You Play With Fire Quotes & Sayings

It is true I do not like fire. But Leo Valdez's flames are not strong enough to trouble me."
Somewhere behind Hazel, a soft, lyrical voice said, "What about my flames, old friend?"
"You," he said from Percy's mouth.
"Me," Hecate agreed. "It has been millennia since I fought at the side of a demigod. What do you say? Shall we play with fire? — Rick Riordan

Clever girl. You play with fire because you want to be burnt. — Holly Black

If you are having trouble making a chord, get a book, that is how I learned. There are guitar tuning apps so you can tune your guitar, and just learn how to play along with your records. And it's great to be able to play along with another musician. That is like trial by fire. — Joan Jett

To carry a secret is to play with fire. Try to pass it on and you'd risk hurting someone else. Hold on to it and eventually you'd get burned. — Emily Thorne

Here's how to get started with the antipolitical politics of the Benedict Option. Secede culturally from the mainstream. Turn off the television. Put the smartphones away. Read books. Play games. Make music. Feast with your neighbors. It is not enough to avoid what is bad; you must also embrace what is good. Start a church, or a group within your church. Open a classical Christian school, or join and strengthen one that exists. Plant a garden, and participate in a local farmer's market. Teach kids how to play music, and start a band. Join the volunteer fire department. — Rod Dreher

In any case, fire burns; that's its nature, and you can't expect to change that. You can use it to cook your meat or to burn down your neighbor's house. And is the fire you use for cooking any different from the one you use for burning? And does that mean you should eat your supper raw?"
Maddy shook her head, still puzzled. "So what you're saying is ... I shouldn't play with fire," she said at last.
Of course you should," said One-Eye gently. "But don't be surprised if the fire plays back. — Joanne Harris

You should know what happens when you play with fire, Cahill. Eventually, you'll get burned. — Maria V. Snyder

You, and you alone, have reported this mysterious sense of doom. You, and you alone, are a chaos magnet the likes of which I have never seen. After our little shopping trip to Diagon Alley, and then the Sorting Hat, and then today's little episode, I can well foresee that I am fated to sit in the Headmaster's office and hear some hilarious tale about Professor Quirrell in which you and you alone play a starring role, after which there will be no choice but to fire him. I am already resigned to it, Mr. Potter. And if this sad event takes place any earlier than the Ides of May, I will string you up by the gates of Hogwarts with your own intestines and pour fire beetles into your nose. Now do you understand me completely? — Eliezer Yudkowsky

You take control, Emma," he whispered. The words tickled her ear, he spoke them so close. Shivers raced down her neck, down her chest and her belly. "Take control of me. Come to me." Her neck arched, wanting his mouth to bite her. "If you do Emma, I may give you what you want. Or I may offer more than you can handle. Risk. That's what you like, isn't it? So play with fire. Play with me. — Victoria Dahl

Believing in yourself and being willing to do anything, to walk through the fire, to do what it is that you want to do. Getting out of that car accident covered with blood to play the gig ... I mean, that's me. That's just me. — Madonna Ciccone

I was quite intimidated by Ralph Fiennes. I didn't really talk to him while I was doing Harry Potter and the Goblet of Fire and the only thing I did with him was when he stepped on my head. Then I went to this play and he was there. And this girl said, "you've worked with Ralph Fiennes haven't you, Robert?" and I was like, "well, no ... " and Ralph said, "yes, I stepped on your head." And that was the extent of our conversation. — Robert Pattinson

Your heart tells you your life path, goals, and passions. The heart has a passion so deep it burns within you like a flame of red scorching fire. It is the urge that artists have to paint, or musicians have to play, the passion that builders have for building, and the passion you have for doing what comes naturally to you." Channeled information from the Malakai in Living With Spirits-My Life as a Spiritual Medium — Sarah Christine Lalonde

Not too long ago, I was speaking at Princeton, and some of the students asked me how they were to choose which issue of social justice is the most important. The question made me cringe. Issues? These issues have faces. We're talking not only about ideas but also about human emergencies. My response to the well-intentioned Princeton students was, Don't choose issues; choose people. Come play in the fire hydrants in North Philly. Fall in love with a group of people who are marginalized and suffering, and then you won't have to worry about which cause you need to protest. Then the issues will choose you. — Shane Claiborne

