You Know She's Real Quotes & Sayings

She was still hugging the cat. "Poor slob," she said, tickling his head, "poor slob without a name. It's a little inconvenient, his not having a name. But I haven't any right to give him one: he'll have to wait until he belongs to somebody. We just sort of took up by the river one day, we don't belong to each other: he's an independent, and so am I. I don't want to own anything until I know I've found the place where me and things belong together. I'm not quite sure where that is just yet. But I know what it's like." She smiled, and let the cat drop to the floor. "It's like Tiffany's," she said.
[ ... ]
It calms me down right away, the quietness and the proud look of it; nothing very bad could happen to you there, not with those kind men in their nice suits, and that lovely smell of silver and alligator wallets. If I could find a real-life place that made me feel like Tiffany's, then I'd buy some furniture and give the cat a name. — Truman Capote

What's going on?" I asked, gauging her expression. "Talk to me."
She leaned into me again. "Don't want to talk."
"Sara, I don't mind being your distraction but at least be honest with me aboout it. Something's wrong."
"I'm fine." But she wasn't fine. She wouldn't have come here if she were.
"Bullshit. You're breaking your own rules by even being here. This is better -this is real- but it's also different and I want to know why. — Christina Lauren

It is unlikely that one ANP will serve as a constant throughout the person's life. Your client is, therefore, likely to have others besides the ones you know, or several who you might think of as "the host". Adults with dissociative disorders often have several ANPs from earlier stages of life inside. They usually have the same name but are of different ages. Sometimes, there are several current ANPs, each of whom assumes she or he is the "real" person and is amnesiac for the existence of the others. Their current knowledge and experience may overlap, while their other characteristics differ somewhat. This makes them glide easily from one to the other, and the therapist can easily miss the switch. p22 — Alison Miller

You're like your dad, you know that? I mean, I know he's not your real - " "Yes, he is." She nodded. "Yeah, he is." And right then I wished with all my crooked heart that my dad had been the man who'd fathered me. — Benjamin Alire Saenz

I think I understand the problem - she doesn't want to be parted from her sister, Sophia. Did you know they were twins?" Baird looked at him apprehensively. "Are human twins like the Twin Kindred? Do they have to share a mate? Because I have to tell you, Sylvan, I don't think I can handle more than one like Olivia. And she's the only one I want, anyway." "No, no. Don't worry about that." Sylvan shook his head. "But the bond between them is extraordinarily strong. I spent some time talking to Sophia and she told me they had never been parted even for a single day." Baird frowned. "That is like the Twin Kindred. Do you suppose they feel actual physical pain while they're separated?" Sylvan looked thoughtful. "I don't think it's physical so much but certainly the pain is a very real thing. Sophia was very concerned about Olivia. She was, ah, worried that you might hurt her." "Hurt — Evangeline Anderson

Your age?" "My age? He has to be thirty." "Farm life is going to harden you, you know. You think you'll be young and beautiful for ever and that you'll have plenty of chances, but it doesn't work like that." "She's only sixteen, Em," my father said. "She has plenty of time." "That's what you think. We're not helping, keeping her out here with no company. School didn't do a thing - not that she was there long. She's wild. She doesn't know how to make conversation." "Why are we talking about manners and society, when there are real problems to think about? — Paula McLain

As I mentioned briefly on the phone, the best thing about the Air Chrysalis is that it's not an imitation of anyone. It has absolutely none of the usual new writer's sense of 'I want to be another so-and-so'. the syle, for sure, is rough,and the writing is clumsy. She even gets the title wrong: she's confusing 'chrysalis' and 'cocoon'. You could pick it apart completely if you wanted to. But the story itself has real power: it draws you in. the overall plots is a fantasy, but the descriptive details is incredibly real.The balance between the two is excellent. I don't know if words like 'originality' or Inevitability' fit here, and I suppose I might agree if someone insisted it's not at that level, but finally, after you work your way through the thing, with all its faults, it leaves a real impression- it gets to you in some strange, inexplicable way that may be a little disturbing. — Haruki Murakami

I missed you," she said softly, her breath against his cheek making his body harden everywhere.
"You too."
"It's terrible to be this infatuated."
"I agree."
"I haven't felt this alive in years."
"Me either."
"Screw the interview," she said breathlessly. "Let's make out."
He saw stars. Literally. Stars. How was this possibly his life? Beautiful women did not show up on the doorsteps of disabled vets and proposition them.
"Are you an alien?" he asked.
"Not that I know of."
"Are we on Candid Camera?"
She took a quick look around the room. "You never know, but my guess is no."
"Is someone paying you a vast sum of money to make me feel like this?"
She bit her lower lip, as if deep in thought. "Not that I recall, but if a million dollars suddenly hits my account, I'll give you half."
"You must be for real. Fine. You win. Let's go make out. — Katy Regnery

Hana?" Lena says softly. "Are you okay?"
That single stupid question breaks me. All the metal fingers relax me at once, and the tears they've been holding back come surging up at once. Suddenly I am sobbing and telling her everything: about the raid, and the dogs, and the sounds of skulls cracking underneath regulator's nightsticks. Thinking about it again makes me feel like I might puke. At a certain point, Lena puts her arms around me and starts murmuring things into my hair. I don't even know what she's saying, and I don't care. JUst having her here - solid, real, on my side - makes me feel better than I have in weeks. Slowly I manage to stop crying, swallowing back the hiccups and sobs that are still running through me. I try to tell her that I've missed her, and that I've been stupid and wrong, but my voice is muffled and thick — Lauren Oliver

Okay, my man, in a minute you are gonna hear a bunch of shit that's gonna knock your socks off. So, two seconds to prepare, Ivey is my best friend, outside you my only real one, as you know. What you don't know, she is not my lover. She's my friend. And I'm gay. You tell anyone, I'll shoot you and you know I'm not fucking with you about that. Deal with it. We gotta move on, like, now. — Kristen Ashley

But-but ... " Timmie's eyes couldn't get any wider.
"Why did you tell her I'm your boyfriend? Why doesn't she know about your real one?"
That was a good question. I cast around for an answer. Any answer.
"He's English!" I settled on desperately. "And Mom ... Mom hates foreigners! — Jeaniene Frost

She pulsed, invisibly, like a quasar. I can't describe women, but if you know Duke Pearson's 'After the rain', she was as beautiful and pure as that. Real things had happened to her to make her how she was and I wanted to know them, and read them, like a book. — David Mitchell

You know the Prince song where the girl's phone rings but she tells him, "whoever's calling couldn't be as cute as you?" I long to live out this moment in real life. — Rob Sheffield

