William Gaddis Quotes & Sayings
Enjoy the top 100 famous quotes, sayings and quotations by William Gaddis.
Famous Quotes By William Gaddis
Reading Proust isn't just reading a book, it's an experience and you can't reject an experience. — William Gaddis
What you seek in vain for, half your life, one day you come full upon, all the family at dinner. You seek it like a dream, and as soon as you find it, you become its prey — William Gaddis
The room was filled with smoke, dry worn-out smoke retaining in it like a web the insectile cadavers of dry husks of words which had been spoken and should be gone, the breaths exhaled not to be breathed again. But the words went on, and in those brief interruptions between cigarettes the exhalations were rebreathed. — William Gaddis
The painters could be identified by dirty fingernails; the writers by conversation in labored monosyllables and aggressive vulgarities which disguised their minds. — William Gaddis
Let them look up in the sky then ... ! if they must be so blind, that cannot see the truth in broad daylight, but must have the whole world in darkness to see the conceit of the stars ... — William Gaddis
We've had the goddam Ages of Faith, we've had the goddam Age of Reason. This is the Age of Publicity — William Gaddis
They write for people who read with the surface of their minds, people with reading habits that make the smallest demands on them, people brought up reading for facts, who know what's going to come next and want to know what's coming next, and get angry at surprises. — William Gaddis
That's what it is, this arrogance, in this flamenco music this same arrogance of suffering, listen. The strength of it's what's so overpowering, the self-sufficiency that's so delicate and tender without an instant of sentimentality. With infinite pity, but refusing pity. It's a precision of suffering, he went on, abruptly working his hand in the air as though to shape it there,
the tremendous tension of violence all enclosed in a framework ... in a pattern that doesn't pretend to any other level but its own, do you know what I mean? He barely glanced at her to see if she did.
It's the privacy, the exquisite sense of privacy about it, he said speaking more rapidly,
it's the sense of privacy that most popular expressions of suffering don't have, don't dare have, that's what makes it arrogant. — William Gaddis
There is nothing more distressing or tiresome than a writer standing in front of an audience and reading his work. — William Gaddis
Even in sleep, he was waiting, a little tense like everyone waiting within reach of a telephone, for it to ring. And still, even in sleep, he knew there would be time. Adam, after all, lived for nine hundred thirty years. — William Gaddis
Up the coast of the New World, the ship bearing ten million bananas ground out its course, every minute the waste heaving brokenly around it more brilliant as the moon rose off the starboard bow and moved into the sky with effortless guile , unashamed of the stigmata blemishing the face she showed from the frozen fogs of the Grand Banks to the jungles of Brazil where along the Rio Branco they knew her for a girl who loved her brother the sun; and the sun, suspicious, trapped her in her evil passion by drawing a blackened hand across her face, leaving the marks which betrayed her and betray her still. — William Gaddis
That was Youth with its reckless exuberance when all things were possible pursued by Age where we are now, looking back at what we destroyed, what we tore away from that self who could do more, and its work that's become my enemy because that's what I can tell you about, that Youth who could do anything. — William Gaddis
Say a word, say a thousand to me on the telephone and I shall choose the wrong one to cling to as though you had said it after long deliberation when only I provoked it from you, I will cling to it from among a thousand, to be provoked and hurl it back with something I mean no more than you meant that, something for you to cling to and retreat clinging to. — William Gaddis
During the investigation, he tried a brief defense of his medical practice on the grounds that he had once assisted a vivisectionist in Tampa, Florida; and when this failed, he settled down to sullen grumbling about the Jews, earthly vanity, and quoted bits from Ecclesiastes, Alfonso Liguori, and Pope Pius IX, in answer to any accusatory question. — William Gaddis
