You Never Text Me Quotes & Sayings
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Top You Never Text Me Quotes

The Sun Tzu School (which wrote the Art of War) surely never imagined that their antiwar, pro-empire treatise would become known and accepted after the fall of the first empire as a text on military tactics. Likewise, they would have been surprised to see the Ping-fa military metaphor - an inspired teaching device - come to be seen as the message and not the medium. — David G. Jones

All readings are also mis-readings, re-readings, partial readings, imposed readings, and imagined readings of a text that is originally and finally never simply there. Just as the world is originally fallen apart, the text is always already enmeshed in contending practices and hopes. — Donna J. Haraway

films like The Never-Ending Story (1984), Stranger than Fiction (2006), and The Adjustment Bureau (2011). Have you seen any of these films? Then you understand hermeneutics. In each case, the story revolves around a protagonist engaging his own life as a fictional story being written either in this world or in another, seemingly by someone else. As he reads and interprets the text of his life, however, he discovers that its story or plot changes. He discovers the circle or loop of hermeneutics. He discovers that as he engages his cultural script as text creatively and critically he is rereading and rewriting himself. He is changing the story. — Whitley Strieber

Imagine saying to someone, "I have a kidney problem, and I'm having a lot of bad days lately." Nothing but sympathy, right? "What's wrong?" "My mom had that!" "Text me a pic of the ultrasound!" Then pretend to say, "I have severe depression and anxiety, and I'm having a lot of bad days lately." They just look at you like you're broken, right? Unfixable. Inherently flawed. Maybe not someone they want to hang around as much? Yeah, society sucks. My mental problems made me feel ashamed. I felt like I had to hide them until I could "work through it" on my own. Which I never did, because I didn't know how. And I didn't feel brave enough to make fixing my mind a priority because I didn't think anyone would understand. — Felicia Day

That's why, as I was leaving for work, I sent him a text that said something I had never said to a guy before.
I'm sorry x
You have no idea how fast my pulse was racing after I added the kiss. One little kiss and my hands were shaking. — Samantha Young

No ancient Jew was ever promised, or expected, a heavenly life. That was a wild and outrageous teaching of Jesus. Holy text never offers a heavenly hope
before Jesus. Think about it: No matter how faithful Adam would have been, he could never graduate to heaven. Going to heaven was a 'Jesus teaching.' It simply does not exist in Torah.
pg xxvii — Michael Ben Zehabe

Most men would never tell a girl her Pikachu smells like a crab cake. It's just not done. But they would have no qualms about telling their guy friends. Similarly, if you're a guy and you pull your pants down, and the girl you're with immediately stats text messaging her friends, you have a small penis.
Are You There Vodka? It's Me, Chelsea — Chelsea Handler

I'm tired of wanting to respond but never knowing what face you'll be wearing, not knowing what mean or nice words you'll be saying, so I stay silent knowing I can't take another round of your uncontrolled verbs, your misinterpretations of my world. So many men? Yes, I have so many men, didn't know that this text-fighting, me on the other side crying was exclusive to just us two. — Coco J. Ginger

The truth that writers secretly harbor is that all books are failures. We try to do something that can't be done. Words. Is that all we rely on? Smudgy ink marks on a page? Pallid wisps and blotches? Text as scaffolding trying to hold up worlds? Actually, no, it's not all we rely on. What's worse is our reliance on the reader. A writer is forever locked in an interdependent relationship. It's like building a bridge from opposite sides of a river - our flimsy words and their frail, overreaching imaginations. The bridge will never meet in the middle. It's not possible. Sometimes you haven't even decided on the same river. The Gateway Arch in Saint Louis missed in the middle by a matter of inches the first time around. They tried again and made it. Writers know we never will. — Julianna Baggott

Even in this secular country, the threat posed by religious fundamentalists is never very far away. Every major religious text exhorts the same principles - that of unyielding obedience to a supernatural being, and renunciation of the intellect and personal aspirations. — Andrew Bernstein

So let us praise the distinctive pleasures of re-reading: that particular shiver of anticipation as you sink into a beloved, familiar text; the surprise and wonder when a book that had told one tale now turns and tells another; the thrill when a book long closed reveals a new door with which to enter. In our tech-obsessed, speed-obsessed, throw-away culture let us be truly subversive and praise instead the virtues of a long, slow relationship with a printed book unfolding over many years, a relationship that includes its weight in our hands and its dusty presence on our shelves. In an age that prizes novelty, irony, and youth, let us praise familiarity, passion, and knowledge accrued through the passage of time. As we age, as we change, as our lives change around us, we bring different versions of ourselves to each encounter with our most cherished texts. Some books grow better, others wither and fade away, but they never stay static. — Terri Windling

