Quotes & Sayings About You Can't Go Back

It may not be written in any book, but it is written
You can't go back,
you can't repeat the unrepeatable. — Charles Wright

No writing is effortless. I'm not saying you can't have a good day where the words just kind of flow, but even those words have to be edited. Probably more than once. And I'm not saying a character hasn't somehow gone in a different direction that I wanted her to go, but that was me, not her. I let her get away from me. I let her roam free and nine times out of ten, the result is not good. I have to go back and start over because she veered off the path of my book. She changed the vision. And I did that. Not her. — Darynda Jones

No matter how far you go, if you can't go back to the essence, you're not sayin' nothin'. The essence for me is hip-hop. But the hip-hop community I came up in isn't a loyal community. — Wyclef Jean

You can't go back. Can't fix what broke. But you can go forward. And every step matters. Every one makes a difference." She pushed away from the desk, cupped his face in her hands. "From where I'm standing, you're the best step I ever took. — J.D. Robb

He's hunting newbloods not to protect his throne but to hurt you. To find you. To make you come back to him." His fist clenches on his thigh. "Maven wants you more than anything else on this earth."
Would that Maven were here now, so I could rip out his horrible, haunting eyes. "Well, he can't have me." I realize the consequences of this, and so does Cal.
"Not even if it stops the killing? Not for the newbloods?"
Tears bite my eyes. "I won't go back. For anyone."
I expect his judgment, but instead he smiles and ducks his head. Ashamed of his own reaction, as I am of mine. — Victoria Aveyard

As her brother turned to walk away, she asked with mild exasperation, "Where are you going? Leo, you can't leave when there's so much to be done."
He stopped and glanced back at her with a raised brow. "You've been pouring unsweetened tea down my throat for days. If you have no objection, I'd like to go out for a piss."
She narrowed her eyes. "I can think of at least a dozen polite euphemisms you could have used."
Leo continued on his way. "I don't use euphemisms."
"Or politeness," she said, making him chuckle. — Lisa Kleypas

You have to be the prude or the slut, and if you pick one, other people hate you for it, and you can't trust anyone anymore, because they're all after the same thing, and you see that you can never go back to how was before ... — Ned Vizzini

You don't have to be best friends as basketball players but I do believe in chemistry. I think it makes everything different if a team is really together and they're all on that same page. They might not like each other, per se, but if you're on the same page and the chemistry is there, you can play great basketball. You can go back to teams like Detroit, the Bad Boys. Those guys had great chemistry, that's why they won. — Dwight Howard

You can't really go back to where you came from. I don't think any of us can. — Viggo Mortensen

But it's daylight," she said at last. "Vampires can't go out in the sun, everyone knows that!"
Bones chuckled. "Right And we shrink back from crosses, can't travel over water, and always get staked in the end by the righteous slayer. Really, who'd be afraid of a creature like that? All you'd need is a Bible, a tanning bed, and some holy water to send us shivering to our dooms. — Jeaniene Frost

USE EMOTIONS AS INFORMATION. Horses use emotion as information to engage surprisingly agile responses to environmental stimuli and relationship challenges:

(a) Feel the emotion in its purest form
(b) Get the message behind the emotion
(c) Change something in response to the message
(d) Go back to grazing. In other words, let the emotion go, and either get back on task or relax, so you can enjoy life fully. Horses don't hang on to the story, endlessly ruminating over the details of uncomfortable situations

-- from an October 30, 2013 article on the Intelligent Optimist magazine — Linda Kohanov

Few of us have chosen our clubs, they have simply been presented to us; and so as they slip from Second Division to the Third, or sell their best players, or buy players who you know can't play, or bash the ball the seven hundreth time towards a nine foot centre-forward, we simply curse, go home, worry for a fortnight and then come back to suffer all over again. — Nick Hornby

Until you go through with it yourself, you simply can't imagine it. But it is the transition of going back to work and the guilt of how much time you spend with your child that's hard. I worry about not getting back in time for bath-time. I am not a neurotic person at all, but every time the mobile rings, my stomach leaps. — Phoebe Philo

I can't go back to being who I used to be!'
Hadley looked down at him sympathetically.
'None of us can, kid.' he said. 'That's the point. You get what you get. Life changes you. Time travel or no, you always have to build on what you live through. — Margaret Peterson Haddix

You can never go wrong cuttin' fence,' repeated Smith, warming to his task. (Pling!) "Always cut fence. That's the law west of the 100th meridian. East of that don't matter none. Back there it's all lost anyhow. But west, we cut fence,' (Plang!) — Edward Abbey

