Yellow Car Quotes & Sayings

Maybe we can just park and check out the fields," said Ethan. "It doesn't look like anyone's around."
I was sad to leave the playlist behind
I was worried the car was my snow globe and it would shatter without us being in this small space filled with music and sunlight.
It turned out, though, that the snow globe was bigger than I'd imagined. We high-stepped through grass that hadn't been mowed all spring, where blue and yellow wildflowers were growing. When we found a shady spot near a lone tree in the middle of the field, Ethan smoothed out some grass and said, "Let's sit. — Melissa C. Walker

It was the farm they'd bought down at the edge of the Cape ... The very edge of the world, ... It was the light that Emma remembered as so very different from city light, thin and yellow, with flecks of gold as the afternoon stretched on. Apricot light, her mother used to call it. Peach light. Summertime light that made a person forget gray skies and city life. The air was sweeter there, the cardinals were a deeper scarlet than their city cousins, and when the crickets called, it was possible to feel the vibration of their song. Each time they opened the car doors and crossed the grass, it was as though they had stepped off the globe, as though the world had stopped turning, as though they might, for a little while at least, be safe. — Alice Hoffman

All red and blue engines turned on. Yellow Car became a rocket and lifted off into space. — J.M.K. Walkow

I lean back into your body - memory is a shade of the color blue.
Painted the walls white, the clocks went back an hour and who knew you'd be the one?
I am okay with chopsticks, you know how to please just about any man. Your cheeks a hot air balloon lifting up into the sky, a kind of yellow vibrant, tastes like the milkshakes in Pulp Fiction.
The McDonald's lobby is now open 24 hours in case you really want a big mac or some french fries and do not have a car. It might make you fat but it might be worth it. The ones who will love you regardless. — Eric Shaw

In the movies, every crazy old fart needs a cool old car. Jack Nicholson drove a spiffy yellow 1970 Dodge Challenger two-door in 'The Bucket List.' In 'Gran Torino,' the cranky pensioner played by Clint Eastwood not only owned a 1972 GT Sport, he also used to build cars like that at the Ford plant. — Richard Corliss

Any requests on the kind of car?"
"Something with armor?" she said. "Oooh, and headrest DVD. Bonus for surround sound."
"Rocket launchers," Michael said.
"One hot yellow Hummer with optional mass destruction package, coming up. — Rachel Caine

There are three types of actions: purposeful, habitual, and gratuitous. Characters, to be immediate and apprehensible, must be presented by all three.' Katin looked toward the front of the car.
The captain gazed through the curving plate that lapped the roof. His yellow eyes fixed Her consumptive light that pulsed fire-spots in a giant cinder. The light was so weak he did not squint at all.
I am confounded, Katin admitted to his jeweled box, 'nevertheless. The mirror of my observation turns and what first seemed gratuitous I see enough times to realize it is a habit. What I suspected as habit now seems part of a great design. While what I originally took as purpose explodes into gratuitousness. The mirror turns again, and the character I thought obsessed by purpose reveals his obsession is only habit; his habits are gratuitously meaningless; while those actions i construed as gratuitous now reveal a most demonic end. — Samuel R. Delany

I had to get out. Move.
I ran through neighborhoods, other lives, other worlds. Solipsism. A man on his lawn mower. Green and yellow. A high-school kid with earphones, washing his car, suds creeping down the driveway. High in the bright blue sky the moon showed like a fading fingerprint. It seemed so weak, so out of place, as if it stumbled into broad daylight by mistake. Unseen protons dying by the billions. — Jerry Spinelli

Ginny Cupper took me in her car out to the spread fields of Indiana. Parking near the edge of woods and walking out into the sunny rows of corn, waving seeds to a yellow horizon. She wore a white blouse and a gray patch of sweat under her arms and the shadow of her nipples was gray. We were rich. So rich we could never die. Ginny laughed and laughed, white saliva on her teeth lighting up the deep red of her mouth, fed the finest food in the world. Ginny was afraid of nothing. She was young and old. Her brown arms and legs swinging in wild optimism, beautiful in all their parts. She danced on the long hood of her crimson Cadillac, and watching her, I thought that God must be female. She leaped into my arms and knocked me to the ground and screamed into my mouth. — J.P. Donleavy

Skulduggery waved at the Hollow Men and they hurtled backwards, then Stephanie felt a gloved hand close around her wrist and she was dragged out of the cavern. Skulduggery sprinted so fast she just allowed herself to be carried along in his wake. He knew exactly where he was going, and within minutes they were at the stone steps, hurrying up out of the caves. They reached the cellar and the key flew from the lock into his hand. The floor groaned and rumbled and closed up. "Will that hold him?" Stephanie asked. "He's got the Sceptre," Skulduggery said. "Nothing will hold him." As if to prove his point, the floor started to crack. "Move!" Skulduggery shouted. They bolted up the stairs and Stephanie glanced back just as the floor vanished in a soft whump of dust and air. They plunged out of the house into the bright sunlight, the Hollow Men right behind. Stephanie was three steps from the yellow car when one of the Hollow Men grabbed her. — Derek Landy