But what I remember is the countryside then, the brilliance of outdoors and outwindows, and the sunlight streaming through the lozenge shapes of the glass, and we were locked away from it, locked inside to worship. And there was the sun out there for everyone else to see. Good God, tell me Clovis wasn't lonely at dawn. Tell me he wasn't sick at the sunset. — William Gaddis
He walked out into the cold morning asking himself this heretical question: Can you start measuring a minute at any instant you wish? — William Gaddis
- Problem what happened he always woke up the same person went to bed the night before only way he knew it these God damned words going through his head, go to bed knew he'd wake up the same God damned person finally couldn't take it anymore, same God damned words waiting for him only thing to do get rid of the God damned container for the thing contained, God damned words come around next morning God damned container smashed on the sidewalk no place for them to ... — William Gaddis
You see I still have confidence in you sir, or should I say the artist who dwells within you, the artist who disdains such mundane details as selecting a fresh shirt in the morning, who steps forth into the workday world the rest of us inhabit indifferent to the glances he draws because his shoes fail to match, why? Because his mind has been elsewhere, his inner ear tuned to the sonorous tones of horn and kettledrum, tones it is his sacred duty to let us hear with him. — William Gaddis
Merry Christmas! the man threatened. — William Gaddis
How some of the writers I come across get through their books without dying of boredom is beyond me. — William Gaddis
He was doing missionary work. But from the outset he had little success in convincing his charges of their responsibility for a sin committed at the beginning of creation, one which, as they understood it, they were ready and capable (indeed, they carried charms to assure it) of duplicating themselves. He did no better convincing them that a man had died on a tree to save them all: an act which one old Indian, if Gwyon had translated correctly, regarded as "rank presumption". — William Gaddis
...he chose, not the disquieting road to serenity, but the serenely narrow path to eventual and total derangement. — William Gaddis
Are a good thing for America, they help keep the homosexuals off the streets. — William Gaddis
-And there's this twelve thousand dollars item for books.
-That supposed to be twelve hundred, the twelve thousand is for paper.
towels. Besides there is already that bequest for the library.
-Did it say books in so many words? No. It's just a bequest for the library.
-Use it for pegboard. You need pegboard in a library. Books you don't know what you're getting into. — William Gaddis
We're comic. We're all comics. We live in a comic time. And the worse it gets the more comic we are. — William Gaddis
I can't imagine cutting my wrists in Pokheepsie — William Gaddis
-She paints some, Stanley said in a vindicatory tone.
-Paints! Did you see the abstract she did for the Army Air Force? the face persisted. -For a psychological test, they used it to pick out the queers, if you were queer the painting didn't look like anything, if you weren't it looked like a snatch. — William Gaddis
- I really prefer books. No matter how bad a book is, it's unique, but people are all so ordinary.
- I think we really like books that make us hate ourselves. — William Gaddis
You and I doctor, on the beach. — William Gaddis
I mean why should somebody go steal and break the law to get all they can when there's always some law where you can be legal and get it all anyway! — William Gaddis
When he was left alone, when he had pulled out one stop after another (for the work required it), Stanley straightened himself on the seat, tightened the knot of the red necktie, and struck. The music soared around him, from the corner of his eye he caught the glitter of his wrist watch, and even as he read the music before him, and saw his thumb and last finger come down time after time with three black keys between them, wringing out fourths, the work he had copied coming over on the Conte di Brescia, wringing that chord of the devil's interval from the full length of the thirty-foot bass pipes, he did not stop. The walls quivered, still he did not hesitate. Everything moved, and even falling, soared in atonement.
