X Men Movie Quotes & Sayings

I mean to tell you, the Law's notion of justice is more cold-blooded than any outlaw I ever knew. And I mean 'outlaw,' not criminal. 'Criminal' doesn't distinguish between guys like men and the guys who own the banks and insurance companies and stock markets, who own the factories and coal mines and oil fields, who own the goddamn Law. I once said to John that being an outlaw was about the only way left for a man to hold on to his self-respect, and he said Ain't that the sad truth. The girls laughed along with us because they knew it wasn't a joke ... John got the publicity because he loved it ... he carried on like the whole thing was an adventure movie and he was Douglas Fairbanks. He wanted to to be a 'star.' That's how he was. Not me. I never even liked having my picture taken. All I ever wanted was to show the bastards who own the law that it didn't mean they owned me. — James Carlos Blake

I worked, long ago, in New York City, in construction, like many young men of the Mohawk Nation. I found that whites were often like us, and I could not hate them one at a time. But they do not know the earth or love it. They do not speak from the heart, usually. They do not act from the heart. They are more like the actors on the movie screen. They play roles. And their leaders are not like our leaders. They are not chosen for virtue, but for their skill at playing roles. Whites have told me this, in plain words. They do not trust their leaders, and yet they follow them. When we do not trust a leader, he is finished. Then, also, the leaders of the whites have too much power. It is bad for a man to be obeyed too often. But the worst thing is what I have said about the heart. Their leaders have lost it and they have lost mercy. They speak from somewhere else. They act from somewhere else. But from where? Like you, I do not know. It is, I think, a kind of insanity. — Robert Anton Wilson

There are comparatively few articles about whether men are happy or why their marriages also fail or how nice or not their bodies are, even the movie-star bodies. — Rebecca Solnit

We were so hungry for 'Sex and the City' that even though it was heightened and written by gay men, we just needed to see different women on television. Give us another movie. — Beth Littleford

Nobody sees the same movie. I'm sure there are people who saw Butch Cassidy and the Sundance Kid and thought "Finally a gay movie about men who really care about each other. Thank God!" That's not what I saw necessarily but I don't think any two people see the same movie. — Kevin Kline

Well, the movie isn't bad. For a while, I even told myself I liked it, even as it missed one mark after another. But in the end, it's shapeless and blandly apolitical, apart from its watered-down feminism. You see, Fey's Kim Baker - changed from Barker - transforms herself from a neophyte reporter, condescended to by male war correspondents, soldiers and Afghan officials, into a hard-charging political animal who speaks the language fluently and parties as hard as men. That's about as edgy as a sitcom. — David Edelstein

One would have a strong case for arguing that it was the men in her life - the lovers, the father, the directors, producers, critics - who destroyed it. And yet when you looked at the broad sweep they appeared more as agents, collectively, of a darker, wider force of ruin that pursued her. It was as if her epic beauty somehow angered the gods and drew down a suitably Promethean punishment; and the girl behind the beauty - the nice girl from Connecticut who at the end would wonder whether, if her life had been a movie, she would have been cast to play her part - found she had wandered off the lot into a Greek tragedy. [On Gene Tierney] — Paul Murray

Our first scene is sort of a reunion between the X-Men characters, which establishes everyone's relationship to one another, sort of like a recap for all those who have forgotten since the last movie. — Shawn Ashmore

I liked the fact that there were so many different representations of black women and black men in the movie. It wasn't like we all had the same agenda. — Sanaa Lathan

At one edge of the base, pressed between the fenceline and the sea, shimmered the pale archways and columns, the madrone and wind-shaped cypresses of the clifftop campus of College of the Surf. Against the somber military blankness at its back, here was a lively beachhead of drugs, sex, and rock and roll, the strains of subversive music day and night, accompanied by tambourines and harmonicas, reaching like fog through the fence, up the dry gulches and past the sentinel antennas, the white dishes and masts, the steel equipment sheds, finding the ears of sentries attentuated but ominous, like hostile-native sounds in a movie about white men fighting savage tribes. — Thomas Pynchon

