Quotes & Sayings About Written Expression

Music written by teams makes the authorship of a piece indistinct. Could it be that when hearing a song written by a team, a listener can sense that they aren't hearing an expression of a solitary individual's pain or joy, but that of a virtual conjoined person? Can we tell that an individual singer might actually represent a collective, that he might have multiple identities? Does that make the sentiments expressed more poetically universal? Dan eliminating some portion of the authorial voice make a piece of music more accessible and the singer more empathetic? — David Byrne

We have the tools, the intellect, the will to create a caring global culture. It isn't going to come without a recognition of the power of the psychedelic experience. The psychedelic experience is the birth right of every human being on the planet. It is as much a basic part of each and every one of us as our sexuality, our national identity, our consciousness of self. And any society which attempts to hold back or impede this dimension of self-expression, when the history of that society is written, it will be called barbarous. — Terence McKenna

From the confusion in his expression, she sensed it was a hopeless question. He did not know. Years of hate and obsession had twisted and poisoned him, had wrung from him every surviving drop of humanity. — Stephen Lloyd Jones

Every novel I've written has been about finding stuff out. I'm motivated much more by curiosity than by self-expression. — Jane Smiley

Robin was a great kid. Smarter than her father at eight years old. She liked the oddest things. Like the instructions for a toy more than the toy itself. The credits of a movie instead of the movie. The way something was written. An expression on my face. Once she told me I looked like the sun to her, because of my hair. I asked her if I shined like the sun, and she told me, 'No, Daddy, you shine more like the moon, when it's dark outside. — Josh Malerman

The censor is always quick to justify his function in terms that are protective of society. But the First Amendment, written in terms that are absolute, deprives the States of any power to pass on the value, the propriety, or the morality of a particular expression. — William O. Douglas

The inhabitants of England in the age of Chaucer commonly used an expression, to be in hide and hair, meaning to be lost or beyond discovery. But then it disappears from the written record for four hundred years before resurfacing, suddenly and unexpectedly, in America in 1857 as neither hide nor hair. It is dearly unlikely that the phrase went into a linguistic coma for four centuries. So who was quietly preserving it for four hundred years, and why did it so abruptly return to prominence in the sixth decade of the nineteenth century in a country two thousand miles away? — Bill Bryson

My goal is to act as a faithful interpreter, preserving as much of the original's nuances of meaning as possible without embellishment or omission. Yet a translator must also balance fidelity to the source, aptness of expression, and beauty of style. The best translations into English do not, in fact, read as if they were originally written in English. The English words are arranged in such a way that the reader sees a glimpse of another culture's patterns of thinking, hears an echo of another language's rhythms and cadences, and feels a tremor of another people's gestures and movements. — Ken Liu

I don't think the role of style is different for a woman of any age. Style, to me, is about experimenting with what gives you pleasure, a joyous expression of imagination. I emphasize joyous because too much is written about fashion that takes the pleasure away - clothes that make you look thinner or clothes that make you look younger or, horrors, clothes that make other people envy you or that - double horrors - are "age appropriate". — Elizabeth Heyert

In an ideal world, the time English speakers devote to steeling themselves against, and complaining about, things like Billy and me, singular they, and impact as a verb would be better spent attending to genuine matters of graceful oral and written expression. — John McWhorter

I believe that any form of writing exercise is good for you. I also believe that any form of tuition which helps develop your awareness of the different properties, styles, and effects of writing is good for you. It helps you become a better reader, more sensitive to nuance, and a better writer, more sensitive to audience. Texting language is no different from other innovative forms of written expression that have emerged in the past. It is a type of language whose communicative strengths and weaknesses need to be appreciated. — David Crystal

Many writing texts caution against asking friends to read your stuff, suggesting you're not apt to get a very unbiased opinion[.] ... It's unfair, according to this view, to put a pal in such a position. What happens if he/she feels he/she has to say, "I'm sorry, good buddy, you've written some great yarns in the past but this one sucks like a vacuum cleaner"?
The idea has some validity, but I don't think an unbiased opinion is exactly what I'm looking for. And I believe that most people smart enough to read a novel are also tactful enough to find a gentler mode of expression than "This sucks." (Although most of us know that "I think this has a few problems" actually means "This sucks," don't we?) — Stephen King