A cat met up with a big male rat in the attic and chased him into a corner. The rat, trembling, said, 'Please don't eat me, Mr. Cat. I have to go back to my family. I have hungry children waiting for me. Please let me go.' The cat said, 'Don't worry, I won't eat you. To tell you the truth, I can't say this too loudly, but I'm a vegetarian. I don't eat any meat. You were lucky to run into me.' The rat said, 'Oh, what a wonderful day! What a lucky rat I am to meet up with a vegetarian cat!' But the very next second, the cat pounced on the rat, held him down with his claws, and sank his sharp teeth into the rat's throat. With his last, painful breath, the rat asked him, 'But Mr. Cat, didn't you say you're a vegetarian and don't eat any meat? Were you lying to me?' The cat licked his chops and said, 'True, I don't eat meat. That was no lie. I'm going to take you home in my mouth and trade you for lettuce.' — Haruki Murakami

He held out his elbow in a disingenuously gentlymanly gesture.
"How about we go and have some real fun?"
"What,shattering my one remaining fantasy wasn't enough?" Faeries didn't have wings and bordered on evil; pixies were dirty,feral, and tended to bite' and mermaids had neither glorious hair nor seashell bras. Now this about unicorns. Sometimes reality sucked.
"You can always chase the unicorn, if you want.Take it for a ride."
I shuddered at the thought and sat down, leaning my back against the tree and unzipping my coat. "No,thanks. — Kiersten White

Holl?" Seth turned over. "Where you going?"
"Home. Sorry. Go back to sleep." I pulled on my sweatpants.
"But we have all night." He pushed to his elbows.
"I know. I can't." My voice sounded hoarse, hollow. "I don't feel good. I'm sorry." I lurched for the door. I needed to get out, get away. As far away from here as possible. She was in me, in my blood, invading every cell in my body. She was the one I wanted. She was the one I saw, felt, desired. This was wrong. He was wrong. It was all so wrong. (Chapter. 12) — Julie Anne Peters

Once you become successful, people know where you live, the type of house you live in, the kind of car you drive, the clothes you wear, and so it would be patronising to go and talk like a welder. Welding's a mystery to me now. You can't go back, your life changes every day. — Billy Connolly

If a scene or a section gets the better of you and you still think you want it-bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn't belong there. — John Steinbeck

He regarded us with dark, evaluating eyes. "This can't be good."
"I'll go first," Dabria began, sucking in a rattling breath.
"Not even close," I shot back. I faced Patch directly, cutting Dabria out of the conversation. "She kissed you! And Dante, who's been tailing you, by the way, caught it on camera. Imagine my surprise when that's what I got an eyeful of earlier tonight. Did you even think to tell me?"
"I told her I kissed you, and that you pushed me away," Dabria protested shrilly.
"What are you still doing here?" I exploded at Dabria. "This is between me and Patch. Leave already!"
"What are you doing here?" Patch echoed to Dabria, his tone sharpening.
"I - broke in," she sputtered. "I was scared. I couldn't sleep. I can't stop thinking about Hanoth and the other Nephilim."
"You have got to be kidding me," I said. — Becca Fitzpatrick

The three of us do not go out very often as the three of us. I think Daniel is perfect for Jed, which is the highest compliment I can give. But my friendship isn't with him, and Jed understands that. When we hit the road, we hit it together alone.
We get to the bridge, out undestined destination. Even though there's no sign, no arrow, Jed turns at the last minute and parks us in a verge right before the bridge leaves the ground.
The trunk pops open, and Jed runs round back to retrieve a bag of oranges and a sweatshirt that fits me better.
Shall we make like lizards and leap? he asks.
I never felt the urge to jump off a bridge, but there are times I have wanted to jump out of my life, out of my skin.
Would you stroll me down the promenade instead? I ask back.
Most certainly, my splendid.
There is no word for our kind of friendship. Two people tho don't see each other a lot, but can make each other effortlessly happy. — David Levithan

I believe that when a loved one has dementia, you experience many layers of grief.

The first wave of grief comes with the diagnosis. The realisation that the person who has supported you all your life, will no longer be able to do so, no matter how hard they try.

Grief the first time they struggle to remember your name or your relationship to each other.

Grief when you have to accept that you can no longer keep them at home.

Grief as they lose the ability to communicate, as another piece of the jigsaw is lost.

Grief every time they are afraid, agitated or confused. So much grief you don't think you can cope with anymore.

And then the overwhelming tidal wave of grief when they pass, when you would give anything to go back to the first wave of grief. — Emma Haslegrave

I'm putting back into the self the responsibility for the collective life. If each one of us took very seriously the fact that every little act, every little word we utter, every injury we do to another human being is really what is projected into larger issues; if we could once begin to think of it that way, then each one of us, like a small cell, would do the work of creating a human self, a kind of self who wouldn't have ghettos, a kind of self that wouldn't go to war. Then we could begin to have the cell which would influence and enormous amount of cells around you. I don't think we can measure the radius of the personal influence of one person, within the home, outside of the home, in the neighborhood, and finally in national affairs. — Anais Nin

Woody Weatherman showed me two beats, the "do do dat, do do dat" rock beat and the "ooh at ooh at ooh at" punk beat and other than that I was pretty limited. I had just gotten a drum kit for Christmas, which I was stoked about so I was ready to go. Back then, the prerequisite for playing punk rock drums wasn't very high, it was really pretty generic as I'm sure you can imagine. — Reed Mullin

