Writing To An Audience Quotes & Sayings

What is competent writing? Competent writing is writing that efficiently describes ideas and concepts to an audience, using a grammar that the audience can understand. — John Scalzi

When my head is in the typewriter the last thing on my mind is some imaginary reader. I don't have an audience; I have a set of standards. But when I think of my work out in the world, written and published, I like to imagine it's being read by some stranger somewhere who doesn't have anyone around him to talk to about books and writing - maybe a would-be writer, maybe a little lonely, who depends on a certain kind of writing to make him feel more comfortable in the world. — Don DeLillo

Our audience holds us to an incredibly high standard of continuity and emotional authenticity. We don't toy with that, but oftentimes we write stories, in order to spark debate. We're very determined to always give the answer. We don't want to leave a lot of things open to debate, at the end of the day. — Jeff Pinkner

Once 'Walk Two Moons' received the Newbery Medal, I decided to write full-time. Partly because there seemed to be an audience out there who wanted to read what I wanted to write, and partly because I could now support myself financially through writing. — Sharon Creech

I realized that if you're trying to reach an audience, being as subjective as possible and really trying to write from something genuine is the way to go. Really it's mostly from my own process, my own experience. — Christopher Nolan

Historically, WordPress has been purely focused on the writing side. However, we're thinking about mobile completely differently, and I think there's a big opportunity to take the community of creators that loves WordPress and deliver an audience to the amazing things they're making. — Matt Mullenweg

To write about the monstrous sense of alienation the poet feels in this culture of polarized hatreds is a way of staying sane. With the poem, I reach out to an audience equally at odds with official policy, and I celebrate our mutual humanness in an inhuman world. — Maxine Kumin

I believe that if a child has a feel for writing and wants to write, there is an audience. Children should just dive in and go at it. I would encourage children to write about themselves and things that are happening to them. It is a lot easier and they know the subject better if they use something out of their everyday lives as an inspiration. Read stories, listen to stories, to develop an understanding of what stories are all about. — Jean Craighead George

[Writing] books is really fun because your "voice" is pretty undiluted. There is a very direct connection between yourself and your audience. You will have an editor, but their job is to help you clarify or improve your voice, not change it. — Liz Tuccillo

I don't write about sex because it's not really my subject. I love it when other people write about it, but it's not my subject, and I don't want anyone I've had sex with to write about it. Plus, you're in front of an audience, and they picture wherever you're writing about. I'm 52; no one in the audience wants to picture that. — David Sedaris

I don't know why he [Darren Star] is so good at writing for women. Maybe he just likes women. I'm not quite sure what the magic recipe is, other than he just knows how to entertain an audience, and he knows when to be gooey and sweet, and when to be provocative and naughty. — Sutton Foster

I seek to take my audience on an emotional roller-coaster ride, a journey of laughter and tears and every sentiment in between. — Marc Royston

We know that those things to which we have an emotional connection stick with us better than those for which we have none. Dramatization is a way to get your intellectual ideas across to your audience emotionally. — Brian McDonald

I knew that I was writing for an American audience and that if I sold foreign rights, they would retranslate the book to make it make sense to that language. But one thing that was really important to me was not to italicize any of the words in the languages that were in the stories, because I feel like those foreign words felt just as important and integral to the story as everything else, so I wanted it all to just exist as its own thing. — Molly Antopol

I've always had great satisfaction out of writing the plays. I've not always had great satisfaction out of seeing them produced-although often I've had satisfaction there. When things go well in production, on opening there's no nicer feeling in the world-what could be nicer than watching an audience respond? You can't that from a book. It's a fine feeling to walk into the theater and see living people respond to something you've done. — Lillian Hellman

An author needs a lot more than one person to succumb to his literary seductive charms, but, like Saul, he must realize that he doesn't have to
and indeed cannot
capture the hearts of every possible reader out there. No matter who the writer, his ideal intended audience is only a small faction of all the living readers. Name the most widely read authors you can think of
from Shakespeare, Austen, and Dickens to Robert Waller, Stephen King, and J.K. Rowling
and the immense majority of book-buyers out there actively decline to read them. — Thomas McCormack