He was the only person caught in the collapse, and afterward, most of his work was recovered too, and it is still spoken of, when it is noted, with high regard, though seldom played. — William Gaddis
Do you know why the French are so honest? because there are so few words in their language they're forced to be. — William Gaddis
Fragments of a conversation she had left a little earlier (on Rilke, not Rilke's poetry but Rilke the man, who refused to be psychoanalyzed for fear of purging his genius); — William Gaddis
If it is not beautiful for someone, it does not exist. — William Gaddis
...the face of Christ in your van der Goes, no one could call that a lie. — William Gaddis
I mean I get used to myself at night, it takes that long sometimes. The first thing in the morning I feel sort of undefined, but by midnight you've done all the things you have to do, I mean all the things like meeting people and, you know, and paying bills, and by night those things are done because by then there's nothing you can do about them if they aren't done, so there you are alone and you have the things that matter, after the whole day you can sort of take everything that's happened and go over it alone. I mean I'm never really sure who I am until night, he added. — William Gaddis
Originality is a device that untalented people use to impress other untalented people to protect themselves from talented people ... — William Gaddis
Holy things and holy places, out of mind under the cauterizing brilliance of the summer son, reared up now as the winter sun struck from the south, casting shadows coldly upon the avenues where the people followed and went in, wearing winter hearts on their sleeves for the plucking. — William Gaddis
The ship's surgeon was a spotty unshaven little man whose clothes, arrayed with smudges, drippings, and cigarette burns, were held about him by an extensive network of knotted string, The buttons down the front of those duck trousers had originally been made, with all of false economy's ingenious drear deception, of coated cardboard. After many launderings they persisted as a row of gray stumps posted along the gaping portals of his fly. Though a boutoniere sometimes appeared through some vacancy in his shirt-front, its petals, too, proved to be of paper, and he looked like the kind of man who scrapes foam from the top of a glass of beer with the spine of a dirty pocket comb, and cleans his nails at table with the tines of his salad fork, which things, indeed, he did. He diagnosed Camilla's difficulty as indigestion, and locked himself in his cabin. that was the morning. — William Gaddis
Directly he was alone, he was assailed by her simulacra, in all states of acute sorrow, or smiling, of complete abstraction or painful animation, of dress and undress, as he had seen her these last few days: directly he was alone, the images came to mock everything he had seen. Her sadness became shrieking grief, and her animation riotous, immodest in dress and licentious in nakedness, many-limbed as some wild avatar of the Hindu cosmology assaulting the days he spent copying his work on clean scores, and the nights he passed alone in his chair where, instantly the lights went out, everything was transformed, and the body he had seen a moment before with no more surprise than its simple lines and modest unself-conscious movement permitted, rose up on him full-breasted and vaunting the belly, limbs undistinguishable until he was brought down between them and stifled in moist collapse. — William Gaddis
We want someone to bring us the news. — William Gaddis
The dirty Arab children sold peanuts from the top of the basket and hashish from the bottom. They spoke a masterful unintimidated French in guttural gasps, coming from a land where it was regarded neither as the most beautiful language, as in America, nor the only one, as in France. — William Gaddis
-Money? in a voice that rustled. — William Gaddis
Venerable age had not, for him, arranged that derelict landscape against which it is privileged to sit and pick its nose, break wind, and damn the course of youth groping among the obstacles erected, dutifully, by its own hands earlier, along the way of that sublime delusion known as the pursuit of happiness.
