You Moved On Quotes & Sayings

I'd grown up in the U.K., where the surveillance apparatus went into place in the 1970s in response to the Troubles with the IRA. When I was a kid, we moved to Chicago, and I was surprised to see you could live in a large city in which you didn't have cameras on every street corner. — Jonathan Nolan

Chicago is an extremely rough place to grow up in. Especially if you're the only brother on the block that's into bumpin' Alanis Morrisette ... So 'You Oughta Know,' I moved to Oregon. — Ron Funches

It was then that my gaze happened to fall on the bookcase, on the gap there, where the old paperback of "Nine Stories" had fallen flat. "Where's the thing?" I said.
"What thing?"
"The mesh. My mesh."
She shrugged. "I tossed it."
"Tossed it? Where? What do you mean?"
In the next moment I was in the kitchen, flipping open the lid of the trash can, only to find it empty. "You mean outside?" I shouted. "In the dumpster?"
When I came thundering back into the room, she still hadn't moved. "Jesus, what were you thinking? That was mine. I wanted that. I wanted to keep it."
Her lips barely moved. "It was dirty. — T.C. Boyle

It's a moment to learn. This was the thing about miscalculations, errors, and mistakes. You admitted them, you used them as teachable moments, and then you moved on. You didn't forget, but you didn't dwell. — Meg Howrey

He thought himself awake when he was already asleep. He saw the stars above his face, whirling on their silent and sleepless axis, and the leaves of the trees rustling against them, and he heard small changes in the grass. These little noises of footsteps and soft-fringed wing-beats and stealthy bellies drawn over the grass blades or rattling against the bracken at first frightened or interested him, so that he moved to see what they were (but never saw), then soothed him, so that he no longer cared to see what they were but trusted them to be themselves, and finally left him altogether as he swam down deeper and deeper, nuzzling into the scented turf, into the warm ground, into the unending waters under the earth. — T.H. White

He reached for the door handle. Fear nestled into his throat, but he did not stop. He pulled the handle, opened the door, and stepped out. It was dark. The streetlights in Soho were nearly worthless, like pen beams in a black hole. Lights drifting out from nearby windows provided more of an eerie kindle than real illumination. There were plastic garbage bags out on the street. Most had been torn open; the odor of spoiled food wafted through the air. The van slowly cruised toward him. A man stepped out from a doorway and approached without hesitation. The man wore a black turtleneck under a black overcoat. He pointed a gun at Myron. The van stopped, and the side door slid open. "Get in, asshole," the man with the gun said. Myron pointed at himself. "You talking to me?" "Now, asshole. Haul ass." "Is that a turtleneck or a dickey?" The man with the gun moved closer. "I said, now. — Harlan Coben

I almost forgot," said Red. His voice sounded very strange, as if from a long, long distance. He reached into his pocket. "I have something for you."
He put it into my hand. A round, shiny, perfect apple, green as new grass with a faint blush of rosy pink. And now his eyes had changed so that I saw what lay there, hidden deep, so deep only the bravest or most foolhardy would seek to find it.
He has always understood me better, without words. So I laid my hand on my heart, held it there for a moment, and then moved it over and touched my palm against his breast. My heart. Your heart. — Juliet Marillier

So you," she said, meeting his eyes, "are a librarian. What does that make me then? A seven-day loan?"
Daniel laughed as he set his book aside. He moved toward her and lightly gripped her knees.
"Seven-day loan ... I'm not sure I like the thought of giving you back." He slid his hands up her thighs and took her by the hips.
"But what about overdue fines?" she asked, playfully flashing her eyes at him.
"I think I can afford them," he said. Eleanor tried to voice another protest but his mouth was already on hers. — Tiffany Reisz

All that we had, every moment we shared, it meant everything to me. Everything you felt, I felt it, too. It was the hardest thing to do, to walk away from you, from us, but I had to do it, because you deserve so much more. And I hope you see that. I hope that you've moved on and found some guy who treats you like the amazingly beautiful girl you are. And that he knows how lucky he is to have you. I hope he appreciates every single thing about you. And I hope that he loves you and gives you the world, Amanda. Because I would have. — Jay McLean

The relief of being clasped firmly, held close by his hands, was so great that Amanda couldn't hold back a sudden gasp. He nuzzled into her bare throat, kissing, tasting, and her knees wobbled at the sensations that streaked through her. "Beautiful Amanda," he muttered, his breath rushing fast and hot against her skin. "A chuisle mo chroi... I said that to you once before, remember?"
"You didn't tell me what it meant," she managed to say, resting her soft cheek on his shaven, faintly scratchy one.
He pulled his head back and stared down at her with shadowed eyes that looked black instead of blue. His broad chest moved jerkily from the force of his breathing. "The very pulse of my heart," he whispered. "From the first moment we met, Amanda, I knew how it would be between us. — Lisa Kleypas

Mr. Bloemker moved closer. He smelled like a wet diaper. "What is it," he asked, looking over Lenore's shoulder.
"If it's what I think it is," said Lenore, "it's a sort of joke. A what do you call it. An antinomy."
"An antinomy?"
Lenore nodded. "Gramma really likes antinomies. I think this guy here," looking down at the drawing on the back of the label, "is the barber who shaves all and only those who do not shave themselves."
Mr. Bloemker looked at her. "A barber?"
"The big killer question," Lenore said to the sheet of paper, "is supposed to be whether the barber shaves himself. I think that's why his head's exploded, here."
"Beg pardon?"
"If he does, he doesn't, and if he doesn't, he does. — David Foster Wallace

Surrounded by enemies, there were officially no enemies for them. With civilization at large trickling down shitholes like Mogadishu and Kigali and Port-au-Prince, the "new" Army was under strict orders: Thou shalt have no enemy. No casualties. No turf. You occupied high ground only long enough to let the politicos rattle sabers and get reelected, and then you moved on to the next bad place. The landscape changed; the hatreds did not. — Jeff Long