"I always read everything when I was a kid-and I do mean everything, from Nancy Drew to Dickens to my dad's John D. MacDonald-but then I went to regular school and the English teachers started telling me to read 'real' books, so I tried. And you know, I kinda went off reading for a while. I had already been reading literary novels and the classics mixed in with whatever else, but-" She waved a hand. "So I went back to reading whatever I wanted, whenever I wanted to-reading had been my greatest pleasure in all the world. I mean I never really watched all that much television, because we were moving around, never really had solid digs until I was thirteen, so reading was everything. — Barbara O'Neal

He arched a taunting brow. "Is that why you have yet to climb off me?" Desideria was horrified as she realized she hadn't moved. Every bit of her body was lying against his hard, muscled one. And honestly, it felt good. Real good. Her face heating, she practically jumped away. "Ah now that's just rude," he groused. "You know I did take a bath and everything. Several hours ago, but still." He flipped to his feet, then grimaced as if he'd struck his leg the wrong way before he limped over to secure the door. Even — Sherrilyn Kenyon

Aw, honey - you sound real ready for it. You always get like this? All on edge like this, just about a second away from coming, before we've even started?"

How did he know? She didn't even know and she was the one about to do it.

"You know, most women can't come easy, this way. But it's good to know you can, 'cause baby I'm gonna work you so good on my cock, I swear to God. — Charlotte Stein

She told me it's called the Maka Hanya Haramita Shingyo,69 which means something like the Great Most Excellent Wisdom Heart Sutra. The only part I remember goes like this: Shiki fu i ku, ku fu i shiki.70 It's pretty abstract. Old Jiko tried to explain it to me, and I don't know if I understood it correctly or not, but I think it means that nothing in the world is solid or real, because nothing is permanent, and all things - including trees and animals and pebbles and mountains and rivers and even me and you - are just kind of flowing through for the time being. — Ruth Ozeki

I read a story about some old opera singer once, and when a guy asked her to marry him, she took him backstage after she had sung a real triumph, with all the people calling for her, asked, 'Do you think you could give me that?' That story hit me right, man. I know no guy ever made me feel as good as an audience. I'm really far into this now, really committed. Like, I don't think I'd go off the road for long now, for life with a guy no matter how good. Yeah, it's the truth. Scary thing to say though, isn't it? — Janis Joplin

I don't know why you want to hang out when I'm half asleep?"
Cooper leaned over and kissed me softly. His lips sucked at my bottom lip for a second before he pulled back and relaxed into the corner of the couch. "You pout when you sleep."
"Huh?"
"Like an angry little pout," he said, demonstrating with his lips. "It's the hottest thing I've ever seen. I thought you might give me a real talking to like my old gym teacher. Man, did that bitch hate me."
"I'm sure she had her reasons."
Cooper snorted. "Of course, you'd take a stranger's side over the guy who's feeding you."
"Maybe you called her a bitch forty times."
"Yeah, there was that. — Bijou Hunter

Like the shaman, a teacher has to have a clear vision so that a student can come to believe that he or she sees something real that can be shared. The teacher's message must be "I know something you don't know, something you don't have, but I am committed to sharing it with you and bringing you on this journey. — Louis Cozolino

Shelly, what is this?"
"What?"
"This." She shook her fork.
"A Rocky Mountain oyster."
"Is it a shellfish?"
"No, it's a testicle."
"Oh, my God!" She dropped the fork as if it had suddenly zapped her. "Whose?"
Dylan burst out laughing. "Not mine."
"They came from the Rocking C. I bought 'em during castration season," Shelly told her.
"You bought them? Oh, my God!"
"Well," Shelly answered as if Hope were the crazy one, "they don't just give away free oysters, you know."
"No, I don't know. I'm from California. We eat real food. We don't eat cow ball. — Rachel Gibson

Aldrik laughed darkly. "What did you think I was?" he snarled. "Did you think I went to war and read books?" Vhalla took another step back. "You ran head-first into my daily hell. Would it not be more convenient if weapons of death and torture could not talk back?" Vhalla forced herself not to tremble as she looked at him. He glared at her; the orange of the fire reflecting in the black mirrors of his eyes.
With all the bravery she possessed, Vhalla crossed the distance between them; he straightened and looked down at her, imposing. Vhalla swallowed hard and tried to muster her last scrap of confidence. There would be time later to ask him about the real reasons behind the war. For now, they needed to go home.
She grabbed his hand, praying it didn't burst into flames at her touch. It didn't.
"Quit being stupid, Aldrik. Let's go." His features barely softened, but it was more than enough to know she had made herself clear. Whatever this man was, he wasn't a monster. — Elise Kova

Is life worth keeping on with, whatever happens?" Was she talking about living broken, living with loss? Did she count his loss a real one, and did she really want to know or was there a barb in this somewhere? Sometimes, Akiva felt like he didn't know his sister at all. "Yes," he said, wary, thinking of the thurible, and Karou. "As long as you're alive, there's always a chance things will get better."
"Or worse," said Liraz.
"Yes," he conceded. "Usually worse. — Laini Taylor

My father was English. He date-raped my mother so she's hated English men ever since. You know my boyfriend's English, and I'm, uh, I'm half-English, which she's never been real happy about. If she finds out I'm dating someone English, she'll ah, think I' turning my back on her and becoming a foreigner.'
Cathy, that's the stupidest reason I've ever heard. — Jeaniene Frost

Either I'm alive or I'm dying, she said to Daniel. Please don't feel you can't tell me. Which is it?
Which does it feel like? said Daniel. He patted her hand. You're not dead yet. You're a lot more alive than many people.
This isn't good enough for Rennie. She wants something definite, the real truth, one way or the other. Then she will know what she should do next. It's this suspension, hanging in a void, this half-life she can't bear. She can't bear not knowing. She doesn't want to know. — Margaret Atwood

You're out of your mind," she said, plopping down on the side of the bed. "For real. I don't think I've ever met anyone as single-minded as you." "You probably never will. That's just how it is. You have sex with me, the compulsion goes away, and we won't need to do it ever again, won't even have to talk to each other ever again. That's the best part." "You know, I'm sure this is your best attempt at seduction, but even with all this suave finesse, I am not going to have sex with you." He grunted. "You will. — Shay Rucker