The wisdom of samadhi is quite different. Higher level wisdom cannot be written down. It cannot be spoken. True wisdom is the knowledge of the universe that is beyond physical expression. — Frederick Lenz

The bond between book reader and book writer has always been a tightly symbiotic one, a means of intellectual and artistic cross-fertilization. The words of the writer act as a catalyst in the mind of the reader, inspiriting new insights, associations, and perceptions, sometimes even epiphanies. And the very existence of the attentive, critical reader provides the spur for the writer's work. It gives the author confidence to explore new forms of expression, to blaze difficult and demanding paths of thought, to venture into uncharted and sometimes hazardous territory. "All great men have written proudly, nor cared to explain," said Emerson. "They knew that the intelligent reader would come at last, and would thank them. — Nicholas Carr

True worth is as inevitably discovered by the facial expression, as its opposite is sure to be clearly represented there. The human face is nature's tablet, the truth is certainly written thereon. — Johann Kaspar Lavater

In the rare moments I permitted any stillness, I noted a small fluttering at the pit of my belly, a barely perceptible disturbance. The faint whisper of a word would sound in my head: writing. At first I could not say whether it was heartburn or inspiration. The more I listened, the louder the message became: I needed to write, to express myself through written language not only so that others might hear me but so that I could hear myself. The gods, we are taught, created humankind in their own image. Everyone has an urge to create. Its expression may flow through many channels: through writing, art, or music or through the inventiveness of work or in any number of ways unique to all of us, whether it be cooking, gardening, or the art of social discourse. The point is to honor the urge. To do so is healing for ourselves and for others; not to do so deadens our bodies and our spirits. When I did not write, I suffocated in silence. — Gabor Mate

A man is likewise form and expression, a written sign thrown unto boundless matter, an undifferentiated word of what is. I've therefore been created in the image of the inscriptions that, as a child, I used to project unto my bits of bone, stone, wood, and iron, probably even in the image of a single one of their words, a single one of their letters. — Mohammed Dib

philosophy is not a lexicon, it is not concerned with "word-meanings", it does not seek a verbal substitute for the world we see, it does not transform it into something said, it does not install itself in the order of the said or of the written as does the logician in the proposition, the poet in the word, or the musician in the music. It is the things themselves, from the depths of their silence, that it wishes to bring to expression. — Maurice Merleau Ponty

That there would be a political advantage in having the declaration written by a Virginian was clear, for the same reason there had been political advantage in having the Virginian Washington in command of the army. But be that as it may, Jefferson, with his "peculiar felicity of expression," as Adams said, was the best choice for the task, just as Washington had been the best choice to command the Continental Army, and again Adams had played a key part. Had his contributions as a member of Congress been only that of casting the two Virginians in their respective, fateful roles, his service to the American cause would have been very great. — David McCullough

Improvisation was the blood and bone of jazz, and in the classic, New Orleans jazz it was collective improvisation in which each performer, seemingly going his own melodic way, played in harmony, dissonance, or counterpoint with the improvisations of his colleagues. Quite unlike ragtime, which was written down in many cases by its composers and could be repeated note for note (if not expression for expression) by others, jazz was a performer's not a composer's art. — Russell Lynes

Does Britannia, when she sleeps, dream? Is America her dream?
in which all that cannot pass in the metropolitan Wakefulness is allow'd Expression away in the restless Slumber of these Provinces, and on West-ward, wherever 'tis not yet mapp'd, nor written down, nor ever, by the majority of Mankind, seen,
serving as a very Rubbish-Tip for subjunctive Hopes, for all that may yet be true,
Earthly Paradise, Fountain of Youth, Realms of Prester John, Christ's Kingdom, ever behind the sunset, safe til the next Territory to the West be seen and recorded, measur'd and tied in, back into the Net-Work of Points already known, that slowly triangulates its Way into the Continent, changing all from subjunctive to declarative, reducing Possibilities to Simplicities that serve the ends of Governments,
winning away from the realm of the Sacred, its Borderlands one by one, and assuming them unto the bare mortal World that is our home, and our Despair. — Thomas Pynchon