People, he had said, were always being looked at as points, and they ought to be looked at as lines. There weren't any points, it was false to assume that a person ever was anything. He was always becoming something, always changing, always continuous and moving, like the wiggly line on a machine used to measure earthquake shocks. He was always what he was in the beginning, but never quite exactly what he was; he moved along a line dictated by his heritage and his environment, but he was subject to every sort of variation within the narrow limits of his capabilities.
...
She shut her mind on that too. There was danger in looking at people as lines. The past spread backward and you saw things in perspective that you hadn't seen then, and that made the future ominous, more ominous than if you just looked at the point, at the moment. There might be truth in what Bruce said, but there was not much comfort. — Wallace Stegner

Graves aren't for the dead. They're for the loved ones the dead leave behind them. Once those loved ones have gone, once all the lives that have touched the occupant of any given grave had ended, then the grave's purpose was fulfilled and ended. I suppose if you looked at it that way, one might as well decorate one's grave with an enormous statue or a giant temple. It gave people something to talk about, at least. Although, following that logic, I would need to have a roller coaster, or maybe a Tilt-A-Whirl constructed over my own grave when I died. Then even after my loved ones had moved on, people could keep having fun for years and years. Of course, I'd need a slightly larger plot. — Jim Butcher

He kissed her soundly, stealing her breath, before saying, "Tell me what you want, my lovely."
"I-" She stopped, too many words coming at once. 'I want you to touch me. I want you to love me. I want you to show me the life that I have been missing.' She shook her head, uncertain.
He smiled, pressing firmly with his hand against her, watching the wave of pleasure course through her. "Incredible," he whispered against the side of her neck. "So responsive. Go on..."
"I want-" She sighed as he set his lips to the hardened peak of one breast again. "I want... I want you," she said, and, in that moment, the words, so utterly simple in the face of the roiling emotions that coursed through her, seemed enough.
He moved his fingers firmly, deftly against her, and she gasped. "Do you want me here, Empress?"
She closed her eyes in embarrassment, biting her lower lip.
"Are you aching for me here?"
She nodded. "Yes."
"Poor, sweet love. — Sarah MacLean

Choice betrays character," I said.
"That's not true." Loring moved his finger along the
sheet as if writing his name in cursive. "Eliza, you can't judge a man solely on his actions. Sometimes actions are nothing more than reactions. — Tiffanie DeBartolo

Bran tore his eyes away from the monster. That was when he noticed the bundle in Robb's arms. He gave a cry of delight and moved closer. The pup was a tiny ball of grey-black fur, its eyes still closed. It nuzzled blindly against Robb's chest as he cradled it, searching for milk among his leathers, making a sad little whimpery sound. Bran reached out hesitantly. "Go on," Robb told him. "You can touch him." Bran — George R R Martin

On this thanksgiving, I would like to thank that one girl, who never lost hope despite all odds were against her, who always worked, and moved on, despite losing all friends just after leaving school, a time when you need friends the most! Who had immense strength and will-power and so much inspiration inside her that she ended up being happy, satisfied, and successful, all alone.
That one girl who always smiles in the mirror, and says, 'Bitch, you have a long way to go, and you gotta travel all alone, depending upon anyone will make you weak, so buck up, there's a lot you gotta do!' On this thanksgiving, I thank myself, my soul for being so majestically robust!
I would have thanked other people, but sadly, nobody ever helped me, more than I helped myself ... — Mehek Bassi

So many people had tried for Blake, but so many had failed. All it takes is one to be the glue. It's going to be me. Livia moved quietly to straddle him. She put her hands on his scruffy cheeks. "I know all that you are. You almost don't belong here, your soul's so pure." Livia put a hand on his chest. "You're perfect to me. You're chivalrous to me. I adore your manners. You can't disappoint me. It's not possible." Livia leaned in and kissed him sweetly. See? See how much I can fix?
Blake became absorbed by her hair, grabbing handfuls of it. He pulled her to his chest, combing it out with his fingers as he hummed a soothing song in her ear. The liquid velvet of his voice lifted her into dreams. — Debra Anastasia

Nothing irrevocable had yet been spoken, but there was only the barest margin of safety left them, each of them moving delicately along the outskirts of an open question, and, once spoken, such a question-as "Do you love me?" -could never be answered or forgotten. They walked slowly, meditating, wondering, and the path sloped down from their feet and they followed, walking side by side in the most extreme intimacy of expectation; their feinting and hesitation done with, they could only await passively for resolution. Each knew, almost within a breath, what the other was thinking and wanting to say; each of them almost wept for the other. They perceived at the same moment the change in the path and each knew then the other's knowledge of it; Theodora took Eleanor's arm and, afraid to stop, they moved on slowly, close together, and ahead of them the path widened and blackened and curved. — Shirley Jackson

Dwayne, can you shoot a gun?" Dwayne rolled his eyes. "Hanky-poo, Dwayne doesn't need a gun. I have crap in my repertoire that will make you lose sleep for the rest of your life." We all digested that nugget silently for a moment and then moved on. If Dwayne wanted us to know exactly what he was capable of, he would have volunteered it. Part of me hoped I would never have to find out, but the other half was dying to know. "Speaking — Robyn Peterman

I was dreaming about this - except it feels even better than I thought it would. Fucking fantastic. Clean sheets. You"

Warrick moved across and kissed him gently, exactly as he'd imagined. Soft cotton and warm skin against him, soothing and luxurious. Hand on his back, touching carefully. He had a moment of fear that this was the dream, that soon he would wake up in the cell. Then a noise distracted him: distant firing in the city. He tensed, and Warrick's hand stroked a circle over his shoulder-blade. More firing, but it was nothing to do with him. Nothing to worry about, even if he could manage it. Safe, here.

He recaptured the tail end of a thought, before it disappeared into sleep. "Just you. 'S enough."