He knew exactly what this was. A severe panic attack. "Princess?" She glanced at him, shook her head and clutched even tighter at herself. "Please, leave me alone. I can't breathe." His heart went out to her and her fear. He closed the distance between them and placed his hands on her arms to help steady her. "Kiara? Hauk wears women's underwear." Kiara froze at his words, not quite sure she'd heard what he said. "Come again?" "Hauk wears women's underwear. Pink and really girly. You know, one of those skimpy things that tucks into the crack of his fat ass." In spite of her terror, she laughed at the image of the huge, fierce Andarion in a tiny pink G-string. "Hauk wears women's underwear?" Nykyrian's grip loosed on her arms. "Better?" Surprisingly enough, she was. Somehow that unexpected image had managed to break through her panic and center her back in the real world. No one had ever been able to do that before. Her — Sherrilyn Kenyon

I told myself that I didn't need any of that shit, but there it was, repeated to me day after day after day. And when you're surrounded by a bunch of mostly strangers experiencing the same thing, unable to call home, tethered to routine on ranchland miles away from anybody who might have known you before, might have been able to recognize the real you if you told them you couldn't remember who she was, it's not really like being real at all. It's plastic living. It's living in a diorama. It's living the life of one of those prehistoric insects encased in amber: suspended, frozen, dead but not, you don't know for sure. — Emily M. Danforth

I doubt he'll come all this way for an orange," she said as she tapped her spatula against the side of the bowl. That was what I loved most about Nina: she'd heard it all, and nothing any of us threw at her ever surprised her. "You know, once upon a time, everyone could walk into a marked and buy anything they wanted."
I snorted. "Fairy takes start with 'once upon a time' Nina."
"It was a fairy take of sorts, but that didn't make it any less real," she said lowering the bowl to focus on me. "It's frightening how much things change in seventy-one years. — Aimee Carter

So ... Now that we got that over with, let's get back to love at first sight, Evan said.
Not infatuation at first sight ... Love. With a capital L, he clarified.
Love? Heeb asked, playfully pretending not to know the concept.
Yeah. The real thing. The conviction that if you had this one woman, all other women would become irrelevant. You'd never again be unhappy And you'd give up anything to have her and keep her.
You've experienced that?
Only once. And I haven't stopped thinking about it ever since.
Tell me more.
Sometimes I think that I still chase women just to forget about her. Because I know I can never have her. But I can't seem to forget about her, no matter what girl I'm chasing ... No one can possibly compare ...
Who is she?
Delilah, Evan said wistfully.
Delilah?, asked Heeb, intrigued
Delilah Nakova, Evan replied, with a hint of awe and reverence in his voice. — Zack Love

Laura looked up at him with dead blue eyes.
I want to be alive again," she said. "Not in this half-life. I want to be really alive. I want to feel my heart pumping in my chest again. I want to feel blood moving through me - hot, and salty, and real. It's weird, you don't think you can feel it, the blood, but believe me, when it stops flowing, you'll know."
She rubbed her eyes, smudging her face with red from the mess on her hands.
Look, it's hard. You know why dead people only go out at night, puppy? Because it's easier to pass for real, in the dark. And I don't want to have to pass. I want to be alive. — Neil Gaiman

Ever argue with a female and, in the middle of the argument, you no longer feel safe because of her actions? She may start pacing back and forth real fast, breathing out her nose. You know what my girl do? When she get mad, she start talking in the third person. That's scary as hell because that's her way of telling me that from this point on, she is not responsible for none of her actions. — Kevin Hart

I am not trying to seduce you.

"I know that. But please, Mrs. Robinson. This is difficult for me."

"Why is it," she said

"Because I am confused about things. I can't tell what I'm imagining. I can't tell what's real. I can't --"

"Would you like me to seduce you?"

"What?"

"Is that what you're trying to tell me? — Charles Webb

Because love isn't something that needs to be said out loud!" Her face flushes with passion. "It's something you just know. It's an unspoken thing. It's humble and quiet and constant ... " She goes back to slaughtering the mushrooms, but lowers her tone a bit. "I mean, you can't just say you love someone and make it true. That's not how it works. Real love doesn't need to be declared or confessed. Real love just ... is. You know? — Chelsea Fine

I don't want people thinking of me sexually. I don't want people to be like, 'She's hot-looking,' you know? I want them to listen to me for what I am saying. And I think the best way to do that is to sniff my armpits, and like, sit and burp every now and then. It just completely throws people off. I had a couple of offers to do some hot scenes in the shower with some guy and to make it real hot and sexy. The next thing you know, I'd be the next J.Lo or something. But that's easy. I want it the hard way. — Michelle Rodriguez

Oryx," he says. "I know you're there." He repeats the name. It's not even her real name, which he'd never known anyway; it's only a word. It's a mantra. Sometimes he can conjure her up. At first she's pale and shadowy, but if he can say her name over and over, then maybe she'll glide into his body and be present with him in his flesh, and his hand on himself will become her hand. But she's always been evasive, you can never pin her down. Tonight she fails to materialize and he is left alone, whimpering ridiculously, jerking off all by himself in the dark. — Margaret Atwood

And the Queen was there, in front of her. She was much taller than Tiffany, but just as slim; her hair was long and black, her face pale, her lips cherry red, her dress black and white and red. And it was all, very slightly, wrong. Tiffany's Second Thoughts said: It's because she's perfect. Completely perfect. Like a doll. No one real is as perfect as that. "That's not you," said Tiffany, with absolute certainty. "That's just your dream of you. That's not you at all." The Queen's smile disappeared for a moment and came back all edgy and brittle. "Such rudeness, and you hardly know me," she said, sitting down on the leafy seat. She patted the space beside her. — Terry Pratchett

None of those little girls had ever seemed real to Jimmy - they'd always struck him as digital clones ... Jimmy knew the drill. They were supposed to look like that, he thought ... There were at least three layers of contradictory make-believe, one on top of the other. I want to, I want to not, I want to ... Oryx smiled a hard little smile that made her appear much older ... Then she looked over her shoulder and right into the eyes of the viewer - right into Jimmy's eyes, into the secret person inside him. I see you, that look said. I see you watching. I know you. I know what you want. — Margaret Atwood

If Candy doesn't do it for her, I bet Mrs. Marvin Housby would like the smooth ride of your Woody."
"You're going to get your ass handed to you later. I'm still pissed about you snapping my glasses. Don't even get me started on you pimping me to the blue-hair."
Jillian popped the caps off two bottles of beer, the handed one to Jackson. "I like her. I bet she's a real cougar."
Jackson took a long pull. "I don't know. The whiskers on her chin bear greater resemblance to a wild boar than a cougar. — Jewel E. Ann