Leaves in every shade of the autumn spectrum - red, yellow, orange, brown - littered the ground at my feet, crunching beneath my boots as I stepped out of the car and looked around. — Kristi Cook

Since it was my car, and since I felt confident it would make Marcus miserable, I pushed the Pearl Jam cassette into the tape deck as I got back on the freeway and turned it up. After a couple of tracks, Bas got hung up on trying to figure out the lyrics to "Yellow Ledbetter" - an unattainable goal since they were basically undecipherable sounds with a few words sprinkled in. The song was all feeling, but he was determined. We listened to it over and over, and caught a little more each time. Metaphorically, the song felt perfect for the mission we were on. — Veronica Rossi

He combed his milk-white hair and crooned a tune to himself, clipped on his yellow chamois shoulder holster and stepped out into the soft night and his smooth car.
As he drove, he considered the stars. It would all be over in a flash. — Michael Moorcock

Out of respect for the love of liberty shown by the Chinese people, and also in the belief that the future of the world lies with the yellow man and the brown man now that our erstwhile master, the white-skinned man, has wasted himself through buggery, cell phone usage, and drug abuse, I offer to tell you, free of charge, the truth about Bangalore.
"By telling you my life's story.
"See, when you come to Bangalore, and stop at a traffic light, some boy will run up to your car and knock on your window, while holding up a bootlegged copy of an American business book wrapped carefully in cellophane and with a title like:
TEN SECRETS OF BUSINESS SUCCESS!
or
BECOME AN ENTREPRENEUR IN SEVEN EASY DAYS!
"Don't waste your money on those American books. They're so yesterday.
"I am tomorrow. — Aravind Adiga

The print was an old one made from a negative taken in the 1960's of her parents in Sydney Mines, dancing with thrilled, excited expressions on their faces, in front of a classic car that had been a wedding gift at the time. Her mother's hair, red back then, was held back by a blue handkerchief, and she was dressed in a billowing skirt and white blouse. Her father's denim jeans and faded t-shirt were streaked with coal dust as he held her hands and spun her around in the front yard of their old clapboard house, yellow grass under their feet and a cobalt-blue sky with white clouds drifting above. Mandy could almost feel the late summer breeze as she gazed deeply into the print, watching the flamboyant colors come to life. She hung it up to dry on two wooden clothespins hanging from a string above her. — Rebecca McNutt

He started to say something, maybe an apology and maybe not, and then he stopped, he leaned over and pulled me toward him - like by gravitational force. He kissed me, hard, and his skin was stubbly and rough against my cheek. My first thought was, I guess he didn't have time to shave this morning, and then - I was kissing him back, my fingers winding through his soft yellow hair and my eyes closed. He kissed like he was drowning and I was air. It was passionate, and desperate, and like nothing I had ever experienced before.
This was what people meant when they said the earth stopped turning. It felt like a world outside of that car, that moment, didn't exist. It was just us. — Jenny Han

One. It's the best. Mommy likes them, too. I like when Mommy plays with the cars and me. The red is her best. Today she sits on the couch staring at the wall. The green car flies into the rug. The red car follows. Then the yellow. Crash! But Mommy doesn't see. I do it again. Crash! But Mommy doesn't see. I aim the green car at her feet. But — E.L. James

Maybe I could have done fifty things to avoid the accident. Left the car in the garage that day. Hurried through a yellow light that I'd stopped at. Gone to the beach instead of mini-golf. Been alone, not talking to friends. But I did all those things, and Celine hadn't done the many things she could have to avoid the accident, either. All the things get done and you regret them and then you accept them because there's nothing else to do. Regret doesn't budge things; it seems crazy that the force of all that human want can't amend a moment, can't even stir a pebble. — Darin Strauss

Opposite the off-licence on Dockers Road, a car was parked on double-yellow lines. Hidden within the sunlight bouncing from its roof was the source of a frail tapping that defeated the din of the city. Squinting into that diamond of light, I discerned a blue tit crystallising from the glare. The little bird was pecking at its reflection. I wanted to tell it to stop. — Edward L. Lanner

We'll drive backwards
in what will become your new car
to the beach where we first slept side by side.
The green waves will go back into the ocean,
yellow and blue.
You'll pull up my underwear.
I'll button your shirt.
We'll dress and dress and dress.
Then we'll step into our footprints
and erase our trail. — Hiroshi Sugimoto And J Safran Foer

Packing to leave Atlanta is a lot easier than packing to come here. We bundle most everything up in our bedsheets and cram clothing into duffel bags, leaving the rugs and thrift store findings to whoever the next tenant may be. We leave the next morning, Scarlett waving a sarcastic farewell to the junkie downstairs before we take of in the hatchback, pop music blaring and me leaning toward Silas, both to avoid the door of death and to rest my head against his biceps.
Ellison hasn't changed, unsurprisingly. Buildings here are yellow and pale gold instead of harsh steel and silver. Trees dapple the sunlight across the car. The air is warmer, like loving arms that swirl around me for comfort. It's so good to be home. — Jackson Pearce