Every man's own character is written so all who will may read it, in the expression of his eyes, the tone of his voice, the posture of his body, the style of his clothes, and the nature of his deeds! — Napoleon Hill

We could finally put our seduction tactics to good use." He danced around twirling a fire poker. "Me, me, me. I'll do it. I'm so up for personal bodyguard boyfriend. This job has my name written all over it!"
My immediate "No!" was echoed by the rest of the boys.
"Babe." Blake walked towards me with open arms. "It'll be fun!"
I scooted over the back of the couch.
"Down boy." Ayden shoved him off course.
I shrugged and tried to look disappointed at Blake's wounded expression. "You're just too much man for me."
He nodded knowingly. — A&E Kirk

As a child Valentine's Day was fun. You got to design your own little heart-laden box to accept all your classmate's Valentine's. Then you'd get to fill in the To: and From: fields on your G.I. Joe cards (because nothing says "Be Mine" like Snake Eyes). I remember each time taking extra special care when filling out a card for the girl who I happened to like that particular year. When the day arrived and cards were exchanged I would rifle through my haul finding the one from whichever girl it was and kept it apart from the others. It was special even though I'm sure she'd written the exact same thing on mine that she'd written on everyone else's. No matter, love was given and received. Valentine's Day was for a young boy not yet mature enough to express his affections and for him to hold fast to even a token expression from the object those affections. — Aaron Blaylock

The beliefs and behaviour of the Restoration reflect the theories of society put forward by Thomas Hobbes in The Leviathan, which was written in exile in Paris and published in 1651. Like many texts of the time, The Leviathan is an allegory. It recalls mediaeval rather than Renaissance thinking. The leviathan is the Commonwealth, society as a total organism, in which the individual is the absolute subject of state control, represented by the monarch. Man - motivated by self-interest - is acquisitive and lacks codes of behaviour. Hence the necessity for a strong controlling state, 'an artificial man', to keep discord at bay. Self-interest and stability become the keynotes of British society after 1660, the voice of the new middle-class bourgeoisie making itself heard more and more in the expression of values, ideals, and ethics. — Ronald Carter

Writing is not about ideas, it is about the expression of ideas - a written expression. — Paul Raymond Martin

Katrina held Bram in her arms, speaking softly, reassuringly, as they approached baby Modoc.
This was an important moment, a beginning, for she knew the boy would spend his life with animals, especially elephants, and the meeting was of utmost importance. Neither the elephant nor the baby said a word. All was quiet as they looked at each other. Mo's small trunk wormed its way up, reaching to the baby. As Bram leaned over, his little hand pulled loose from Katrina's grasp found its way down toward the trunk. A finger extended to meet the tip of the trunk. Bram's expression was one of curiosity; he felt the wet tip, Modoc moved her "finger" all around Bram's hand, sliding it across each finger and the palm. A big tickle grin spread across Bram's face, Modoc did her elephant "chirp," a tear glistened as it ran down Katrina's face. All was well. The future had been written. — Ralph Helfer

Though determinants and matrices received a great deal of attention in the nineteenth century and thousands of papers were written on these subjects, they do not constitute great innovations in mathematics ... Neither determinants nor matrices have influenced deeply the course of mathematics despite their utility as compact expressions and despite the suggestiveness of matrices as concrete groups for the discernment of general theorems of group theory ... — Morris Kline

I'd be very suspicious of anybody that seems to have to move to the next level of expression. I distrust that: now I'm writing a book, now I'm being an actor. It should be a natural thing. I think it's a natural thing for you to act. But I think that people that feel that, because they've written one maybe quite beautiful love song that equips them to play Romeo, is probably misguided. — Elvis Costello