Suppose that a person writes what she must. That is only the first step of becoming a writer. The work must survive the moment of creation. It must get out to an audience. She or he must dare to show the work. She must risk ridicule, misunderstanding, scandal, condemnation, & what's often worse, none of the above: silence. No attention at all. — Marge Piercy

I think artists are scared to have same-gendered pronouns in their writing, and I don't think it's because they're scared to be out, because gay artists are visible, but they don't want to alienate an audience. — Mary Lambert

But I have long loved the written word, and come to see in it the power of the sleeping lion. This is my name. This is who I am. This is how I got here. In the absence of an audience, I will write down my story so that it waits like a restful beast with lungs breathing and heart beating. — Lawrence Hill

No matter how many times people say it - 'Oh, I'm just writing this for myself' 'Oh, I'm just doing this for myself' - nobody's doing it for themselves! You're doing it for an audience. So whether I'm performing or writing a book or playing music, it's definitely to be put out there and to be received in some way, definitely. — Steve Martin

When I set out to write a screenplay, I have in my mind a beginning and an end but that end part continually changes as I start to write the middle. That way by the time the screenplay is finished I have taken myself and my audience from a familiar beginning point through the story to an unfamiliar ending point. — Christian Keiber

Everything has become so pop-rock oriented that finding a role for a soprano, and finding an audience for a soprano, is tricky. Unless you're dealing with a revival, which is why I do so many revivals - because my specific tone and vocal quality lends itself to that type of writing. — Laura Benanti

My work is very dear to me, and certainly I have had all the emotional highs and lows that go with trying to get it to an audience. But I do have some kind of detachment that seems somewhat unusual in my trade. I'm a writer who writes every day. I don't have a period of months where I can't get anything done and I wander around tearing my hair out. When I come back from a book tour, for instance, I might have one day where I sleep late and then check my e-mail, and then go for a walk, and then the next day I'm really itching to get back at writing a story. — Daniel Handler

When I write songs I write for myself ... I'm writing it as a form of expression, and hoping to find an audience, an audience that responds to music that is honest and lyrical and tells stories. — Patti Scialfa

Clear writing is universal. People talk about writing down to an audience or writing up to an audience; I think that's nonsense. If you write in a way that is clear, transparent, and elegant, it will reach everyone. — Malcolm Gladwell

It's funny when you start writing an album and then recording - the songs begin to take on a spirit of their own. Once you start to perform it live, this happens even more so than in the studio. They really start to develop a personality that takes shape over time with the audience. — Matt Shultz

Okay, I said, what's so hot about playing the piano?
She told me that the most important thing was to establish the tenderness right off the bat, or at least close to the top of the piece, just a hint of it, a whisper, but a deep whisper because the tension will mount, the excitement and the drama will build - I was writing it down as fast as I could - and when the action rises the audience might remember the earlier moment of tenderness, and remembering will make them long to return to infancy, to safety, to pure love, then you might move away from that, put the violence and agony of life into every note, building, building still, until there is an important decision to make: return to tenderness, even briefly, glancingly, or continue on with the truth, the violence, the pain, the tragedy, to the very end. — Miriam Toews

Regarding pushing the form, ideas interest me more than form. I think you can write a very subversive play in a three-act structure. The content makes the play. I feel the form is simply dressing, because ultimately, you want to communicate to the audience, and sometimes the best way to do that is to present a provocative idea in a format that is comfortable for them to receive. Then the idea will come through directly, right in solar plexus. After all, I want to make a living as an artist, and that means speaking to the audience in a form they can understand. — Caridad Svich

Not to have an audience is a kind of death. — Tillie Olsen

Making people laugh is so much more difficult than making them sad. Too much fiction defaults to the somber, the tragic. This is because sad endings are easy in comparison - happy endings aren't at all simple to earn, especially when writing to an audience jaded by them. — Stephen Graham Jones