APPROACH
Rain is falling. Winter approaches. I drive towards it. In the slow rain. In the semi-darkness. Cello music is playing in the car. The deep sad sound of the cello. It almost swamps me. Routine endeavours to swamp me. The everyday paying of bills.
But I paint men walking in a city of icebergs and crystal. Some of the icebergs are red. I paint a woman swimming in green wavy water. Surrounded by desert mesas. Bright orange in the sunlight. With darker orange for shadows. I paint two people. With purple and pink and yellow and blue circles overlapping the boundaries of their bodies. Dancing.
Life is not ordinary. When I see you tonight I will press my lips to your eyelids. Each one in turn. I will rub my fingertips over the skin on the back of your hands and around your wrists. I will sigh. I will growl. I will whinny. I will gallop into your smile. One sharp foot after the other. — Jay Woodman

The street was a yellow streak, however many yards wide, cabs and cabs and cabs and the occasional car that wasn't a cab so the whole thing looked like a scarcely-been-touched ear of corn. — Daniel Handler

Just then, a little hopped-up Japanese car zips up next to us. It's bright yellow with loud, high-pitched exhaust pipes and a big air spoiler on the back. I look over at the driver to see who's making all the racket. I'm surprised to see a teenage girl there. After a moment, she gooses it and whinnies on past. On her back window, there's a sticker: NO FEAR.
I think, good girl. — Michael Zadoorian

Tires roared. The car lurched forward ... crunching ... a bright light ... yellow eyes ... then blackness. — Jessica Sorensen

he had a tattoo that I had never seen before. He showed it to me, and then he showed it to the guy who ran the ride, and that guy gave him a big grin. The tattoo was of a red bumper car with yellow lightning bolts coming off the top of the pole. Underneath the car it said "Born to Bump," and this was how much Uncle Lenny loved bumper cars, the way his face got all crinkly around the eyes when he showed me his tattoo, and him wanting to have that picture on his arm forever. — Stevan Allred

The rear door was black, the driver's side door was red, and the hood was sunshine-yellow. If Henry Ford and Picasso had gone out on a bender, that car was what the hangover would have looked like. — Kathleen O'Reilly

Inside your head you hear
a phone ringing, and when you open your eyes you're washing up
in a stranger's bathroom,
standing by the window in a yellow towel, only twenty minutes away
from the dirtiest thing you know.
All the rooms of the castle except this one, says someone, and suddenly
darkness,
suddenly only darkness.
In the living room, in the broken yard,
in the back of the car as the lights go by. In the airport
bathroom's gurgle and flush, bathed in a pharmacy of
unnatural light,
my hands looking weird, my face weird, my feet too far away. — Richard Siken

It is impossible to describe the shock of return. I recall that I stood for the longest time staring at a neatly painted yellow line on a neatly formed cement curb. Yellow yellow line line. I pondered the human industry, the paint, the cement truck and concrete forms, all the resources that had gone into that one curb. For what? I could not quite think of the answer. So that no car would park there? Are there so many cars that America must be divided into places with and places without them? Was it always so, or did they multiply vastly, along with telephones and new shoes and transistor radios and cellophane-wrapped tomatoes, in our absence? — Barbara Kingsolver

Whenever I drive under a yellow light, I always kiss my finger and tap it on the roof of the car. — Jared Padalecki

How do you caution a fawn about a cigarette a motorist has just flipped from his car window into a patch of yellow grass, or tell a sparrow that winged creatures eventually plummet to earth? — James Lee Burke

The people were all busy in their cars, listening to the radio, so there was no one to smile at, so I just sent my love to the traffic lights. No one ever appreciates them, all day long, working so hard to turn red and yellow and green, right in time with us to make sure we don't crash into each other. If there was any tiny chance, even the tiniest chance, that they happened to be alive, I bet I was the first person ever to tell them they were special. You are special, I said out loud in my car, but in case they couldn't hear, I cracked my window open. "You are special," I said, to the night air.
And just like that, a green light. — Aimee Bender

Round a turn of the Qin Fortress winds the Wei River,
And Yellow Mountain foot-hills enclose the Court of China;
Past the South Gate willows comes the Car of Many Bells
On the upper Palace-Garden Road-a solid length of blossom;
A Forbidden City roof holds two phoenixes in cloud;
The foliage of spring shelters multitudes from rain;
And now, when the heavens are propitious for action,
Here is our Emperor ready-no wasteful wanderer. — Wang Wei

Lydia screamed. The car began to swerve all over the street. "YOU SON-OF-A-BITCH! I'LL KILL YOU!" She crossed the double yellow line at high speed, directly into oncoming traffic. Horns sounded and cars scattered. We drove on against the flow of traffic, cars approaching us peeling off to the left and right. Then just as abruptly Lydia swerved back across the double line into the lane we had just vacated. Where are the police? I thought. Why is it that when Lydia does something the police become nonexistent? — Charles Bukowski

I'd rather drive the yellow brick road, you wouldn't happen to know of a rental car place around. — Ryan Stiles