You're just as sane as I am."
Smiling faintly, she climbed into the musty interior of the carriage after Ron. Not altogether reassured, Harry followed her. — J.K. Rowling

Anybody doesn't like these pitchers don't like potry, see? Anybody don't like potry go home see television shots of big hatted cowboys being tolerated by kind horses. Robert Frank, Swiss, unobtrusive, nice, with that little camera that he raises and snaps with one hand he sucked a sad poem right out of America onto film, taking rank among the poets of the world. To Robert Frank I now give this message: You got eyes. — Jack Kerouac

A great night, with room enough for Heaven to be hidden there from our not too perspicacious eyes. ... It was said that an earthquake shock imperceptible to our senses set those cattle and sheep and horses and pigs crashing through all the hedges of the county. And it was queer: before they had so started lowing and moving Mark was now ready to swear that he had heard a rushing sound. He probably had not! One could so easily self-deceive oneself! The cattle had been panicked because they had been sensible of the presence of the Almighty walking upon the firmament. ... — Ford Madox Ford

Oh, God, send down fire from heaven to consume the blasphemer," said Lawson. "What has nature got to do with it? No one knows what's in nature and what isn't! The world sees nature through the eyes of the artist. Why, for centuries it saw horses jumping a fence with all their legs extended, and by Heaven, sir, they were extended. It saw shadows black until Monet discovered they were colored, and by Heaven, sir, they were black. If we choose to surround objects with a black line, the world will see the black line, and there will be a black line; and if we paint glass red and cows blue, it'll see them red and blue, and, by Heaven, they will be red and blue. — W. Somerset Maugham

As she said this, she tossed him one of her blue-and-gray-checked tea towels to use as an apron. She was wearing a blue summer dress and tucked her towel-apron into her red belt. Today he could see that her blond hair was tinged with silver at the temples and that the former confusion and terror had left her eyes.
Soon the windowpanes had misted up; the gas flames were hissing under pots and pans; the white wine, shallots and cream sauce was simmering; and in a heavy pan the olive oil was browning potatoes sprinkled with rosemary and salt.
They were chatting away as if they'd known each other for years and had simply lost touch for a while. About Carla Bruni, and about how male sea horses carried their young around in a pouch on their stomachs. They talked about fashion and about the trend for salt with added flavorings, and of course they gossiped about their neighbors. — Nina George

I first saw 'They Shoot Horses, Don't They?' when I was very young. Its transporting qualities were so strong that I felt like I had lived it. Only recently, with adult eyes, was I able to metabolize how tragic a tale it really is. — Jake Paltrow

If anything is horrible, if there is a reality that surpasses our worst dreams, it is this: to live, to see the sun, to be in full possession of manly vigor, to have health and joy, to laugh heartily, to rush toward a glory that lures you on, to feel lungs that breathe, a heart that beats, a mind that thinks, to speak, to hope, to love; to have mother, wife, children, to have sunlight, and suddenly, in less time than it takes to cry out, to plunge into an abyss, to fall, to roll, to crush, to be crushed, to see the heads of grain, the flowers, the leaves, the branches, unable to catch hold of anything, to feel your sword useless, men under you, horses over you, to struggle in vain, your bones broken by some kick in the darkness, to feel a heel gouging your eyes out of their sockets, raging at the horseshoe between your teeth, to stifle, to howl, to twist, to be under all this, and to say, 'Just then I was a living man! — Victor Hugo

It is a delicious thing to write, to be no longer yourself but to move in an entire universe of your own creating. Today, for instance, as man and woman, both lover and mistress, I rode in a forest on an autumn afternoon under the yellow leaves, and I was also the horses, the leaves, the wind, the words my people uttered, even the red sun that made them almost close their love-drowned eyes. — Gustave Flaubert

On the third evening, Jock finally sat down across from me, his eyes flat as chips of flint. "This isn't something you can bury in the sand and forget about, Beryl. Go and work for Delamere if that's what you're going to do, but you'll go as my wife." "We'll be pretending then? For how long?" He shrugged. "Don't forget you need me, too. Your father's horses are half mine now, and you can't care for them on a pauper's salary. — Paula McLain

Nyx's quasar eyes burned. "Of course not. I would not let my horses eat you, any more than I would let Akhlys kill you. Such fine prizes, I will kill myself!"
Annabeth didn't feel particularly witty or courageous, but her instincts told her to take the initiative, or this would be a very short conversation.
"Oh, don't kill yourself!" she cried. "We're not that scary."
The goddess lowered her whip. "What? No, I didn't mean - "
"Well, I hope not!" Annabeth looked at Percy and forced a laugh. "We wouldn't want to scare her, would we?"
"Ha, ha," Percy said weakly. "No, we wouldn't. — Rick Riordan

The imagination circuit is taught to respond to the most minimal of cues. A book is an arrangement of twenty-six phonetic symbols, ten numerals, and about eight punctuation marks, and people can cast their eyes over these and envision the eruption of Mount Vesuvius or the Battle of Waterloo. But it's no longer necessary for teachers and parents to build these circuits. Now there are professionally produced shows with great actors, very convincing sets, sound, music. Now there's the information highway. We don't need the circuits any more than we need to know how to ride horses. Those of us who had imagination circuits built can look in someone's face and see stories there; to everyone else, a face will just be a face. — Kurt Vonnegut

The account in the gospel of John says three times that Jesus was angry. One of the words used is the Greek term for "furious indignation" - the word used by Aeschylus to describe war horses rearing up on their hind legs, snorting through their nostrils, and charging into battle. This was the reaction of Jesus of Nazareth when face to face with a loved one's death. The world that God created good and beautiful and whole was now broken and in ruins. In moments Jesus was going to do something, but his first response was outrage - instinctive, blazing outrage. Clearly, death was even worse in his eyes than in ours. — Os Guinness

I was a boy, and I believed deeply in the sightedness of horses. I believed that there was nothing that they did not witness. I believed that to have a horse between my legs, to extend my pulse and blood and energy to theirs, enhanced my vision. Made of me a seer. I believed them to be the dappled, sorrel, roan, bay, black pupils in the eyes of God. — Mark Spragg

Our historical pastime is the direct satisfaction of inflicting pain. There are lines in Nekrassov describing how a peasant lashes a horse on the eyes, 'on its meek eyes,' everyone must have seen it. It's peculiarly Russian. He describes how a feeble little nag has foundered under too heavy a load and cannot move. The peasant beats it, beats it savagely, beats it at last not knowing what he is doing in the intoxication of cruelty, thrashes it mercilessly over and over again. 'However weak you are, you must pull, if you die for it.' The nag strains, and then he begins lashing the poor defenceless creature on its weeping, on its 'meek eyes.' The frantic beast tugs and draws the load, trembling all over, gasping for breath, moving sideways, with a sort of unnatural spasmodic action- it's awful in Nekrassov. But that only a horse, and God has horses to be beaten. — Fyodor Dostoyevsky

Each of the dancers took a partner, the living with the dead, each to each. Bod reached out his hand and found himself touching fingers with, and gazing into the grey eyes of, the lady in the cobweb dress. She smiled at him.
"Hello, Bod," she said.
"Hello," he said, as he danced with her. "I don't know your name."
"Names aren't really important," she said.
"I love your horse. He's so big! I never knew horses could be that big."
"He is gentle enough to bear the mightiest of you away on his broad back, and strong enough for the smallest of you as well."
"Can I ride him?" asked Bod.
"One day," she told him, and her cobweb skirts shimmered. "One day. Everybody does."
"Promise?"
I promise. — Neil Gaiman