I'll tell you if you tell me," I say, washing my hands of maturity. I'm tired of the double standard-she keeps secrets, but I'm not allowed. Also, I'm tired, period. I need sleep. Which means I need answers.
"What do you mean? Tell you what?"
"I'll tell you what we were really doing out there. After you tell me who my real parents are." There, I opened it. A chunky can of wiggling worms.
She laughs, just like I expect her to. "Are you serious?"
I nod. "I know I'm adopted. I want to know how. Why. When."
She laughs again, but there's something false in it, as if it wasn't her first reaction. "So that's what this is about? You're rebelling because you think you're adopted? Why on earth would you think that?"
I fold my hands in front of me on the table. "Look at me. We both know I'm different. I don't look like you or Dad."
"That's not true. You have my chin and mouth. And there's no disinheriting the McIntosh nose. — Anna Banks

Keep thinking back about what Mum said about being real and the Velveteen Rabbit book (though frankly have had enough trouble with rabbits in this particular house). My favorite book, she claims of which I have no memory was about how little kids get one toy that they love more than all the others, and even when its fur has been rubbed off, and it's gone saggy with bits missing, the little child still thinks it's the most beautiful toy in the world, and can't bear to be parted from it.
That's how it works, when people really love each other, Mum whispered on the way out in the Debenhams lift, as if she was confessing some hideous and embarrassing secret. But, the thing is, darling, it doesn't happen to ones who have sharp edges, or break if they get dropped, or ones made of silly synthetic stuff that doesn't last. You have to be brave and let the other person know who you are and what you feel. — Helen Fielding

Losing your innocence has very little to do with virginity, you know. Loss of innocence comes when you have to deal with the real world by yourself, when you learn that the first rule of life is kill or be killed. So different from one's nursery stories." She — Shirley Conran

Malinda moved so we were eye-level. "Forget the people who've hurt you. You don't have them anymore, but you have two others that'll do anything to you. Mason and Logan would move mountains for you. I see how you are with them. You love them, but you're scared to let yourself be happy. Why? Because that's when they'll leave? Is that what you think? You've got it all wrong. Those two will never leave you." She tapped my chest. Once. Twice. "You. You're the one that's going to hurt them. You have that power, and you don't know it. You could rip those two apart in a second, and they're the ones who are scared of you. Not the other way around. You need to recognize the real situation. — Tijan

Let me stay over," he said. "No. I have things to get ready for tomorrow. I teach a couple of classes on Monday and Thursday mornings and keep office hours for students in the afternoons. Then I work my twenty-four-hour shifts in Redding on Tuesday and Friday mornings. Tomorrow starts a real busy week and I - " "Okay," he said. "I'll watch TV while you get your stuff together." "No. You'll seduce me and I have a child in the house." "Gee, how do you suppose all the families with more than one child managed to do that?" "Those first children were used to their mothers and fathers sleeping in the same bed, but Rosie's not. Sometimes she crawls in with me in the night." "I have sweatpants in my duffel. I'll sleep in those," he tried. "No." "Can I have the couch?" "No. Because I know you and you'll seduce me. I think the only thing more important to you than sex is air. Now be on your good behavior. She isn't even asleep yet." "We — Robyn Carr

She glanced up at him. "Why does it matter? Why do you care?"
He'd been staring at her hands again, but jerked his gaze up to hers as if surprised by the question. He answered quickly, almost automatically. "I am a law enforcement officer. I found your aunt and saw what... that animal" -- he seemed to struggle with the words -- "I saw what he did. And we don't know why."
Ceelie nodded. "So this is how you'd treat anyone whose case you got involved with?"...
He leaned across the space that divided them, cupping his left hand around her jaw and pulling her toward him as if she were fragile, breakable. His kiss was soft, a pressure of lips, a slight parting, a promise of more. His stubble scratched her chin.
"That's the real answer." His voice was so soft the air around him seemed to soak it up. "And don't ask me what it means because I'll be damned if I know. — Susannah Sandlin

You have to deduce a person's real feelings about a thing by a smile she does not know is on her face, by the way bitterness tightens muscles at a mouth's corner, or the way air is allowed to flow from the lungs. — Doris Lessing

Have you noticed her name?"
Kit leaned sideways to see the letters painted jauntily on the transom. "The WITCH! How did you dare? Does Hannah know?"
"Oh, she's not named after Hannah. I hadn't gone ten miles down the river that day before I knew I'd left the real witch behind. — Elizabeth George Speare

She looks at me as we walk under a streetlight. "You're really handsome, you know that?"
I don't know what to say. I don't think anyone uses the word handsome anymore. I feel humbled by it. Because it's old and grandmothers say it, it seems classy and real and I feel ... handsome. It makes me smile. — A.S. King

What is she to you?" she whispers. The real question and I know the answer even if I don't know how to say it. Drew's muffled voice rises up from the floor before I can respond. "Family," he says. And he's right. — Katja Millay

She was the only one left, and she was real.
To be the only one, and to know that you are real - that's sanity, isn't it?
But just to be on the safe side, maybe it was best to keep pretending that one was a stuffed figure. Not to move. Never to move. Just to sit here in the tiny room, forever and ever.
If she sat there without moving, they wouldn't punish her.
If she sat there without moving, they'd know that she was sane, sane, sane.
She sat there for quite a long time, and then a fly came buzzing through the bars.
It lighted on her hand.
If she wanted to, she could reach out and swat the fly.
But she didn't swat it.
She didn't swat it, and she hoped they were watching, because that proved what sort of a person she really was.
Why, she wouldn't even harm a fly ... — Robert Bloch

But you are crazy."
"I know." She lifted a small box from the basket. "Do you know how I know?"
Scarlet didn't answer.
"Because the palace walls have been bleeding for years, and no one else sees it." She shrugged, as if this were a perfectly normal thing to say. "No one believes me, but in some corridors, the blood has gotten so thick there's nowhere safe to step. When I have to pass through those places, I leave a trail of bloody footprints for the rest of the day, and then I worry that the queen's soldiers will follow the scent and eat me up while I'm sleeping. Some nights I don't sleep very well." Her voice dropped to a haunted whisper, her eyes taking on a brittle luminescence. "But if the blood was real, the servants would clean it up. Don't you think? — Marissa Meyer

There's an honesty to the wolf world that is liberating. There's no diplomacy, no decorum. You tell your enemy you hate him; you show your admiration by confessing the truth. That directness doesn't work with humans, who are masters of subterfuge. Does this dress make me look fat? Do you really love me? Did you miss me? When a person asks this, she doesn't want to know the real answer. She wants you to lie to her. After two years of living with wolves, I had forgotten how many lies it takes to build a relationship. — Jodi Picoult

