Writing Table Quotes & Sayings

A writer is dreamed and transfigured into being by spells, wishes, goldfish, silhouettes of trees, boxes of fairy tales dropped in the mud, uncles' and cousins' books, tablets and capsules and powders ... and then one day you find yourself leaning here, writing on that round glass table salvaged from the Park View Pharmacy
writing this, an impossibility, a summary of who you came to be where you are now, and where, God knows, is that? — Cynthia Ozick

Its clear friendliness seemed to ring out audibly amid this appalling hush of the harmonies of life. "I wish you might know a day's friendliness or a day's freedom, yours without question, without condition, and till death." Here was the voice of nature, of appointed protection; the sound of it aroused her early sense of native nearness to her cousin; had he been at hand she would have sought a wholesome refuge in his arms. She sat down at her writing-table, with her brow in her hands, light-headed with her passionate purpose, steadying herself to think. A day's freedom had come at last; a lifetime's freedom confronted her. For, — Henry James

It seems like just yesterday my son was hiding under the table to avoid reading. Now, he's writing books longer than mine! — Rick Riordan

The table I write on I say exists ... meaning thereby that if I was in my study I might perceive it, or that some other spirit actually does perceive it. — George Berkeley

Delia," he says. "I'm going to do the best I can today."
"I know that."
"But I also wanted to say I'm sorry."
My mind swirls with sentences I read last night in Fitz's writing. "For what?"
Eric looks at me with so much unsaid that I expect the moment to crystallize, fall to the table like a marble. But he lifts his glass, breaking the spell. "Just in case," he says. — Jodi Picoult

I started writing at the kitchen table after midnight. It took ten months to finish that first book; I sent it to a publisher and I got some kind of prize, so it was like a dream - I was surprised to find it happening. — Haruki Murakami

You get no writing done at all if you sit at a table with a view. You'd spent the whole time watching the birds or thinking about what you would like to be doing out of doors, instead of flogging yourself to work out of sheer boredom. — Mary Stewart

The process of putting the thing you value most in the world out for the assessment of strangers is a confidence-shaking business even in the best of times. But in Lucy's circumstances it was sheer heroism, a real sign of her devotion to her art. She was, in a sense, sitting at a craps table with her last stack of chips, trying again and again to hit it big. — Ann Patchett

Yeah, Under The Table And Dreaming shaped the way that I think about writing songs. — John Mayer

Don't think about how your characters sound, but how they see. Watch the world through their eyes - study the extraordinary and the mundane through their particular perspective. Walk around the block with them, stroll the rooms they live in, figure out what objects on the cluttered dining room table they would inevitably stare at the longest, and then learn why. — Dinaw Mengestu

I try not to picture a reader when I'm writing. It's like trying to make a great table but not picturing anybody sitting at it. — Sadie Jones

Man must be an emptiness, a nothingness, which is not a pure nothingness (reines Nichts), but something that is to the extent that it annihilates Being, in order to realize itself at the expense of Being and to nihilate in being. Man is negating Action, which transforms given Being and, by transforming it, transforms itself. Man is what he is only to the extent that he becomes what he is; his true Being (Sein) is Becoming (Werden), Time, History; and he becomes, he is History only in and by Action that negates the given, the Action of Fighting and of Work - of the Work that finally produces the table on which Hegel writes his Phenomenology, and of the Fight that is finally that Battle at Jena whose sounds he hearts while writing the Phenomenology. And that is why, in answering the "What am I?" Hegel had to take account of both that table and those sounds. — Alexandre Kojeve

In the early evening time Dr. Kemp was sitting in his study in the belvedere on the hill overlooking Burdock. It was a pleasant little room, with three windows - north, west, and south - and bookshelves covered with books and scientific publications, and a broad writing-table, and, under the north window, a microscope, glass slips, minute instruments, some cultures, and scattered bottles of reagents. Dr. Kemp's solar lamp was lit, albeit the sky was still bright with the sunset light, and his blinds were up because there was no offence of peering outsiders to require them pulled down. Dr. Kemp was a tall and slender young man, with flaxen hair and a moustache almost white, and the work he was upon would earn him, he hoped, the fellowship of the Royal Society, so highly did he think of it. — H.G.Wells

