You Don't Have Any Time For Me Quotes & Sayings

I dropped the head and kicked it into the crowd. I say "kicked" but in truth it's a bad idea to kick a head. I learned that years ago, a lesson that cost me two broken toes. What you want to do is shove the head with the side of your foot, like you're throwing it. It's going to roll anyhow so you don't need that much force. See, the thing about severed heads is the owner no longer has any interest in minimizing the force of the blow, or any ability to do so for that matter. When you kick somebody in the head as you do from time to time, they tend to be actively trying to move themselves out of the way and the contact is lessened. A severed head is a dead weight, even if it's watching you.
And that exhausts my insights into the kicking of severed heads. Admittedly it's more than most people have to offer on the subject but there were Mayans who knew a lot more than I do. That of course is a whole different ball-game. — Mark Lawrence

It pisses me off that you allow something so trivial to define such a huge part of you. I can't make you pretty in this book, because that would be an insult. You're fucking beautiful. And you're funny. And the only times I'm not completely enamored by you are the moments you're feeling sorry for yourself. Because I don't know if you've realized this yet, but you're alive, Fallon. And every time you look in the mirror, you don't have the right to hate what you see. Because you survived when a lot of people don't get that lucky. So from now on when you think about your scars, you aren't allowed to resent them. You're going to embrace them, because you're lucky to be on this earth to see them. And any guy you allow to touch your scars better thank you for that privilege." My — Colleen Hoover

It would be nice if the story ended differently - if he had burst into tears and professed his love for me; if he had said the same three words back and hugged me; if he had given it thought and then asked if we could try a relationship.

But you know what? I said those three words to a boy who didn't love me back, at least not in that way. He casually dropped a "love you" later on, and in a platonic 'you have impacted my life' way, he was telling the truth. But I knew. He had given it thought, and we were not on the same page. I built up all this courage to say "I love you" for the very first time, and I said those words to a person that couldn't reciprocate them.

But guess what?

I don't regret any of it. — Stephen Lovegrove

This time, after a moment, he called her bluff.

"Perhaps Philippa and I should be thrown together a little more. She might become attached to me if she knew me better." Kate, brightening visibly, ignored the gleam in his eye.

"That would make her sorry for you?"

"It might. The object of any sort of clinical study deserves compassion, don't you think?"

"Snakes don't," said Katherine inconsequently. "I hate snakes."

"And yet you feed them on honey cakes and forbid them to defend themselves."

"Defencelessness is not a noted characteristic of serpents. Anyhow, I can't have them lying rattling about the house. It gets on the nerves."

"It does if you handle it by rattling back. — Dorothy Dunnett

Historically, labor unions arose when people had gotten a taste of a different lifestyle and were willing to pay a lot more for their basic livelihood and had gotten into a fix they couldn't get out of - because they had accepted the unacceptable to begin with. Accepting something you have to form a labor union to fight after the fact only tells me that people were acting against their own best (or even good) interests for a long time. I don't see any rational, coherent explanation for this sort of behavior in humans, but it's all over the place. — Erik Naggum

You don't have any hair at all at the tops of your thighs," I said, admiring the smooth white skin there. "Why is that, do you think?"
"The cow licked it off the last time she milked me," he said between his teeth. "For God's sake, Sassenach! — Diana Gabaldon

If you don't know for sure, then what's the big thing about trying stuff out?" Jamie said, looking not at me but looking out at that statue, just like Hennitz.
I still didn't have any of the right words. "It's more like maybe I do know and I'm still confused too, at the same time. Does that make sense? I mean, it's like how you noticed this thing about me tonight, you saw it, or you already knew it - it's there. But that doesn't mean it's not confusing or whatever. — Emily M. Danforth

I need to do something about college, but I'm not sure what."

"Where have you decided to apply?"

"Nowhere yet. Any time I think about the schools I've visited, I feel overwhelmed. The campuses are so big that I know I'll get lost. I dread making new friends. And the professors acted too busy to deal with someone like me. My parents will be wasting a huge amount of money."

"Your fears are no different than most high school seniors." He studied me thoughtfully. "Must you go to college?"

I opened my mouth to say Of course, I must - and then shut it again. The concept didn't bother me nearly as much as it should have. Skipping college would be crazy. Right? It was hard enough for a disabled person to find a job, but being disabled with no degree would make it hopeless. "I don't have a choice."