We can see nothing whatever of the soul unless it is visible in the expression of the countenance; one might call the faces at a large assembly of people a history of the human soul written in a kind of Chinese ideograms. — Georg C. Lichtenberg

Remember picture books are the closest form of writing to a poem. Even though they don't have to rhyme, they must be poetic. They must be written so the worst actress can read with comfort and expression. — Kirby Larson

For the critic, criticism is a form of natural self-expression, as poetry is to the poet. So, for a critic, criticism is a true thing. Criticism isn't written for poets, it's written for other readers. One hopes it is true for other readers if it's true for oneself. — Helen Vendler

I wonder if art divorced from normal and conventional living is as vital as art combined with living: in a word, would marriage sap my creative energy and annihilate my desire for written and pictorial expression which increases with this depth of unsatisfied emotion ... or would I achieve a fuller expression in art as well as in the creation of children? — Sylvia Plath

would seem as though language is the only predestination of man, and that he is created to bring it forth as his fruit. Man frets until he has given external expression to that which works within. Written language is like a mirror which it is necessary to have in order that man may know himself and be sure that he exists. So long as he does not see himself in his works he is not sure that he lives. The soul, like the body, has its ripe age. — Alphonse De Lamartine

Sometime look at a novice workman or a bad workman and compare his expression with that of a craftsman whose work you know is excellent and you'll see the difference. The craftsman isn't ever following a single line of instruction. He's making decisions as he goes along. For that reason he'll be absorbed and attentive to what he's doing even though he doesn't deliberately contrive this. His motions and the machine are in a kind of harmony. He isn't following any set of written instructions because the nature of the material at hand determines his thoughts and motions, which simultaneously change the nature of the material at hand. The material and his thoughts are changing together in a progression of changes until his mind's at rest at the same time the material's right. — Robert M. Pirsig

Surely those who know the great passionate heart of Jehovah must deny their own loves to share in the expression of His. Consider the call from the Throne above, "Go ye," and from round about, "Come over and help us," and even the call from the damned souls below, "Send Lazarus to my brothers, that they come not to this place." Impelled, then, by these voices, I dare not stay home while Quichuas perish. So what if the well-fed church in the homeland needs stirring? They have the Scriptures, Moses, and the Prophets, and a whole lot more. Their condemnation is written on their bank books and in the dust on their Bible covers. American believers have sold their lives to the service of Mammon, and God has His rightful way of dealing with those who succumb to the spirit of Laodicea. — Jim Elliot

I verily believe that the kingdom of God advances more on spoken words than it does on essays written and read; on words, that is, in which the present feeling and thought of the teaching mind break into natural and forceful expression. — Richard Salter Storrs

You must not pay too much attention to opinions. The written word is unalterable, and opinions are often only an expression of despair. — Franz Kafka

That's how, on the second-to-last day of the job, the convict crew that tarred the plate-factory roof in 1950 ending up sitting in a row at ten o'clock on a spring morning, drinking Black Label beer supplied by the hardest screw that ever walked a turn at Shawshank Prison. That beer was piss-warm, but it was still the best I ever had in my life. We sat and drank it and felt the sun on our shoulders, and not even the expression of half-amusement, half-contempt on Hadley's face - as if he was watching apes drink beer instead of men - could spoil it. It lasted twenty minutes, that beer-break, and for those twenty minutes we felt like free men. We could have been drinking beer and tarring the roof of one of our own houses. — Stephen King

Burning the flag is a form of expression. Speech doesn't just mean written words or oral words. It could be semaphore. And burning a flag is a symbol that expresses an idea - I hate the government, the government is unjust, whatever. — Antonin Scalia

During the year 1894, Pierre Curie wrote me letters that seem to me admirable in their form. No one of them was very long, for he had the habit of concise expression, but all were written in a spirit of sincerity and with an evident anxiety to make the one he desired as a companion know him as he was. — Marie Curie