If Warrick said anything in reply, Toreth didn't hear it. — Manna Francis

His boss, Isaac (Robert Guillaume), agrees but tells him to do it anyway "because it's television and this is how it's done." Dan replies, "Yeah, well, sitting in the back of the bus was how it was done until a forty-two-year-old lady moved up front." A few minutes later Isaac looks Dan in the eye and tells him, "Because I love you I can say this. No rich young white guy has ever gotten anywhere with me comparing himself to Rosa Parks." Finally, the voice of reason, which of course was heard on a canceled network TV series on cable. — Sarah Vowell

Grant-"
But he barely touched her, only cupping her face as they stood beside the bed. "You're beautiful." His eyes were on hers,intense,searching. "The first time I saw you,you took my breath away. You still do."
As moved by the long look and soft words as she had been by the tempestuous kisses, she reached up to take his wrists. "I don't need the words unless you want to give them. I just want to be with you."
"Whatever I tell you will be the truth, or I won't tell you at all. — Nora Roberts

Stubble or what?"
Eyes still closed he chuckled. "I'm not shaving until our parents let us date again."
He kissed my cheek.
"What if it takes ... a ... while?"
I asked struggling to talk. He'd made his way down to my neck. His tongue circled there slowly.
"There are only six or seven weeks until August football practice starts right?"
"Hm." His mouth moved up my neck toward my ear. Oh.
"Will you be able to stuff your beard into your helmet?" I croaked.
In answer he put his lips on my ear.
I forgot the next joke I'd planned to make and lost myself in Adam. — Jennifer Echols

Someone pounded on the office door. Barabas moved to the door, slid aside the metal shutter covering the narrow spy window, and looked through it."It's your lover man."
"Barabas, open the damn door," Raphael snarled.
Barabas slid the shutter closed. "Do you want me to let him in?"
"I'm thinking about it."
Barabas slid the shutter open. "She's thinking about it. — Ilona Andrews

Phelan," Cam said, looking up with an easy smile, "have you come to see the timber yard?"
"Thank you, but I'm here for another reason."
Leo, who was standing near the window, glanced from Christopher's rumpled attire to Beatrix's disheveled condition. "Beatrix, darling, have you taken to going off the estate dressed like that?"
"Only this once," she said apologetically. "I was in a hurry."
"A hurry involving Captain Phelan?" Leo's sharp gaze moved to Christopher. "What do you wish to discuss?"
"It's personal," Christopher said quietly. "And it concerns your sister." He looked from Cam to Leo. Ordinarily there would have been no question concerning which one of them to approach. As lord of the manor, Leo would have been the first choice. However, the Hathaways seemed to have settled on an unconventional sharing of roles.
"Which one of you should I talk to?" Christopher asked.
They pointed to each other and replied at the same time.
"Him. — Lisa Kleypas

She got out and shut the door without looking back, picking her way through the snow to the black wooden door in the college wall. At least she hadn't told him not to follow. He watched as she carefully brushed the snow off the latch with her rolled umbrella before touching it with her suede gloves. She left the door half open behind her. He followed. When he reached the door he saw she had paused on the garden path leading to her hall and was doing something in the snow with the tip of her umbrella. Still not looking back, she moved on without waiting for him. When he reached the spot he saw that she had written 'I love you' in the snow. It was that night, he believed ever after, that she became pregnant. — Alan Judd

As long as you hold on to your anger for the wrong man of the past, he will forever have control over your ability to be happy in the future." A lot of you have moved on physically, but you still carry the pain and the anger that he caused you inside. Give yourself a fair chance to find true happiness. Now is the time to finally let him go. — Amari Soul

You dont get your black ass away from this fire I'll kill you graveyard dead. He looked to where Glanton sat. Glanton watched him. He put the pipe in his mouth and rose and took up the apishamore and folded it over his arm. Is that your final say? Final as the judgement of God. The black looked once more across the flames at Glanton and then he moved away in the dark. The white man uncocked the revolver and placed it on the ground before him. Two of the others came back to the fire and stood uneasily. Jackson sat with his legs crossed. One hand lay in his lap and the other was outstretched on his knee holding a slender black cigarillo. The nearest man to him was Tobin and when the black stepped out of the darkness bearing the bowieknife in both hands like some instrument of ceremony Tobin started to rise. The white man looked up drunkenly and the black stepped forward and with a single stroke swapt off his head. — Cormac McCarthy

You seem to have an extremely large bag today, Mr. Lynch," Whelk said.
"You know what they say about men with large bags," Ronan replied. "Ostendes tuum et ostendam meus?""
Gansey had no idea what Ronan had just said, but he was certain from Ronan's smirk that it wasn't entirely polite.
Whelk's expression confirmed Gansey's suspicion, but he merely rapped on Ronan's desk with his knuckles and moved off.
"Being a shit in Latin isn't the way to an A," Gansey said.
Ronan's smile was golden. "It was last year. — Maggie Stiefvater

Green-eyed monsters," said Magnus, and grinned. He deposited Chairman Meow on the ground, and the cat moved over to Alec, and rubbed against his leg. "The Chairman likes you."
"Is that good?"
"I never date anyone my cat doesn't like," Magnus said easily, and stood up. "So let's say Friday night?"
A great wave of relief came over Alec. "Really? You want to go out with me?"
Magnus shook his head. "You have to stop playing hard to get, Alexander. It makes things difficult." He grinned. — Cassandra Clare

As I moved deeper into the room, his gaze dropped to my feet, and worked its way back to my face. I was wearing faded jeans, boots, and a snug pink Juicy T-shirt I got on sale at TJ Maxx last summer that said I'm a Juicy girl.
"I bet you are," he murmured. — Karen Marie Moning

Confused, she pressed a fist to her mouth to stifle her sobs as her tears came harder.
The door opened and Lucas stood there, bare-chested, a pair of jeans riding low on his lean hips. "Nora? Ah, hell. I hurt you, didn't I?"
He moved into the room and pulled her into his arms, hugging her to his chest. She wanted to fight it, avoid her feelings, but she melted into him, absorbing his warm strength.
"I'm sorry, baby," he murmured.
She shook her head. "you didn't hurt me."
Some of the tension left his muscles. "Well, not to worry, you only hurt me a little, but I'm taking it like a man. — Jennifer Lowery

Moved on ... " he said. "Rusted nuts! You can do that?"
"Certainly."
"Huh. You think ... I should ... you know ... Ranette ... "
"Wayne, if ever someone should have taken a hint, it was you. Yes. Move on. Really."
"Oh, I took the hint," he said, taking a swig of sherry. "Just can't remember which jacket I left it in." He looked down at the jug. "You sure?"
"She has a girlfriend, Wayne."
"'S only a phase," he mumbled. "One what lasted fifteen years. ... — Brandon Sanderson

Empty Spaces

I wanted to feel less.
To not be burdened by emotion,
To not feel sadness,
To not know loss.
I envied the inanimate,
The trees that stand proudly in winter,
Not missing their leaves.
I wanted to be weightless,
To not experience limitation.
I didn't want time to pass,
The blur of days, months, years.
It moved too quickly,
I wanted to grasp on,
Hold it.
It eluded me,
Intangible,
Like light.
I wanted to preserve life before you were gone.
I didn't want to know grief.