It is eighteen years ago, almost to the day-
A sunny day with the leaves just turning,
The touch-lines new-ruled - since I watched you play
Your first game of fotball, then, like a satellite
Wrenched from its orbit, go drifting away
Behind a scatter of boys. I can see
You walking away from me towards the school
with the pathos of a half-fledged thing set free
Into a wilderness, the gait of one
Who finds no path where the path should be.
That hesitant figure, eddying away
Like a winged seed loosened from its parent stem,
Has something I never quite grasp to convey
About nature's give-and-take - the small, the scorching
Ordeals which fire one's irresolute clay.
I had worse partings, but none that so
Gnaws at my mind still. Perhaps it is roughly
Saying what God alone could perfectly show-
How selfhood begins with a walking away,
And love proved in the letting go. — Cecil Day-Lewis

Failure with clay was more complete and more spectacular than with other forms of art. You are subject to the elements ... Any one of the old four - earth, air, fire, water - can betray you and melt, or burst, or shatter - months of work into dust and ashes and spitting steam. You need to be a precise scientist, and you need to know how to play with what chance will do to your lovingly constructed surfaces in the heat of the kiln. — A.S. Byatt

In fact, I take the view that God, in his infinite wisdom, didn't bother to spring for two joints - heaven and hell. They're the same place, but heaven is when you get everything you want and you meet Mummy and Daddy and your best friends and you all have a hug and a kiss and play your harps. Hell is the same place - no fire and brimstone - but they all pass by and don't see you. There's nothing, no recognition. You're waving, "It's me, your father," but you're invisible. You're on a cloud, you've got your harp, but you can't play with nobody because they don't see you. That's hell. — Keith Richards

You are strong, tempered like steel in the fire and by the blows of the hammer of life. Nothing will break you again, only make you stronger and more whole. Perfection is the pride of those who have not lived, who know not these things in their arrogance. They remain the same - raw and without form. The hammer never touches them, and they lie on the shelf, gathering dust, slowly tarnishing and fading and crumbling. the blows of the hammer in the fire refine us into bright shining glory for the roles we play in life - until we are one with the anvil, becoming immune to the hammer's little knocks, and smile at it. — Christina Engela

If you play with fire, you're gonna get burned. — Bam Bam Bigelow

Each part of your body corresponds with an element," the Maiden explained. "Your hair is air. How you toss your head, play with your hair - that is all for air magic. You can command the wind. Arms are for fire," she said, making fluttery, flame-like motions with her tendriled fingers and slim green arms. "Fire, fire elementals, electricity, light, and heat come from their movements. Water," she said, swaying her hips, "is from your center. This is why your middle must be free to move. And earth is the feet, where you make contact with the mother of us all. — Christie Golden

Broken Wings Don't break a bird's wings and then tell it to fly. Don't break a heart and then tell it to love. Don't break a soul and then tell it to be happy. Don't see the worst in a person and expect them to see the best in you. Don't judge people and expect them to stand by your side. Don't play with fire and expect to stay perfectly safe. Life is about giving and taking. You cannot expect to give bad and receive good. You cannot expect to give good and receive bad. Does it happen? Yes, but don't make that an excuse for you to keep doing what you know is wrong. Don't blame life for what you do. That is so selfish and ignorant on your behalf. — Najwa Zebian

The chords in 'Light My Fire' are based on [John] Coltrane's version of this song. He just solos over A minor and B minor, which is exactly what we did. Coltrane had played with Miles on Kind of Blue and took the idea of modal soloing over one or two chords farther out than anybody. He was a real pioneer - he just kept evolving, going where no one had ever gone. He could always attain this state of ecstasy when he played. Live, there was so much energy, you couldn't believe it. He would play for hours. It was indescribable. — Robby Krieger

You're playing with fire, Aaron. People who do that get burned."
"I don't play with fire, Dayton. I stroke it and make it burn hotter and faster until it consumes everything in its path. I'll never take a spark where I can have a roaring flame. — Emma Hart

