Wynton Marsalis Jazz Quotes & Sayings

Jazz music is the power of now. — Wynton Marsalis

When I came to New York, to Brooklyn, I met Alvin Ailey and Stanley Crouch and August Wilson. They were always putting things in a philosophical context. All the great jazz musicians did, too. There was always a sub-context to what they were saying about music even though they would be very down home and earthy. So I started to develop, in addition to my power and ability to simply hear, a way to place myself in a time. — Wynton Marsalis

Louis Armstrong is jazz. He represents what the music is all about. — Wynton Marsalis

Jazz is democracy in music. — Wynton Marsalis

My father is a jazz musician, so I grew up hearing jazz. My parents loved it, but I didn't like it. It went on for too long. Yes, I had certain teachers that really inspired me, like Danny Barker, and John Longo. And I had no idea that I would have any impact on jazz. — Wynton Marsalis

The thing in jazz that will get Bix Beiderbecke out of his bed at two o'clock in the morning, pick that cornet up and practice into the pillow for another two or three hours, or that would make Louis Armstrong travel around the world for fifty plus years non stop, just get up out of his sick bed, crawl up on the bandstand and play, the thing that would make Duke Ellington, the thing that would make Thelonious Monk, Miles Davis, Charlie Parker, Mary Lou Williams, the thing that would make all of these people give their lives for this, and they did give their lives, is that it gives us a glimpse into what America is going to be when it becomes itself. And this music tells you that it will become itself. And when you get a taste of that, there's just nothing else you're going to taste that's as sweet. — Wynton Marsalis

This is our bandstand. If you don't want to play, get up off the instrument and leave. — Wynton Marsalis

New Orleans had a great tradition of celebration. Opera, military marching bands, folk music, the blues, different types of church music, ragtime, echoes of traditional African drumming, and all of the dance styles that went with this music could be heard and seen throughout the city. When all of these kinds of music blended into one, jazz was born. — Wynton Marsalis

Jazz music is America's past and its potential, summed up and sanctified and accessible to anybody who learns to listen to, feel, and understand it. The music can connect us to our earlier selves and to our better selves-to-come. It can remind us of where we fit on the time line of human achievement, an ultimate value of art. — Wynton Marsalis

I noticed that religion gave some people a way to escape dealing with the world: "Things will be better when you die," the people of my grandma's generation said as they worked themselves to death. "God wants you to forgive and love those who do you wrong," some people said to shake off the shame of being unable to respond to the abuse they endured. The holier-than-thou faction found comfort in believing, "The rest of y'all are lost because you don't have a personal relationship with God - our God."
But art engages you in the world, not just the world around you but the big world, and not just the big world of Tokyo and Sydney and Johannesburg, but the bigger world of ideas and concepts and feelings of history and humanity. — Wynton Marsalis

People have taken time out of their day and spent their money to come sit down at a concert. And it's jazz music-it's not easy for them to get to it. I don't want them ever to feel that I'm taking their presence lightly. — Wynton Marsalis

Jazz music celebrates life! Human life; the range of it, the absurdity of it, the ignorance of it, the greatness of it, the intelligence of it, the sexuality of it, the profundity of it. And it deals with it. In all of its ... It deals with it! — Wynton Marsalis

And that's the soulful thing about playing: you offer something to somebody. You don't know if they'll like it, but you offer it. — Wynton Marsalis

And the thing about jazz, through all the business involved in practicing and improvement, it's always sweet: the improvement that you notice in the ability to express yourself, the feeling of playing, pushing yourself out into an open space through a sound, man. That's an unbelievable feeling, an uplifting feeling of joy to be able to express the range of what you feel and see, have felt and have seen. A lot of this has nothing to do with you. It comes from another time, another space. To be able to channel those things and then project them though an instrument, that's something that brings unbelievable joy. — Wynton Marsalis

If you didn't have the amalgam of Blacks and African-type sensibility and European sensibility, you wouldn't have jazz. Even in the negative and in the positive ways - if there was no slavery and the abolition of slavery, there would be no jazz. — Wynton Marsalis

It's really not a stretch. The checks and balances are the same. The drums are the executive branch. The jazz orchestra is the legislative branch. Logic and reason are like jazz solos. The bass player is the judicial branch. One our greatest ever is Milt Hinton, and his nickname is "The Judge." — Wynton Marsalis

it ain't as hard as picking cotton — Wynton Marsalis

Jazz celebrates older generations and not just the youth movement. When you 'sell' only to people of a certain age, you get cut off from the main body of experience. — Wynton Marsalis