She perks up and smiles. "Are you asking me out on a real, live date?"
I nod my head.
"Well, you suck at it, you know. You always have. Sometimes girls like to be asked and not told."
She's trying to play hard to get, which is pointless. I've already got her ... but I play her game anyway. I kneel down on the floor in front of her and look into her eyes. "Lake, will you do me the honor of accompanying me on a date tomorrow night? "
She leans back into the couch and looks away. "I don't know, I'm sort of busy," she says. "I'll check my schedule and let you know." She tries to look put out, but a smile breaks out on her face. She leans forward and hugs me, but I lose my balance and we end up in the floor. I roll her onto her back and she stares up at me and laughs. "Fine. Pick me up at seven. — Colleen Hoover

By the way, only a real man can accept his feminine side."
"I don't know who fed you that line of garbage, but I can promise she's laughing at you right now. — Gena Showalter

You have a very peculiar expression on your face,' he commented drowsily.
'I was just thinking.'
'About what?'
'About how we know what's real. How we wake out of a timeless place and recognize time. How you know me here, now, even when nothing or anyone else in this place is familiar. I might have been wandering through your dream, but you knew immediately which of me will bring you paper.'
He was silent for so long, still clasping her wrist, that she thought he must have fallen asleep without knowing it. He said finally, 'Say that again.'
'I can't,' she answered helplessly. 'It was just a thought. I gave it to you.'
'Something about dreams coming to life--'
'That's not what I said. — Patricia A. McKillip

I was at this guy's house. I met this girl who was hanging out there. She was real pretty, she had brown eyes and dark hair. She was soft-spoken and real nice. I know that everyone has their own life and they can do what they want and you shouldn't think anything of it or anything. But man, I couldn't help but flinch a little when I saw all those needle marks in her arm, they looked so sore. Hateful little holes. I wanted to say something, but I didn't. — Henry Rollins

Becky, Freya, and Chloe weren't for me, Marney," Maverick says tactfully. Actually, now my heart is pounding. He lays a hand on my shoulder. "Windsor isn't like them. She's not like anyone, because she is the one. My one. Why did I pick her? I'm lucky she picked me, honestly. She's real. I owe her more than rattling off the never-ending list of why she's the one for me, so I'm shutting my fucking mouth. All you need to know is I'm hers. Make her feel welcome. — Rachel Robinson

I loved them in the way one loves at any age - if it's real at all - obsessively, painfully, with wild exaltation, with guilt, with conflict; I wrote poems to and about them; I put them into novels (disguised of course); I brooded upon why they were as they were, so often maddening, don't you know? I wrote them ridiculous letters. I lived with their faces. I knew their every gesture by heart. I stalked them like wild animals. I studied them as if they were maps of the world - and in a way, I suppose they were." She had spoken rapidly, on the defensive ... if he thought she didn't know what she was talking about! "Love opens the doors into everything, as far as I can see, including and perhaps most of all, the door into one's own secret, and often terrible and frightening, real self. — May Sarton

And you thought you'd honk Shay off real good by asking the man at the top of her Most Hated list." "She doesn't hate you." "Could've fooled me." "Well, you haven't fooled anybody, least of all me." Miss Lucy's eyes, magnified by the bottle glasses, narrowed knowingly. Travis looked toward the darkening sky and clamped his jaw. "Don't know what you're talking about." "Don't be contrary with me, Travis McCoy. I've known you since you were running around this place in nothing but a diaper. You're still in love with Shay. — Denise Hunter

What if I can't do this, Gregori?" She sounded close to tears. "What if I can never do this?"
"No one is making you do anything, ma petite," he replied gently, kissing her stomach. "We are just exploring possibilites."
"But,Gregori," she tried to protest, attempting to bring his head back up so that he could see her very real fear for him, for their life together.
"If I cannot persaude you otherwise, mon amour, I am not much of a lifemate, now am I?" The words were muffled in the tight silky curls, the intriguing little triangle at the apex of her thighs.
"You don't understand,Gregori." Savannah closed her eyes against the waves of fire racing through her. "It's me who is no real lifemate.I don't know how to please you, and I'm so afraid of this."
"Relax,bebe." He breathed warm air against her, inhaled her scent. "You please me far more than you will ever know. — Christine Feehan

Making you believe what he wanted you to believe was his very reason for being. Maybe his only reason. I was intrigued by the way he turned events, or hints I had given him about people, into reality
that is, his kind of reality. This obsessive reinvention of the real never stopped, what-could-be having always to top what is.
...
I began to wonder which was real, the woman in the book or the one I was pretending to be upstairs. Neither of them was particularly "me." I was acting just as much upstairs; I was not myself just as much Maria in the book was not myself. Perhaps she was. I began not to know which was true and which was not, like a writer who comes to believe that he's imagined what he hasn't.
...
The book began living in me all the time, more than my everyday life. — Philip Roth

How do I know you're not crazy?" she asks. "How do I know you're not the craziest dude I've ever met?"
"You'll have to test me out."
"You have my info," she says. "I'll think about it."
"Rain," I say. "That's not your real name."
"Does it matter?"
"Well, it makes me wonder what else isn't real."
"That's because you're a writer," she says. "That's because you make things up for a living."
"And?"
"And"
she shrugs
"I've noticed that writers tend to worry about things like that. — Bret Easton Ellis

So what are you supposed to do with it?"
He eyed her incredulously. "For real? It's called a butt plug. What do you think you're supposed to do with it?"
She scratched her nose and nodded, trying not to let the apprehension show. "Okay. I'll do it. But if it hurts, just let me know and I'll take it out, stat. Don't be a hero."
He gaped at her and shook his head. "Aw, no. Sweetie. That's not for me. — Christine Bell

You are in love, at a point where pride and apprehension scuffle within you. Part of you wants time to slow down: for this, you say to yourself, is the best period of your whole life. I am in love, I want to savour it, study it, lie around in languor with it; may today last forever. This is your poetical side. However, there is also your prose side, which urges time not to slow down but hurry up. How do you know this is love, your prose side whispers like a sceptical lawyer, it's only been around for a few weeks, a few months. You won't know it's the real thing unless you (and she) still feel the same in, oh, a year or so at least; that's the only way to prove you aren't living a dragonfly mistake. Get through this bit, however much you enjoy it, as fast as possible; then you'll be able to find out whether or not you're really in love. — Julian Barnes