One day, I shall explode like an artillery shell and all my bits will be found on the writing table. — Gustave Flaubert

Don't write your books for people who won't like them. Give yourself wholly to the kind of book you want to write and don't try to please readers who like something different. Otherwise, you'll end up with the worst of both worlds. I write lyrical, introspective, experiential books concerned with consciousness and perception. If a reader wants to know what my protagonist's insurance policies are, he'll be better off curling up with a nice cup of chamomile tea and an actuarial table. Similarly, don't write your books for bad readers. Your books will suffer from bad readers no matter what, so write them for brilliant, big-brained and big-hearted people who will love you for feeding their minds with feasts of beauty. — Paul Harding

A writer is someone who spends years patiently trying to discover the second being inside him, and the world that makes him who he is: when I speak of writing, what comes first to my mind is not a novel, a poem, or literary tradition, it is a person who shuts himself up in a room, sits down at a table, and alone, turns inward; amid its shadows, he builds a new world with words. — Orhan Pamuk

Topical-sketch writing were incredibly rational and well reasoned: don't do a joke if the subject doesn't deserve it. An ad hominem attack on someone might get you a cheap laugh, but it doesn't earn you any long-term trust. The biggest rule was: you attack whoever's in power. Don't bring your personal bias to the table. — Michael Schur

Look- here's a table covered with red cloth. On it is a cage the size of a small fish aquarium. In the cage is a white rabbit with a pink nose and pink-rimmed eyes. [ ... ] On its back, clearly marked in blue ink, is the numeral 8. [ ... ] The most interesting thing here isn't even the carrot-munching rabbit in the cage, but the number on its back. Not a six, not a four, not nineteen-point-five. It's an eight. This is what we're looking at, and we all see it. I didn't tell you. You didn't ask me. I never opened my mouth and you never opened yours. We're not even in the same year together, let alone the same room ... except we are together. We are close. We're having a meeting of the minds. [ ... ] We've engaged in an act of telepathy. No mythy-mountain shit; real telepathy. — Stephen King

In the visitor's book at Crome Ivor had left, according to his invariable custom in these cases, a poem. He had improvised it magisterially in the ten minutes preceding his departure. Denis and Mr. Scogan strolled back together from the gates of the courtyard, whence they had bidden their last farewells; on the writing-table in the hall they found the visitor's book, open, and Ivor's composition scarcely dry. Mr. Scogan read it aloud: — Aldous Huxley

As to Don Juan, confess that it is the sublime of that there sort of writing; it may be bawdy, but is it not good English? It may be profligate, but is it not life, is it not the thing? Could any man have written it who has not lived in the world? and tooled in a post-chaise? in a hackney coach? in a Gondola? against a wall? in a court carriage? in a vis a vis? on a table? and under it? — Lord Byron

I wish I had another chance to write that school composition, 'What I Did Last Summer.' When I wrote it in fifth grade, I was scared and just recorded: 'It was interesting. It was nice. My summer was fun.' I snuck through with a B grade. But I still wondered, How do you really do that? Now it is obvious. You tell the truth and you depict it in detail: 'My mother dyed her hair red and polished her toenails silver. I was mad for Parcheesi and running the sprinkler catching beetles in a mason jar and feeding them grass. My father sat at the kitchen table a lot staring straight ahead, never talking, a Budweiser in his hand. — Natalie Goldberg

My notion of a failed writing workshop is when everybody comes out replicating the teacher and imitating as closely as possible the great original at the head of the table. I think that's a mistake, in obvious opposition to the ideal of teaching which permits a student to be someone other than the teacher ... The successful teacher has to make each of the students a different product rather than the same. — Nicholas Delbanco

I found 'The Twin' sitting on a coffee table at a writers' colony in 2009. It carried praise from J.M. Coetzee. That seemed ample justification for using it to avoid my own writing. I finished it - weeping - a day later, and I've been puzzling over its powerful hold on me ever since. — Amy Waldman