But the pain kept me connected.
It meant that I loved you,
It meant that I would always be a little broken,
It meant that our love filled all of the empty spaces.
It meant that you would be with me... forever. — Jacqueline Simon Gunn

Many people under the influence of science, and particularly neuro-nonsense, will say the sacred is an old concept, it's just a hangover, but you can easily see that's not so, because everyone has a sense of desecration: there are things everybody values which, when they are spoiled are not just moved or destroyed, they are desecrated. Something that is vital not just to you but the world. People have this sense when they see their towns pulled apart and concrete blocks put in the middle of them. You only have to look at Aberdeen to see what happens to a beautiful place when the desecrators get their hands on it. — Roger Scruton

Won? He's one of them! How exactly is that winning?"
Michael shook his head, moved up behind her, and put his hands on her shoulders. He kissed the nape of her neck gently. "I don't know, Eve. I'm just telling you what I heard. He got some kind of agreement out of the vampires. And it was because Amelie loved him."
"Yeah, loved him enough to kill him and turn him into a bloodsucking fiend," Eve said grimly. "How sweet. Romance isn't dead. Oh, wait. It is. — Rachel Caine

He was waiting there for her beside the pool - a great black horse with shoulders like polished ebony and the water still streaming from his mane and tail. Morag stood and looked at him for a long moment. The great horse looked at her and never moved.
"Will you trust me?" he had asked her the evening before, and she had trusted him then. She trusted him now, and so she walked towards him. She grasped his mane, and still the black horse never moved. She stood on a stone beside him, swung herself onto his back, and the black horse moved. — Mollie Hunter

He stripped to his trunks, then dove into the pool. We all watched as he broke the surface and climbed from the water, his muscles slick and wet, his green eyes glowing in the half light of the glass ceiling. I heard Natalie and Sara both sigh, and Harry murmur that it almost made him want to go gay. Coby stretched out on a chaise beside me and asked, So you still sorry you moved here? — Lee Nichols

Why is it so delusional to think that a person who feels someone else's grief or pain isn't hampered by that excess of emotion? Or that imitating others in order to fit in to the crowd is more acceptable than doing what interests you at any given moment? Why isn't it considered rude to look a total stranger in the eye when you first meet him, or to invade his personal space by shaking hands? Couldn't it be considered a flaw to veer off topic based on a comment someone else makes instead of sticking to your original subject? Or to be oblivious when something in your environment changes - like a piece of clothing that gets moved from a drawer to a closet?" That — Jodi Picoult

Garrett!" Nick's handcuffs clanked when he moved. "The laces on those boots, the plastic thingies have modified handcuff keys on them." "The aglets?" Zane asked. He squirmed around, trying to loosen the ropes enough so he could see his shoes. "The what?" Nick asked, sounding an odd combination of desperate and exasperated. "Aglets. Plastic thingies." "Why do you know what those things are called?" "Phineas and Ferb. — Anonymous

I really like being on set when you've all moved on a job because it makes you bond very quickly. You're all out of your time and comfort zone, so you kind of only have each other. — Anna Popplewell

Cerise! Come and kiss me, you red haired harpy," Izrayl bellowed. She smiled and moved to kiss his stubbly cheek. He held her tight and squeezed.
"How goes it Old Dog," Cerise said fondly to her temporary captor.
"Still alive," he grinned salaciously at her. "And still young enough to learn some new tricks if you are the one doing the teaching."
"Try it and I will neuter you," Cerise threatened and tugged on his braid. "You dogs, all you think of is hunting, fighting and fucking."
"What else is there?" Izrayl growled in the back of his throat and raised an eyebrow at her suggestively. — Amy Kuivalainen

He could see why his mum chose (italicized) friends, instead of just putting up with anyone she happened to bump into, or sticking with people who supported the same football team, or wore the same clothes, which was pretty much happened at school; his must have conversations like this with Suzie, conversations that moved, conversations where each thing the other person said seemed to lead you on somewhere. — Nick Hornby

For you must know, my dear ones, that each of us is undoubtedly guilty on behalf of all and for all on earth, not only because of the common guilt of the world, but personally, each one of us, for all people and for each person on this earth. This knowledge is the crown of the monk's path, and of every man's path on earth. For monks are not a different sort of men, but only such as all men on earth ought also to be. Only then will our hearts be moved to a love that is infinite, universal, and that knows no satiety. Then each of us will be able to gain the whole world by love and wash away the world's sins with his tears ... — Fyodor Dostoyevsky

The room was almost dark, with just flickers of light coming from the logs burning in the hearth. I could just see his shape, sitting in the leather, wing-backed chair, silhouetted by the fire.
"Come here."
His voice was quiet, but with the firmness I had come to expect from him. I moved closer and knelt down in front of him, my naked bottom facing the warmth of the fire. I bent my head downwards and looked at the floor as I had been taught, but he surprised me by lifting up my chin with his hand.
"You look so beautiful."
He bent and kissed me softly on the lips, and I shivered in anticipation. Was it to be pleasure or pain this time? Or perhaps a combination of both, given in the way that only he can. — Rachel De Vine

I can explain to you why algebra is useful. But that is not what algebra is really for.' He moved his fingers gently on my temples. 'It's to keep what is in here healthy. PE for the head. And the great thing is you can do it sitting down. — Mal Peet

Samuel," Amelie said, and her voice was low and quiet and warm. She bent closer to him. "Samuel. Come back to me."
His eyes opened, and they were all pupil. Scary owl eyes. Claire bit her lip and thought again about running, but Hans and Gretchen were at her back and she knew she didn't have a chance, anyway.
Sam blinked, and his pupils began to shrink slowly to a more normal size. His lips moved, but no sound came out.
"Breathe in," Amelie said, in that same quiet, warm tone. "I'm here, Samuel. I won't leave you." She stroked fingers gently over his forehead, and he blinked again and slowly focused on her.
It was like there was nobody else in all the world, just the two of them. Amelie was wrong, Claire thought. It isn't just that Sam loves her. She loves him just as much. — Rachel Caine

Just because you had a bad experience in a relationship with someone, you're taking it as an excuse never to be in a relationship again. Never to trust. You're letting her control your life even way after you've said goodbye. If you've really moved on, you wouldn't be scared to have a relationship because you would have fully let her and the past go and be able to move on." He — Shaquanda Dalton

Good with languages," she murmured. With everything she learned about him, he got more and more interesting. Or more mysterious, depending on how you looked at it. "So, good with languages, shovels, and igloos. Anything else?"