I felt my face going blank, my eyes going empty. For just an instant I let Marks see the gaping hole where my conscience was supposed to be. I didn't really mean to, but I couldn't seem to help it. Maybe I was more shaken up from the room and its survivors than I thought. It's the only excuse I can give.
Marks' face went from fading laughter to something like concern. He gave me cop eyes, but underneath that was an uncertainty that was almost fear.
"Smile, Lieutenant. It's a good day. No one died."
I watched the thought spill through his face. He understood exactly what I meant. You should never even hint to the police that you're willing to kill, but I was tired, and I still had to go back into the room. Fuck it.
Edward spoke in his own voice, low and empty, "And you wonder why I compete with you? — Laurell K. Hamilton

Would you - "
"Yes."
"You don't know what I was going to ask."
"Don't I?" A ghost of a smile worked his lips, and he turned his head just a fraction toward me, looking at me through a lock of hair. "The answer is yes anyways."
"I should make you do part of my community service," I mused, kicking back in the chair across the table from him. "That would serve you right."
"Go ahead. I can't say no to you either, darling."
"What do you mean, either?"
He smiled - though it was more of a smirk this time. "Either, one or the other, all of the above. — Anne Zoelle

If you stay, I'll do whatever you want. I'll quit the band, go with you to New York. But if you need me to go away, I'll do that, too. I was talking to Liz and she said maybe coming back to your old life would be too painful, that maybe it'd be easier for you to erase us. And that would suck, but I'd do it. I can lose you like that if I don't lose you today. I'll let you go. If you stay. — Gayle Forman

Those people behind the mosque have to respect, have to appreciate and have to defer to the people of New York. The wound is still there. Just because the wound is healing you can't say, 'Let's just go back to where we were pre-9/11. — Al-Waleed Bin Talal

No need to mince words. And you don't need to force yourself to like me. No one likes me now. It's only to be expected. I don't even like myself much. I used to have a few really good friends. You were one of them. But at a certain stage in life I lost them. Like how Shiro at a certain point lost that special spark. ... But you can't go back. Can't return an item you've already opened. You just have to make do. — Haruki Murakami

I don't want to go back into that dressing room and take off my boots and my pants and start putting on jeans only to discover that the ones you brought me are all too tight, and then when I ask for the next size up, be informed that they're the biggest size you carry. I can't take that today. Seriously, I'll blow my head off. So look at me, look at my ass, look at my gut, take it all in, and then tell me honestly if you anticipate we're going to have a problem. — Sarah Dunn

Journeys bring power and love back into you. If you can't go somewhere, move in the passageways of the self. They are like shafts of light, always changing, and you change when you explore them. — Rumi

I know I was wrong. If i could go back and do it over, I would. I wish I could undo it all."
I know that." Grandma reached over and put a twisted hand on hers. "'Though your sins be as scarlet, they shall be as white as snow.' Isaiah one eighteen."
I've done terrible things."
Don't make no difference. You can't out-sin the cross. — Linda Nichols

You and I should do whatever we can to keep our youthful joy alive. If your life is too predictable, don't go postal. Take a ridiculous ride back to whatever it was that gave you joy as a child. Jump on a trampoline. Saddle up a pony. Give adulthood a rest. — Nick Vujicic

You can't go back home to your family, back home to your childhood, back home to romantic love, back home to a young man's dreams of glory and of fame, back home to exile, to escape to Europe and some foreign land, back home to lyricism, to singing just for singing's sake, back home to aestheticism, to one's youthful idea of 'the artist' and the all-sufficiency of 'art' and 'beauty' and 'love,' back home to the ivory tower, back home to places in the country, to the cottage in Bermude, away from all the strife and conflict of the world, back home to the father you have lost and have been looking for, back home to someone who can help you, save you, ease the burden for you, back home to the old forms and systems of things which once seemed everlasting but which are changing all the time
back home to the escapes of Time and Memory. — Thomas Wolfe

She looks up. I've caught her by surprise. Her face opens up and all of a sudden it's like that paper mask is transparent. I'm looking right through it, and I get a flash of some kind of life we could've had - barbecues, dogs, kids flopping over us in bed - it rolls through me fast but strong and clear, like one of those cooking smells that blows in the window so sharp you can pick out the ingredients. And then it's gone. It's gone, and Holly's holding my hand. Finally, after that long long wait, her hand is back on mine. Dry cool fingers, slim. The rings loose. I close my eyes. My hand is so hot, I feel my pulse in every finger. I'm afraid she'll let go but she doesn't let go. She keeps her hand around mine and it's like she's holding all of me in her cool sweetness, calming my fever back down. — Jennifer Egan

People do go back, but they don't survive, because two realities are claiming them at the same time. Such things are too much. You can salt your heart, or kill your heart, or you can choose between the two realities. There is much pain here. Some people think you can have your cake and eat it. The cake goes mouldy and they choke on what's left. Going back after a long time will make you mad, because the people you left behind do not like to think of you changed, will treat you as they always did, accuse you of being indifferent, when you are only different. — Jeanette Winterson