"Perhaps you have more choices than you realize. — Elizabeth Langston

Unlike his brothers, he sucked at flirting. Was it any wonder he preferred to spend his time in front of a computer screen? "I wondered if you'd run," she said, breaking the silence. "I thought about it." "Why didn't you?" He shrugged. "I don't understand what you want me for, but that doesn't mean I'm going to take the cowardly route and bolt before I find out." "You know enough by now that if you want me to walk away, I will. No one, not even the shifter council, can force you to lend a helping hand." "Walk away?" He snorted. "Have you met my family? I'd never live it down. Beside, I'm curious." "And yet you're not a cat. — Eve Langlais

As to when I shall visit civilization, it will not be soon, I think. I have not tired of the wilderness; rather I enjoy its beauty and the vagrant life I lead, more keenly all the time. I prefer the saddle to the streetcar and star-sprinkled sky to a roof, the obscure and difficult trail, leading into the unknown, to any paved highway, and the deep peace of the wild to the discontent bred by cities. Do you blame me then for staying here, where I feel that I belong and am one with the world around me? It is true that I miss intelligent companionship, but there are so few with whom I can share the things that mean so much to me that I have learned to contain myself. It is enough that I am surrounded with beauty ...
Even from your scant description, I know that I could not bear the routine and humdrum of the life that you are forced to lead. I don't think I could ever settle down. I have known too much of the depths of life already, and I would prefer anything to an anticlimax. — Everett Ruess

Harriet looked up. "I did work that out - eventually. But what happened last week seemed to make it quite impossible." "I don't think," said Peter, "you approached the problem - forgive me for saying so - with an unprejudiced mind and undivided attention. Something got between you and the facts." "Miss Vane has been helping me so generously with my books," murmured Miss Lydgate, contritely; "and she has had her own work to do as well. We really ought not to have asked her to spare any time for our problems." "I had plenty of time," said Harriet. "I was only stupid. — Dorothy L. Sayers

Mostly I live in this moment, right now, and I'm grateful for it. I know that most of this life lies behind me, but what I Live for is today, and for the tomorrows that remain. My eyes are bombarded by the sights of this beautiful world. Every breath has the rich fragrance of trees and flowers. I'm privileged to be alive to share these wonderful feelings with you. I toast our fallen comrades, all of whom live on in our hearts.

So far, so good. Do I sound like I think I'm going to live forever? you bet your fucking ass. I know better, at least in my mind. But this heart still beats a little faster for all the beauty in the world. I can honestly say that I've lived my time here fully. Perhaps the life story I have recounted in these pages will help you to avoid some of the pitfalls that tripped me up along the way.I hope so. And I hope that you'll live the rest of your time to the fullest. I don't see any other good way to go. — Tony Curtis

You don't have to do that," I said, staring down at my hands.
He turned his head to me. "Do what?"
I rubbed the sweat from my palms off on my jeans. "Stick around. You can leave if you want. I'm not expecting you to stay and babysit me."
"Hey," he nudged me with his shoulder, drawing my gaze to his. "I'm staying. You won't get rid of me that easily."
Despite the tremors of relief coursing through me, I didn't relax. "The offer stands. Any time you want to go just ... go."
"Well, I don't want the offer, because I'm not going anywhere, not unless you're coming with me."
"Why?" It took a second to realize that the barely whispered word had come from me.
He reached for my hand. His long, warm fingers laced through mine, and that was all the answer I needed. — Airicka Phoenix

We've had to deal with so many complications. We're still dealing with them. And what can we do? Nothing - well, unless we take your side's point of view and make deals with the devil. But why? Why can't we make deals with God?
People do all the time. 'God, if you do this for me, I promise to be good.' Stuff like that.
Yeah, but I don't see any contracts like you guys have. No hard evidence that it works. How come we can only get things we want by being bad? Why can't we get them by being good? — Richelle Mead

I am going to make you what you may perhaps consider rather a singular proposition. It is this, that if you don't like me, say so at once, and we will part now, before we have time to know anything more of each other, and I will endeavour not to cross your path again unless you seek me out. But if on the contrary, you do like me, - if you find something in my humour or turn of mind congenial to your own disposition, give me your promise that you will be my friend and comrade for a while, say for a few months at any rate. I can take you into the best society, and introduce you to the prettiest women in Europe as well as the most brilliant men. I know them all, and I believe I can be useful to you. But if there is the smallest aversion to me lurking in the depths of your nature" - here he paused, - then resumed with extraordinary solemnity - "in God's name give it full way and let me go, - because I swear to you in all sober earnest that I am not what I seem! — Marie Corelli

Believing is never a waste of time." Simon looked at me intently his eyes flickering. "Even if you're wrong you could have been right. Take me with my painting I don't know if I'm any good. So maybe I shouldn't try because maybe I'd be setting myself up for disappointment. But it's like you looking for old coins on the beach. Whether you find any or not is for bonus points it's the search that counts. It's the belief that they might be out there. — Amanda Howells