The smug look he tossed at her was so wicked it shivered right down her spine. Walked right into that, hadn't she. She shook her head and, looking away to hide her blush, moved her cardboard forward one spot. Without a doubt, he would be good at...other stuff. Jesus. — Laura Kaye

Why are you looking at me like that?' he asked, his hand tensing for a second on my hip.
"No reason.' I moved my hand up his chest and on the way his abs contracted.
He pushed me away abruptly, forcing me to sit up with him. With the scruff hiding parts of his cheeks I wasn't sure, but he seemed to be blushing. "You shouldn't touch a man like that in the morning,' he rasped, his hand hiding his crotch. — Stephanie Witter

Rather than deal with problems in relationships, I've always moved on. That's why I'm one of the very few survivors as a woman, you know. — Yoko Ono

It was about men, the kind who caused women to fall. I did not ascribe any intentions to these men. They were like the weather, they didn't have a mind. They merely drenched you or struck you like lightning and moved on, mindless as blizzards. Or they were like rocks, a line of sharp slippery rocks with jagged edges. You could walk with care along between the rocks, picking your steps, and if you slipped you'd fall and cut yourself, but it was no use blaming the rocks.
That must be what was meant by fallen women. Fallen women were women who had fallen onto men and hurt themselves. There was some suggestion of downward motion, against one's will and not with the will of anyone else. Fallen women were not pulled-down women or pushed women, merely fallen. Of course there was Eve and the Fall; but there was nothing about falling in that story, which was only about eating, like most children's stories. — Margaret Atwood

I shook my head at Janco. "I've got the situation under control. Go back to the Keep, I'll meet you there."
Janco stared at me in astonished silence. Ari, though, trusted me. "Come on, she doesn't need our help." Ari sheathed his sword. Janco recovered. He flashed me one of his mischievous grins. "I'll bet you a copper that she'll be free in five minutes," he said to Ari.
Ari grunted in amusement. "A silver on ten minutes," he countered.
"I'll bet you both a gold coin that she kills him," Valek said
from behind them. They moved aside and he entered, still dressed in his Adviser Ilom disguise. "The only way to take care of your problem. Right, love? — Maria V. Snyder

Why would you believe in me at all?"
He moved to lean forward on the railing, forearms folded with the blade dangling down over the river, his face in profile. Finally, he said, "I trust you."
"You shouldn't."
"I know," he muttered.
She heard the strain in his voice. His eyes cut to her, and she saw that he knew she had heard it. His body shifted into a position of determined nonchalance. "Logically speaking," he said lightly, "the idea that you hired someone to attack me doesn't make much sense. I'm not sure what your motive would be."
"I could have wanted to put an end to the rumors."
"That would be a shame. I like the rumors."
"Don't joke. — Marie Rutkoski

Every year the aspiring photographer brought a stack of his best prints to an old, honored photographer, seeking his judgment. Every year the old man studied the prints and painstakingly ordered them into two piles, bad and good. Every year the old man moved a certain landscape print into the bad stack. At length he turned to the young man: "You submit this same landscape every year, and every year I put it on the bad stack. Why do you like it so much?" The young photographer said, "Because I had to climb a mountain to get it." A — Annie Dillard

You're right. Many nurses nowadays don't like doing the things that nurses used to have to do. Changing sheets and collecting bedpans - that sort of thing. Nursing has moved on, Bertie.'
Bertie was puzzled. 'But if they don't do that,' he said, 'then who does? Do people have to tuck themselves into bed when they're in hospital?'
Irene was amused by this and raised her eyes again. 'Dear Bertie, no, not at all. They have other people now to do that sort of thing. There are other wome ... people who do that.' 'So they aren't nurses, Mummy?' asked Bertie. Irene waved a hand vaguely. 'No. They call them care assistants, or something like that. It's very important work.' 'So what do the nurses do then, Mummy? If they have somebody else to take the bedpans to the patients, what's left for the nurses to do? Do they do the things that doctors do? Can nurses take your tonsils out?' 'I think they'd like to,' said Irene. — Alexander McCall Smith

She knew bullshit when it was being tossed at her by the shovelful. "You know, Ms Purcell, I'm at absolute capacity in the friend department. You'll have to apply elsewhere. As for Roarke and his business, that's his deal. As for you, let's get this straight: You don't look stupid, so I don't believe you think you're the first of Roarke's discarded skirts to swing back this way. You don't worry me. In fact, you don't much interest me. So if that's all?"
Slowly Magdelana slid off the desk. "The man is just never wrong is he? I don't like you."
"Aw."
She moved to the door, then stopped, leaned on the jamb as she looked over at Eve again. "Just one thing? He didn't discard me. I discarded him. And since you don't look stupid either, you know that makes all the difference. — J.D. Robb

And the answer is: You are wrong. The Faeries are not gone. But they are no longer what they were. I watched it and did not help them, though I could have. I cheered. I cheered and I wept and I was glad. Perhaps I should not have been. Perhaps laughing at agony is a Fairy's game and I should not have moved my pieces on their board. — Catherynne M Valente

I think the biggest shift is the way people look at and have access to fashion. It's already old the minute you've seen it, and we've already moved on. Fashion has become very in and out. Back in the days when I started, you would wait for Vogue to come out, and that is where you would see what people wore that month. Now we are looking at what someone is wearing this second. — Matthew Williamson

Captain Phasma. Remember me?" He moved his weapon slightly. "Here's my blaster, ya still wanna inspect it?" Phasma held on to her dignity. "Yes, I remember you. FN-2187." Finn shook his head curtly. "Not anymore. My name is Finn. A real name for a real person. And I'm in charge now. — Alan Dean Foster

