Famous Quotes & Sayings

Pipilotti Rist Quotes & Sayings

Enjoy the top 13 famous quotes, sayings and quotations by Pipilotti Rist.

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Famous Quotes By Pipilotti Rist

Pipilotti Rist Quotes 1254049

Fifty years ago, the spoken word reigned, but during the last fifty years, the power has gone over to pictures. — Pipilotti Rist

Pipilotti Rist Quotes 1219197

I want to try to come away from that one directional, clear rectangular form. It's not used because it's the most beautiful form; it's just the practical thing. That's why our TVs are rectangles. Even in modern architecture, they want us to believe, "That's the nicest, most beautiful thing." I love modern architecture, but actually it's that they cannot afford amorphous shapes or ornaments. — Pipilotti Rist

Pipilotti Rist Quotes 718224

Every work is completely different. Sometimes the music is first, sometimes it's parallel, and sometimes the music is after. There's no rule. Music goes differently to your emotions. With music you can create different spaces and feelings easier than you can with the visual - maybe not easier, but in a way, it's more seductive. — Pipilotti Rist

Pipilotti Rist Quotes 693033

For me, it's not important whether [subjects] are naked, half-naked, or dressed. What I'm more interested in is how they present themselves: if someone is half-naked and having self-confidence or you have the feeling that she has or he has control of the situation. She likes to do it. Then I have nothing against it. But it's true that society doesn't talk about such issues. They just talk about whether there is a breast or not, but for me it's more interesting how the power game of camera and object is shown. And if it's a cool picture. — Pipilotti Rist

Pipilotti Rist Quotes 345923

I do a lot of garbage. — Pipilotti Rist

Pipilotti Rist Quotes 503013

Sexuality, eroticism and desire are important for all of us. But that is also the contradiction. How can we speak about pictures and, for example, say no to this way of representing a woman's body? It's also a camera-and-object problem, of who is really guiding the camera. — Pipilotti Rist

Pipilotti Rist Quotes 505006

When I close my eyes, my imagination roams free. In the same way I want to create spaces for video art that rethink the very nature of the medium itself. I want to discover new ways of configuring the world, both the world outside and the world within — Pipilotti Rist

Pipilotti Rist Quotes 568963

I'm always in awe of and respect humans for their ability to plan, but sometimes, good intentions are lost along the way. And often the way becomes the goal. — Pipilotti Rist

Pipilotti Rist Quotes 815246

The main reason for civilization is that life is more comfortable. In a way, houses are there to protect us from rain, cold, and heat; cars are there to overcome distances. Culture is the exception. Music, art, and all of the different cultural expressions are not going in that direction. They're not about comfort; they're about understanding each other. — Pipilotti Rist

Pipilotti Rist Quotes 1358025

Women are less interested in watching two people having sex than in understanding how and what these people are feeling when they are having sex. If you kiss someone, you want to know what the other person is feeling. So I want to find pictures that express what the other feels. — Pipilotti Rist

Pipilotti Rist Quotes 1584375

Should one be for or against pornography? I prefer to propose images of sexuality rather than to analyze the pros and the cons of pornography. Women are interested in erotics and sexuality, so I want to use my energy to propose images about that. — Pipilotti Rist

Pipilotti Rist Quotes 1728674

First I did animation films, when I was young, in time-lapse. And then in the '80s I went directly to video. The main reason for that was that I could control all the steps. — Pipilotti Rist

Pipilotti Rist Quotes 1817750

I always try to create equal power between the subject and the object, so as not to end up creating a relationship where the camera is here and the object out there. This is for me a very difficult and sensitive balance. When I produce a work, cut and frame images, I realize that spectators can identify with the images and almost forget that someone else actually made them. This would be the optimal situation. I don't know whether I succeed in doing so, but that's what I would like to have happen. — Pipilotti Rist