How hard it is, to be forced to the conclusion that people should be, nine tenths of the time, left alone! - When there is that in me that longs for absolute commitment. One of the poem-ideas I had was that one could respect only the people who knew that cups had to be washed up and put away after drinking, and knew that a Monday of work follows a Sunday in the water meadows, and that old age with its distorting-mirror memories follows youth and its raw pleasures, but that it's quite impossible to love such people, for what we want in love is release from our beliefs, not confirmation in them. That is where the 'courage of love' comes in - to have the courage to commit yourself to something you don't believe, because it is what - for the moment, anyway - thrills your by its audacity. (Some of the phrasing of this is odd, but it would make a good poem if it had any words ... ) — Philip Larkin

We don't have time for all this personal drama." My eyes flit between Logan, Haydn, and Ax. "And it's not fair on the others. The atmosphere is horrendous because of what's going on between us. And I'm so tired of it. All of it." I take a step back. "I'm not discussing this anymore, with any of you." I glare at the three boys. "So sort your shit out, and get your act together. Until then," I say, turning around. "Leave me the hell alone. — Siobhan Davis

I'm just a girl from Flatbush, Bo. There's nothing special here.""You're so wrong.""I know what people think. To friends and family I'm sweet and helpless. To guys I'm a body.""Your body is spectacular. I'm not going to pretend I don't see that. But I can have any body. You've lit something inside me. And it's you, not your assets.""You don't know me. We've hardly scratched the surface.""That's why I need time. I want to know your story, your dreams, your longings. Every part I see makes me want more." He was speaking her own desire to understand him, because his real self called to her more strongly than anyone she'd known , even people she'd known for years. — Kristen Heitzmann

You aren't my type, just the way that I am not yours. But that's why we are good for each other - we are so different, yet we're the same. You told me once that I bring out the worst in you. Well, you bring out the best in me. I know you feel it, too, Tessa. And yes, I didn't date, until you. You make me want to date, you make me want to be better. I want you to think I am worthy of you; I want you to want me the way I do you. I want to fight with you, even scream at each other until one of us admits we are wrong. I want to make you laugh, and listen to you ramble about classic novels. I just . . . I need you. I know I am cruel at times . . . well, all the time, but that's only because I don't know how else to be." His voice becomes a half whisper, his eyes wild. "This has been me for so long, I have never wanted to be any other way. Until now, until you." - Hardin — Anna Todd

If you did, it would be in such a grave, quiet manner, I should mistake it for sense. Do you never laugh, Miss Eyre? Don't trouble yourself to answer - I see you laugh rarely; but you can laugh very merrily: believe me, you are not naturally austere, any more than I am naturally vicious. The Lowood constraint still clings to you somewhat; controlling your features, muffling your voice, and restricting your limbs; and you fear in the presence of a man and a brother - or father, or master, or what you will - to smile too gaily, speak too freely, or move too quickly: but, in time, I think you will learn to be natural with me, as I find it impossible to be conventional with you; and then your looks and movements will have more vivacity and variety than they dare offer now. I see at intervals the glance of a curious sort of bird through the close-set bars of a cage: a vivid, restless, resolute captive is there; were it but free, it would soar cloud-high. You are still bent on going? — Charlotte Bronte

You've been waiting ... "
"I have." He leaned in toward my lips but didn't touch them. "Waiting and waiting forever. For you. Waiting for you to grow up. Waiting for you to see me as something more than just a friend of Ian's. Waiting for the right time to tell you how I feel about you." He whispered so close, I could feel the brush of breath from his beautiful words. "Just a very long time of waiting, Elaina."
... "I don't want to wait anymore." His eyes melded into me and held on. "Please don't make me wait for you any longer," he pleaded. "I can't do it, Cherry. I just can't. — Raine Miller

I have always been a lone wolf and in the real sense of the word (people say it all the time but it's usually not true.) I feel like I watch people and I wonder why they do things. Especially when it comes to love and relationships: most of the time I am thinking "Why are they together when they are not meant to be together?" but then I realize that they don't know that they're not meant to be together; it's just me who knows things like that! And I don't see any importance in all the other reasons why people usually want to be together - because it looks good, because it's convenient, because it's a fun game to play ... the only reason to be with someone is if you are meant for someone. You're a wolf and they're a wolf too and you look at each other and you say "You're my family, you're my home." Well, that's how I think. — C. JoyBell C.