Jesus brings a kingdom ruled by the crucified one and populated by the unclean and always found in the unexpected. I'd expected to look at the past and see only mistakes that I'd moved on from, to see only damage and addiction and tragic self-delusion. But by thinking that way, I'd assumed that God was nowhere to be found back then. But that's kind of an insult to God. It's like saying, 'You only exist when I recognize you.' The kingdom of heaven, which Jesus talked about all the time, is, as he said, here. At hand. It's now. Wherever you are. In ways you'd never expect. — Nadia Bolz-Weber

(Devon) "Cam, what's wrong?"
He cursed and held her tighter. "Help me," he rasped.
Her senses dizzy from the scent and feel of him, it took a few moments for the words to register. She stroked her fingers through his thick, soft hair. "Help you?"
His head moved against her hand, as much a show of helpless pleasure as it was a nod. "Help me slow down."
She shook her head. "I don't want you to slow down - "
"I want to be gentle," he said roughly, his warm breath tickling her neck. "But I'm so fucking turned on right now all I can think about is pounding into you. — Kaylea Cross

Just do your duty in silence. When in doubt, when flat on your back, you can look at the ceiling. Who knows what you may see, up there? Funeral wreaths and angels, constellations of dust, stellar or otherwise, the puzzles left by spiders. There's always something to occupy the inquiring mind. Is anything wrong, dear? the old joke went. No, why? You moved. Just don't move. What — Margaret Atwood

Occasionally they would hear a harsh croak or a splash as some amphibian was disturbed, but the only creature they saw was a toad as big as Will's foot, which could only flop in a pain-filled sideways heave as if it were horribly injured. It lay across the path, trying to move out of the way and looking at them as if it knew they meant to hurt it.
'It would be merciful to kill it,' said Tialys.
'How do you know?' said Lyra. 'It might still like being alive, in spite of everything.'
'If we killed it, we'd be taking it with us,' said Will. 'It wants to stay here. I've killed enough living things. Even a filthy stagnant pool might be better than being dead.'
'But if it's in pain?' said Tialys.
'If it could tell us, we'd know. But since it can't, I'm not going to kill it. That would be considering our feelings rather than the toad's.'
They moved on. — Philip Pullman

He found his voice first, though it was a ragged whisper, "Thank you." If I'd had enough breath I'd have laughed. My throat was so dry, that my voice sounded stiff. "Trust me on this, Frost, it was my pleasure." He bent over and laid a kiss on my cheek. "I will try to do better next time." He moved his hands away from me, letting me move, but stayed sheathed inside me as if he were reluctant to let that go. I looked at him, thinking he was joking, but his face was utterly serious. "It gets better than this?" I asked. He nodded solemnly. "Oh, yes." "The queen was a fool," I said softly. He smiled then. "I always thought so. — Laurell K. Hamilton

I'm not sure anyone's ever experienced enlightenment, been born again, been called to repentance or decided to sell their belongings on account of a system. The voice, the tale, the image, the parable that gets through to you
that wins your heart
religiously is the one that makes it past your defenses. You've been won over, and you probably didn't see it coming. You've been enlisted into a drama, whether positively or negatively, and it shouldn't be controversial to note that it happens all the time. When you really think about it, there's one waiting around every corner. It's as near as the story, song or image you can't get out of your head. Religion happens when we get pulled in, moved, called out or compelled by something outside ourselves. It could be a car commercial, a lyric, a painting, a theatrical performance or the magnetic pull of an Apple store. The calls to worship are everywhere. — David Dark

Think of music as being a great snarl of a city [ ... ]. In the years I spent living there, I came to know its streets. Not just the main streets. Not just the alleys. I knew shortcuts and rooftops and parts of the sewers. Because of this, I could move through the city like a rabbit in a bramble. I was quick and cunning an clever.
Denna, on the other hand, had never been trained. She knew nothing of shortcuts. You'd think she'd be forced to wander the city, lost and helpless, trapped in a twisting maze of mortared stone. But instead, she simply walked through the walls. She didn't know any better. Nobody had ever told her she couldn't. Because of this, she moved through the city like some faerie creature. She walked roads no one else could see, and it made her music wild and strange and free. — Patrick Rothfuss

From the Grapes of Wrath and a woman that would not be moved: 'On'y way you gonna get me to go is whup me.' She moved the jack handle gently again. 'An' I'll shame you, Pa. I won't take no whuppin', cryin' an' a-beggin'. I'll light into you. An' you ain't so sure you can whup me anyways. An' if ya do get me, I swear to God I'll wait till you got your back turned, or you're settin' down, an' I'll knock you belly-up with a bucket. I swear to Holy Jesus' sake I will. — John Steinbeck

Is this the happiness you seek?" he whispered hoarsely. "Tell me now, and I will give it to you." He
moved down her body, his mouth on her bosom, his breath hot on her skin, and his hand freeing her
breast. Phoebe ran her fingers through his hair, thrusting her breast forward as he took the peak into his
mouth.
This was insanity!"Only a profligate would confuse happiness with desire - Oh!" The swell of pleasure
his mouth on her breast gave her was startling, and she cried out.
"And only a fool would try and separate the two," he responded hotly before he closed his mouth
around her other breast — Julia London

I moved away from him, sitting back on my heels and raising my aim to his heart. "Happy anniversary, Frank."