I'm speaking to someone I'm trying to get to fall in love with me. I'm trying to speak intimately to one person. That should be clear. I'm not speaking to an audience. I'm not writing for the podium. I'm just writing, trying to write in a fairly quiet tone to one other reader who is by herself, or himself, and I'm trying to interrupt some silence in their life, which is utterance. — Billy Collins

Write as if you were dying. At the same time, assume you write for an audience consisting solely of terminal patients. That is, after all, the case. What would you begin writing if you knew you would die soon? What could you say to a dying person that would not enrage by its triviality? — Annie Dillard

Writing comedy is an exposing thing because you're putting yourself on the line with every joke you write, and although you can't second-guess an audience, if you want to be successful, you have to write stuff people like. — Catherine Tate

She did not think it any coincidence that ideas denigrating literary authorship had taken center stage simultaneously with the emergence of formerly silent voices for whom the act of writing, and publishing, had the deepest and most delicious possible meaning, simultaneously with the emergence of an audience for whom the act of thinking and writing was an act of skeptical anger, sometimes a transitional act to violence. — Jane Smiley

If you are writing a story and trying to draw an audience to come and hear you tell it, it's got to in some way relate to them. Who wants to come and hear about your specific problems? It's not therapy - it's supposed to be a communal piece of entertainment. — Matt Damon

I hope any poem I've ever written could stand on its own and not need to be a part of biography, critical theory or cultural studies. I don't want to give a poetry reading and have to provide the story behind the poem in order for it to make sense to an audience. I certainly don't want the poem to require a critical intermediary - a "spokescritic." I want my poems to be independently meaningful moments of power for a good reader. And that's the expectation I initially bring to other poets' writing. — Albert Goldbarth

THOMAS JEFFERSON LEFT POSTERITY an immense correspondence, and I am particularly indebted to The Papers of Thomas Jefferson, published by Princeton University Press and first edited by Julian P. Boyd. I am, moreover, grateful to the incumbent editors of the Papers, especially general editor Barbara B. Oberg, for sharing unpublished transcripts of letters gathered for future volumes. The goal of the Princeton edition was, and continues to be, "to present as accurate a text as possible and to preserve as many of Jefferson's distinctive mannerisms of writing as can be done." To provide clarity and readability for a modern audience, however, I have taken the liberty of regularizing much of the quoted language from Jefferson and from his contemporaries. I have, for instance, silently corrected Jefferson's frequent use of "it's" for "its" and "recieve" for "receive," and have, in most cases, expanded contractions and abbreviations and followed generally accepted practices of capitalization. — Jon Meacham

I've always been drawn to the best writing that I can find. I don't care if it's in movies or theater or whatever - if you want to be in front of an audience, you have to do writing you believe in. — Ethan Hawke

God gave music the power to carry his light into the darkness. That's a mighty privilege. It means intentionally telling stories and writing songs that bear truth that outlasts the songs themselves. If I did this in hopes of thunderous applause and piles of cash, I would have quit years ago. But there are moments on the stage when I sense something magical, a connection with the band and the audience, when our stories intersect and suddenly we're wading in an ancient river. Suddenly the song is secondary to the greater story being told through each of us. — Andrew Peterson

The kings had, however, begun to realize its potential for extending communication, in an almost magical way, beyond what could be accomplished with the spoken word. Writing could perpetually and eternally address an audience on a king's behalf; the words were always there, even when the king was not thinking about them. Given that the population was almost entirely illiterate, such an audience was mostly made up of gods. The statuette of the king's personal god (or sometimes of the king himself), inscribed with the same text as the tablet, could therefore pray continuously in a way that a real person could not. — Amanda H. Podany

I don't know if I could write ten easy ways to connect with an audience. I know you have to believe in what you're doing, you have to believe in your music, believe in your ability, believe that what you're doing is honest and true and real. — Ramsey Lewis

An artist without an audience is like a jar without jelly. There doesn't always need to be much jelly in the jar, nevertheless a jar without jelly would feel jealous and empty. — Kevin Focke