I could teach an eighth-grader in twenty minutes how to brief a case. Yet for all three years in most law schools the casebook method of learning the law is still in. The matriculating young lawyer is as qualified to represent a client with the education he has suffered through as a doctor who has never seen a patient, who has never held a scalpel in his hand and who learns surgery by having read text books about it and becomes skilled in surgery, if ever, after having stacked up piles of corpses who represent his pathetic learning process. — Gerry Spence

Remember never to text and drive, it's bad grammar, even if you have a deadline. You might cross the line and dead may be your destination. Think about it!! — Neil Leckman

I had no idea that social networking would be as prominent as it is today. And it's important to understand what that phenomenon is. If you text someone, you get an immediate response; if you e-mail them, you probably never hear from them. — John Morgridge

The less you offer, the more readers are forced to bring the world to life with their own visual imaginings. I personally hate an illustration of a character on a jacket of a book. I never want to have someone show me what the character really looks like - or what some artist has decided the character really looks like - because it always looks wrong to me. I realize that I prefer to kind of meet the text halfway and offer a lot of visual collaborations from my own imaginative response to the sentences. — Jonathan Lethem

We are fond of saying that the Bible has all the answers. And that is certainly correct. The text of the Bible sets us in a reality that is congruent with who we are as created beings in God's image and what we are destined for in the purposes of Christ. But the Bible also has all the questions, many of them that we would just as soon were never asked of us, and some of which we will spend the rest of our lives doing our best to dodge. The Bible is a most comforting book; it is also a most discomfiting book. — Eugene H. Peterson

A good preacher, for example, must be able to exegete not only the text but also the culture of the hearers in order to be a faithful and fruitful missionary. We are to bring the gospel through the church to the world and avoid allowing the world to influence the church and corrupt the gospel. This definition also hints at the thoroughness required in contextualization. It must be comprehensive. This involves examining every aspect of the text being preached and the truth being explained through the eyes of those who are listening to that truth.17 This is why a missional pastor should always preach as if there are unbelievers in the crowd. He should never assume that his audience is comprised only of those already convinced of the truth and power of the gospel. We must literally consider everything we do through the lens of the unbeliever, always asking the question, "How does this come across to unbelievers?"18 — Darrin Patrick

Every text participates in one or several genres, there is no genreless text; there is always a genre and genres, yet such participation never amounts to belonging. — Jacques Derrida

I don't expect anything from you. One day you'll marry a different person, will make children and one day you'll completely forget me.. But I don't expect anything from you. Not even a single call or a text. No matter what happens.. Where you go, what you do will not be an issue. Everything will change with the time. But my love will never change. I love you a lot and nothing can stop it. I love you and I don't expect anything from you as I said before. I LOVE YOU FOREVER. — Masha Prathibaya

I've never seen anything like the way some young people behave. They go out on a date, and they're sitting opposite each other at a table, and they're not looking at each other, and they text each other as though they're deaf-mutes. It's insane. — Iris Apfel

With Pauline at my side, in one swift act that could never be undone, an act that ended a thousand dreams but gave birth to one, I bolted for the cover of the forest and never looked back. Lest we repeat history, the stories shall be passed from father to son, from mother to daughter, for with but one generation, history and truth are lost forever. - Morrighan Book of Holy Text, Vol. III — Mary E. Pearson

Never blame a text from the Bible for your behavior. It's irresponsible. Anybody who says X, Y, and Z is in the bible - it's as if one says, 'I have no role in evaluating this. — Steven Greenberg

And that enquiring man John Synge comes next,
That dying chose the living world for text
And never could have rested in the tomb
But that, long travelling, he had come
Towards nightfall upon certain set apart
In a most desolate stony place ... — William Butler Yeats

There is a vast expanse of time before the Norman Conquest in 1066, from which fragments of literary texts remain, although these fragments make quite a substantial body of work. If we consider that the same expanse of time has passed between Shakespeare's time and now as passed between the earliest extant text and 1066, we can begin to imagine just how much literary expression there must have been. But these centuries remain largely dark to us, apart from a few illuminating flashes and fragments, since almost all of it was never written down, and since most of what was preserved in writing was destroyed later, particularly during the 1530s. — Ronald Carter

I'm never gonna wait that extra twenty minutes to text you back and I'm never gonna play hard to get when I know your life has been hard enough already. — Andrea Gibson

A text is not a text unless it hides from the first comer, from the first glance, the law of its composition and the rules of its game. A text remains, moreover, forever imperceptible. Its laws and rules are not, however, harbored in the inaccessibility of a secret; it is simply that they can never be booked, in the present, into anything that could rigorously be called a perception. — Jacques Derrida