I think we've met our quota for tearful reunions," she chuckled against the top of my head.
"When this is done, I promise I'm never going to leave the house ever again. We'll just stay in and order pizza and watch bad television."
Mom pulled away and looked over my shoulder. "Oh, I think you might want to get out every now and then," she said.
I felt the warm weight of Archer's hand on my waist. "Hey, I like pizza and bad TV."
I turned to him, surprised. "Your chest-"
"Cal," he said by way of explanation. "I owe that guy, like, a mountain of burgers. It's getting embarrassing."
Mom flashed me a little smile before saying, "You know, this isn't how I imagined meeting Sophie's first real boyfriend."
"Mom."
Archer gave me a little squeeze. "You mean I'm the first guy your parents have rescued from an enchanted island via use of a magic mirror? I feel so special. — Rachel Hawkins

He glanced over at me. 'Scared? Of Reggie? What, she thinks he might force her to give up caffeine for real or something?'
'No,' I said.
'Of what, then?' he asked.
I paused, only just now realizing that the subject was hitting a little close to home. 'You know, getting hurt. Putting herself out there, opening up to someone.'
'Yeah,' he said, adding some cheese straws to the car, but risk is just part of relationships. Sometimes they work, sometimes they don't.'
I picked up a box of cheese straws, examinig it. 'Yeah,' I said. 'But it's not all about chance, either.'
'Meaning what?' he asked, taking the box from me and adding the rest.
'Just that, if you know ahead of time that there might an issue that dooms everything- like, say, you're incredibly controlling and independent, like Harriet- maybe it's better to acknowledge that and not waste your time. Or someone else's. — Sarah Dessen

L.A. is such a real, active place. My mother was very into the core of the city. She worked in politics, and you have to know your territory. It's an active matrix; we're all parts of it, but people don't often stop to wonder what's going on. — Janet Fitch

I'm just a girl from Flatbush, Bo. There's nothing special here.""You're so wrong.""I know what people think. To friends and family I'm sweet and helpless. To guys I'm a body.""Your body is spectacular. I'm not going to pretend I don't see that. But I can have any body. You've lit something inside me. And it's you, not your assets.""You don't know me. We've hardly scratched the surface.""That's why I need time. I want to know your story, your dreams, your longings. Every part I see makes me want more." He was speaking her own desire to understand him, because his real self called to her more strongly than anyone she'd known , even people she'd known for years. — Kristen Heitzmann

A lady?' Jem raised his head. His face as scarlet. 'After all those things she said about you, a lady?'
'She was. She had her own views about things, a lot different than mine, maybe ... son, I told you that if you hadn't lost your head I'd have made you go read to her-I wanted you to see what real courage is, instead of getting the idea that courage is a man with a gun in his hand. It's when you know you're licked before you begin, but you begin anyway and you see through it no matter what. You rarely win, but sometimes you do. Mrs. Dubose won, all ninety-eight pounds of her. According to her views, she died beholden to nothing and nobody. She was the bravest person I ever knew.' (p.112) — Harper Lee

He leans over and snarls, "Yo' mama."
I grin. "She's yo' mama too, and I'm telling her you said that."
He opens up his arms, taunting me, "Do it. I'll tell her the real story about the dried basil leaves in your sock drawer."
The motherfucker. "It was yours! I was hiding it for you!"
He shrugs. "She don't know that. — Belle Aurora

It's good you have something to keep you occupied." I smile stiffly and turn away from her. Because I'm this far from asking what the fuck she thinks I do all day. But even through the surge of anger that's rising, I remind myself of what I know is true: she means well. They all do. These women want me to receive all of God's blessings, many of which can be bestowed only after my temple marriage, which should be my first objective. Everything I've done so far (my two graduate degrees, my international travels, my teaching career, my friendships, my creative pursuits), is "preparing." Treading water, keeping time, staying busy until real life begins. — Nicole Hardy

His eyes widened. "Pain? Darling, you haven't yet experienced the pain I can inflict when I've been played for a fool. I'm in awe at your gall to try and fool me."
Bree went still as panic froze her. Oh, God. No.
"Ah, the light bulb finally goes off," he purred against her face; his voice low and
cold.
Even knowing who he was, and the family he came from, Bree could say that deep inside, she'd never felt any real fear of him.
She did now. He knew. The look on his face told her he knew that she had lied about him being her baby's father. Frantically, she grasped for any foothold she could find. "I don't know what you're talking-"
"DON'T!" he snapped, grabbing the sides of her face. — E. Jamie

Jane." Molly rubbed her arm. "You've got so much going on! You don't need this Pembrook Park, and you definitely don't need Mr. Darcy."
"I know. I mean, he's not even real. He's not, he's not, I know he's not, but maybe ... "
"There's no maybe. He's not real."
Jane groaned. "But I don't want to have to settle."
"You always do. Every single guy you ever dated was a settle."
She sat up. "None of them loved me, did they? Ever. Some of them liked me or I was convenient but ... Am I truly that pathetic?"
Molly smoothed her hair. "No, of course not," she said, which meant, Yes, but I love you anyway. — Shannon Hale

Wait," I cleared my throat. "He eats the cows?"
"What else would he do with them?" Morgan put his empty brownie plate with the rest of the trash.
"I thought he had the cows because of his wife."
"He does."
"Then how can he eat them?"
"What do you think they were going to do with the first cow?"
"I don't know, I just thought, well ... I don't know what I thought, but it sure wasn't grinding them up and making burgers. That just seems wrong."
"Why?"
"They remind him of his wife."
"And she ran a restaurant. C'mon, Grant, this is real life, not a Hallmark movie. Man's gotta eat. — Adrienne Wilder

Who was that?" he whispered.
"Who?" I asked, playing dumb.
"That Ellie Watt. I know the real Ellie Watt and she's not that much of a people person."
"Which Ellie do you prefer?" I asked teasingly.
He stopped walking and pulled me closer to him,
staring down into my eyes.
"Whichever one I've got. — Karina Halle

Yes! Yes. Thank you. I'm on my way right now, so I'll see you later, you know, like, in five minutes. And I'll just wait in the car - you can send them out so we don't take up any more of your time. So say hi to Clark for me, you know, since I might not get a chance to talk to you from the car. But thanks so much for watching the kids for me, and I'll see you later . . . in five."

There was a pause. Then Angela's voice piped up, as enthusiastic as ever.

"Okay, see you later in five!"