Your audience is your adversary. If you don't have one get one - imagine it. Imagine it now. To whom is your story addressed and why? Audience is always a creative act of the imagination. You can't tell your story effectively and leave it out. It must be alive in you, vividly alive. It is in conflict with everything that is false in what you have written. If it is an audience worthy of your talent and potential, it won't let you slide by the lies, the laziness, the shortcuts. If you don't take audience seriously, you can be sure it will return the favor. — Billy Marshall Stoneking

The centerpiece of 'Law and Order' is the crime, and it starts with the writing. There's a beginning, a middle and an end. It allows the audience to watch any given episode and can drop right in and not feel lost. I think the stark, raw structure has a lot to do with its longevity. — Danny Pino

I always write with an audience in mind. If I feel that [connection] coming back at me then I feel like I'm doing my job. That's why people come to my music - for some emotional experience or a perspective, either on their own lives, or on the world that they're living in. — Bruce Springsteen

I don't know why the publishers in New York don't take a tip from Hollywood and just publish the outlines of novels rather than the completed books. Let the audience use their imaginations, as my Maw always says about radio. I would much prefer to read an outline of War and Peace than slog through eight hundred thousand words. Why do I need Tolstoy to describe snow? I can imagine snow, whether Russian snow or just regular snow. But book publishers seem to think that the authors should do all the work, and the readers should be waited on hand-and-foot like a buncha goddamn prima donnas. — Gary Reilly

I'm not one of the people who has a kind of scholarly hat and writes in a certain way for an academic audience and then puts on a public intellectual hat and writes a different way for a different kind of readership. I generally write the way I write, no matter what and it seems to have worked for me. — Louis Menand

I don't have an audience in mind when I write. I'm writing mainly for myself. After a long devotion to playwriting I have a good inner ear. I know pretty well how a thing is going to sound on the stage, and how it will play. I write to satisfy this inner ear and its perceptions. That's the audience I write for. — Tennessee Williams

If you start writing to an audience you're talking down to them. I've never written for any age group, I just write character. If you can capture that you'll get the audiences, and it will be a wide range, as it is for 'Twilight,' it's a pretty wide range. — Melissa Rosenberg

I tell my students that when you write, you should pretend you're writing the best letter you ever wrote to the smartest friend you have. That way, you'll never dumb things down. You won't have to explain things that don't need explaining. You'll assume an intimacy and a natural shorthand, which is good because readers are smart and don't wish to be condescended to. I think about the reader. I care about the reader. Not "audience." Not "readership." Just the reader. — Jeffrey Eugenides

In the big picture I write for an audience of people I've never met. By the final draft I'm looking for anything in the prose that's prospectively boring to strangers. — Lionel Shriver

In my opinion, understanding who your target audience is, and what they want, and writing to them (and only them!) is the most important component of being successful as an author. — John Locke

I don't think any of us are careful enough about emails. When you are writing an email, you should imagine yourself in an auditorium speaking to 5,000 people, with your mother and grandmother in the audience, and it is being broadcast on CNN. — Toby Emmerich

I do not choose my listeners. What I mean is, I never write for my listeners. I think about my audience, but I am not writing for them. I have something to tell them, but the audience must also put a certain effort into it. But I never wrote for an audience and never will write for one, because you have to give the listener something and he has to make an effort in order to understand certain things. — Henryk Gorecki

As often I have been a science fiction writer writing science fiction for the community of science fiction readers, I am also, for good or ill, an American writing American literature to an American audience. Most fundamentally, though, I am a human being writing human literature to a human audience. — Orson Scott Card

I write with two things in mind. I want to be right with my fellow economists. After all, I've made my life as a professional economist, so I'm careful that my economics is as it should be. But I have long felt that there's no economic proposition that can't be stated in clear, accessible language. So I try to be right with my fellow economists, but I try to have an audience of any interested, intelligent person. — John Kenneth Galbraith

Writing, for me, is a combination of objective and subjective approach. You take an objective approach at times to get you through things, and you take a subjective approach at other times, and that allows you to find an emotional experience for the audience. — Christopher Nolan