No, I don't know why Bobby and Peter Farrelly bothered with a 'Three Stooges' movie, either. But if they're anything like some men I know, their love for Moe, Larry, and Curly (and an assortment of fourth bananas) is deep, abiding, and unembarrassable. In other words: How could the Farrellys not? — Wesley Morris

He tried not to love that she could recite scenes from Ghostbusters, that she liked kung fu movies and could name all of the original X-Men - because those seemed like reasons a guy would fall for a girl in a Kevin Smith movie. — Rainbow Rowell

It's crazy because people expect you to be funny all the time and every day is not a funny day. I go to funerals and people are like 'tell a joke' and 'say one of your lines in a movie.' It's a funeral, man! — Chris Tucker

If a movie makes it really big, they do the obvious thing, right? They make an amusement park ride out of it ... The connection is obvious. You get off, "Man, that was just like the movie! Only the movie had a storyline and characters, and that was a little more like a roller coaster." — Brian Regan

I feel like a lot of people talk about in rom-coms, there's the female best friend. There's all those archetypes in rom-coms. But even among a movie about man-children hanging out, there is always the one who's often the fat one, often the one with the beard, who is like the man-childest of them all. He's the one that eventually meets the fat girl or the quirky girl of the girl group of friends and really hits it off. — Jon Gabrus

I wrote an entire movie [Man up] about how important I think voices are, so it was funny. — Lake Bell

I saw [Chennai]. It had the usual Indian elements like autos, packed public buses, hassled traffic cops and tiny shops that sold groceries, fruits, utensils, clothes or novelty items. However, it did feel different. First, the sign in every shop was in Tamil. The Tamil font resembles those optical illusion puzzles that give you a headache if you stare at them long enough. Tamil women, all of them, wear flkowers in their hair. Tamil men don't believe in pants and wear lungis even in shopping districts. The city is filled with film posters. The heroes' pictures make you feel even your uncles can be movie stars. The heroes are fat, balding, have thick moustaches and the heroine next to them is a ravishing beauty. — Chetan Bhagat

I directed and produced Conviction, a movie about a man who spent 18 years in prison for a crime he didn't commit. I got to know Innocence Project co-founder Barry Scheck very well - he's a character in the movie - and I got very passionate about the cause. It's just so inherently dramatic. — Tony Goldwyn

Everyone looked like a broken-down movie extra, a withered starlet; disenchanted stunt-men, midget auto-racers, poignant California characters with their end-of-the-continent sadness, handsome, decadent, Casanova-ish men, puffy-eyed motel blondes, hustlers, pimps, whores, masseurs, bellhops
a lemon lot, and how's a man going to make a living with a gang like that? — Jack Kerouac

Why couldn't Mr. Darcy, in the first half hour of the movie, simply walk up to Elizabeth and say, "Hey, I like you. Do you want to go out on a date? And, by the way, I'm filthy rich." I'll tell you why. Because that would defeat the purpose of a chick flick, which is to entertain women and torture men. — David E. Clarke

The movie, (X-Men: Days of Future Past), illustrates a spiritual journey that involves going back in time. The Purpose of the journey is to find the core grievance and let it be healed. When the grievance is healed in Forgiveness, all future scenarios of conflict and destruction are also healed. It is not that they have been prevented in time; it is that we have come to the realization that there was no time in which they could have existed. In the Happy Dream, everything is resolved. It becomes harmonious and then disappears.
Wolverine is the agent strong enough to go back through time and ignite the mission of forgiveness. We can think of ourselves this way as well. We can imagine that our future self, or our higher Self, is orchestrating this whole thing for our awakening. We are just perceiving it in time, where we perceive ourselves to be. There is great love and compassion coming from the higher Self, the future self. — David Hoffmeister

We love being in business with Guillermo [Del Toro]and frankly that movie, if you look it up, did I think more business than the first X-Men, did more than Batman Begins, our first movie, did more than Superman Returns, The Fast and the Furious, Star Trek- so for a movie that was an original property that we made up it's done really well. — Thomas Tull