Kenny G is not real jazz. I don't even think Wynton Marsalis is real jazz. I don't think Harry Connick Jr. is real jazz. If there is such a thing as real jazz, The Lounge Lizards is real jazz, Henry Threadgill is real jazz, Bill Frisell is real jazz, you know? — John Lurie

In Jazz, improvisation isn't a matter of just making any ol' thing up. Jazz, like any language, has its own grammer and vocabulary. There's no right or wrong, just some choices that are better than others. — Wynton Marsalis

Certain music, jazz in particular, has the ability to make you a better citizen of the world. It helps you expand your world view and gives you more confidence in your cultural achievements. Improvisational jazz teaches you about yourself while the swing in jazz teaches you how to work with others — Wynton Marsalis

The blues. It runs through all American music. Somebody bending the note. The other is the two-beat groove. It's in New Orleans music, it's in jazz, it's in country music, it's in gospel. — Wynton Marsalis

Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general. — Wynton Marsalis

When those who are educated using their education to exploit those who aren't. That's what the sub-prime scandal represents - people of education using it at the expense of others. At Jazz at Lincoln Center, we have 22 educational programs. Not just the word but the substance of education is guided by the arts. — Wynton Marsalis

As long as there is democracy, there will be people wanting to play jazz because nothing else will ever so perfectly capture the democratic process in sound. Jazz means working things out musically with other people. You have to listen to other musicians and play with them even if you don't agree with what they're playing. It teaches you the very opposite of racism and anti-Semitism. It teaches you that the world is big enough to accommodate us all. — Wynton Marsalis

My father was a teacher, my mama was a community worker, I taught in so many schools. So when you get that experience of how to communicate with younger people, put that hand on them and give them that old-school feeling, the maturity and adult, a lot of our kids just need the feeling of that love, and that's the frame of reference that I teach from and that's the frame of reference that all of our musicians in the Jazz at Lincoln Center. — Wynton Marsalis

Flexibility is an essential part of Jazz. It's what gives Jazz music the ability to combine with all other types of music and not lose its identity. — Wynton Marsalis

As a jazz musician, you have individual power to create the sound. You also have a responsibility to function in the context of other people who have that power also. — Wynton Marsalis

Benny Goodman's band was integrated before baseball. Even before it was physically integrated, music was integrated. Everyone listened to Armstrong and Ellington. The 20s was called the Jazz Age. It's part of being American. — Wynton Marsalis

Don't bullshit' just play. — Wynton Marsalis

There's the tradition in jazz of having the Battle of the Bands, and you do not want to get your head cut when you're playing. — Wynton Marsalis

To say that the Afro American created jazz doesn't mean anything bad about Anglo Americans, and I always teach my younger jazz musicians that at this point the entirety of the American tradition is your heritage, and you need to know it. — Wynton Marsalis

Music is always for the listener, but the first listener is always the musician — Wynton Marsalis

We created the spirituals. We created so much great music, jazz chief amongst our innovations, teaching us how to prize ourselves and how to speak to one another, that our kids don't know that achievement, there's no way in the world that could be good for us. — Wynton Marsalis

Jazz music creates so many phenomenal figures. — Wynton Marsalis

The history of jazz lets us know that this period in our history is not the only period we've come through together. If we truly understood the history of our national arts, we'd know that we have mutual aspirations, a shared history, in good times and bad. — Wynton Marsalis

But you listen to Coltrane and that's something human, something that's about elevation. It's like making love to a woman. It's about something of value, it's not just loud. It doesn't have that violent connotation to it. I wanted to be a jazz musician so bad, but I really couldn't. There was no way I could figure out to learn how to play. — Wynton Marsalis

To date, [Wynton] Marsalis has received a total of nine Grammy Awards; a Pulitzer Prize (the first ever awarded to a jazz musician) ... and twenty-nine honorary degrees, including Columbia, Brown, Princeton and Yale; the National Medal of Arts; and numerous awards from other countries. — Randy Sandke

He [Benny Carter] is all that every jazz musician the world over wants to be. He's performed 20,000 nights. How many shoes have been shined? How much mascara put on? Rouge? How many of those impossible bowties have been tied? How many love songs have been sung? How many dances have been danced? How many have passed to the sound of his music? It's been said that a man should not be forced to live up to his art. Benny Carter is one of the rare instances when we wonder whether the great art that a man has created can live up to him. — Wynton Marsalis