Not to be confused with the state of political bigotry, mental obstinacy, financial security, sensual atrophy, emotional penury, and spiritual collapse which, under the name "maturity", animated lives around him, it might be said that Reverend Gwyon had reached maturity. — William Gaddis
In this world, God must serve the Devil. — William Gaddis
I, it's just, listen, criticism? It's the most important art now, it's the one we need most now. Criticism is the art we need most today. But not, don't you see? not the "if I'd done it myself . . ." Yes, a, a disciplined nostalgia, disciplined recognitions — William Gaddis
-Put on the lights there, now. Before we go any further here, has it ever occurred to any of you that all this is simply one grand misunderstanding? Since you're not here to learn anything, but to be taught so you can pass these tests, knowledge has to be organized so it can be taught, and it has to be reduced to information so it can be organized do you follow that? In other words this leads you to assume that organization is an inherent property of knowledge itself, and that disorder and chaos are simply irrelevant forces that threaten it from outside. In fact it's exactly the opposite. Order is simply a thin, perilous condition we try to impose on the basic reality of chaos ... — William Gaddis
Human, we treat them as we treat others, take for granted services to which they did not pretend. But we force telephones to corrupt intimacy while they pretend to preserve it by keeping alive only its dangerous immediate symptoms. Say a word, say a thousand to me on the telephone and I shall choose the wrong one to cling to as though you had said it after long deliberation when only I provoked it from you, I will cling to it from among a thousand, to be provoked and hurl it back with something I mean no more than you meant that, something for you to cling to and retreat clinging to. There, now we are apart! — William Gaddis
Get a black suit and just freeload, problem it's too God damned late now even to be any of the things I never wanted to be. — William Gaddis
TO A CHILD, BEHELD IN SUMMER RAIMENT
Little girl, one lesser garment
will suffice to clothe your crotch,
Hide that undiscovered cavern
Where old Time will wind his watch. — William Gaddis
And she turned for the stairs as the sound of rain came, finally, scattered across the roof, a fall that now gave substance to the stilled beams of headlamps in the drive where those of flashlights rose and fell to the cadenced steps come back and round the range of yew and up the terrace and through the door to fall on broken glass and flee across the inkstained carpet, darting, climbing, caught fixed in niches, they scaled the walls and leaped the beams to skirt the hayloft. — William Gaddis
In simple straightforward terms Dan, you might say that he structured the material in terms of the ongoing situation to tangibilitate the utilization potential of this one to one instructional medium in such a meaningful learning experience that these
kids won't forget it for a hell of a long time, how's that Whiteback. — William Gaddis
Tragedy was foresworn, in ritual denial of the ripe knowledge that we are drawing away from one another, that we share only one thing, share the fear of belonging to another, or to others, or to God; love or money, tender equated in advertising and the world, where only money is currency, and under dead trees and brittle ornaments prehensile hands exchange forgeries of what the heart dare not surrender. — William Gaddis
There was the cell where Fr. Eulalio, a thriving lunatic of eighty-six who was castigating himself for unchristian pride at having all the vowels in his name, and greatly revered for his continuous weeping, went blind in an ecstasy of such howling proportions that his canonization was assured. — William Gaddis
Here, my good man. Could you tell me whereabouts Horatio Street ... good heavens.
Thus called upon, he took courage; the sursum corda of an extravagant belch straightened him upright, and he answered,
Whfffck? Whether this was an approach to discussion he had devised himself, or a subtle adaptation of the Socratic method of questioning perfected in the local athenaeums which he attended until closing time, was not to be known; for the answer was,
Stand aside. — William Gaddis
All we've got left to protect here is a system that's set up to promote the meanest possibilities in human nature and make them look good. — William Gaddis
Justice?
You get justice in the next world. In this one you have the law. — William Gaddis
A man's damnation is his own damned business. — William Gaddis
He took off his hat and shook it (having hurried home as though his own coronation were waiting), and moved now with the slow deliberation of lonely people who have time for every meager requirement of their lives. — William Gaddis