I've always wanted to be a part of that experience of writing to an audience that is just starting to fall in love with books. When I felt that my writing for adults had become cemented, I decided to write a YA series. — Sarah Mlynowski

You can't stumble into an adventure. An artist must dance, not walk, in order to inspire their audience. This patient audience who has witnessed all that you've ever performed. So don't be shy. Just dance. Set this scene into motion. — F.K. Preston

The museums in children's minds, I think, automatically empty themselves in times of utmost horror - to protect the children from eternal grief.
For my own part, though: It would have been catastrophe if I had forgotten my sister at once. I had never told her so, but she was the person I had always written for. She was the secret of whatever artistic unity I had ever achieved. She was the secret of my technique. Any creation which has any wholeness and harmoniousness, I suspect, was made by an artist or inventor with an audience of one in mind.
Yes, and she was nice enough, or Nature was nice enough, to allow me to feel her presence for a number of years after she died - to let me go on writing for her. But then she began to fade away, perhaps because she had more important business elsewhere. — Kurt Vonnegut

Write while the heat is in you. The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience. — Henry David Thoreau

I never had any great desire to be well-known or to sell a lot of books. ... Maybe that's paradoxically one of the reasons why I've done well. People sense that I'm doing things out of pure enjoyment. I'm not pandering to an audience or following a formula. I'm just writing about cool stuff that interests me, and people respond to that. — Malcolm Gladwell

Poetry never makes any money, and so there's no pressure to appeal to an audience. That makes a lot of things about being a poet difficult, but it also means freedom to write whatever you want to write, however you want to write it. — Garth Greenwell

People like ourselves may see nothing wondrous in writing, but our anthropologists know how strange and magical it appears to a purely oral people - a conversation with no one and yet with everyone. What could be stranger than the silence one encounters when addressing a question to a text? What could be more metaphysically puzzling than addressing an unseen audience, as every writer of books must do? And correcting oneself because one knows that an unknown reader will disapprove or misunderstand? — Neil Postman

There is an audience for everything; our job as writers is to do the work and provide readers with a choice. — Elizabeth Hernandez

I tend not to think about audience when I'm writing. Many people who read 'The Giver' now have their own kids who are reading it. Even from the beginning, the book attracted an audience beyond a child audience. — Lois Lowry

Maybe you have already been writing, but never considered a book before. What you have contributed to websites, discussion groups, blogs and membership communities can lead to books. These are great places to flesh out ideas, get reader feedback, and sometimes even catch the attention of an agent, publisher or larger audience. If anything, a well branded presence on the internet positions you in a way where you have the opportunity to become the authority or expert. Do not let any of what you have written online go to waste. Make files and collect all of your information because you may have enough content already written to fill two books! — Kytka Hilmar-Jezek

Livingston: Why did users like Viaweb? Graham: I think the main thing was that it was easy. Practically all the software in the world is either broken or very difficult to use. So users dread software. They've been trained that whenever they try to install something, or even fill out a form online, it's not going to work. I dread installing stuff, and I have a PhD in computer science. So if you're writing applications for end users, you have to remember that you're writing for an audience that has been traumatized by bad experiences. We worked hard to make Viaweb as easy as it could possibly be, and we had this confidence-building online demo where we walked people through using the software. That was what got us all the users. — Jessica Livingston

Know something about the world, and by this I mean the world outside of books. This might require joining the Marines, or working on an oil rig or as a hash slinger at a truck stop in Kentucky. Know what it smells like out there. If everything you write smells like a library, then your prospective audience will be limited to those who like the smell of libraries. — Douglas Wilson

This is the same establishment that all those who want, or rather aspire to, to be literary figures of the century, artists, painters and sculptors want acceptance from and approval. They want to be looked up to. Young and upcoming poets must approach their craft with an almost angelic perspective. So many writers are missing a condensed fusion in their writing, they condescend to their audience, the truth is not spoken in their work, they gabble, their words seem to make a hot fuss on the page. What do they gain? They gain this, simply nothing. Poets must assemble and present their work accordingly to how they see fit and should be careful of advice from other writers and editors. Sometimes there can be too much going on in the words that are meant to be given with the best of intentions. — Abigail George

I have fallen in love with writing, unknowingly. Instead of thinking whether people will like what I write or not, I decide to write only for one person- myself! I told myself that 'I as an author is going to entertain I as an audience.' And everything changed that day!