Oh great, Becky thought as she jogged back to her car. Now Angela would be using that phrase, convinced it was a real idiom. And it would be all Becky's fault. As if the poor lady didn't have enough communication problems as it was, what with the excessive exclaiming. — Shannon Hale

Why is it Americans are socially permitted to say 'fricking' when in fact everyone knows the word they're actually saying is 'fucking'?
... here you have some bland ho-bag telly presenter saying 'I'm so fricking mad' about whatever, while you, the home viewer, know she's three millimeters away from saying 'I'm so fucking mad'. But instead of being outraged because she basically said 'fucking' on TV, everyone giggles, like she's being cute.
... it's like ten times worse because the public is thinking 'fucking, fucking, fucking'. They're so full of shame or so socially conditioned that the mental effect of saying the word 'fucking' is technically amplified. By actually saying the word 'fucking' in real life, instead of 'fricking', you're doing American society a favor. — Douglas Coupland

Keesha looked at me for a long time. "I did leave you alone. We all did. But you didn't get better. You didn't stop. You're still doin' all your weird shit. And I think it's time to stop."
"You think it's time to stop!" I exploded, and lunged at her with my hands outstretched. I pushed her real hard. She almost fell down. "I don't care what time you think it is!" I screamed. "Do you think I want to do this! Do you think I like it?"
"You pushed me!"
"Yeah. So what?"
"You're so afraid of being interrupted that you pushed me!"
"I'm not scared of being interrupted, you jerk! I'm ... I'm scared ... I'm scared of being." I crumpled into a ball and sat down where I was standing. I sat on a crack. Unevenly.
"Who are you anymore, Tara?"
Tears spilled over my frozen lashes and disappeared across my cheekbones. I had never felt so defeated. "I don't know. — Terry Spencer Hesser

It's only sixteen ninety-five," I say with a flutter of my lashes.
"You're serious."
I prop my hands on my waist and stick out a hip, striking a pose worthy of a supermodel. "Look at me. Don't I look serious?"
She collapses into the chair outside the dressing room in a fit of giggles so cute they make my insides fizz. "No! You must be stopped," she says.
"Why?" I strut down an aisle of yellowed lingerie, swiveling my hips, batting bras with flicks of my fingers. "I will be the king of the disco. I will be - " I spin and strike another pose. "An inspiration."
She sniffs and swipes at her eyes. "The real Dylan would die before he'd be seen in public in something like that."
"The real Dylan is boring." I brace my hands on the arms of her chair and lean down until our faces are a whisper apart. "And he's not one fourth the kisser I am."
"Is that right?" Her lips quirk.
"You know it is."
Her smile melts, and her breath comes faster. "Yeah. I do. — Stacey Jay

Yeah I'm done. Chase frigging Reese." Slade shook his head. Mustang laughed again. Nothing like some good old-fashion jealousy to make a man see clearly. "Yeah, I know. The kid's got balls. I'll give him that. I guess we better show her what real men can do for her, huh?" "Oh yeah." Slade let out a snort. "'You get a buckle for that you know.' Yeah. I bet he made sure she knew that. — Cat Johnson

She was. She had her own views about things, a lot different from mine, maybe . . . son, I told you that if you hadn't lost your head I'd have made you go read to her. I wanted you to see something about her - I wanted you to see what real courage is, instead of getting the idea that courage is a man with a gun in his hand. It's when you know you're licked before you begin but you begin anyway and you see it through no matter what. You rarely win, but sometimes you do. Mrs. Dubose won, all ninety-eight pounds of her. According to her views, she died beholden to nothing and nobody. She was the bravest person I ever knew." Jem — Harper Lee

Think about what it is you're after."
"Understanding," she said slowly.
"Good," Bill said. "What else?"
A nervous energy was coursing through her, as if she was on the brink of something important. "I want to find out why Daniel and I were cursed. And I want to break that curse.I want to stop love from killing me so that we can finally be together-for real."
"Whoa,whoa,whoa." Bill started waving his hands like a man stranded on the side of a dark road. "Let's not get crazy. This is a very long-standing damnation you're up againat here. You and Daniel,it's like ... I don't know, you can't just snap your pretty little fingers and break out of that. You gotta start out small. — Lauren Kate

Is it better to have loved and lost than to have never loved at all...
But is it? Is it really better to know a thing you love only to lose it?
If I'd known then what I know now...
But that's the thing, isn't it? When you're living a thing...you don't know. You take it for granted, like a dog being petted, assuming it will somehow go on forever.
If I'd known what I know now...
I'd have touched everything in sight, everything I could get my hands on. I'd have grabbed the nearest girl I could find and not even caring how crazy she thought me, touched my hands to her face just to know what that feels like.
Is it better to have loved and lost than to have never loved at all?
I, never having loved before, have no real answer to that question. — Lauren Baratz-Logsted

You won't always spoil her .or treat her like a princess.You won't tell her she's beautiful everyday.You won't make her smile every night and you won't always want her the way you do now.That fades.Those giddy little stomach flutters fade and you're then left with reality.There will be day's you will forget to tell her she's beautiful,even though she needs to hear it.There will be days you'll to say i love you.There will be days you'll forget a birthday or an anniversary.There will be a time when she will walk past you and you won;t want to ravish her, the way you do now.Those things fade, and when they do, what's left is what's truly worth fighting for Love isn't always beautiful, heck,it's not even close to being perfect half the time,feelings change, the spark dies down and what you're left with is something you either chose to fight for you don't When you know that even through those things are gone,you're still willing to fight for every breath ,then you know the love is real. — Bec Botefuhr

The costumes help. They make it less real, disguise what it really is both for the actors and for the people who'll see it on the screen. It's like the people who read Anna Karenina, and because it's in Russia they can say, 'Oh, that's not my pain they're talking about.' And Chris is tough. She goes from one thing to the next and doesn't worry about the past. When a cat sits mere purring on your lap, you know for a fact she isn't thinking about her former owner; she's thinking about her dinner. That's Chris. — Barbara Hambly

What will you do if you lose your real estate license?"
"I've been trying to figure that out. I need to have a plan. So far, nothing's been coming to me. I was talking to Manny about it and--" She broke off. "Just so you know, Manny doesn't answer."
"Good thing. If he did, I'd worry about you both."
"I would hope so. Anyway, I don't have a plan yet. I always thought I'd stay in LA, but having been out here has shown me that maybe I'd like something different. Fool's Gold seems like a special place." She smiled. "Think I could get a job rustling cattle?"
"Rustling? That's stealing."
"Oh. I mean taking care of them."
"You'd better learn your terms before you apply. — Susan Mallery

Soovee?" I ask. "Did Mom make it so you can drive yourself?" "Correct." "This is so cool!" says Trip. "Yesterday, Dr. Hayes mounted a range finder to my roof housing a 64-beam laser." So that's what she was doing when she was too busy to look at my rotten Spanish homework. "This laser allows me to generate a detailed 3-D map of my environment," Soovee continues. "I will take that map and instantaneously overlay it on top of high-resolution, real-time traffic maps and produce all the data models I need to drive myself, and you, safely to school." "But what if the police see me not driving?" asks Dad. "No worries," purrs the car. "Mom also tinted the windshield. You can see out, but no one can see in. Why, you could fully recline your seat and take a quick nap." Okay. I know what I want our new science project to be: Soovee - the self-driving electric car! "Sit — James Patterson

