You Can Only Talk Behind My Back Quotes & Sayings

People can't talk about you behind your back if you are constantly in their faces. — J.D. Horn

I don't talk about my friends behind their back. — Tom Sturridge

The same people who smile in my face would be the same ones to talk behind my back. — Timbaland

Steerforth, laughing, took me by the arm and led me out. We went downstairs, one behind another. Near the bottom, somebody fell, and rolled down. Somebody else said it was Copperfield. I was angry at that false report, until, finding myself on my back in the passage, I began to think there might be some foundation for it. A very foggy night, with great rings round the lamps in the streets! There was an indistinct talk of its being wet. I considered it frosty. Steerforth dusted me under a lamp-post, and put my hat into shape, which somebody produced from somewhere in a most extraordinary manner, for I hadn't had it on before. Steerforth then said, 'You are all right, Copperfield, are you not?' and I told him, 'Neverberrer. — Charles Dickens

Somehow it felt familiar, an old story retold, the claws in my shoulder, my arms twisted behind my back, the drag down the street, Will assisting my father and thinking how much fun it was to hunt someone down. I knew it all. Each snarled command was a line from an old but faithless song. "Pipe down! I'm not going to hurt you! I just want to talk to you! This is for your own good! — Kaimana Wolff

I was debating what I might have in my deep glassy lake to use - Barrons had slurped down my crimson runes like truffles - when Ryodan called down, "Let her up."
I tipped my head back. The urbane owner of the largest den of sex, drugs, and exotic thrills in the city stood behind the chrome balustrade, big hands closed on the chrome railing, thick wrists cuffed by silver, features darkened by a convenient shadow. He looked like a scarred Gucci model. Whatever kind of life these men had lived before they'd become whatever they were, it had been violent and hard. Like them.
"Why?" Lor demanded.
"I said so."
"Not time for the meeting yet."
"She wants to see her parents. She's going to insist."
"So?"
"She thinks she has something to prove. She's feeling pushy."
"Gee, this is nice. I don't even have to talk," I purred. — Karen Marie Moning

If you are afraid of changes Watch from a distance Whether or not I might do something If you're going to talk about me behind my back It is what it is. — Ayumi Hamasaki

Remember if people talk behind your back, it only means you are two steps ahead. — Fannie Flagg

Nick stands behind me. He puts a hand on my waist.
I yank in a breath. The world seems to swirl around me.
"Are you going to faint?" he asks.
I back into him and blurt, "But you're so cute. Werewolves aren't supposed to be cute. Vampires are, I think. They are in the movies. But the werewolves are pretty much ugly and they wear leather jackets and are all dirty with these monster sideburns."
"That's all you have to say? That I'm cute?" He takes a stray piece of my hair and curls it around his fingers. "Most people faint or shriek or never talk to me again. — Carrie Jones

Remember, if people talk about you behind your back, it only means you are two steps ahead of them. — Fannie Flagg

Aldrik laughed darkly. "What did you think I was?" he snarled. "Did you think I went to war and read books?" Vhalla took another step back. "You ran head-first into my daily hell. Would it not be more convenient if weapons of death and torture could not talk back?" Vhalla forced herself not to tremble as she looked at him. He glared at her; the orange of the fire reflecting in the black mirrors of his eyes.
With all the bravery she possessed, Vhalla crossed the distance between them; he straightened and looked down at her, imposing. Vhalla swallowed hard and tried to muster her last scrap of confidence. There would be time later to ask him about the real reasons behind the war. For now, they needed to go home.
She grabbed his hand, praying it didn't burst into flames at her touch. It didn't.
"Quit being stupid, Aldrik. Let's go." His features barely softened, but it was more than enough to know she had made herself clear. Whatever this man was, he wasn't a monster. — Elise Kova

He could galvanize the dead with his talk. It was a sort of devouring process: when he described a place he ate into it, like a goat at tacking a carpet. If he described a person he ate him alive from head to toe. If it were an event he would devour every detail, like an army of white ants descending upon a forest. He was everywhere at once, in his talk. He attacked from above and below, from the front, rear and flanks. If he couldn't dispose of a thing at once, for lack of a phrase or an image, he would spike it temporarily and move on, coming back to it later and devouring it piecemeal. Or like a juggler,- he would toss it in the air arid, just when you thought he had forgotten it, that it would fall and break, he would deftly put an-arm behind his back and catch it in his palm without even turning his eye. It wasn't just talk he handed out, but language - food and beast language. He always talked against a landscape, like the protagonist of a lost world. — Henry Miller

Here again the Japanese method of interior decoration differs from that of the Occident, where we see objects arrayed symmetrically on mantelpieces and elsewhere. In Western houses we are often confronted with what appears to us useless reiteration. We find it trying to talk to a man while his full-length portrait stares at us from behind his back. We wonder which is real, he of the picture or he who talks, and feel a curious conviction that one of them must be fraud. — Okakura Kakuzo

You may get inspired by that uplifting story or inspirational pep talk, but you can't freeze that feeling or glue the emotions of the moment into place. Emotions change like the wind, and you can't stop them. No one can. They keep moving; that's why they're called emotions and not e-standingstills. You can't dictate how you feel. No matter how much you may tell yourself to feel positive about this how-to step or that how-to step, what if you just don't? Today, you're excited about getting fit. You feel like doing your twenty minutes on the treadmill. Great! But what if tomorrow you just don't feel like doing it? To find the path to success, you have to back up one more step. It's the understanding behind the attitudes that are behind the actions. — Jeff Olson

You think it hurts your feelings that girls talk about you behind your back, until they tell you to your face. And they each wanted a turn. Every time, it started with 'girlfriend' and ended with 'bitch. — Jennifer Echols