Eve Golden Quotes & Sayings

Anna Held's birthdate and hometown are a dark mystery, thanks to her own mythmaking. — Eve Golden

I never took any writing classes or planned to write. But I was working as an advertising copywriter in the late '80s and thought, 'What a shame there has never been a decent book on Jean Harlow,' then thought, 'Why don't I write one myself?' being kind of an idiot and not having the slightest idea what I was getting myself into. — Eve Golden

When [Claudette Colbert] died at 92, on July 30, 1996, her front-page New York Times obit recalled her "wit, gaiety, cupid'sbow mouth and light touch ... worldly and sophisticated yet down to earth." Claudette herself was quoted, "I've always believed that acting is instinct to start with; you either have it or you don't ... I did comedy because all my life I always wanted to laugh myself. There was never anything that gave me as much satisfaction as to be in something amusing. — Eve Golden

Groucho Marx continued to alternately call Margaret Dumont "a great lady" and to denigrate her in interviews. But he seemed, at the end, to realize how important she'd been to his career. When accepting his 1974 Lifetime Achievement Oscar, the ailing Groucho told the audience, "I only wish Harpo and Chico could have been here - and Margaret Dumont. — Eve Golden

Barbara Stanwyck, in particular, was peerless in everything from high and low comedy to drama to musicals to film noir. She never took a false step. — Eve Golden

[Constance Bennett] never tired of acting, said Peter Plant. She liked it, she enjoyed it, and she worked very hard at it. When she was making a film, she would really be busy preparing for the next day's scenes. I would visit her for half an hour, and then she would go back to her script. She had what her father had, a photographic memory. Richard Bennett, I understand, could read a play through once, and he knew the whole play, and everyone else's cues. I have the good fortune to have inherited that, and it's made many people think me more intelligent than I am. — Eve Golden

We worked so hard," [Joan Blondell] said, "and hardly ever had a day off ... Saturday was a working day and we usually worked right into Sunday morning." Joan's good nature may have worked against her in the long run. While fellow Warner Brothers workers Bette Davis, James Cagney, Olivia de Havilland and Humphrey Bogart fought like lions for better roles and more creative input, Joan took things in stride, at least through the early 1930s. "I just sailed through things, took the scripts I was given, did what I was told. I couldn't afford to go on suspension - my family needed what I could make. — Eve Golden

Through the early 1930s, Barbara Stanwyck established her reputation in a field overflowing with other young Broadway starlets: Bette Davis, Miriam Hopkins, Katharine Hepburn, Claudette Colbert, Joan Blondell. Barbara was lower-keyed and less mannered than Davis and Hepburn; less glamorous than Colbert. She was "real," and she also proved to be the personification of no-nonsense professionalism, making her popular with directors and coworkers alike. — Eve Golden

It's a testament to [Joan Blondell]'s talent that she is so fondly remembered even though so few of her films were even adequate. Her Warners cohorts were given classics while Joan remained the reliable backup in unremarkable films badly needing her gifts. — Eve Golden

Blonde movie stars in the 1950s seem to have been pretty much divided between breathy bombshells (Marilyn Monroe, Jayne Mansfield) and slim, elegant swans (Grace Kelly, Eva Marie Saint). Producers didn't really know what to do with Judy Holliday, a brilliant, versatile actress who simply didn't fit into any easy category. Though she left behind a handful of delightful films, one can't help feeling a sense of waste that her gifts were not better handled by Hollywood (or, for that matter, by Broadway). Perhaps, like Lucille Ball, Judy Holliday would have blossomed with a really good sitcom; but, unlike Lucy, she never got one. — Eve Golden

There were giants striding the screen in the 1930s and '40s: four actresses so talented, hardworking and versatile that they became laws unto themselves. Joan Crawford and Bette Davis have also become high-camp figures of fun, as they both had such wildly theatrical offscreen lives, and their performances could sometimes veer into self-parody. But Barbara Stanwyck and Claudette Colbert stand the test of time in each and every film: our memories of them are not overshadowed by scandals or vituperative daughters. One rarely sees a Stanwyck or Colbert drag queen. But these ladies were fully the equal - sometimes the superior - of Davis and Crawford. — Eve Golden

In 1990 [Claudette Colbert] wished Vanity Fair readers "a fabulous new decade. I'm praying to make it to 2000. After all, I'll only be 97." She didn't quite make it. — Eve Golden

During her lifetime, Marilyn Monroe was underrated as a dramatic actress, and this rightly rankled her - but she was also overrated as a comedienne. — Eve Golden

John Gilbert was perfectly willing to jump into talkies. He had as good a voice as Clark Gable. There was such a divide between the silent and talkies. There was no logic to who survived and who didn't. — Eve Golden

Her first really great role, the one that cemented the "Jean Arthur character," was as the wisecracking big-city reporter who eventually melts for country rube Gary Cooper in Frank Capra's Mr. Deeds Goes to Town (1936). It was the first of three terrific films for Capra: Jean played the down-to-earth daughter of an annoyingly wacky family in Capra's rendition of Kaufman and Hart's You Can't Take It With You (1938), and she was another hard-boiled city gal won over by a starry-eyed yokel in Mr. Smith Goes to Washington (1939). "Jean Arthur is my favorite actress," said Capra, who had successfully worked with Stanwyck, Colbert and Hepburn. " ... push that neurotic girl ... in front of the camera ... and that whining mop would magically blossom into a warm, lovely, poised and confident actress." Capra obviously recognized that Jean was often frustrated in her career choice. — Eve Golden