You can't convince yourself! You either believe or you don't believe." (28)

"She say you ask weird questions, but I say you're student, you supposed to ask! Her job to answer! I say you're lazy, if student ask, you answer!"
"Yeah! She told me my real great-grandparents are these white people named Adan and Eve!"
"Bullshit! But hey, Ciao Wen, be smart. Why you argue with her about that? You know they believe this stuff, just let them believe."
"But she told me I was going to Hell if I didn't believe and told me to ask God into my heart!"
""Ha, ha, yeah, she told me, too, think she do something soo good to help you. Whatever. You know it's lies, let those idiots believe. Just focus on real school. Don't be stupid and fight them, you'll lose." (30) — Eddie Huang

I'm shy. I am. I mean, if I get around, you know, in a room of a bunch of people especially I - you know, I don't know or - it takes me a while to warm up. I'm - and the real me, I'm not as witty as, you know, as the comic Wanda. The comic, she's had time to work on some things. — Wanda Sykes

So we did the only thing we knew to do. We got in the car and drove to Dallas to be at the funeral with Jen. As she and her family walked down the center aisle behind her dad's casket, she smiled at us despite the big tears that were rolling down her cheeks. And that's when I learned one of the most important lessons I've ever learned about what it means to be a good friend: you show up for your people. You don't wait for your friend to ask you to come; you get in your car and go. You don't have to know the right words to say, you don't have to offer sage wisdom about loss and love; you just show up. You hold her hand and hug her neck and wipe her tears. You let her know that you hurt because she is in pain, and you'd do anything to take it from her if you could. You listen.... You show up for your friend, in the good times and the bad times. — Melanie Shankle

But I'm not hte only one to blame,' Midori continued. 'It's ture I've got a cold streak. I recognize that. But if they - my father and mother - had loved me a little more. I would have been able to feel more - to feel real sadness for example.'
'Do you think you weren't loved enough?'
She tilted her head and looked at me. Then she gave a sharp, little nod. 'Somewhere between 'not enough' and 'not at all.' 'I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it - to be fed so much love I couldn't take any more. Just once. But they never gave that to me. Never, not once. — Haruki Murakami

Why did you tell her I'm your boyfriend? Why doesn't she know about your real one? - Timmy
He's English! And Mom ... Mom hates foreigners!
- Cat — Jeaniene Frost

I used to wonder why Lucy liked those songs so much. You know what I mean? She sits in the dark and listens and cries. Music does that to her ... I didn't understand for a long time. But I do now. The sad songs are a safe hurt. It's a diversion. It's controlled. And maybe it helps you imagine that real pain will be like that. But it's not. Lucy knows that, of course. You can't prepare for real pain. You just have to let it rip you apart. — Harlan Coben

Some say I loved her to the point of madness, bordering on obsession. She said I put her on a pedestal that her real self couldn't attain. Perhaps they're all right. Perhaps I am mad. And if that's the case, to be frank, I don't give a damn. What I know is that she sets me on fire, and if you were to perform an intradermal test on me, you'd know when she was in it because you'd see the trails of blaze she left behind. Because that's what I feel at the mere thought of her, and I'd rather live my life in flames than be numb without her." He paused, and I let out a breath, but then he said one last thing. "Come back to me, my little Road Runner, my world is cold and boring without you. — Claire Contreras

I don't know what justice is," she said.
"That's because it isn't the sort of thing you discover. It's a thing you make." She looked at him, and he shrugged. "There are things you find out in the world. Rocks and streams and trees. And there are things you make. Like a house, or a song. It's not that houses and songs aren't real, but you don't just find them in a field someplace and haul them back home with you. They have to be worked at. Made. — Daniel Abraham

You are still young and stupid. Human life has no value. Haven't you learned that yet, Takeshi, with all you've seen? It has no value, intrinsic to itself. Machines cost money to build. Raw materials cost money to extract. But people?" She made a tiny spitting sound. "You can always get some more people. they reproduce like cancer cells, whether you want them or not. They are abundant, Takeshi. Why should they be valuable? Do you know that it costs us less to recruit and use up a real snuff whore than it does to set up and run the virtual equivalent format. Real human flesh is cheaper than a machine. It's the axiomatic truth of our times. — Richard K. Morgan

Blast it! Where is that letter?"
Sophia pulled it from her pocket. "I have it here."
Sir Reginald's voice lifted with amazament. "You took that from me? When we were-"
"Yes," she said, her color high. "I thought you'd sold my jewelry and that the envelope contained the payment. I wanted proof,so I took it."
"By kissing me?"
Outside, lightning cracked.
"You kissed him?" Dougal demanded.
"Only once."
"Actually, it was twice," Sir Reginald said softly.
Dougal punched him, sending the dandy flying into the wall, where he slid to the floor.
"B'God, that's a nice one!" Red cried. "MacLean, I'd like to see you in a real mill."
"Aye," the earl agreed. "He's got a good solid left."
"What do you know about boxing? Red asked rudely.
"I've seen every large match for the last-"
Thunder crashed as lightning sent shards of light flashing into the great hall.
"That's enough," Dougal said firmly, noting Sophia's pale face. — Karen Hawkins

Young love don't know nothin' when the radio plays you sing along. When she's holding on you just can't get close enough, you swear it's sent from above. It's real,it's good, and it's young love — Kip Moore

Termite, you're young, and I'm not sure if you're going to understand what I'm about to say, but here's the nugget: Without the heart, nothing else matters. She could be the Goddess of Love, you could have all the mind-blowing sex you could physically handle, but when the shooting is over, and you're starting to think about getting a bite to eat, smoking a cigarette, or what you do with her now, you're just lying in bed with a woman who means little more to you than the remote control for your TV. Love is not tool; neither is a woman's heart. What I'm talking about, you won't find in that magazine."
"How would you know? You just said you've only loved one woman. I think you need to test-drive a few cars before you buy one."
"You can buy that lie if you want, but if you're working for a bank, you don't study the counterfeit to know the real thing. You study the real thing to know the counterfeit."
Reese talking to Termite, pg. 109-110 — Charles Martin

Don't make this harder than it already is. I like her so much it's killing me, but I don't know how to be the guy she wants me to be."

"Yes, you do. Real relationships are just like bull riding. You have to be willing to risk getting hurt, and you have to hang it all out, and never give up no matter how scary or hard it gets. You know how to do it. You're just too much of a coward to try. — D.R. Graham