You're going to share a Moon Pie? Now? You know you can't get any more of those until you go back to the Sates, right? (Geary)
It's for a good cause. We need more addicts. Besides, there's always Grandpa to bail me out with an emergency shipment if I get too desperate. (Tory) — Sherrilyn Kenyon

Sometimes you go so far in your life,
you can't get back
though you know it's not really your life. — Michael Hogan

I sometimes get short-tempered in a public situation because I think, Oh God, I can't go back over that again. I can't put that into a two-word answer. I can't. Wherever I go, people say, "Can I ask you a quick question?" It's always, "a quick question." Well, my answers are slow. — James Hillman

I remember what a thrill it was to go from the back streets of Birmingham to Madison Square Garden in New York ... it's like playing on Mars. You can't buy that. — Ozzy Osbourne

I wasn't into blame. Maybe because I had so much of it directed at me, you know? I guess you can go one of two ways with that. You can reflect it right back out at everybody else, or you can drop out of the whole blame paradigm. I guess I chose not to play the game anymore. — Catherine Ryan Hyde

Find an emotional tether. Someone you trusted before and someone you can trust now. A person who can connect you to your past but can pilot you into the future. Someone who can pull you back from the ledge when you find it and from the dark when it finds you. Find that person, hold on tight, and don't let go. — Nicole Williams

She made the choice she thought was best for her, even though it was the wrong one. But that's what you have to remember ... she made that choice. Not you. And you can't blame yourself for not knowing what she failed to tell you." I kiss him on the forehead, then bring my eyes back to his. "You have to let it go. You can hold on to the hate and the love and even the bitterness, but you have to let go of the blame. The blame is what's tearing you down. — Colleen Hoover

Can you go back inside and have a drink while you wait? I don't like the idea of you sitting outside in your car by yourself. You are by yourself, aren't you?"
"Yes, I'm alone. But I'll be fine. I just - "
"Olivia, I really don't like it. Can't you just go back inside? Consider it a favor."
When he puts it like that ... "Okay. I'll go back inside. Just call me when you get here. — M. Leighton

I want to say we're okay, Bliss. I need you, too. But I can't pretend I wasn't hoping this would go somewhere. I don't know if I can do it. The truth is ... you are hurting me. Not on purpose, I know that. But I love you and every second that you don't love me back ... it hurts. — Cora Carmack

I was distracted, thinking about what she'd said, until she got to this last part. "Sherman?" I said.
She nodded. "That's John and Craig's friend. He's visiting from Shreveport."
"Sherman from Shreveport?" I said. "This is the guy you're determined I go out with?"
"You can't judge a book by its cover!" she snapped. When I slid my eyes toward Forbidden, she grabbed it up, shoving it back under the bed. "You know what I mean. Sherman might be very nice. — Sarah Dessen

If you do what you think is right for the benefit of everybody and everything and you make decisions, to go back and regret them afterwards - it's a futile experience and it's not worth thinking about. Because life just unfolds. Provided you do your best and you think you're on the right track, you can only be right or wrong. But to regret it - I don't think there are any huge errors or misdemeanors. — Robert Plant

A mathematician tells you that the wall of warped space prevents the Moon from flying out of its orbit yet can't tell you why an astronaut can go back and forth across that same space. — Bill Gaede

tucked an arm around the back of Prophet's neck and Prophet buried his face in Doc's shoulder as Doc said, "It's not fair. I know it's not. But before you do anything else, you have to tell Tom." "How do you know I haven't?" "How do I know the sun rises in the morning?" "Fucker," Prophet muttered against Doc's shoulder. "Disability-hater." Doc rubbed the back of his neck but didn't make a move to let him go. And Prophet was okay with that. "Do you want me to tell him?" Doc asked finally. "Yeah. But you can't." God, it was safe right here, with Doc. And Prophet wanted it to be this safe with Tommy . . . and it was, except for this issue. Which he hadn't given Tommy the chance to deal with. "I can be there with you. I'll answer the questions he'll have, so you don't have to." Prophet lifted his head. "Yeah, I get you're trying to make it easier on me, but fuck, it's not going to be at all. I can't pretend anything will help." "Not pretending is the first step. — S.E. Jakes

Lily told her about what had happened so far. (If you're interested, you can go back to the beginning of the book and read all the way through to this point again.) — M T Anderson

One afternoon while driving back from the beach, Hugh pointed out a McDonald's bag vomiting its contents onto the pavement. "I say that any company whose products are found on the ground automatically has to go out of business," he said. This is how we talk nowadays, as if our pronouncements hold actual weight and can be implemented at our discretion, like we're kings or warlocks. "That means no more McDonald's, no more Coke - none of it."
"That wouldn't affect you any,"I told him. Hugh doesn't drink soda or eat Big Macs. "But what if it was something you needed, like paint? I find buckets of it in the woods all the time."
"Fine," he said. "Get rid of it. I'll make my own."
If anyone could make his own paint, it would be Hugh.
"What about brushes?"
"Please," he said, and he shifted into a higher gear. "I could make those in my sleep. — David Sedaris