I am proud to state that every national Jewish organization we support enforces non-discrimination practices around sexual orientation and that more than 70 percent have written policies in place covering gender identity and expression. — Lynn Schusterman

For a while there, I was a stringer. The expression comes from the old habit of stringing together the column inches that you had written. They'd measure it and pay you 10 cents an inch for your printed copy. — Charles Kuralt

Algebra reverses the relative importance of the factors in ordinary language. It is essentially a written language, and it endeavors to exemplify in its written structures the patterns which it is its purpose to convey. The pattern of the marks on paper is a particular instance of the pattern to be conveyed to thought. The algebraic method is our best approach to the expression of necessity, by reason of its reduction of accident to the ghostlike character of the real variable. — Alfred North Whitehead

I have heard people say that the short story was one of the most difficult literary forms, and I've always tried to decide why people feel this way about what seems to me to be one of the most natural and fundamental ways of human expression. After all, you begin to hear and tell stories when you're a child, and there doesn't seem to be anything very complicated about it. I suspect that most of you have been telling stories all your lives, and yet here you sit - come to find out how to do it.
Then last week, after I had written down some of these serene thoughts to use here today, my calm was shattered when I was sent seven of your manuscripts to read.
After this experience, I found myself ready to admit, if not that the short story is one of the most difficult literary forms, at least that it is more difficult for some than for others. — Flannery O'Connor

I squeezed her hand and said nothing. I knew little about Keats or his poetry, but I thought it possible that in his hopeless situation he would not have wanted to write precisely because he loved her so much. Lately I'd had the idea that Clarissa's interest in these hypothetical letters had something to do with our own situation, and with her conviction that love that did not find its expression in a letter was not perfect. In the months after we'd met, and before we'd bought the apartment, she had written me some beauties, passionately abstract in the ways our love was different from and superior to any that had ever existed. Perhaps that's the essence of a love letter, to celebrate the unique. I had tried to match her, but all that sincerity would permit me were the facts, and they seemed miraculous enough to me: a beautiful woman loved and wanted to be loved by a large, clumsy, balding fellow who could hardly believe his luck. — Ian McEwan

As a man has no right to kill one of his children if it is diseased or insane, so a man who has made the gradual and conscious expression of his personality in literature the aim of his life, has no right to suppress himself any carefully considered work which seemed good enough when it was written. Suppression, if it is deserved, will come rapidly enough from the same causes that suppress the unworthy members of a man's family. — John Millington Synge

On their faces an expression like the letters of a legend, written around the base of a statue praising duty, gratitude, fidelity, love of England ... — Virginia Woolf

The Internet is transient. Information can be removed with a couple of mouse-clicks; it is an Orwellian dream. We have been advised, by people who claim to know about these things, that there is no point in protesting against a social network. Whoever owns the network will run it as they see fit, normally to maximize their profit margin. Members who dispute the rules will simply be thrown out. The Terms of Use are written so as not to allow them any recourse. — G.R. Reader

For the various spiritual forms of the imagination have a natural affinity with certain sensuous forms of art - and to discern the qualities of each art, to intensify as well its limitations as its powers of expression, is one of the aims that culture sets before us. It is not an increased moral sense, an increased moral supervision that your literature needs. Indeed, one should never talk of a moral or an immoral poem - poems are either well written or badly written, that is all. And, indeed, any element of morals or implied reference to a standard of good or evil in art is often a sign of a certain incompleteness of vision, often a note of discord in the harmony of an imaginative creation; for all good work aims at a purely artistic effect. 'We must be careful,' said Goethe, 'not to be always looking for culture merely in what is obviously moral. Everything that is great promotes civilisation as soon as we are aware of it. — Oscar Wilde

There is a vast expanse of time before the Norman Conquest in 1066, from which fragments of literary texts remain, although these fragments make quite a substantial body of work. If we consider that the same expanse of time has passed between Shakespeare's time and now as passed between the earliest extant text and 1066, we can begin to imagine just how much literary expression there must have been. But these centuries remain largely dark to us, apart from a few illuminating flashes and fragments, since almost all of it was never written down, and since most of what was preserved in writing was destroyed later, particularly during the 1530s. — Ronald Carter