Everybody has that feeling when they look at a work of art and it's right, that sudden familiarity, a sort of ... recognition, as though they were creating it themselves, as though it were being created through them while they look at it or listen to it ... — William Gaddis
There's much more stupidity than there is malice in the world ... — William Gaddis
Each generation was a rehearsal of the one before, so that that family gradually formed the repetitive pattern of a Greek fret, interrupted only once in two centuries by a nine-year-old boy who had taken a look at his prospects, tied a string around his neck with a brick to the other end, and jumped from a footbridge into two feet of water. Courage aside, he had that family's tenacity of purpose, and drowned, a break in the pattern quickly obliterated by the calcimine of silence. — William Gaddis
Wyatt was, in fact, finding the Christian system suspect. Memory of his fourth birthday party still weighted in his mind. It had been planned cautiously by Aunt May, to the exact number of hats and favors and portions of cake. One guest, no friend to Wyatt (from a family "less fortunate than we are"), showed up with a staunchly party-bent brother. (Not only no friend: a week before he had challenged Wyatt through the fence behind the carriage barn with - Nyaa nyaa, suckinyerma's ti-it-ty ... ) Wyatt was taken to a dark corner, where he later reckoned all Good works were conceived, and told that it was the Christian thing to surrender his portion. So he entered his fifth year hatless among crepe-paper festoons, silent amid snapping crackers, empty of Christian love for the uninvited who asked him why he wasn't having any cake. — William Gaddis
She can paint herself red and hang on the wall and whistle, I don't care — William Gaddis
It is the bliss of childhood that we are being warped most when we know it the least. — William Gaddis
Their pursuits were by now so mysterious to one another that neither showed surprise at anything the other did or said, each, in fact, depending more and more heavily on the other for encouragement, an arrangement somewhat similar to that magic formula of modern marriage, whose parties are encouraged by disapprobation and disinterest respectively. — William Gaddis
He stood there unsteady in the cold, mumbling syllables which almost resolved into her name, as though he could recall, and summon back, a time before death entered the world, before accident, before magic, and before magic despaired, to become religion. — William Gaddis
The function of this school is custodial. It's here to keep these kids off the streets until the girls are big enough to get pregnant and the boys are old enough to go out and hold up a gas station. — William Gaddis
The Mona Lisa, the Mona Lisa....Leonardo had eye trouble....Art couldn't explain it....But now we're safe, since science can explain it. Maybe Milton wrote Paradise Lost because he was blind? And Beethoven wrote the Ninth Symphony because he was deaf... — William Gaddis
It rained; then it snowed, and the snow stayed on the paved ground for long enough to become evenly blacked with soot and smoke-fall, evenly but for islands of yellow left by uptown dogs. Then it rained again, and the whole creation was transformed into cold slop, which made walking adventuresome. Then it froze; and every corner presented opportunity for entertainment, the vastly amusing spectacle of well-dressed people suspended in the indecorous positions which precede skull fractures. — William Gaddis
Of course, if Saint Peter could come out today upon these streets below he would find all he could wish, voices from nowhere, music from unpopulated boxes, men ascending divine distances in gas balloons, and traveling at the speed of sound, apparitions from nowhere appear on the screen; the sick are raised from the dead, life is prolonged so that every detail of pain may be relished, the blind are given eyes and the cripples forced to walk, and there is an item which can blow a city of the beloved enemy into a place where their sins will be brought home to them, with of course as much noise as the trumpets on the walls of Jericho — William Gaddis
The coincidences turn up down to the smallest details. There is, for instance, a character who has covered the mirrors with handkerchiefs. Apparently this happens somewhere in Ulysses, too. And they said, Ah! This is where he got that. Where I got it was when I was in a hotel in Panama and I had washed my handkerchiefs and spread them on the windows and the mirrors to dry - they almost look pressed when they're peeled away that way - a Panamanian friend came in and said, "All the mirrors are covered. Who's dead? What's happened?" I said, "No, I'm just drying my handkerchiefs." Then I found the same incident in McTeague in what? 1903 or 1905, whenever McTeague was written. This always strikes me as dangerous - finding "sources. — William Gaddis
Most people are clever because they don't know how to be honest. William Gaddis, The Recognitions. — William Gaddis
-I'm reviewing it, the stooped man said, and started to plod off.
-You read it?