I hope you were going to come pry your sister off my back," Paca clips as Rayna swims up. "She's quite rude."
Galen throws Rayna a look, to which she lifts her chin. "Paca and her pudgy father over there are full of whale dung," Rayna informs her brothers.
"Rayna," Grom barks. "Mind your manners."
Rayna lifts her chin even higher. Here we go. "Paca is a fraud, Grom," she says. "You can't mate with her. Sorry to ruin your ceremony. Let's go, Galen."
Paca gasps as Jagen swims up to the party, almost stuttering in his fury. "You little ... little stonefish! How dare you insult my daughter?"
Galen grabs Rayna's arm. "What did you do?" he hisses.
She jerks her arm away and gives him a superior look. "If Paca has the Gift of Poseidon, I have the Gift of Triton. Don't ask me what it is though, because I don't have a clue."
"Rayna, enough!" Grom says, grabbing her other arm. "Apologize. Right now."
"Apologize for what? Telling the truth? Sorry, not feeling it. — Anna Banks

What happened with Dane?" Jack asked casually. "Did you break up?"
"No, not at all. We're still together." I paused uncomfortably before adding, "But we're on ... hiatus. Just for three months, until Tara comes for her baby and I go back to Austin."
"Does that mean you're free to see other people?"
"We've always been free to see other people. Dane and I have an open relationship. No promises, no commitments."
"There is no such thing. A relationship is promises and commitments."
"To conventional people, maybe. But Dane and I believe you can't own someone."
"Sure you can," Jack said.
I raised my brows.
"Maybe it's different in Austin," Jack continued. "But in Houston, a dog doesn't share his bone."
-Jack & Ella — Lisa Kleypas

Success isn't winning every time. A lot of different factors go into every race, and you can't control all of them. Success means doing as excellent a job as you can on that particular day. The people I admire most aren't necessarily the most wonderful athletes. I admire the ones who keep coming back and doing it, time after time. — Aimee Mullins

Last time I said something perhaps I shouldn't have, something that's been taken the wrong way: "The poor are always with you." At that moment, back then, I wanted my friends' attention. I meant I was going to die soon, but they would have the rest of their lives to care for the poor. But the rich have twisted my words to mean something quite different: that there's nothing you can do about the poor. That the poor are part of life, like disease or accidents or hurricanes or getting old. Poverty is natural. You'll never get rid of it, so forget about trying. Don't worry that the poor have so much less than you do. Go eat your big meal, go drive your big car, go sleep in your big house. Let the poor look in the windows. Jesus says it's OK. Well, Jesus doesn't say it's OK. OK? P — Tony Hendra

I like how you can go back and watch David Lean and John Ford and see the influence that had on Steven Spielberg, especially David Lean, in the camerawork, and yet, you don't watch any Spielberg movie and think of David Lean. Once you're looking for it, you see it all, but it's not in your face. — Colin Trevorrow

I don't trust novels with points, do you? If a novel is only about a point, the writer should just say it in as few words as possible so we can take it in and go back to watching 'The Bachelor' on television. — William Lashner

What?" I asked, deciding to go with uppity. "Enjoying yourself?" Hank asked, his mouth twitching. "No," I said angrily. "I'm dead. Now I have to run all the way back to my lifeless body and get my stuff. The orcs and trolls will be hanging around and we'll have to fight them and I can't do that without my good armor. I'll have to use the crappy stuff I have stashed in my trunk. I had a really good sword and helmet and now they're gone. That just plain sucks." Hank stared at me. Then he said, "You do know I don't know what the fuck you're talkin' about." "Diablo," I replied, like that explained it all. — Kristen Ashley

You can let go of me, Kayden."
"That's not going to happen," he promises, his voice low, as seductive as everything else about this man is, and when I look at him, that wolf is back in his eyes as he adds, "In case I didn't make that point already." ~Surrender — Lisa Renee Jones

And when you came right down to it, the only purpose to life that I have ever been able to find is not to die. You couldn't let them push you out the door to go gentle into that good night. You had to rage, rage, and slam that door on the bastards' fingers. That was the contest - to delay the end of your personal match as long as you could. The point was not to win; you never did. Nobody can win in a game that ends with everybody dying - always, without exception. No, the only real point was to fight back and enjoy the combat. And by gum, I would. — Jeff Lindsay

Three and a half years in L.A. was enough for me. I would love to go back for short bursts if a film opportunity came up, but it's a unique place, and you can reach saturation point. For me it was a place where creative desire and ambition meets desperation. It's in the air; it's palpable - I just didn't want to be around that. — Darren Boyd

I don't think you can get really out of anorexia (or any addiction, for that matter) until you simply have no other choice, until the sense that your back's against the wall grows too strong and too irrefutable, until you are simply in too much pain - too desperate and deeply bored and unhappy - to go on. — Caroline Knapp