They peer in and at the same moment both angle back their heads, as if they have taken a position a little too close to a panoramic screen. They are tall and big-boned and look like men playing women's parts in a play by Oscar Wilde. 'Nan, Verge's sisters are here,' my mother says loudly. But Nan already knows, and furiously pokers the fire to try and smoke them back out. Nan here is The Aged P only with more mischievousness than Mr Wemmick's in Great Expectations, the only book of which my father kept two copies (Books 180 and 400, Penguin Classic & Everyman Classics editions, London), both of which I have read twice, deciding each time that Great Expectations is the Greatest. If you don't agree, stop here, go back and read it again. I'll wait. Or be dead. — Niall Williams

Speaking generally, however, when you interact with someone else, you are doing outer work (physical time, play time, connecting time) ... as many sociologists have pointed out, this area of life used to dominate everyday existence, at a time when families sat around the fire of an evening and ate every meal together.
That's no longer true. Families today are often loose constellations. Contact is intermittent and rushed. everyone has their own space. Activity is scattered all around town, not confined to the home. Cars have made everyone mobile, but central heating may be the most powerful force in shaping modern society. — Deepak Chopra

You may control a mad elephant;
You may shut the mouth of the bear and the tiger;
Ride the lion and play with the cobra;
By alchemy you may learn your livelihood;
You may wander through the universe incognito;
Make vassals of the gods; be ever youthful;
You may walk in water and live in fire;
But control of the mind is better and more difficult. — Paramahansa Yogananda

Play with fire and you WILL get burned. — Terry Spear

So what's all the fuss?" he asked instead. "Where's all the shit coming from?"
Dean told him. He tried to make it concise, using flash words such as "fire" and "conspiracy" and "big
freakin' shape-shifter," and told Roland, too, about Miri and Robert and Kevin. The red jade.
"You're both fucked," Roland said. "Seriously. I'll start arranging the funeral now."
"I want a happy boss. Where's the positive reinforcement?"
"Buried with Pollyanna in my backyard. Which is where you'll be if you don't play your cards right. — Marjorie M. Liu

If your parents gave you fire to play with when you were two, you'd be standing in fire by the time you were an adult. — Cat Power

If you never play with fire, then you'll never keep warm. — Scott Toney

You cannot play with fire. — Al-Waleed Bin Talal

Oh you the creator, you the destroyer, you who sustain and make an end,
Who in sunlight dance among the birds and the children at their play,
Who at midnight dance among corpses in the burning grounds,
You Shiva, you dark and terrible Bhairava,
You Suchness and Illusion, the Void and All Things,
You are the lord of life, and therefore I have brought you flowers;
You are the lord of death, and therefore I have brought you my heart
This heart that is now your burning ground.
Ignorance there and self shall be consumed with fire.
That you may dance, Bhairava, among the ashes.
That you may dance, Lord Shiva, in a place of flowers,
And I dance with you. — Aldous Huxley

I was good. I was at home with baseball. But I set my routines, and I need them. I can't ... I can't play without them."

He didn't say anything else until we got to home plate and stepped on it at the same time. He put his hands on my face and looked at me directly, as if putting a tunnel of attention between us. His thumbs rested on my cheeks.

Why hadn't I seen it the night before? Or an hour ago? Why didn't I put it all together from the exhibition games and the spring training video? He was coming apart at the seams.

"You," he said. "You threw it all in the fire. Things started collapsing right before you, and when you came, everything went to hell. It's you. I denied it, because if I let you in, I had to start over. I tried to bend it around to not want you. But I can't deny it anymore. There's no center without you. — C.D. Reiss

What does she think it feels like, having everybody telling you you're strange, you're different, you don't go along with the crowd, you don't play what we like to play, you don't think what we think, what's wrong with you? As if it never occurs to them that there might be something wrong with them. It feels like claws ripping you to pieces. And if you don't believe you can rise from the fire, then you'll just shrivel up and die inside — Elaine Marie Alphin