In a flash, he had my gun away from me and I was flat on the floor with his boot against my throat. "You point a gun at me again, I will break your neck. — Nicole Castle

What I'm mad about is that you forgot about me! That you moved on and replaced me! That I'm back and I still don't have you. — Taylor Jenkins Reid

Yee-ouch!" she cried as the pan clattered back onto the stovetop. She was shaking her left hand and staring at the venison, grateful she hadn't dropped their dinner on the floor, when Callahan appeared in the doorway to her kitchen. "What's wrong?" "I'm an idiot. I almost dropped the roast." "You burned yourself," he surmised as his gaze shifted from her to the pot on the stove. Crossing to the kitchen sink, he twisted the cold water faucet. "C'mere." When she moved close, he took her arm by the wrist and studied her hand as he guided it beneath the running water. "You grabbed your pan without a pad? You don't strike me as the careless sort." "I have my moments of ditziness," she replied. Ditziness — Emily March

Not long after he moved, the mail carrier got embroiled in a battle with the Middletown government over the flock of chickens that he kept in his yard. He treated them just as Mamaw had treated her chickens back in the holler: Every morning he collected all the eggs, and when his chicken population grew too large, he'd take a few of the old ones, wring their necks, and carve them up for meat right in his backyard. You can just imagine a well-bred housewife watching out the window in horror as her Kentucky-born neighbor slaughtered squawking chickens just a few feet away. My sister and I still call the old mail carrier "the chicken man," and years later even a mention of how the city government ganged up on the chicken man could inspire Mamaw's trademark vitriol: "Fucking zoning laws. They can kiss my ruby-red asshole." The — J.D. Vance

Oh my fucking - " Ruxs heaved underneath him, taking the burn and stretch like the man Green knew he was. "Fuck!" "Just as tight as I knew this virgin ass would be." Green panted in Ruxs ear. He hadn't moved, knew if he did it would be over before it even began. "Fuck you," Ruxs grunted. "Augh. Do something, Chris." "I'm gonna make you feel real good, baby." Green slowly pulled out, just halfway, and slid back in again. "You trust me don't you?" "I did. Before you lied and said this fuckin' felt good." Ruxs turned a little, positioning most of his weight on side, making Green maneuver with him. Green — A.E. Via

My dear child,' said the old gentleman, moved by the warmth of Oliver's sudden appeal, 'you need not be afraid of my deserting you, unless you give me cause.'
I never, never will, sir,' interposed Oliver.
I hope not,' rejoined the old gentleman; 'I do not think you ever will. I have been deceived before, in the objects whom I have endeavoured to benefit; but I feel strongly disposed to trust you, nevertheless, and more strongly interested in your behalf than I can well account for, even to myself. The persons on whom I have bestowed my dearest love lie deep in their graves; but, although the happiness and delight of my life lie buried there too, I have not made a coffin of my heart, and sealed it up for ever on my best affections. Deep affliction has only made them stronger; it ought, I think, for it should refine our nature. — Charles Dickens

To define [Canada] or its literature seems like putting a finger on Zeno's arrow: no sooner do you think you have done it than it has moved on. — M.G. Vassanji

No birth certificate is issued when friendship is born. There is nothing tangible. There is just a feeling that your life is different and that your capacity to love and care has miraculously been enlarged without any effort on your part. It's like having a tiny apartment and somebody moves in with you. But instead of becoming cramped and crowded, the space expands, and you discover rooms you never knew you had until your friend moved in with you ... — Steve Tesich

He suddenly leaned in, and his fingers brushed my cheek. Warmth flooded my skin, and I frozen, waiting for him to pull back.
He didnt. The tips of his fingers lingered on my cheek for a moment. Then, very slowly, his hand slipped forward, the palm brushing my skin. Frozen, I stared at him, watching his face as his fingers moved from my cheek to my forehead to my chin, like a blind man tracing someone's features to see them in his mind.
"What are you doing to me?" he whispered. — Julie Kagawa

The thing about that singles apartment is you never had to clean it up ... until the day you got the security deposit back. You're arguing with the landlord ... 'No sir, the back door was missing when we moved in here! The pizzas were always on the ceiling!' — Jeff Foxworthy

Captain! To your left there's a Lunar guard and on your right is a doctor who's running tests on Lunars and I'm being held by one of Levana's wolf hybrids and please be careful!"
Thorne took a step back into the hallway a gun from his waistband. He spent a moment swiveling the barrel of the gun in each direction, but nobody moved to attack him.
With some surprise, Cress realized that the operative's grip had weakened.
"Er ... " Thorne furrowed his brow, aiming the gun somewhere near the window. "Could you describe all those threats again because I feel like I missed something. — Marissa Meyer

You just couldn't wait to get me naked, could you, Princess?" Loki asked tiredly. I started to pull my hand back, but he put his own hand over it, keeping it in place.
"No, I - I was checking for wounds," I stumbled. I wouldn't meet his gaze.
"I'm sure." He moved his thumb, almost caressing my hand, until it hit my ring. "What's that?" He tried to sit up to see it, so I lifted my hand, showing him the emerald-encrusted oval on my finger. "Is that a wedding ring?"
"No, engagement." I lowered my hand, resting it on the bed next to him. "I'm not married yet."
"I'm not too late, then." He smiled and settled back in the bed.
"Too late for what?" I asked.
"To stop you, of course." Still smiling, he closed his eyes. — Amanda Hocking

What is death? A "tragic mask." Turn it and examine it. See, it does not bite. The poor body must be separated from the spirit either now or later, as it was separated from it before. Why, then, are you troubled, if it be separated now? for if it is not separated now, it will be separated afterward. Why? That the period of the universe may be completed, for it has need of the present, and of the future, and of the past. What is pain? A mask. Turn it and examine it. The poor flesh is moved roughly, then, on the contrary, smoothly. If this does not satisfy you, the door is open: if it does, bear. For the door ought to be open for all occasions; and so we have no trouble. — Epictetus

I've been so lucky with the people I've worked with, but I'm such a fan girl. When I moved to London at 16, I saw a man from a Dulux advert on the bus, and I asked for his autograph. I was so excited; you can imagine what I'm like now - I really need to control myself. — Sheridan Smith

Hammar moved to stand beside Galad, still groaning on the ground and trying to push himself up. The warder raised his voice to shout, "Who was the greatest blademaster of all time?'
From the throats of dozens of students came a massed bellow. "Jearom, Gaidin!"
"Yes!" Hammar shouted, turning to make sure all heard. "During his lifetime, Jearom fought over ten thousand times, in battle and single combat. He was defeated once. By a farmer with a quarterstaff! Remember that. Remember what you just saw."
During his lifetime, the greatest blademaster fought over ten thousand times, in battle and single combat. He was defeated once. By a farmer with a quarterstaff! Remember that. — Robert Jordan

She moved to pinch me again but I blocked her hand. I'm no expert on girls, but when one tries to pinch you four times, I'm pretty sure that's flirting. — Ransom Riggs