Within twenty years at the most, he reflected, the huge and simple question, "Was life better before the Revolution than it is now?" would have ceased once and for all to be answerable. But in effect it was unanswerable even now, since the few scattered survivors from the ancient world were incapable of comparing one age with another. They remembered a million useless things, a quarrel with a workmate, a hunt for a lost bicycle pump, the expression on a long-dead sister's face, the swirls of dust on a windy morning seventy years ago; but all the relevant facts were outside the range of their vision. They were like the ant, which can see small objects but not large ones. And when memory failed and written records were falsified - when that happened, the claim of the Party to have improved the conditions of human life had got to be accepted, because there did not exist, and never again could exist, any standard against which it could be tested. — George Orwell

Folding his arms, Mg. Thane leaned against the table and asked, "What is the story written on?"
"What sort of question is that?"
"The kind you should answer."
Ceony's eyes narrowed. His tone carried an air of chastisement, but his expression seemed lax enough. "It's obviously written on paper."
Mg. Thane snapped his fingers. "There we are! And paper is your domain now. So make it mean something. And calm down," he said, almost as an afterthought. — Charlie N. Holmberg

I believe in the freedom of expression, unequivocally - though, as I have written before, I wish more people would understand that freedom of expression is not freedom from consequence. — Roxane Gay

[Jesus] tilted His head back, pulled up one last time to draw breath and cried, "Tetelestai!" It was a Greek expression most everyone present would have understood. It was an accounting term. Archaeologists have found papyrus tax receipts with "Tetelestai" written across them, meaning "paid in full." With Jesus' last breath on the cross, He declared the debt of sin cancelled, completely satisfied. Nothing else required. Not good deeds. Not generous donations. Not penance or confession or baptism or ... or ... or ... nothing. The penalty for sin is death, and we were all born hopelessly in debt. He paid our debt in full by giving His life so that we might live forever. — Charles R. Swindoll

Thomas make it easy to cave to temptation with his golden - blond hair, muscle from head to toe and sexy brooding expression a few girls have written about in poems. — Katie McGarry

He's often wished that he could capture the full essence of each woman's laugh on canvas, but he settles instead, on watching how, when a woman chuckles, her head moves slightly to the left or right so that the light grazes it at a new angle and creates a new pattern of highlight and shadow. It's this subtle shifting that he finds astounding - how everything and nothing can be written on a face through its lines, through the way skin around the eyes crinkle or how the shifting of a mouth belies joy or sarcasm or simple placation. He wonders what Vermeer might have said to that girl with the pearl earring, what words could have stirred in her that wanton expression, because even amateurs understand that faces allow an entry point and that negative space is the key to any good painting: what isn't included is sometimes more important than what is. — Adam Gallari

The golden era of the golden number was the Italian renaissance. The expression divine proportion was coined by the great mathematician Luca Pacioli in his book 'De divina proportione', written in 1509. — Midhat Gazale

Johnson's comprehension of mind was the mould for his language. Had his conceptions been narrower, his expression would have been easier. His sentences have a dignified march; and, it is certain, that his example has given a general elevation to the language of his country, for many of our best writers have approached very near to him; and, from the influence which he has had upon our composition, scarcely any thing is written now that is not better expressed than was usual before he appeared to lead the national taste. — Samuel Johnson

Human beings across every culture I know about require such stories, stories with cool winds and wood smoke. They speak to something deep within us, the capacity to conceptualize, objectify and find patterns, thereby to create the flow of events and perceptions that find perfect expression in fiction. We are built this way, we create stories by reflex, unstoppably. But this elegant system really works best when the elements of the emerging story, whether is is being written or being read, are taken as literal fact. Almost always, to respond to the particulars of the fantastic as if they were metaphorical or allegorical is to drain them of vitality. — Peter Straub