From the Grapes of Wrath and a woman that would not be moved: 'On'y way you gonna get me to go is whup me.' She moved the jack handle gently again. 'An' I'll shame you, Pa. I won't take no whuppin', cryin' an' a-beggin'. I'll light into you. An' you ain't so sure you can whup me anyways. An' if ya do get me, I swear to God I'll wait till you got your back turned, or you're settin' down, an' I'll knock you belly-up with a bucket. I swear to Holy Jesus' sake I will. — John Steinbeck

Great art is anything that provokes a deep emotinal reaction at the time that you hear it and then you can't get it out of your head. And then you go back and you experince something completely different to the thing that you experinced the first time. And wheather its a painting, a piece of music or a book. In a book, its that moment, when you put it down and you go:"I'm not quite the same person, that I was before I read that book" or "I'm not the same person I was before I saw this painting." That is great art. — Neil Gaiman

Walt had a way of communicating that was just magical," composer Richard Sherman told me. "Simple, but magical. He would give you a challenge and say, 'I know you can do this.' He made you believe anything was possible. He made you proud to be on his team. And it really was a team effort - Walt would roll up his sleeves and go to work alongside the rest of us. "He saw potential in people who had never really done anything great. My brother Robert and I really had no track record in the music industry, but Walt heard a few of our songs and he gave us an opportunity and inspired us to keep topping ourselves. Without Walt to inspire us, I don't know where we'd be today. "Walt always wanted you to find something wonderful in yourself, to believe in it and consider it God's gift to you. God gives you the gift, and the rest is up to you. Walt taught me that what you do with that gift is your gift back to God. — Pat Williams

Sookie: "Eric, when I'm back to being myself, I'm going to nail your ass for putting me in this position of being pledged to you." Eric: Darling, you can nail my ass anytime," he said charmingly, and turned to go back to his table. Pam rolled her eyes. "You two," she said. "Hey this isn't any of my doing," I said, which wasn't entirely true. But it was a good exit line, and I took advantage of it to leave the bar. — Charlaine Harris

Defrosting is excruciatingly painful. You have been numb for so long. As feeling comes back to your soul, you start to tingle, and it's uncomfortable and strange. But then the tingles start feeling like daggers. Sadness, loss, fear, anger, anxiety - all of these things that you have been numbing with the booze - you feel them for the first time. And it's horrific at first, to tell you the damn truth. But welcoming the pain and refusing to escape from it is the only way to recovery. You can't go around it, you can't go over it, you have to — Glennon Doyle Melton

You can have the rest of your life with her," St. Just said gently. "What if she won't have me?" Emmie asked softly. "What if she can't understand? She's six years old, St. Just. I've let her think she's had no mother for half her years on earth, and I was ready to turn my back on her completely." His fingers closed over hers, and this time he didn't simply pat her hand and let go. "You were trying to do the best you could in difficult circumstances. You wanted what was best for Winnie, and she will eventually understand that. It will work out. I know it will." "I can only hope so, and I can only continue to try my best." "Winnie — Grace Burrowes

Brother,you who have the light, tell me mine.
I am like a blind man. I go without direction and fumble along.
I go under tempests and storms,
blind with fantasy and crazy with harmony.
That is my malady. Dreaming. Poetry
is the iron jacket with a thousand bloody points
I wear upon my soul. The bloodstained thorns
spill the drops of my melancholy.
And so I go, blind and crazy, through this bitter world;
at times it seems to me that the path is very long,
and at times that it's very short ...
And in this back-and-forth between eagerness and agony,
I am full of woes I can hardly bear.
Don't you hear the drops of my melancholy falling? — Ruben Dario

One good thing about the past is that you can't change it. So there's no reason to go back. It's there. It is what it is. The only thing you can change is right now and what's happening next. — Neil Young

The sad truth is that certain types of things can't go backward. Once they start going forward, no matter what you do, they can't go back the way they were. If even one little thing goes awry, then that's how it will stay forever. — Haruki Murakami

Everyone has a right to cry uncle on a genre every once in awhile. I've done it myself. Sometimes you just can't bear another gear or pair of wings or vampire teeth. You go on a fast, and sometimes you come back, and sometimes you don't. — Catherynne M Valente

But I knew better: No matter where you go, the past floods back. You can try like the dickens, but you can't escape fate. — Michael Lee West

Every time you get angry with yourself for where you are in your process of growth, it's the equivalent of chopping off the head of the rose because it hasn't bloomed yet. Now you have to go through that part of the process again. Anger will set you back every time and slow down your growth. However, self-compassion and self-encouragement are like water and sunshine; they help the growth process happen faster and easier. It's up to you how you want to proceed, but if you can break the habit of getting angry with yourself and replace it with some compassion and encouragement, then you will bloom like you have never bloomed before. — Emily Maroutian