Writing has always been a serious business for me. I felt it was a moral obligation. A major concern of the time was the absence of the African voice. Being part of that dialogue meant not only sitting at the table but effectively telling the African story from an African perspective - in full earshot of the world. — Chinua Achebe

I never knew what an extraordinary thing it could be to write a book. In the first place, the characters take the bit between their jaws and canter off with you into places you don't want and never catered for. I had smugly intended my book to be about a family rather like ours, but, lud love you! it's already turned into an account of a barmaid's career in an Edgware Road pub, and I can't squeeze us in anywhere!

Odd things happen, too. I had called my pub, 'The Three Feathers,' and counted on there being heaps of pubs in Edgware Road, not called that, but looking a bit like my description. Before we left home, I went down Edgware Road to investigate, and found my pub, even down to the old-fashioned phonograph on the table in the upstairs sitting-room. And I thought, 'I built that place. — Rachel Ferguson

(Dorothy) Dunnett is the master of the invisible, particularly in her later books. Where is this tension coming from? Why is this scene so agonizing? Why is this scene so emotional? Tension and emotion pervade the books, sometimes almost unbearably, yet when you look at the writing, at the actual words, there's nothing to show that the scene is emotional at all. I think it is because Dunnett layers her novels, meaning that each event is informed by what has come before (and what came before that, and what came before that) but Dunnett doesn't signpost in the text that this is happening, leaving it to the reader to bring the relevant information to the table — C.S. Pacat

I go to farmers' markets all the time. Field-to-table is so my thing. But none of the herbs at any of them comes close to island herbs. Those herbs make Quinnie food- well, those herbs and freshness. Quinnipeague was growing organic and cooking local before farm-to-table was a movement, but, still, we think of the herbs first. I can't write about island cooking without talking about them, but I can't not talk about the people, either. That's where you come in, Charlotte. You've eaten Dorey Jewett's lobster stew and Mary Landry's clam fritters, and you always loved the fruit compote that Bonnie Stroud brought to the Fourth of July dinner each year. These people are all still around. Each has a story. I want to include some in the book, but I'm better at writing about food than people. — Barbara Delinsky

She opened her eyes and looked into his rather intensely.
"What?" Alex asked.
"This cannot be."
"What can't be?" Alex asked her, more bafflement in his voice this time.
"I have been reading people all my life. I can even read cats and dogs. I've been doing it all my life and i've been here longer than the two of you put together."
"And?" Alex wanted to get to the point. Whatever the truth may be, he just wanted to hear it, wanted it on the table before them so he could get this over with and they can go home.
"AND ... you are the first person that has nothing for me to see."
"And here I was hoping you'd say I'd win the lottery or get married to a supermodel or something." Alex said, starting to laugh.
"You don't understand. I don't see anything, anything at all. There is nothing to you, nothing but what I see before me."
"So ... what does that mean?"
"It means you don't exist. — J.C. Joranco

I developed the habit of writing novels behind a closed door, or at my uncle's, on the dining table. — Patrick White

For example, I keep all my actual writing in the Manuscript section divided by chapter, and then, in the research section, I have folders for Setting, Characters, and Plot with a separate area for my cuts file (where I put big blocks of text that I've cut out of the story but can't bring myself to delete yet) and my writing worksheet, which is the table I use to keep track of my word counts. — Rachel Aaron

Ian slid the pot of honey toward his plate. "We should go back upstairs," he said to Beth.
"What?" Beth looked up from a list she was writing. "Why?"
Ian rose and pulled back Beth's chair without answering. Ian had difficulty lying, so when he knew he shouldn't say what was on his mind, he'd learned to keep his mouth firmly closed.
Beth knew him well, though. Without arguing, she let him take her arm and steer her from the table. Before he walked away, Ian reached back and snatched the honey pot from the table, balancing the pot in his hand as he led Beth from the room. — Jennifer Ashley

When I was writing my column, I would almost always be recognized when I was in a restaurant, even if I was reviewing it and had booked under a fake name, so free stuff would start coming out of the kitchen on a conveyer belt, fantastic wines would be opened at my table. Now I can't even get a reservation on the pizza joint on the corner. — Toby Young

I think I was born to write. My mother would put a typewriter on the dining room table and say "there you go".