That's the beauty of the text, I find. You can key in things you would never say, and it hardly hurts a bit. — Chris Lynch

I'm not proud of myself, Olivia. Not even a little bit. Do I wish I'd never let you go? Obviously. Do I wish I'd come to my senses sooner? Of course. And maybe if it had taken me only a day or two to clear my head, then yeah, I would have called. But when you fuck up as badly as I fucked up, for that long, you don't call. You don't text. You don't email. You go to your girl and beg. — Lauren Layne

But because me and myself, as you no doubt are well aware, we are going to die, my relation - and yours too - to the event of this text, which otherwise never quite makes it, our relation is that of a structurally posthumous necessity.
Suppose, in that case, that I am not alone in my claim to know the idiomatic code (whose notion itself is already contradictory) of this event. What if somewhere, here or there, there are shares in this non-secret's secret? Even so the scene would not be changed. The accomplices, as you are once again well aware, are also bound to die. — Jacques Derrida

Don't be amazed if you see my eyes always wandering. In fact, this is my way of reading, and it is only in this way that reading proves fruitful to me. If a book truly interests me, I cannot follow it for more than a few lines before my mind, having seized on a thought that the text suggests to it, or a feeling, or a question, or an image, goes off on a tangent and springs from thought to thought, from image to image, in an itinerary of reasonings and fantasies that I feel the need to pursue to the end, moving away from the book until I have lost sight of it. The stimulus of reading is indispensable to me, and of meaty reading, even if, of every book, I manage to read no more than a few pages. But those few pages already enclose for me whole universes, which I can never exhaust. — Italo Calvino

In 1850, August Salzmann photographed, near Jerusalem, the road to Beith-Lehem (as it was spelled at the time): nothing but stony ground, olive trees; but three tenses dizzy my consciousness: my present, the time of Jesus, and that of the photographer, all this under the instance of 'reality' - and no longer through the elaborations of the text, whether fictional or poetic, which itself is never credible down to the root. — Roland Barthes

I never reread a text until I have finished the first draft. Otherwise it's too discouraging. — Gore Vidal

If our cultural lives are sick, it is likely to be an impediment to our spiritual lives. Much popular culture promotes a spirit of restlessness. That is likely to be an obstacle to prayer, to concerned reflection, and to attentiveness to the needs of others. Popular culture also has an extremely limited range of sensibilities. I have never heard a work of popular music that has the depth of poignancy of the opening bars of Brahms's 'German Requiem,' for example, with its text, 'Blessed are they that mourn, for they shall be comforted.' I learn something about mourning when I hear Brahms; I know of no similar lessons in popular music. — Kenneth A. Myers

The text says that when the Lord saw that Leah was not loved, _he_ loved her. God was saying, 'I am the real bridegroom. I am the husband of the husbandless. I am the father of the fatherless.' This is the God who saves by grace. The gods of moralistic religions favor the successful and the overachievers. THe are the ones who climb the moral ladder up to heaven. But the God of the Bible is the one who comes down into this world to accomplish a salvation and give us a grace we could never attain ourselves. — Timothy Keller

I've never sent an email in my life. My kids laugh. I often hand the phone to them and say, 'Can you text this message to somebody.' I don't even have a computer on my desk. — Sebastian Coe

Mann is widely recognized as a master of irony and ambiguity, yet it's remarkable how quickly people foreclose options he carefully leaves open. Lots of readers - including eminent critics - jump to conclusions: that Nietzsche's Birth of Tragedy is a central background text, that Aschenbach is an inferior writer, that he's never been attracted by pubescent male beauty before, that he dies of cholera. — Philip Kitcher

I think a lot of people who go to drama school have this ease with the text and they all have five monologues that they know by heart, and I never had that. I've done Chekov and I've done Moliere and I've done classic stuff — Tavis Smiley

Printed works do not take up mental space simply by virtue of being there; attention must be paid or their content, whether simple or complex, can never be truly assimilated. The willed attention demanded by print is the antithesis of the reflexive distraction encouraged by infotainment media, whether one is talking about the tunes on an iPod, a picture flashing briefly on a home page, a text message, a video game, or the latest offering of "reality" TV. That all of these sources of information and entertainment are capable of simultaneously engendering distraction and absorption accounts for much of their snakelike charm. — Susan Jacoby