Just because you've had one or two of those games, you can't really go back to the next practice and change everything. That's the most important thing in those situations that you don't think too much, you don't try to change too much because then you're going to be in deep trouble, that's what I think. It's all about keep working on what's been successful for you and keep believing what you're doing is the right thing. — Jonas Gustavsson

You fight them, his father had said.
You don't trust them. His father had been right. And his father had been ready. Rabatians were cowards and deceivers, they should have scattered when their duplicitous attack met the full force of the Akielon army. But for some reason they hadn't fallen at the first sign of a real fight, they had stood firm, and shown metal, and, for hour upon hour, they had fought, until the Akielon lines had begun to slip and falter.
And their general wasn't the king, it was the twenty-five year old prince, holding the field.
Father, I can take him, he'd said.
Then go, his father had said, and bring
us back victory. — C.S. Pacat

Not the first time. I didn't think my heart could stand it. But the airplane is a wonderful thing. You are still in one place when you arrive at the other. The airplane is faster than the heart. You arrive quickly and you leave quickly. You don't grieve too much. And there is something else about the airplane. You can go back many times to the same place. And something strange happens if you go back often enough. You stop grieving for the past. You see that the past is something in your mind alone, that it doesn't exist in real life. You trample on the past, you crush it. In the beginning it is like trampling on a garden. In the end you are just walking on ground. That is the way we have to learn to live now. The past is here." He touched his heart. "It isn't there." And he pointed at the dusty road. I — V.S. Naipaul

Wolsey sits with his elbows on his desk, his fingers dabbing his closed lids. He takes a great breath, and begins to talk: he begins to talk about England. You can't know Albion, he says, unless you can go back before Albion was thought of. You must go back before Caesar's legions, to the days when the bones of giant animals and men lay on the ground where one day London would be built. You must go back to the New Troy, the New Jerusalem, and the sins and crimes of the kings who rode under the tattered banners of Arthur and who married women who came out of the sea or hatched out of eggs, women with scales and fins and feathers; beside which, he says, the match with Anne looks less unusual. These are old stories, he says, but some people, let us remember, do believe them. — Hilary Mantel

His father asked Ethan in a raspy voice, "You spend time with your son?" "Much as I can," he'd answered, but his father had caught the lie in his eyes. "It'll be your loss, Ethan. Day'll come, when he's grown and it's too late, that you'd give a kingdom to go back and spend a single hour with your son as a boy. To hold him. Read a book to him. Throw a ball with a person in whose eyes you can do no wrong. He doesn't see your failings yet. He looks at you with pure love and it won't last, so you revel in it while it's here." Ethan thinks often of that conversation, mostly when he's lying awake in bed at night and everyone else is asleep, and his life screaming past at the speed of light - the weight of bills and the future and his prior failings and all these moments he's missing - all the lost joy - perched like a boulder on his chest. — Blake Crouch

Still, Lindsay stops getting dressed, even though he's only half-done, because he gets this urge to ambush the kid with a hug. Just that, nothing else. He wraps his arms around Valentine's skinny body and pulls him close and rests his cheek on the still-damp hair and inhales the cherry-almond scent of his shampoo, and Valentine says, "Oh!" in a really odd way, like he's just read a particularly interesting fact on the back of a Penguin biscuit wrapper. Lindsay's got his eyes shut but he can feel the kid's hands creeping up his bare arms, over his shoulders. One stays there and the other comes to rest on the back of his neck, fingers playing idly with the ends of his hair, and several minutes pass without sound or movement, just the gentle thud of heartbeats.
"What's that for?" Valentine asks, when Lindsay finally lets him go.
"Don't know. Nothing. Just seemed the kind of thing you'd like. BAM, surprise ninja cuddles. — Richard Rider

Now, where were we?" he said. "Oh, yes. We were about to have some honest conversation. Roadkill, are you in love with Hawk?"
Roadkill sighed and asked plaintively, "Can't we just go back to prison? — Agatha Bird

You can tell it any way you want but that's the way it is. I should of done it and I didn't. And some part of me has never quit wishin I could go back. And I cant. I didn't know you could steal your own life. And I didn't know that it would bring you no more benefit than about anything else you might steal. I think I done the best with it I knew how but it still wasn't mine. It never has been. — Cormac McCarthy

There are some choices you can only make once. You can't go back to where you made a choice and then take the other one. — Mary Hoffman

I just couldn't stand it any more back in Bes Pelargic,' Twoflower went on blithely, 'sitting at a desk all day, just adding up columns of figures, just a pension to look forward to at the end of it ... where's the romance in that? Twoflower, I thought, it's now or never. You don't just have to listen to stories. You can go there. Now's the time to stop hanging around the docks listening to sailors' tales. — Terry Pratchett

Gathering her courage, she swallowed past the lump in her throat and held his gaze. It wasn't how she'd envisioned telling him, but she couldn't let him go without saying the words. "I'm falling in love with you."
The smile died, his amused expression dissolving into shock. "What?"
"Yeah. So you have to come back so I can finish the job."
A jumble of emotions swirled in the blue depths of his eyes as he stared at her. Then he broke into a wide smile and brought a hand up to cradle her cheek. "I'm coming back, sweetheart. I wouldn't miss that chance for the world. — Kaylea Cross