My first story was published in the Christian Herald and they would pay me five guineas. I wrote my first novel when I was just 14.

I was into mysteries and thrillers at the time but I eventually I drifted into romance because my mother would always ask me to write 'something pretty'.

I've never got bored of it because its something I absolutely love. My books are full of hope and romance rather than sex.

They are a form of escapism - you can escape the parts of the world that you don't like. — Ida Pollock

When I'm writing in my bedroom, in a bar, at my kitchen table or wherever, I'm conjuring it all up on the page. That's all well and good, but it is going to be a limited perspective at that point and time. Occasionally, what I write might read really well initially, but then you change your mind while hunting for locations when you discover settings which offer even better opportunities for drama or dramatic staging. — Quentin Tarantino

Here I am, sitting at a little oak table where in old times possibly some fair lady sat to pen, with much thought and many blushes, her ill-spelt love-letter, and writing in my diary in shorthand all that has happened since I closed it last. — Bram Stoker

The best fame is a writer's fame. It's enough to get a table at a good restaurant, but not enough to get you interrupted when you eat. — Fran Lebowitz

I think of writing now as a long, tiring, pleasant seduction. The stories that you tell, the words that you use and refine, the characters you try to give life to are merely tools with which you circle around the elusive, unnamed, shapeless thing that belongs to you alone, and which nevertheless is a sort of key to all the doors, the real reason that you spend so much of your life sitting at a table tapping away, filling pages. — Elena Ferrante

In an isolated region from Iran there is this wall tower, windowless, doorless, not very tall. In its only room with arched walls and the stamped earth as its floor, there's a wooden table and a bench. In this round cell a man that looks like me is writing in signs that i don't understand a long poem about a man who in another round cell is writing a poem about a man in another round cell. Endless series; nobody will ever read what prisoners write. — Jorge Luis Borges

In the seventies I used to work in the bedroom of my flat at a little table. I worked in longhand with a fountain pen. I'd type out a draft, mark up the typescript, type it out again. Once I paid a professional to type a final draft, but I felt I was missing things I would have changed if I had done it myself. In the mid-eighties I was a grateful convert to computers. Word processing is more intimate, more like thinking itself. In retrospect, the typewriter seems a gross mechanical obstruction. I like the provisional nature of unprinted material held in the computer's memory - like an unspoken thought. I like the way sentences or passages can be endlessly reworked, and the way this faithful machine remembers all your little jottings and messages to yourself. Until, of course, it sulks and crashes. — Ian McEwan

I cleaned the shit off my pink high-tops and drove home, stopping for an espresso at the coffeehouse across from the college. Men and women were hunched over copies of Jean Paul Sartre and writing in their journals. Most wore the thin-rimmed tortoiseshell glasses favored by intellectuals. Their clothes were faded to a precisely fashionable degree; you can buy them that way from catalogs now, new clothes processed to look old. The intellectuals looked at me in my overalls the way such people inevitably look at farmers.
I dumped a lot of sugar in my espresso and sipped it delicately at a corner table near the door. I looked at them the way farmers look at intellectuals. — Mary Rose O'Reilley

My version of events sounded perfectly rational until I was forced to say the words aloud, and then it sounded insane, particularly on the day I had to say them to the police officer who came to our house. I told him everything that had happened, even about the creature, as he sat nodding across the kitchen table, writing nothing in his spiral notebook. When I finished all he said was, "Great, thanks." and then turned to my parents and asked if I'd "been to see anyone." As if I wouldn't know what that meant. I told him I had another statement to make and then held up my middle finger and walked out. — Ransom Riggs

I was the youngest; I had two imperious older brothers - I didn't get to often complete sentences at the dinner table. So writing was a way of saying what nobody asked me to say. — Alice McDermott