I've been thinking about what this would be like, too. Ever since that night I almost kissed you on the beach back in June. Say you're right. Say I can have any woman I want. The woman I want is you. Because you're perky and fun. Because you're adorable and you make me laugh all the time. And because you're far more beautiful than you give yourself credit for. I want you, Trina. You've got adaptability and smarts that can't be measured by essays and bubbled answer sheets. I don't want a distraction. I don't want a random hook-up. I want you. — Christi Barth

I have my work cut out for me where you're concerned, don't I? (Stryker)
Not really. Hate you today. Will hate you tomorrow. What say we don't waste any time? Give me the sword and let me have your throat now. (Zephyra) — Sherrilyn Kenyon

They are quiet for a long time. "Do you remember the time you told me you were afraid that you were a series of nasty surprises for me?" he asks him, and Jude nods, slightly. "You aren't," he tells him. "You aren't. But being with you is like being in this fantastic landscape," he continues, slowly. "You think it's one thing, a forest, and then suddenly it changes, and it's a meadow, or a jungle, or cliffs of ice. And they're all beautiful, but they're strange as well, and you don't have a map, and you don't understand how you got from one terrain to the next so abruptly, and you don't know when the next transition will arrive, and you don't have any of the equipment you need. And so you keep walking through, and trying to adjust as you go, but you don't really know what you're doing, and often you make mistakes, bad mistakes. That's sometimes what it feels like." They're silent. "So basically," Jude says at last, "basically, you're saying I'm New Zealand. — Hanya Yanagihara

I never took you for a coward, Stevie,' he said quietly and her gaze swung back, angrily. 'Did
I make you mad? Good. I'm glad. Because you make me mad. If today didn't change anything
for you, then you're either a liar or a fool. And I never took you for either of those, either.' He
leaned closer, until he could see every dark eyelash. 'I'm not a coward or liar, but I might be a
fool because I'm not giving up on you. Nor am I giving you up. So consider yourself on notice,
Detective Mazzetti. Things will be different when you get out of here. I'm not going to wait
forever, because we don't have forever. If things had been any different this morning, we might
not even have this moment. So if you're not "ready", then you'd best spend your time in here
figuring out how to get "ready — Karen Rose

Don't we all discover, at some stage or another that there are some things we'll never get any better at, even though we have no idea why and hardly ever notice it when it happens, even though we may have enjoyed these things and might not have been lagging behind last time we checked? Learning to draw, for instance, was a familiar catastrophe - all of a sudden, unaware, you just stop getting any better at it, your drawings never progress beyond those of a four-year-old or a six-year-old, you're left behind by those who "can draw," condemned to producing flat, doughy figures on the page, with no sense of perspective to them and (this was what really struck me) no resemblance to the outside world: condemned by your ruined self to a shameful childhood. — Jean-Christophe Valtat

You asked me to outline three things that I hope to achieve during my training which is to begin in 3 months. I had time to reflect upon them on the way home, a bit. Here goes: 1. Above all, I want to learn how best to serve you. I want to learn your needs and your wants and make sure they're fulfilled at all times. I don't ever want there to be any voids in your life that I could have filled had I been more in tune with what you were seeking from me. 2. I want to push the envelope of my pain threshold. I want to build with you in such a way that I trust you to help me dig deeper into my craving for it and how I am able to manage it. — Feminista Jones

You see, Risa, survival is a dance between our needs and our consciences. When the need is great enough, and the music loud enough, we can stomp conscience into the ground.'
Risa closes her eyes. She knows the dance ...
'It's the way of the world,' Divan continues. 'Look at unwinding, society's grand gavotte of denial. There will, no doubt, come a time when people look to one another and say, 'My God, what have we done?' But I don't believe it will happen any time soon. Until then, the dance must have music; the chorus must have its voice. Give it that voice, Risa. Play for me.'
But Risa's fingers offer him nothing, and the Orgao Organico holds the obdurate, unyielding silence of the grave. — Neal Shusterman

What firsts have we already passed?
The eady ones, I say. First hug, first date, first fight, first time we slept together, although I wasn't the one sleeping. Now we barely have any keft. First kiss. First time to sleep together when we're both actually awake. First marriage. First kid. We're done after that. Our lives will become mundane and boring and I'll have to divorce you and marry a wife who's twenty years younger than me so I can have a lot more firsts and you'll be stuck raising the kids. So you see, babe? I'm only doing this for your benefit. The longer I wait to kiss you, the longer it'll be before I'm forced to leave you high and dry.
Your logic terrifies me, I sort of don't find you attractive anymore. — Colleen Hoover

She drew back from the spectacle of my humiliation and of her triumph. The sudden silence that had fallen upon me seemed to frighten her. "I spared you, at the time," she said. "I would have spared you now, if you had not forced me to speak." She moved away as if to leave the room-- and hesitated before she got to the door. "Why did you come here to humiliate yourself?" she asked. "Why did you come here to humiliate me?" She went on a few steps, and paused once more. "For God's sake, say something!" she exclaimed, passionately. "If you have any mercy left, don't let me degrade myself in this way! Say something--and drive me out of the room! — Wilkie Collins