Time moves on. You can't go back in time. Everything has a consequence, and the last episode of the last season is no exception. — Jon Hamm

There are some things in this world that can be done over, and some that can't. And time passing is one thing that can't be redone. Come this far, and you can't go back. — Haruki Murakami

Do you know the real secret of how Presidents become Presidents?" Before I can answer, he explains, "It's because they're good at getting people to do things for them. In fact, they're not just good at it. They're maestros. Virtuosos. To get that title of President, you need thousands of people doing thousands of different things, all for your benefit. It's a massive churning machine. And y'know what feeds that machine?" he asks. "People like you, Beecher. It's fed with your life, and your family, and your reputation. Because when things go wrong ... and they always go wrong ... the President isn't allowed to have that skunk smell around him. So when that happens, he doesn't just replace you. He crumples you up, tosses you out back, and ... chomp goes the woodchipper. — Brad Meltzer

I had to find a diet that would kick me back into dating shape, because I know that I can't date at size 8. I have to date at size 2. And it's just a fact of nature. Go get your injections and your chemical peels. You gotta look good to attract a man. — Patti Stanger

Loneliness isn't about being by yourself. That's fine, right and good, desirable in many ways. Loneliness is about finding a landing-place, or not, and knowing that, whatever you do, you can go back there. The opposite of loneliness isn't company, it's return. A place to return. — Jeanette Winterson

You can't go back and I think that's the point of all to grow and grow until you don't want to anymore. — Nikki Rowe

Are you lost?"
I turned around. "Excuse me?"
Two guys were sprawled on a bench close to the sidewalk. The one who had spoken wore tattered shorts and a colonial three-cornered hat-nothing else. He had wide shoulders and long, muscular legs. He stretched dramatically, then lay his tanned arm along the back of the bench. "You look lost," he said. "Can I help you find something?"
"Uh, no, thanks. I was just looking."
He grinned. "Me too."
"Oh?" I glanced around, thinking I'd missed something. "At what?"
He and his friend burst out laughing.
Way to go, Lauren, I thought. He had been looking at me! — Elizabeth Chandler

But we are not going to stand by and go back to allowing people with preexisting conditions to be discriminated against, go back to the situation where people can be thrown off their insurance simply because they become seriously ill or you can't get on your parents' insurance after the age of 20. — David Axelrod

One thing you can't beat in this world is time. I learnt that the hard way. You can't play basketball forever. You can't play football forever. You can't bodybuild forever. I mean you CAN do it, but not at a high level against younger guys who have more time and have not reached their peaks yet. There's only so much the body can do and once you're done, you can't go back in time. — Ronnie Coleman

I don't have any interest in helping you keep your job," I say, shifting my weight onto my heels, suddenly tired and
resigned. "But I promise to do what I can to keep you from being fired over false pretenses. If you get thrown out of here,
it'll be your fault, not mine, and not Mr. Dade's."
"You say that now - "
" - and I'll say it tomorrow." I turn and pull open the door. "Good night, Asha. Go home and get some sleep."
"I'm not tired."
"Then go to the park and pull the wings off butterflies," I say with a sardonic smile. "That seems like the kind of
thing you would enjoy."
She smiles back, shakes her head. "Butterflies are too weak."
"Then shoot a coyote, whatever," I suggest. "But your work day's over. We all need our rest and if I'm going to be a
dictator, I'm going to try to be a benevolent one. — Kyra Davis

You're not terrified of me. You're terrified of letting yourself care for me, and I can't say I blame you. People who love me usually end up dead. But you see, I'm not going to give you any choice. You belong to me now whether you like it or not."
"I don't like it, not one bit!"
"Try to escape," he suggested coolly. "Go ahead. See what happens. Give me one excuse to take what I want from you, even if it is against your will. I want you that much. Too damned much." He turned without warning and kissed her, flattening her back against the pine mast. — Gaelen Foley

They say time is money but really it's not
If we ever go broke, then time is all we got
And we can't make that back, no you can't make that back — J. Cole

I did everything wrong," he said. "I misunderstood everything. Moon Child gave me so much, and all I did with it was harm, harm to myself and harm to Fantastica."
Dame Eyola gave him a long look.
No," she said. "I don't believe so. You went the way of wishes, and that is never straight. You went the long way around, but that was your way. And do you know why? Because you are one of those who can't go back until they have found the fountain from which springs the Water of Life. And that's the most secret place in Fantastica. There's no simple way of getting there."
After a short silence she added: "But every way that leads there is the right one. — Michael Ende

What I do as a director is really create a safe environment that everyone can feel very comfortable in and experiment within so that they don't hold back anything. You never ever want someone to go, 'Oh I shouldn't have done that.' There isn't anything you shouldn't try. If it's terrible, who cares? — Paul Feig