It wasn't that I couldn't write. I wrote every day. I actually worked really hard at writing. At my desk by 7 A.M., would work a full eight and more. Scribbled at the dinner table, in bed, on the toilet, on the No. 6 train, at Shea Stadium. I did everything I could. But none of it worked. — Junot Diaz

There's many, many ways to write a song. But generally, sitting down at a table and writing is not one of them. — John Lydon

At a job interview at a university, three men sitting across from me at a table. On my cv it says that I am currently working on a book about the color blue. I have been saying this for years without writing a word. It is, perhaps, my way of making my life feel "in progress" rather than a sleeve of ash falling off a lit cigarette. — Maggie Nelson

It's a weird partnership. For me and Patrick, if you've met him, we're not very much alike. But we bring such different tools to the table. He doesn't think like me. I don't think like him. He thinks like an editor. He thinks like a director. He thinks completely outside of the box when it comes to writing and so because of that he leads me down roads that I would've never gone down. And he sucks at grammar. So together we're perfect. — Todd Farmer

It's very important, at least to me as a writer, that there be some rules on the table when I'm writing. Rules come from genres. You're writing in a genre, there are rules, which is great because then you can break the rules. That's when really exciting things happen. — Lev Grossman

All I needed was a steady table and a typewriter ... a marble-topped bedroom washstand table made a good place; the dining-room table between meals was also suitable. — Agatha Christie

Whether she was writing to tell her followers about a local cheesemaker, a new farm-to-table restaurant, or what to do with an exotic heirloom fruit that was organically produced and newly marketed, she spent hours each day scouring Philadelphia and the outlying towns for material. — Barbara Delinsky

In the open sky above the hushed streets, the moon was a porcelain plate on a black table as I walked home. A breeze raised the collar of my jeans jacket as I sliced through the silvery silence, past unlit buildings and quivering trees and cars idle by the curb. The air felt like glass. I crossed empty corners under the mauve light of overhead lamps. — Andrew Cotto

Choose your tools carefully, but not so carefully that you get uptight or spend more time at the stationery store than at your writing table. — Natalie Goldberg

What I want my father's writing to keep teaching us is that at the table of writing, everyone is welcome. No voice without all voices. — Kim Stafford

This busyness was not about money--despite the chic catalogs piled on the kitchen table. It was only marginally about good-heartedness or politics. I was a woman disconnecting from my moments alone, when the world seemed to shatter into terror, into madness coming toward me at the speed of loss. The moment for which--I could not have guessed--my spirit and writing longed. — Mary Sojourner

Every story has already been told. Once you've read Anna Karenina, Bleak House, The Sound and the Fury, To Kill a Mockingbird and A Wrinkle in Time, you understand that there is really no reason to ever write another novel. Except that each writer brings to the table, if she will let herself, something that no one else in the history of time has ever had.
[Commencement Speech; Mount Holyoke College, May 23, 1999] — Anna Quindlen

Thirty years ago my older brother, who was ten years old at the time, was trying to get a report written on birds that he'd had three months to write, which was due the next day. We were out at our family cabin in Bolinas, and he was at the kitchen table close to tears, surrounded by binder paper and pencils and unopened books about birds, immobilized by the hugeness of the task ahead. Then my father sat down beside him put his arm around my brother's shoulder, and said, Bird by bird, buddy. Just take it bird by bird. — Anne Lamott

Always read with a pen in your hands, not beside you on the table, but actually in your hand, ready, armed ... Put a question mark by everything you find suspect. Underline anything you really appreciate. Feel free to write 'splendid,' but also, 'I don't believe a word of it.' And even 'bullshit.' — Tim Parks

I think talent is like a water table under the earth - you tap it with your effort and it comes through you. — Natalie Goldberg