I had a good time that night, too," Michael said, "but I kept thinking, This is forever. This is forever. You will have this good time again and again, a million times over, until it will be like a play in which you and Laura and a few fugitive lives sit around an imaginary fire and talk and sing songs and love each other and sometimes throw imaginary brands at the eyes blinking beyond the circle of imaginary firelight. And then I thought - and this is where I sounded just like a real philosopher - And even when you admit that you know every line in the play and every song that will be sung, even when you know that this evening spent with friends is pleasant and joyful because you remember it as pleasant and joyful and wouldn't change it for the world, even when you know that anything you feel for these good friends has no more reality than a dream faithfully remembered every night for a thousand years - even then it goes on. Even then it has just begun. — Peter S. Beagle

I run to the high mountains
I pour my heart out to the skies
I sing of the summer song
While the sky above dance in the yellow light.
The cool breeze fools the sun above
Takes a run, wins the mighty fight.
Your light then comes to me with warmth,
A view my heart wants.
Love to me is the song you write.
The tricks you play with the endless sky
And with the icy wind you find a disguise.
You burn me like sun that burns up
In the blue abyss.
With the ink of my emotions
You write a song of Fire and Ice. — Jaishree Garg

Gun up,' he whispered to Skosh. The word went back to invisible kids lying on the jungle floor. 'Set it in here,' Mellas whispered to Conman. 'Put Vancouver with his machine gun one-eighty from it.'
'He won't like it.'
'To hell with him. Send a fire team around to the left. We'll cover with Mole if they get into the shit. Who do you want to go?'
Now it was Conman's turn to play God, at age nineteen. He shut his eyes. 'Rider.'
So some are chosen to die young. — Karl Marlantes

I wish to pay my debt. To give you the night I owe' ...
'Oh, Charlotte. You play with fire.'
'Do I?'
Roman looked at the woman in front of him, calm and collected, but there was heat there, such precious heat that was straining. Offering.
It took only one second for the words to form and emerge. 'Consider the debt of the night wiped free.'
He saw her blink. Stunned.
Watched the disappointment form. He felt nearly giddy as her disappointment form.
'What, but-'
'But what?' He smiled, loving the look on her face, even the desire that was slowly shuttering - for he would obliterate those shutters with his next words. 'You think I am freeing you? ... I am a selfish man.'
'A selfish man takes what is offered to him.' Was that doubt in her voice, doubt of her charms?
'No, a selfish man destroys what is offered to him and demands more. He demands everything. — Anne Mallory

I knew I could only play Cyrano if he were Americanized. I had no intention of writing the script myself. I was afraid of it. You're playing with fire when you tamper with a classic. So I went looking for a writer. But it was such a personal idea, and anyone I would give it to would make it his own. It's hard to ask Neil Simon to write your idea. — Steve Martin

Maggie sipped her drink with the cat draped across her lap and the dog curled at her feet. The only sounds in the room were the crackling of the fire and Dan Sean's shallow snores. There were no CD's to play, no radio, no television. There was nothing. She was just sitting there in silence, getting drunk. It occurred to her that a person's first drunken experience shoud be in the basement of a friend's house, in a forest preserve, behind the bleachers of a football field. Certainly not in the company of a sleeping ninety-nine-year-old man. She giggled a little and wondered what Uncle Kevin would make of it. "Hot port?" he would say. "Very impressive, Mags. I would have thought you'd be more of a wine cooler type of girl. — Jessie Ann Foley

It's like a pistol in a stage play: when someone waves a pistol during the first act, you can bet your bottom dollar that someone will be shot with it before the curtain falls. That's the law of drama. The law that says no pistol must appear if no one's going to fire it. — Herman Koch

If you wanted to play with fire, milady, you could have simply asked me for a kiss or three. — Lisa Mantchev

If you have the power to hit people over the head whenever you want, you don't have to trouble yourself too much figuring out what they think is going on, and therefore, generally speaking, you don't. Hence the sure-fire way to simplify social arrangements, to ignore the incredibly complex play of perspectives, passions, insights, desires, and mutual understandings that human life is really made of, is to make a rule and threaten to attack anyone who breaks it. This is why violence has always been the favored recourse of the stupid: it is the one form of stupidity to which it is almost impossible to come up with an intelligent response. It is also of course the basis of the state. — David Graeber