It was not the thought that I was so unloved that froze me. I had taught myself to do without love.
It was not the thought that God was cruel that froze me. I had taught myself never to expect anything from Him.
What froze me was the fact that I had absolutely no reason to move in any direction. What had made me move through so many dead and pointless years was curiosity.
Now even that had flickered out.
How long I stood frozen there, I cannot say. If I was ever going to move again, someone else was going to have to furnish the reason for moving.
Somebody did.
A policeman watched me for a while, and then he came over to me, and he said, "You alright?"
Yes," I said.
You've been standing here a long time," he said.
I know," I said.
You waiting for somebody?" he said.
No," I said.
Better move on, don't you think?" he said.
Yes, sir," I said.
And I moved on. — Kurt Vonnegut Jr.

... I noticed you don't have any self-defense training ... "
" ... I can handle myself just fine."
She stared at me for a long, uncomfortable moment. Finally, "In the very short time I've known you, you have been chased, shot, robbed, stabbed, drugged, and attacked by magic."
"I'm still breathing, aren't I? — Devon Monk

Is this a case of "Do as I say, not as I do?" The reader has a perfect right to ask the question, and I have a duty to provide an honest answer. Yes. It is. You need only look back through some of my own fiction to know that I'm just another ordinary sinner. I've been pretty good about avoiding the passive tense, but I've spilled out my share of adverbs in my time, including some (it shames me to say it) in dialogue attribution. (I have never fallen so low as "he grated" or "Bill jerked out," though.) When I do it, it's usually for the same reason any writer does it: because I am afraid the reader won't understand me if I don't. I'm convinced that fear is at the root of most bad writing. — Stephen King

I wanted them," Fudge whined.
"I know you did. But we can't buy everything you want." [Mom told him]
"Why"
"We don't have the money to buy ... " I could tell Mom was having a hard time explaining this. She thought for a minute before she finished. " ... just for the sake of buying. Money doesn't grow on trees."
"I know it doesn't grow on trees," Fudge said. "You get it at the ATM."
"You can't just go to the ATM whenever you want money," Mom told him.
"Yes you can," Fudge said. "You put in your card and money comes out. It works every time."
"No. You have to deposit money into your account first," Mom said. "You work hard and try to save part of your salary every week. The cash machine is just a way to get some of your money out your account. It doesn't spit out money because you want it. It's not that easy."
"I know, Mom," Fudge said. "Sometimes you have to stand on line."
Mom sighed and looked at me. "Got any ideas Peter? — Judy Blume

Tell me, if you teach someone the alphabet, how can you stop him from reading? When one has tasted the elixir of love, how can she not thirst for it? Once you have seen yourself through your beloved's eyes, you're not the same person any longer. I was blind all this time, and now that my eyes are open, i'm afraid of light. But i don't want to live like a mole. Not anymore. — Elif Shafak

I can go an entire day without any socialisation, without a conversation with anyone. I wonder sometimes if I'm invisible. I feel like the old men and women who used to bother me by engaging in unnecessary chit-chat with the cashiers while I was stuck behind them, in a hurry, wanting to get on to the next place. When you don't have a next place to go to, time slows down enormously. I feel myself noticing other people more, catching more eyes, or seeking out eye contact. I'm now ripe and ready for a conversation about anything with anyone; it would make my day if somebody would meet my eye, or if there was someone to talk to. But everyone is too busy, and that makes me feel invisible; and invisibility, contrary to what I believed before, lacks any sense of lightness and liberty. Instead it makes me feel heavy. And so I drag myself around, trying to convince myself that I don't feel heavy, invisible, bored and worthless, and that I am free. I do not convince myself well. — Cecelia Ahern

I don't even know how to thank you, Gavin. You've accepted me with every fragile weakness I have, loving me no less than a woman without faults. A woman without fears. Every look, touch, and kiss you've given without judgment of any kind. You've healed every exposed wound, old scar, and piece of pain I brought into this relationship without expecting anything in return. You've shown me what a racing heart feels like, shown me mere thoughts could easily cease with a single kiss. You've shown me what it is to feel truly, wholeheartedly, until the end of time loved. How do I thank you for all of this? — Gail McHugh

Yes! Yes. Thank you. I'm on my way right now, so I'll see you later, you know, like, in five minutes. And I'll just wait in the car - you can send them out so we don't take up any more of your time. So say hi to Clark for me, you know, since I might not get a chance to talk to you from the car. But thanks so much for watching the kids for me, and I'll see you later . . . in five."