Taken thus by surprise, it was several moments before she was able to decide whether to make herself known to him, or to await a formal introduction. The strict propriety in which she had been reared urged her to adopt the latter course; then she remembered that she was not a young girl any longer, but a guardian-aunt ... To flinch before what would certainly be an extremely disagreeable interview would be the act, she told herself, of a pudding-heart. Bracing herself resolutely, she got up from the writing-table, and turned, saying, in a cool, pleasant tone: 'Mr Calverleigh?'
He had picked up a newspaper from the table in the centre of the room, and was glancing through it, but he lowered it, and looked enquiringly across at her. His eyes, which were deep-set and of a light grey made the more striking by the swarthiness of his complexion, held an expression of faint surprise; he said: 'Yes? — Georgette Heyer

Art demands what, to women, current civilisation won't give. There is for a Dostoyevsky writing against time on the corner of a crowded kitchen table a greater possibility of detachment than for a woman artist no matter how placed. Neither motherhood nor the more continuously exacting and indefinitely expansive responsibilities of even the simplest housekeeping can so effectively hamper her as the human demand, besieging her wherever she is, for an inclusive awareness, from which men, for good or ill, are exempt. — Dorothy M. Richardson

They couldn't talk. They were not good talkers, either of them. And once, long ago now, she had bought a notebook for a course. It lay empty and forgotten on the kitchen table until one afternoon, when she had gone out to the shops and he was worried that she would be killed by a bus or by lightning, he opened the notebook and he wrote lines about how he loved her, the way he loved her, about his fucking heart and crap like that, about his body brimful and his scrambled head. All that. She came back from the shops. He left the notebook where it was, and he didn't mention it. And it wasn't until about a week later that he noticed it again, and he flicked it open, and he saw his lines followed by lines from her. She'd written words that she had never said. He sat down. He read them over and over for a long time. Then he wrote a paragraph for her to find. — Keith Ridgway

Be wary of feeling as through there is not enough room at the table. Oftentimes a female Chinese-American might feel as through she is in competition with another Chinese-American woman writer of the same generation. A writer friend of mine calls it the "There Can Only Be One ... " syndrome. This isn't "Survivor." The more good writers, of all walks of life and all ethnicities and persuasions, the better. — ZZ Packer

I was very happy sitting alone at a dining room table, writing a script. — Conrad Hall

Since I was a child, I've liked telling stories. Maybe because my father's a director, I grew up loving stories. I'm not good at spinning them at a dinner table because I do go on a bit, but I love writing them, and directing is just a way of editing the story. — Mary Stuart Masterson

When I'm drawing, I only do that at home, really, at my drawing table. But writing I could do in other places. So I've written in airports, in hotels, different places. — Kevin Henkes

The room boasted many luxurious perks: a narrow bed, a rotted writing table, a stained wall, and a warped looking glass dangling on a rusty hook. I wondered if Mr. Kent recommended this hellish place so I would hurry back to his home. — Tarun Shanker

I go to restaurants and the groups always play "Yesterday." I even signed a guy's violin in Spain after he played us "Yesterday." He couldn't understand that I didn't write the song. But I guess he couldn't have gone from table to table playing "I Am The Walrus. — John Lennon

And when we are writing the life of a woman, we may, it is agreed, waive our demand for action, and substitute love instead. Love, the poet has said, is woman's whole existence. And if we look for a moment at Orlando writing at her table, we must admit that never was there a woman more fitted for that calling. Surely, since she is a woman, and a beautiful woman, and a woman in the prime of life, she will soon give over this pretence of writing and thinking and begin at least to think of a gamekeeper (and as long as she thinks of a man, nobody objects to a woman thinking). And then she will write him a little note (and as long as she writes little notes nobody objects to a woman writing either) and make an assignation for Sunday dusk and Sunday dusk will come; and the gamekeeper will whistle under the window
all of which is, of course, the very stuff of life and the only possible subject for fiction. — Virginia Woolf

Advocacy means persuading people who matter to care about your issue. It is about getting listened to, being at the table when decisions are made, being heard by people who make decisions. It is about facing and overcoming resistance. It is about speaking and writing in compelling ways that make decision makers want to adopt your ideas. — John Daly