[Director Christopher] Nolan has not only crafted the best Batman movie, but arguably the second-best motion picture superhero narrative (topped only by the linked duo of Superman and Superman II ). For those who thought Spider-Man and X-Men had a lot to offer, wait till you see where this film goes ... Batman Begins is a strong re-start to a franchise that deserves better than it has often been accorded. — James Berardinelli

When I originally sold X-Men it was because I knew there was 40 years of stories. That was the point! Not only to do the movie and establish the characters, you know, you love the one you're doing. It was because there are all these great stories, what a wealth of drama. — Lauren Shuler Donner

The funny thing is, I've never really hurt myself in an action movie. I've done 'Wanted,' 'X-Men,' 'Welcome To The Punch,' even 'Trance' to a certain extent has little bits of action and stuff, but I've never really hurt myself at all - not even like a sprained ankle. — James McAvoy

Any man who'd make an X-rated movie ought to have to take his daughter to see it. — John Wayne

I had come to the point when I realized it was unlikely that my film career was going to move beyond a certain level of role. And I was - because I had graphic instances of it - handicapped by the success of Star Trek. A director would say, 'I don't want Jean-Luc Picard in my movie' - and this was compounded by X-Men as well. — Patrick Stewart

Her date was pleasant enough, but she knew that if her life was a movie this guy would be buried in the credits as something like "Second Tall Man". — Russell Beland

I love breasts. I love the female shape. It's crazy - you can have movie posters with men with machine guns but, oh, God forbid you show the nipples! That never ceases to amaze me. — Helena Christensen

In early autumn the farm recruiters arrived to sign up new workers, and the War Relocation Authority allowed many of the young men and women to go out and help harvest the crops. Some came back wearing the same shoes they'd left in and swore they would never go out there again. They said they'd been shot at. Spat on. Refused entrance to the local diner. The movie theater. The dry goods store. They said the signs in the windows were the same wherever they went: 'No Japs Allowed.' Life was easier, they said, on this side of the fence. — Julie Otsuka

Hairspray is the only movie I made that's subversive, because they're doing it in every high school in America. A man's playing a woman, and two men sing a love song to each other. — John Waters

There's a tendency today to absolve individuals of moral responsibility and treat them as victims of social circumstance. You buy that, you pay with your soul. It's not men who limit women, it's not straights who limit gays, it's not whites who limit blacks. What limits people is lack of character. What limits people is that they don't have the fucking nerve or imagination to star in their own movie, let alone direct it. — Tom Robbins

The fans of 'Speed' are very different from the fans of 'To Wong Foo,' which are different from 'Donnie Darko.' Look at the classics I've been in: 'No Country for Old Men' ... 'Little Miss Sunshine' ... 'Rain Man' was my first big studio movie! How lucky is that? — Beth Grant

Someone else is looking for him?"
"That's right, two men." Mrs. Brody softly laughed and said "They look just like those men in that alien movie. Dressed in black suits and sunglasses. They don't have much of a sense of humor though. When they came to my door, I asked them if they were seeking aliens and I assured them I wasn't one. They didn't laugh at my joke. — Linda Weaver Clarke

I did some writing for that movie. The remake of Planet of the Apes. I didn't write the script. But I wrote some lines that they ended up ... not using ... I wrote one line. I thought it would've been perfect. I don't know if anyone saw the movie. It's the scene where the ape general comes in. And they're trying to decide if they should attack right there, or wait until a little later. And I wrote: "Man these bananas are good!" But they didn't use it. I did all of that research. — Brian Regan

I mean if you two were to make love, that would be gay. Two men touching each other physically and emotionally ... erotically caressing each other ... on the hood of a car ... or the back of a movie theater ... — Kristen Schaal