There was a pause. Then Angela's voice piped up, as enthusiastic as ever.

"Okay, see you later in five!"

Oh great, Becky thought as she jogged back to her car. Now Angela would be using that phrase, convinced it was a real idiom. And it would be all Becky's fault. As if the poor lady didn't have enough communication problems as it was, what with the excessive exclaiming. — Shannon Hale

For years I've gathered various books, sources. When I was little it might have been Tolkien, and so I would have just four books around me. I couldn't afford many books at the time, so I'd have what I had. Maybe I'd tear out ten or twenty pictures from magazines because I couldn't afford art books. I would check out library books and try to keep them as long as I could, but I couldn't jot my notes in them. For any particular song, I can't tell you the books that were on the floor, the photographs on the floor. I don't let anybody keep a record of that. Those are the secret ingredients. — Tori Amos

Punishment? You don't have any right to punish me. And I can curse. I choose not to most of the time, but don't think it doesn't go through my head, asshole. I was trying to give you something. I was trying to give you my body."
"That's where you fucked up, little girl. I don't want your body. I want your soul. I want your everything. And I definitely want your orgasms. I want them all. I'll be a greedy bastard, savoring them and hoarding them all for myself. You wanted to give me your body? I can buy that on a street corner, sweetheart. You're the one who's being selfish now."
"How is it selfish to offer to have sex? I don't understand what you want."
"First off, I want you to stop hiding yourself from me. You're the one making this tawdry by pretending it's dirty and not worthy of the light of day."
"I didn't mean it that way."
"We're going to do this my way. We tried yours and it didn't work, so I'm taking control. I should have done it in the first place. — Lexi Blake

And besides, we're not really all that different. Although I think I'm a little more ... "
"What?"
"Optimistic." She nudged him with her shoulder. "You're Eeyore."
He blinked. "You think I'm Eeyore?"
"You tell me. I take my empty glass and try to fill it up with what happiness I can find. Friends, family, my work ... And then there's you."
He raised a brow. "Me."
She nudged him again, looking playful and damn sexy while she was at it. It was the short shorts with the boots, he decided. Or everything. It was everything.
"You take that empty glass," she said, happily analyzing him. "And you wonder what the heck to do with it. You don't need the glass, you don't have time for the glass. Hell, you'll just drink from a spigot if you get thirsty. And in any case, there's probably another one up the road if that one runs out, so - — Jill Shalvis

Have I heard all the stories I need to hear?" she asked, stupidly. But he answered as if it were a good question.
"No, you haven't. But you don't have time to hear any more from me. So listen for stories wherever you go. It won't always be someone telling them; sometimes they come in other ways. And Summer, when you tell yourself stories, make them true. And make them surprising. That's how you will know they might be true. — Katherine Catmull

It occurred to me, not exactly for the first time, that psychogeography didn't have much to do with the actual experience of walking. It was a nice idea, a clever idea, an art project, a conceit, but it had very little to do with any real walking, with any real experience of walking. And it confirmed for me what I'd really known all along, that walking isn't much good as a theoretical experience. You can dress it up any way you like, but walking remains resolutely simple, basic, analog. That's why I love it and love doing it. And in that respect
stay with me on this
it's not entirely unlike a martini. Sure you can add things to martinis, like chocolate or an olive stuffed with blue cheese or, God forbid, cotton candy, and similarly you can add things to your walks
constraints, shapes, notions of the mapping of utopian spaces
but you don't need to. And really, why would you? Why spoil a good drink? Why spoil a good walk? — Geoff Nicholson

You were right the first time, Cathy. It was a stupid, silly story.
Ridiculous! Only insane people would die for the sake of love. I'll
bet you a hundred to one a woman wrote that junky romantic trash!"
Just a minute ago I'd despised that author for bringing about such a
miserable ending, then there I went, rushing to the defense. "T. M.
Ellis could very well have been a man! Though I doubt any woman writer
in the nineteenth century had much chance of being published, unless
she used her initials, or a man's name. And why is it all men think
everything a woman writes is trivial or trashy-or just plain silly
drivel? Don't men have romantic notions? Don't men dream of finding
the perfect love? And it seems to me, that Raymond was far more
mushy-minded than Lily! — V.C. Andrews

Something terrible is happening to me, Mom," he said, his voice cracking. For the first time all morning, he felt close to tears. "Oh, baby," she said again. "Why couldn't you have gone somewhere else?" "Excuse me?" "I don't want to hear about any more of your problems. — Joe Hill

Well I'm not going to hope that you get hurt, but if you do, remember that you're my damsel in distress, and no one is allowed to carry you."