-No, he said over his shoulder, -but I know the son of a bitch who wrote it. — William Gaddis
That's what I can't stand. I know I'll bounce back, and that's what I can't stand. — William Gaddis
Nevertheless, they boarded The Purdue Victory and sailed out of Boston harbor, provided for against all inclemencies but these they were leaving behind, and those disasters of such scope and fortuitous originality which Christian courts of law and insurance companies, humbly arguing ad hominem, define as acts of God. — William Gaddis
It is a naked city. Faith is not pampered, nor hope encouraged; there is no place to lay one's exhaustion: but instead pinnacles skewer it undisguised against vacancy. — William Gaddis
What is it they want from the man that they didn't get from the work? What do they expect? What is there left when he's done with his work, what's any artist but the dregs of his work, the human shambles that follows it around? — William Gaddis
Power does not corrupt people, people corrupt people. — William Gaddis
That fever had passed; but for the rest of his life it never left his eyes. — William Gaddis
That after an hour's silence he can say, The one thing I cannot stand is dampness ... That's all, it took him an hour to work that out. — William Gaddis
Stupidity's the deliberate cultivation of ignorance. — William Gaddis
I'll tell you why yes, because why people lie is, because when people stop lying you know they've stopped caring. — William Gaddis
Where would Christianity be today if Jesus had been given ten to twenty with time off for good behavior — William Gaddis
I see the player piano as the grandfather of the computer, the ancestor of the entire nightmare we live in, the birth of the binary world where there is no option other than yes or no and where there is no refuge. — William Gaddis
- What shall I do, in a Purgatory?... where they all speak spanish? I've never been in any kind of Purgatory before, and no one(...) — William Gaddis
How real is any of the past, being every moment revalued to make the present possible ... — William Gaddis
Then, what is sacrelige [sic]? If it is nothing more than a rebellion against dogma, it is eventually as meaningless as the dogma it defies, and they are both become hounds ranting in the high grass, never see the boar in the thicket. Only a religious person can perpetrate sacrelige: and if its blasphemy reaches the heart of the question; if it investigates deeply enough to unfold, not the pattern, but the materials of the pattern, and the necessity of a pattern; if it questions so deeply that the doubt it arouses is frightening and cannot be dismissed; then it has done its true sacreligious [sic] work, in the service of its adversary: the only service that nihilism can ever perform.
(unused 1949 prefatory note to The Recognitions) — William Gaddis
The most difficult challenge to the ideal is its transformation into reality, and few ideals survive. — William Gaddis
Suffer barbaric childhood to give and receive remorselessly; civilized age learns to protect what it has, to neither give nor accept freely, to trust it's own mistrust above faith, and intriguing others above the innocent. Intrigue, after all, is rational, something the mind can sink it's teeth into, and defeat it with the good digestion of reason, a hopeless prospect for the toothless heart, and God only knows what innocence will do next. — William Gaddis
What's any artist, but the dregs of his work? the human shambles that follows it around. What's left of the man when the work's done but a shambles of apology. — William Gaddis
I recall a most ingenious piece in a Wisconsin quarterly some years ago in which 'The Recognitions' ' debt to 'Ulysses' was established in such minute detail I was doubtful of my own firm recollection of never having read 'Ulysses. — William Gaddis
Neighborhood folk still came, in small vanquished numbers and mostly in the afternoon, before the two small dining rooms and the bar were taken over by the educated classes, an ill-dressed, underfed, overdrunken group of squatters with minds so highly developed that they were excused from good manners, tastes so refined in one direction that they were excused for having none in any other, emotions so cultivated that the only aberration was normality, all afloat here on sodden pools of depravity calculated only to manifest the pricelessness of what they were throwing away, the three sexes in two colors, a group of people all mentally and physically the wrong size. — William Gaddis
Esther liked books out where everyone could see them, a sort of graphic index to the intricate labyrinth of her mind arrayed to impress the most casual guest, a system of immediate introduction which she had found to obtain in a number of grimy intellectual households in Greenwich Village. — William Gaddis
If you want to make a million you don't have to understand money, what you have to understand is people's fears about money — William Gaddis
-We live in Rome, he says, turning his face to the room again,
-Caligula's Rome, with a new circus of vulgar bestialized suffering in the newspapers every morning. The masses, the fetid masses, he says, bringing all his weight to his feet.-How can they even suspect a self who can do more, when they live under absolutely no obligation. There are so few beautiful things in the world ... — William Gaddis