My writing table has seen all my wretchedness, knows all my plans, has overheard all my thoughts. — Honore De Balzac

I joined a writing class at a nearby community center, where I was the youngest participant by about 40 years. Once a week, I'd funnel down a staircase and join the dozen retirees crowded in folding chairs around a table to discuss one another's stories. — Anthony Marra

Lie naked on the table, and let them cut. Criticism is surgery, and humility is the anesthetic that allows you to tolerate it. In the end, the process will make you a stronger, more flexible, and truly creative writer. It will replace attitude with genuine confidence, and empty arrogance with artistry. — Molly Cochran

Writing ... is 90 percent listening. You listen so deeply to the space around you that it fills you, and when you write, it pours out of you ... You don't only listen to the person speaking to you across the table, but simultaneously listen to the air, the chair, and the door. And go beyond the door. Take in the sound of the season, the sound of the color coming in through the windows. Listen to the past, future, and present right where you are. Listen with your whole body, not only with your ears, but with your hands, your face, and the back of your neck. — Natalie Goldberg

It is June. This is what I have decided to do with my life just now. I will do this work and lead this life, the one I am leading today. Each morning the blue clock and the crocheted bedspread, the table with the Phone, the books and magazines, the Times at the door. — Elizabeth Hardwick

The first time I read Isaac Babel was in a college creative writing class. The instructor was a sympathetic Jewish novelist with a Jesus-like beard, an affinity for Russian literature, and a melancholy sense of humor, such that one afternoon he even "realized" the truth of human mortality, right there in the classroom. He pointed at each of us around the seminar table: "You're going to die. And you're going to die. And you're going to die." I still remember the expression on the face of one of my classmates, a genial scion of the Kennedy family who always wrote the same story, about a busy corporate lawyer who neglected his wife. The expression was confused. — Elif Batuman

I don't have any office; I can write everywhere. So, I put a piece of paper on the table, and then I travel. Literally, writing for me is like travelling. It's getting out of myself and living another life - maybe a better life. — J.M.G. Le Clezio

I feel clobbered by the impossibility of translating into words as much of this enormous world we live in with its subtly complex and sprawling Periodic Table of emotions. To quote Freddie Mercury, I want it all. — David Mitchell

According to St. Augustine, the left hand represented the temporal, the mortal, and the bodily, as opposed to the right, which stood for "God, eternity, the years of God which fail not."25 For centuries the preference for the right hand over the left governed how people fished, ploughed fields, twisted rope, and ate their meals. The Greeks and Romans, for example, always reclined on the left side, propped on the left elbow, leaving the right hand free for the business of eating and drinking. Plutarch noted that parents taught children to eat right-handed from a young age, and "if they do put forth the left hand, at once we correct them."26 The prejudice against the left hand persisted during the Renaissance, with parents freeing a child's right hand from its swaddling clothes to ensure right-handedness at the dinner table as well as at the writing desk. — Ross King

Sometimes I just want to sit and write at a clean table and not get paint all over my hands. — Danny Fox

Bramble had taken another pencil from Delphinium, and Azalea's napkin, and wrote something new.
You're afraid of the King. Admit it.
Azalea grimaced at her untouched food, burning in humiliation as Lord Bradford took the napkin and read it. This time, he looked to be discreetly writing something back beneath the table.
Fairweller blinked at the King for a moment, in which Lord Bradford handed Bramble her napkin. She opened it and turned a rosy pink.
My lady, it read,who isn't?
Bramble pursed her lips and kicked Lord Bradford beneath the table-hard. His face twitched befre regaining its solemn expression.Azalea buried her face in her hands.
"All we ask is for you to consider it. That is all," said Fairweller.
"Oh." Lord Bradford's voice was slightly strangled. "Yes. Thank you."
Bramble threw the pencil-smudged napkin onto her plate. "I'm done," she said. "May we go to our room now? — Heather Dixon