"I don't remember signing a contract."

"All the more reason to promise me now."

"What if you're not around when I get hurt?"

"Send word, I'll come running."

"How big an injury does it have to be? Because sometimes I do this thing when I stand up too quickly and my ankle kind of twists a little---"

"Sounds serious. You don't want to put any weight on that. I'd better carry you the next time that happens."

"What if I skin my knee?"

"I'll carry you."

"Charley horse?"

"I'll carry you."

"Chipped toenail?"

"Not worth taking a risk. I'll carry you."

I grin at him [...] I have to admit -- he's funnier and smarter than I've given him credit for. — Claire LaZebnik

When are you going to get a fella?" Lily asks Rose after a year or two of dancing. "I have one who wants to take me kissing, but I think I should wait for you to have one."
Rose flushes. "I don't think I'll ever have a fella."
"Why not?" Lily bristles. "We're plenty pretty."
"I don't like the look of them," Rose says.
Lily purses her lips at the dance floor, appraising.
After a moment long, Rose says, "Any of them."
Lily looks at her a long time, as Rose tries not to hyperventilate.
Then Lily shrugs and says, "Well, then it's you who should have learned to lead, isn't it?" and when Rose clasps Lily's hand, she clasps it back.
It's the closest they've ever been. — Genevieve Valentine

I do enjoy writing, and I hope someone gets something interesting out of this book. I already have. Now, If I ever have to write a book that is not about me, I may be totally stumped and have writer's block. We will see. Writing is very convenient, has a low expense and is a great way to pass the time. I highly recommend it to any old rocker who is out of cash and doesn't know what to do next. You could hire someone to write it for you if you can't write it yourself. That doesn't seem to matter. Just don't hire some sweaty hack who asks you questions for years and twists them into his own vision of what is right or wrong. Try to avoid doing that. — Neil Young

Does that feel better?" she asked, not expecting any sort of an answer but feeling nonetheless that she ought to continue with her one-sided conversation. "I really don't know very much about caring for the ill, but it just seems to me like you'd want something cool on your brow. I know if I were sick, that's how I'd feel."
He shifted restlessly, mumbling something utterly incoherent.
"Really?" Sophie replied, trying to smile but failing miserably. "I'm glad you feel that way."
He mumbled something else.
"No," she said, dabbing the cool cloth on his ear, "I'd have to agree with what you said the first time." He went still again.
"I'd be happy to reconsider," she said worriedly. "Please don't take offense." He didn't move.
Sophie sighed. One could only converse so long with an unconscious man before one started to feel extremely silly. — Julia Quinn

It's hard to have a serious conversation with you when you're wearin' lighted cocks on your head."
AJ defiantly thrust out her chin and the penises bobbled. "We aren't having a conversation. You're give me tough-guy attitude. If you won't acknowledge me in public, you don't have the right to chastise me for anything I do in public or in private. And now you lost the right to do anything to me in private either, bucko."
"Quit bein' so goddamm childish."
Her eyes narrowed to silver slits. "Quit bein' such a goddamn dickhead."
"You're the one with dicks on your head, baby doll."
"Yeah? I can take mine off any old time I please, but you wear your dickhead like a second skin. Or should I say as a second foreskin? — Lorelei James

Dear Aspiring Writer, you are not ready. Stop. Put that finished story away and start another one. In a month, go back and look at the first story. RE-EDIT it. Then send it to a person you respect in the field who will be hard on you. Pray for many many many red marks. Fix them. Then put it away for two weeks. Work on something else. Finally, edit one last time. Now you are ready to sub your first work.
Criticism is hard to take at first. Trust me, I've been there. But learn to think of crit marks as a knife. Each one is designed to cut away the bad and leave a scar. Scars prove you've lived, learned and walked away a winner. Any writer who tells you they don't need edits is lying. I don't care if they have 100 books out. Edits make you grow and if you aren't growing as a writer, you are dead. — Inez Kelley

Do you remember the time you told me you were afraid that you were a series of nasty surprises for me?" he asks him, and Jude nods, slightly. "You aren't," he tells him. "You aren't. But being with you is like being in this fantastic landscape," he continues, slowly. "You think it's one thing, a forest, and then suddenly it changes, and it's a meadow, or a jungle, or cliffs of ice. And they're all beautiful, but they're strange as well, and you don't have a map, and you don't understand how you got from one terrain to the next so abruptly, and you don't know when the next transition will arrive, and you don't have any of the equipment you need. And so you keep walking through, and trying to adjust as you go, but you don't really know what you're doing, and often you make mistakes, bad mistakes. That's sometimes what it feels like. — Hanya Yanagihara