I didn't invent the rainy day, man. I just own the best umbrella. That's one of my favorite lines of all time. It's from a movie called Almost Famous. I think what it means is that life is going to throw all kinds of stuff at you, good and bad. But all you can do is get out there and try to stay dry. — Valerie Thomas

I'll watch a movie only if it meets the following criteria: 1. It has to have at least two women in it. 2. Who talk to each other. 3. About something besides a man. — Alison Bechdel

I didn't think I was a humorless shrew in 'Knocked Up.' I think the women are just as funny as the men are in that movie. — Leslie Mann

I'M FRUSTRATED, because pop culture, music and movies glorify these types of police citizen altercations and promote an invincible attitude that continues to get young men killed in real life, away from safety movie sets and music studios. — Benjamin Watson

I remember when I saw 'X-Men' the first time, I was living in England as an exchange student, and my first boyfriend, who's an Englishman, made me watch the movie ... He was very jealous that I liked Hugh Jackman so much. — Tao Okamoto

I'm really excited to share the movie [Swiss Army Man] with people, so I'm glad that people are seeing it. And I want them to, because I think it's a really fun movie to experience sitting next to people. It makes it funnier. It makes it more comfortable. It makes it sweeter. — Paul Dano

The Hollywood image of the movie business is all about ambition and high achievers like James Cameron. But the British film industry is much more about men who wear cravats and work with model trains and hope another series of 'Thomas the Tank Engine' will be commissioned. — Peter Capaldi

That evening I sat across from Jeremy Bulloch and Jacob at the dinner table. I watched as Jeremy, who seemed to speak Jacob's silent language fluently, drummed his fingers up and down on the edge of the table, as if playing a piano. A delighted Jacob mimicked the actor's actions. My throat filled with tears. I met Ben's eyes across the table, where he sat straight with pride next to his son. He was enjoying the show just as much as I was. Jacob was in his element, interacting with an actor from his favorite movie. The other men at the table were part of the set: Mike, the owner of the comic book store, who had made the entire thing possible, and the Mandalorin Mercs, new friends of the little boy who had
become one of their own, a comrade in distress. — Mary Potter Kenyon

She touches me The jungle lights up with incinerating fire Looks like a flaming serpent I look into her eyes I see a movie flickering Car crashes People kicking corpses Men ripping their tracheas out and shaking them at the sky I think to myself: I don't want to survive this one I want to burn up in the wreckage Cooking flesh in the jungle — Henry Rollins

'Close Encounters of the Third Kind' is the best movie for a guy like me. A cerebral adventure. A moving story. A bunch of little green men. — Tom DeLonge

I'm here to tell you, though, ladies that the term "gold digger" is one of the traps we men set to keep you off our money trail; we created that term for you so that we can have all our money and still get everything we want from you without you asking for or expecting this very basic, instincual responsibility that men all over the world are obligated to assume and embrace ... KNOW THIS: It is your right to expect that a man will pay for your dinner, your movie ticket, your club entry fee, or whatever else he has to pay for in exhange for your time. — Steve Harvey

I was there when Sam Raimi showed Stan Lee the first cut of the first Spider-Man movie. I was on a couch next to Stan, watching how special effects had finally caught up to his imagination. It was insane. And I'm thinking, "He had to wait until he was 80 years old for that to happen." When they announced Powers and Jessica Jones, I thought, "Oh, that's nice!" — Brian Michael Bendis

I was a major fan of people in the industry, I was a major movie fan and I was just thrown into it. I was never a gregarious kind of a young man. I was very frightened. It was difficult to divorce myself from myself. — Tab Hunter

Nobody knew what he knew. The whirl of time, the true life inside him. This was his leverage, his only control. He watched his mother browning the flour, her hands rising sticky-white from the heavy-bottomed pan. He ran messages to steamship lines. He lay near sleep, falling into reverie, the powerful world of Oswald-hero, guns flashing in the dark. The reverie of control, perfection of rage, perfection of desire, the fantasy of night, rain-slick streets, the heightened shadows of men in dark coats, like men on movie posters. The dark had a power. — Don DeLillo