When you find your passion, don't succumb to the pressure of succeeding.Follow your passion just for yourself and for the sheer joy of it. You will see amazing things will follow- that's a guarantee. — Vishwas Mudagal

Never use the word 'audience.' The very idea of a public, unless the poet is writing for money, seems wrong to me. Poets don't have an 'audience': They're talking to a single person all the time. — Robert Graves

Without an audience, all your dreams will not come true at all, because you need an audience to write new songs and continue to do music. — Rokia Traore

Literary fiction and poetry are real marginalized right now. There's a fallacy that some of my friends sometimes fall into, the ol' "The audience is stupid. The audience only wants to go this deep. Poor us, we're marginalized because of TV, the great hypnotic blah, blah." You can sit around and have these pity parties for yourself. Of course this is bullshit. If an art form is marginalized it's because it's not speaking to people. One possible reason is that the people it's speaking to have become too stupid to appreciate it. That seems a little easy to me. — David Foster Wallace

I write in order to understand the images. Being what my agent ... somewhat ruefully calls a language playwright, is problematic because in production, you have to make the language lift off the page. But a good actor can turn it into human speech. I err sometimes toward having such a compound of images that if an actor lands heavily on each one, you never pull through to a larger idea. That's a problem for the audience. But I come to playwriting from the visual world - I used to be a painter. I also really love novels and that use of language. But it's tricky to ask that of the theatre. — Ellen McLaughlin

Even when there's not a joke or a hook, the first line has to be good and snapem to attention. Songs ain't novels. You don't have 30 pages to slowly wrap somebody in. They're more like short stories or poems. If the first line hasn't grabbed them, you won't get to the second line. Once you've developed an audience, you may have some luxury and trust, so you don't have to knock 'em over the head with line one. — Dan Bern

When talented people write badly, it's generally for one of two reasons: Either they're blinded by an idea they feel compelled to prove of they're driven by an emotion they must express. When talented people write well, it is generally for this reason: They're moved by a desire to touch the audience. — Robert McKee

Writing for adults and writing for young people is really not that different. As a reporter, I have always tried to write as clearly and simply as possible. I like clean, unadorned writing. So writing for a younger audience was largely an exercise in making my prose even more clear and direct, and in avoiding complicated digressions. — Serge Schmemann

The first thing I say when people ask what's the difference [between doing TV and film], is that film has an ending and TV doesn't. When I write a film, all I think about is where the thing ends and how to get the audience there. And in television, it can't end. You need the audience to return the next week. It kind of shifts the drive of the story. But I find that more as a writer than as a director. — Jason Reitman

Put your vocabulary on the top shelf of your toolbox, and don't make any conscious effort to improve it... One of the really bad things you can do to your writing is to dress up the vocabulary, looking for long words because you're maybe a little bit ashamed of your shot ones. This is like dressing up a household pet in evening clothes. The pet is embarrassed and the person who committed this act of pre-meditated cuteness should be even more embarrassed. Make yourself a solemn promise right now that you'll never use 'emolument' when you mean 'tip' and you'll never say 'John stopped long enough to perform an act of excretion' when you mean 'John stopped long enough to take a shit'. If you believe 'take a shit' would be considered offensive or inappropriate by your audience, feel free to say 'John stopped long enough to move his bowels'... — Stephen King

An idea is only an idea if it causes unease, debate and reflection. By that standard, Thomas Homer-Dixon's concept of an 'ingenuity gap' is truly a new idea. I can think of no other new concept that so fully condenses all of the challenges we face as a human civilization than the 'ingenuity gap'. Homer-Dixon has found a way to unite all of our concerns about economics, war, population growth, complexity, etc. under a single heading. He is one of an elite group of academics who can write for a mass audience. — Robert D. Kaplan