Early-stage religion is largely preparing you for the immense gift of this burning, this inner experience of God, as though creating a proper stable into which the Christ can be born. Unfortunately, most people get so preoccupied with their stable, and whether their stable is better than your stable, or whether their stable is the only "one, holy, catholic, and apostolic" stable, that they never get to the birth of God in the soul. There is no indication in the text that Jesus demanded ideal stable conditions; in fact, you could say that the specific mentioning of his birth in a "manger" is making the exact opposite point. Animals at least had room for him, while there was "no room for him in the inn" (Luke 2:8) where humans dwelled. As — Richard Rohr

Sure, occasionally a certain sappy song or romantic movie would come on, and you'd wonder what he or she was up to, but there was no way to know. Of course, you could always pick up the phone (and more recently, text or e-mail), but that would require that person's knowing you were thinking of him or her. Where's the fun in that? You never want them to know you're thinking of them, so you refrain. Before long the memories start to fade. One day, you realize you can't quite remember how she smelled or the exact color of his eyes. Eventually, without ever knowing it, you just forget that person altogether. You replace old memories with new ones, and life goes on. It was the clean break you needed to move forward. — Brandi Glanville

We cannot translate their cosmology to our cosmology, nor should we. If we accept Genesis 1 as ancient cosmology, then we need to interpret it as ancient cosmology rather than translate it into modern cosmology. If we try to turn it into modern cosmology, we are making the text say something that it never said. — John H. Walton

Want, there is nothing you can ask for, there is nothing you can need in time or in eternity, there is nothing living, nothing dying, there is nothing in this world, nothing in the next world, there is nothing now, nothing at the resurrection-morning, nothing in heaven which is not contained in this text - I will never leave thee, nor forsake — Charles Haddon Spurgeon

Remember ...
Keystrokes are hammer taps. Get words on paper. Don't worry about connections, character or plot. Work for an hour. Promise yourself an hour. Do nothing else but move your fingers. Make coarse shapes. Follow any emotion that pops up but never impose emotion, never fake it, and don't make up your mind or your heart ahead of time. Understand you don't know what you're doing. That's why you're here. Rough it out. Anything goes. You can decide later what any piece of text looks like, what it might mean. Don't stop. Don't question. Don't quit. Don't stop to read what you wrote. Move your fingers. You mind will have no other option but to keep up. Remember that writer's block is merely the cold marble waiting for the chisel to heat up. — Bob Thurber

Sydney: Can I ask you a question? Me: As long as you promise never again to start a question off with whether or not you can propose a question. Sydney: Okay, asshole. I know I shouldn't be thinking about him at all, but I'm curious. What did he wrote on that paper when we went to get my purse? And what did you write back that made hit you? Me: I agree that you shouldn't be thinking about him at all, but I'm honestly shocked it's taken you this long to ask me about it. Sydney: Well? Ugh. I hate writing it verbatim, but she wants to know, so ... Me: He wrote "Are you fucking her?" Sydney: OMG! What a prick! Me: Yep. Sydney: So what did you say back to him that made him punch you? Me: I write, "Why do you think I'm here for her purse? I gave her a hundred for tonight, and now she owes me change." I reread the text, and I'm not so sure it sounds as funny as I thought it did. — Colleen Hoover

Hot women have to stop putting long paragraphs of text on their bodies. I know you think it's sexy but one thing that men never think is, "Gee, you know what would make this sex better? Having something to read." — Bill Maher

I'd always liked to write, but I never wanted to be a writer, because it seemed a sissy occupation. It is. To this day, I find it terribly easy. And so, rather than trying to hunt up a text, I just wrote one. — Daniel Pinkwater

I have never, so far, in all the studies I have done, met a contradiction between what the human, experimental and natural sciences are telling us and the Islamic rules. In fact, the opposite is true: anything that is coming from the modern sciences is helping me better understand the text. It's not a contradiction. It's a relation. — Tariq Ramadan

To read is to surrender oneself to an endless displacement of curiosity and desire from one sentence to another, from one action to another, from one level of a text to another. The text unveils itself before us, but never allows itself to be possessed; and instead of trying to possess it we should take pleasure in its teasing — David Lodge

I looked down at my phone and saw another text from John.
-Disney character you would sleep with?
I smiled at that one. It was a silly question, but I answered it truthfully.
-Peter Pan. I've always had a thing for the boys that never wanted to grow up.
-Ouch. I hope that wasn't aimed at me. Because I'm a fan of Belle from Beauty and the Beast.Brunette and doesn't mind a guy that's an animal? Hell yeah.
wait for you — J. Lynn

I had never considered using a hashtag anywhere other than on Twitter, but now I'm inspired. Text messages have always seemed a little flat to me, so the murmuring Greek chorus of a hashtag might be a perfect way to liven them up and give them a bit of dimension. — Susan Orlean