In the field I'm in, there is a lot of that and it gets offered to me all the time. People even go as far as to just stick it in your pocket and walk off. Now, if it was a good thing, they wouldn't do that. I mean, would somebody drop something beautiful in my pocket and just walk off? But I don't want to have anything to do with any of that. I mean, as corny as it sounds, but this is how I really believe: Natural highs are the greatest highs in the world. Who wants to take something and just sit around for the rest of the day after you take it (drugs), and don't know who you are, what you're doing, where you are? Take in something that's gonna inspire you to do greater things in the world. — Michael Jackson

Don't you see? It's just not possible for one person to watch over another person forever and ever. I mean, suppose we got married. You'd have to work during the day. Who's going to watch over me while you're away? Or if you go on a business trip, who's going to watch over me then? Can I be glued to you every minute of our lives? What kind of equality would there be in that? What kind of relationship would that be? Sooner or later you'd get sick of me. You'd wonder what you were doing with your life, why you were spending all your time babysitting this woman. I couldn't stand that. It wouldn't solve any of my problems. — Haruki Murakami

Don't say that. Don't even joke about it! The idea of ten weeks with a single, locked-down girlfriend - even the fake kind - gives me all over body hives. Sue me for making a face about that. I don't think you've thought any of this through. It would involve all of our friends, parents - even if we don't use my real name - text messaging, emails - and a lot of time. Time is something I don't have to burn. Plus, it would kill the variety of ... of ... yeah ... girl fun in my summer," I imply, wondering if she'll call my bluff. The only real summer varieties I score are the extra odd jobs I pick up at the rink.
She turns bright red and I have to hide my smile.
"Disgusting," she snorts and reverts back to rubbing her temples. — Anne Eliot

I have always liked reading biographies. It is the ideal literary genre for someone too prim, like me, to acknowledge a gossipy interest in the living - don't you hate gossips, aren't they too awful? - but avid for any nuggets from the private lives of the dead because that is perfectly respectable, an altogether worthy and informative way of spending one's time. — Jill Tweedie

So I let them be responsible for there particular areas. Then by the time it gets to me that means that there is a problem. I have my eyes open and I need to know something about every department but you don't want to micro manage any particular department. — Dusty Baker

I didn't leave early that morning. I waited for him to wake up and kiss me good morning. He said he was going to take a shower and I should come join him. I thought now was as good of a time as any and placed the ring on his corner table with my note.

It read:
My Love, I don't know how you will accept my decision. I do love you with all my heart but you are not my first love. I am always going to be infatuated with my love for the sea. Accept my proposal after I have completed my education, claim my heart for thy own & obtain thy love in which it possesses.
With all My Love, Zara

-emerald eyes of the sea — Hazel Cartwright

It was a bright day for me when I realised there wasn't any one way to live as myself. You're not a character. You have as many sides and reflections as the ripples that pass through a river in the spring. Don't trick yourself into thinking you must be one person. Because you will never be only one person. Not even in the span of a day are you only one person. We are worlds stitched inside skin. There's nothing small or simple about a world. There's nothing small or simple about any living being. Remember this the next time someone tells you who to be and how to live. They haven't figured it out yet. But don't let yourself forget. — F.K. Preston

Have you any idea how much my kingdom has swollen in this past century alone, how many subdivisions I've had to open?"
I opened my mouth to respond, but Hades was on a roll now.
More security ghouls," he moaned. "Traffic problems at the judgment pavilion. Double overtime for the staff. I used to be a rich god, Percy Jackson. I control all the precious metals under the earth. But my expenses!"
Charon wants a pay raise," I blurted, just remembering the fact. As soon as I said it, I wished I could sew up my mouth.
Don't get me started on Charon!" Hades yelled. "He's been impossible ever since he discovered Italian suits! Problems everywhere, and I've got to handle all of them personally. The commute time alone from the palace to the gates is enough to drive me insane! And the dead just keep arriving. No, godling. I need no help getting subjects! I did not ask for this war. — Rick Riordan

Something that a lot of people don't know is that I have a five-month old son. Any free time I have now is spent with him. A few people suggested to me that I should try and hide the fact that I have a son because it might damage my career. But as far as I'm concerned, to hide it would suggest that I was ashamed and I'm not ashamed. I love my son. Me and his mom aren't in a relationship. We're actually best friends. We've known each other for years and years and never ever wanted to be in a relationship with each other. But the one time we... got physical, she fell pregnant. Of course, we did a lot of talking to decide how we were gonna handle the situation. We weren't about to start a relationship for the sake of the child 'cos that's not what either of us wanted. So I just said, "You be mom, I'll be dad and let's just raise a son." And though we're not together, that's exactly what we're doing. — Ne-Yo