When I first moved to Los Angeles I came down there on a wing and a prayer in a way. I had about six weeks worth of money to make it there and that was just from doing a couple of episodes of the X-Files just to finance that trip. I got there and it is either you got to hit it or you got to go and, thankfully, I found a job. — Ryan Reynolds

The sight made her ache. How can I not touch you? she thought hopelessly, and then she was doing it, her fingers on his wrist. He didn't jump or even look at her, just stopped writing. Neither one of them moved, nothing moved, and the whole thing lasted three or four seconds at most, but when Pen took her hand away and started to breathe again, her chest hurt, as though she had been holding her breath for a very long time. — Marisa De Los Santos

No one really knows the value of book tours. Whether or not they're good ideas, or if they improve book sales. I happen to think the author is the last person you'd want to talk to about a book. They hate it by that point; they've already moved on to a new lover. Besides, the author never knows what the book is about anyway. — Rosecrans Baldwin

You can't marry her," Araminta insisted.
Benedict turned to his mother. "Is there any reason I need to consult Lady Penwood about this?"
"None that I can think of," Lady Bridgerton replied.
"She is nothing but a whore," Araminta hissed. "Her mother was a whore, and blood runs - urp!"
Benedict had her by the throat before anyone was even aware that he had moved. "Don't," he warned, "make me hit you."
The magistrate tapped Benedict on the shoulder. "You really ought to let her go."
"Might I muzzle her?"
The magistrate looked torn, but eventually he shook his head. — Julia Quinn

I was raised to believe that God has a plan for everyone and that seemingly random twists of fate are all a part of His plan. My mother - a small woman with auburn hair and a sense of optimism that ran as deep as the cosmos - told me that everything in life happened for a purpose. She said all things were part of God's Plan, even the most disheartening setbacks, and in the end, everything worked out for the best. If something went wrong, she said, you didn't let it get you down: You stepped away from it, stepped over it, and moved on. Later on, she added, something good will happen and you'll find yourself thinking - If I hadn't had that problem back then, then this better thing that did happen wouldn't have happened to me. — Ronald Reagan

It doesn't matter. I've moved on from something that was never there to begin with. That's one of the dire things about escaping from childhood. Eventually you grow up and realize the things you wanted when you were young weren't really yours to ask for.
I know that now. — T.J. Klune

She shut the door and moved on to the floor-to-ceiling cabinets. "There is nothing here. Nothing. What do you eat?"
"Ah ... " Assail found himself looking at the cousins for aid.
"usually we take our meals in town."
The scoffing sound certainly appeared like the old-lady equivalent of Fuck that. "I need the staples. — J.R. Ward

Just as before, Cale moved swiftly into his next hold. His arm shot out like a whip, giving her no time to react. Powerful hands wrapped around her small throat, and he squeezed with a gentle pressure, enough to be uncomfortable, but not enough to really hurt her. He meant to prove a point, but Analia knew this hold well, had been on the receiving end of it many times. This was a hold that could easily render her unconscious. She kept steady, oddly feeling safe even though her pulse spiked wildly.
'How should you counter?' Cale asked.
'I could kick you in your bollocks.'
He smiled at her candor. 'Aye, you could, but a man of any brains would expect a move like that in this position. A better move would be to raise your arm up and bring your elbow down across my arms. If you learn to do it right, you will break my hold, and will be able to get yourself in a more suitable position for a counterattack. Then you go for the bollocks.'"

-Cale & Analia — Kiersten Fay

Grace." His head dipped toward mine. "Tell me to leave."
"No," I whispered back, relaxing into the wall, and he melted into me with a groan. "I want you to stay."
He looked into my eyes as if searching for the answer to something. "If I stay I'm going to fuck you."
I trembled in reaction to his bluntness and licked my lips before I moved my feet, widening my legs so he could fit just right between them. His eyes flared at the movement, and I reached up so our lips brushed as I whispered. "I'm counting on it. — Samantha Young

His hand slid from under his desk and slowly moved up my leg until his fingers grazed my inner thigh. He couldn't just pull something sexy and think that I'd forgive him that easily.I grabbed his hand and squeezed it tightly, turning my head ever so slightly toward his. "Stop it.We're not doing this here."
He pulled his hand out of my grip. "Geez, Red. No need to be so touchy.""You were the one being touchy," I whispered. "And now I
need to pay attention to our lecture.""Come on, Red. I thought we were good."One of the girls in front of us turned her head sharply. "Will you two either quit talking or take it
outside? Some of us are trying to listen," she hissed.
"Mind your own damn business," I pushed back.
She huffed and then turned around to face the front again.
"Ouch! Feisty and I like it," John said through a laugh. — Magan Vernon

You've got no time at all, but it seems like you've got forever. You've got nothing to do, but it seems like you've got everything.
You make coffee and smoke a few cigarettes; and the hands of the clock have gone crazy on you. They haven't moved hardly, they've hardly budged out of the place you last saw them, but they've measured off a half? two-thirds? of your life. You've got forever, but that's no time at all. — Jim Thompson

Leonie Barrow's voice was quiet but clear. With Marechal's eyes on her, she said, "Cabal is more dangerous then you can believe, Count. Both the angels and the devils fear him. He's a monster, but an evenhanded one. I know he is capable of the most appalling acts of evil." Her glance moved to Cabal, who was listening dispassionately. "I believe he is also capable of great good. But to predict which he will do next isn't easy or safe."
Marechal grimaced. "What is your association with this man? Public relations or something?"
"I loathe him," she said with sudden venom. The, more quietly, "And I admire him. You're right; he didn't have to come back. He's taken a big risk, but I know he's taken bigger. I can't tell you whether he's a monster or playing the hero right now, but I know one thing. You made the biggest mistake of your life when you made an enemy of him. — Jonathan L. Howard

Rest," Logan said. "Both of you." His caressing gaze moved over his wife and infant daughter.
"I'll watch over you."
"Love me?" Madeline asked with a faint smile, and yawned again.
"It used to be love." He brushed his lips over her closed eyelids. "Now there's no word for it."
"You once told me that you thought love was a weakness."
"I was wrong," he whispered, kissing the corners of her mouth. "I've discovered it's my only
strength."
Madeline fell asleep with a smile still on her lips, her hand curled around his. — Lisa Kleypas