If I went back to college again, I'd concentrate on two areas learning to write and to speak before an audience. Nothing in life is more important than the ability to communicate effectively. — Gerald R. Ford

All nonfiction writers, whether they like it or not, are translators. The translator is the perfect journalist. The best journalism endeavors to convey an essential idea or story to an audience that knows very little about it, and that requires translation. To do this successfully, the writer must filter the idea through the prism of his eye, and his mind, and his writing style. — Ilan Stavans

I think every professor and writer is in some way an exhibitionist because his or her normal activity is a theatrical one. When you give a lesson the situation is the same as writing a book. You have to capture the attention, the complicity of your audience. — Umberto Eco

Sometimes I will tweet things without an audience in mind at all, just because I want to say something that I don't feel I can say otherwise. Those tweets have a specific sense of desperation to them, because I write them when I feel like I don't have anyone else to talk to - as if Twitter is the only thing that will accept my insanely inappropriate thoughts without judgement. — Mira Gonzalez

Writers are egotists. All artists are. They can't be altruists and get their work done. And writers love to whine about the Solitude of the Author's Life, and lock themselves into cork-lined rooms or droop around in bars in order to whine better. But although most writing is done in solitude, I believe that it is done, like all the arts, for an audience. That is to say, with an audience. All the arts are performance arts, only some of them are sneakier about it than others. — Ursula K. Le Guin

It is in this matter that I fall foul of so many American writers on writing; they seem to think that writing is a confidence game by means of which the author cajoles a restless, dull-witted, shallow audience into hearing his point of view. Such an attitude is base, and can only beget base prose. — Robertson Davies

Watson is a cheap, efficient little sod of a literary device. Holmes doesn't need him to solve crimes any more than he needs a ten-stone ankle weight. The audience, Arthur. The audience needs Watson as an intermediary, so that Holmes's thoughts might be forever kept just out of reach. If you told stories from Holmes's perspective, everyone would know what the bleeding genius was thinking the whole time. They'd have the culprit fingered on page one. — Graham Moore

When I'm writing, I'm constantly thinking about myself, because it's the only experience I have to draw on. And I don't see an exact reflection of myself in every face in the audience, but I know that my songs have validity to them, and that's why the fans are there. — Chester Bennington

Other than being an artist, I've also wanted to be a writer since I was able to read. The simple fact is that I've aslo been a writer my whole life. Thanks to the magic of blogs and self-publishing, anyone can be a writer now. In fact, even before all of these new and exciting outlets became available anyone still could be a writer. It's actually a simple process. Just begin writing. You don't need anyone's permission, or a degree; hell, you don't even need an audience. Just write. The act of writing makes you a writer. So now that I've completed this book, I dub myself an Official Writer. — Cee Jay Inky Jones

When you recite you're giving a performance, in the way that an actor or a singer performs, and some poets are not interested in doing that, maybe because they're writing for a readership as opposed to an audience, or because they see poetry as a very private art. — James Arthur

There is a method to the madness of James Patterson's success. Co-writing with him is a terrific learning experience, particularly in the art of crafting a perfect thriller. The collaboration also gives me an opportunity to access a wider global audience. — Ashwin Sanghi

I think when you write an enigmatic character into a film, you have to have real confidence that the audience are going to go with it. — Gemma Arterton

Your audience is one single reader. I have found that sometimes it helps to pick out one person-a real person you know, or an imagined person-and write to that one. — John Steinbeck

Why do you think people stopped reading? We read to connect with other minds. But why read when you're busy writing, describing the fine-grained flotsam of your own life. Compulsively recording every morsel you eat, that you're cold, or, I don't know, heartbroken by a football game. An endless stream flowing to an audience of everyone and no one. — Alena Graedon

I try not to think too much about an audience when I'm writing the first draft of a book - at that stage, the prospect of anyone reading what I've written would be enough to scare me into setting my laptop on fire. — Robin Wasserman

And I've always loved commercials. I like working out how to organically weave a brand's message into the writing process. It's like an improv show, where comics ask the audience to throw out a word and a skit is built around it. — Jason Bateman