It has been difficult to hold onto many paintings but I have retained a few. Possibly the current favorite is titled 'Big Band' completed in 2005. It measures 13 feet x 9 feet. It has 18 nearly life size recognizable portraits of the biggest jazz stars that I knew and saw perform in the 1950s, '60s, '70s, '80s and includes Wynton Marsalis. — LeRoy Neiman

Jazz is not just 'Well, man, this is what I feel like playing.' It's a very structured thing that comes down from a tradition and requires a lot of thought and study. — Wynton Marsalis

It's harder to build than destroy. To build is to engage and change. In jazz, we call progressing harmonies changes. Changes are like obstacles on a speed course. They demand your attention and require you to be present. They are coming ... they are here ... and then they are gone. It's how life comes. Each moment is a procession from the future into the past and the sweet spot is always the present. Live in that sweet spot. Be present. — Wynton Marsalis

Today you go into make a modern recording with all this technology. The bass plays first, then the drums come in later, then they track the trumpet and the singer comes in and they ship the tape somewhere. Well, none of the musicians have played together. You can't play jazz music that way. In order for you to play jazz, you've got to listen to them. The music forces you at all times to address what other people are thinking and for you to interact with them with empathy and to deal with the process of working things out. And that's how our music really could teach what the meaning of American democracy is. — Wynton Marsalis

Jazz is not the kind of music you are going to learn to play in three or four years or that you can just get because you have some talent for music. — Wynton Marsalis

Because the blues is the basis of most American music in the 20th century. It's a 12-bar form that's played by jazz, bluegrass and country musicians. It has a rhythmic vocabulary that's been used by rock n' roll. It's related to spirituals, and even the American fiddle tradition. — Wynton Marsalis

Wynton Marsalis' skills have grown as fast as his ambition, and he is the most ambitious younger composer in Jazz. — Jon Pareles

I had to figure out how to survive in New York, and most of my time was occupied in getting an apartment and getting money. A lot of older jazz guys looked out for me and found me gigs and places to stay. — Wynton Marsalis

I worry more about the marketing that's taken hold since the 70s. The Jazz era, the Swing era, those were huge. Entire decades were named for music. In the 1940s - after World War II - changes in taxation, ballrooms closing, people moving to the suburbs, and the onset of target marketing and the confusion of commerce with art caused some things to happen as a result that have taken us away from jazz and what jazz offers us. — Wynton Marsalis

When I was 12, I began listening to John Coltrane and I developed a love for jazz, which I still have more and more each year. — Wynton Marsalis

Through improvisation, jazz teaches you about yourself. And through swing, it teaches you that other people are individuals too. It teaches you how to coordinate with them. — Wynton Marsalis

When I did the Abyssinian mass, I went through the whole history of the church music and the gospel music, even with the Anglo American hymns, the Afro American hymns, the spirituals and how it developed, up to Thomas Dorsey and the Dixie Hummingbirds, going through the history of the music, jazz musicians. — Wynton Marsalis

Nothing else will ever capture the democratic process in sound as perfectly as Jazz. — Wynton Marsalis

The black hole in democracy is integrity. The great unspoken is integrity. When integrity is not first and foremost, it's quite palpable but not visible. It's always there. Jazz highlights it because musicians and jazz always represented a high level of integrity. — Wynton Marsalis

Jazz comes from our way of life, and because it's our national art form, it helps us to understand who we are. — Wynton Marsalis

The real power of Jazz is that a group of people can come together and create improvised art and negotiate their agendas ... and that negotiation is the art — Wynton Marsalis

The first jazz musician was a trumpeter, Buddy Bolden, and the last will be a trumpeter, the archangel Gabriel. — Wynton Marsalis

Trumpet players are just belligerant, and cocky, and you know, just hard-headed. — Wynton Marsalis

Jazz music is the power of now. There is no script. It's conversation. The emotion is given to you by musicians as they make split-second decisions to fulfill what they feel the moment requires. — Wynton Marsalis

There's so much spirit of integration and democracy in jazz. — Wynton Marsalis

In the Jazz at Lincoln Center Orchestra we play such a diversity of music, with 10 arrangers in the band, we don't really worry about whether it's contemporary or not. — Wynton Marsalis

Grace Kelly plays with intelligence, wit and feeling. She has a great amount of natural ability and the ability to adapt. That is the hallmark of a first-class jazz musician. — Wynton Marsalis

Blues is like the roux in a gumbo. People ask me if jazz always has the blues in it. I say, if it sounds good it does. — Wynton Marsalis

The reason why the music [jazz] is important is because it's an art form-an ancient art form-that takes in the mythology of our people. — Wynton Marsalis