It is worth remembering that every writer begins with a naively physical notion of what art is. A book for him or her is not an expression or a series of expressions, but literally a volume, a prism with six rectangular sides made of thin sheets of papers which should include a cover, an inside cover, an epigraph in italics, a preface, nine or ten parts with some verses at the beginning, a table of contents, an ex libris with an hourglass and a Latin phrase, a brief list of errata, some blank pages, a colophon and a publication notice: objects that are known to constitute the art of writing. — Jorge Luis Borges

I know a person who will poke the fire, set chairs straight, pick dust specks from the floor, arrange his table, snatch up a newspaper, take down any book which catches his eye, trim his nails, waste the morning anyhow, in short, and all without premeditation - simply because the only thing he ought to attend to is the preparation of a noonday lesson in formal logic which he detests. - William James — Mason Currey

Just don't pretend you know more about your characters than they do, because you don't. Stay open to them. It's teatime and all the dolls are at the table. Listen. It's that simple. — Anne Lamott

I have chosen to keep my personal life separate from my music, as the two are exclusive from each other, and I want to remain that way. I'll talk music, production, writing songs, touring with anyone but keep religion, politics and world affairs off the table, as my expertise is in songs and music. — Randy Bachman

My wife and I replaced our nest with one on wheels. The RV became our new home. It's remarkable how homey it became and how quickly. It's obviously very condensed, and we do travel light, but when you think about what you really need, we have the basics - a bed, a bathroom, a kitchen, and a table to sit at to eat and write. — David James

I remember writing 'The One I Can't Have' at the kitchen table. I was looking at a picture of Truman Capote with Marilyn Monroe and that's where I started. It doesn't make any sense because he was gay, but it was just the idea of the short guy and the beautiful blonde out of his league. That's where I started, but very quickly it became about me. — Teddy Thompson

For example, when I was writing Leviathan, which was written both in New York and in Vermont - I think there were two summers in Vermont, in that house I wrote about in Winter Journal, that broken-down house ... I was working in an out-building, a kind of shack, a tumble-down, broken-down mess of a place, and I had a green table. I just thought, "Well, is there a way to bring my life into the fiction I'm writing, will it make a difference?" And the fact is, it doesn't make any difference. It was a kind of experiment which couldn't fail. — Paul Auster

Stiff shoulders humped over the writing-table, and the ache of a heart slow to move. A tortoise heart. — J.M. Coetzee

When I was six, someone in my family gave me a yellow pencil holder that had my name printed on it. I still have it, and when I'm doing table work in rehearsal, I use it to carry my highlighters and other writing utensils. I love it. — Seth Numrich

A book should long for pen, ink, and writing-table: but usually it is pen, ink, and writing-table that long for a book. That is why books are so negligible nowadays. — Friedrich Nietzsche

Writing about real stuff that really concerned me brought out my craft. If you're writing a story about, 'Is Lois Lane gonna figure out that Superman is Clark Kent?' - it's really hard to get involved in that on anything other than a craft level. And I'm not gonna put down craftsmanship; it is a noble enough thing to have made a table that you can pound on and it doesn't fall down. But occasionally, we might have an assignment that engages some other parts of ourselves, and those tend to be the good stories. — Dennis O'Neil

I feel very protective in the first draft, when all the pieces are coming together. I work in a way that is not linear or chronological at all, even with the short story. I will just be writing bits and pieces, and then when I have all the pieces on the table, that for me is when it feels like the real work begins. — Jill McCorkle

I don't want to re-write the same old book with the same tired techniques. I'd rather bring something new to the table that's true to me and that people will have a genuine reaction to. That's the whole point, isn't it? — Veronika Carnaby

Science fiction is a dialogue, a tennis match, in which the Idea is volleyed from one side of the net to the other. Ridiculous to say that someone 'stole' an idea: no, no, a thousand times no. The point is the volley, and how it's carried, and what statement is made by the answering 'statement.' In other words - if Burroughs initiates a time-gate and says it works randomly, and then Norton has time gates confounded with the Perilous Seat, the Siege Perilous of the Round Table, and locates it in a bar on a rainy night - do you see both the humor and the volley in the tennis match? — C.J. Cherryh

One theme I ran into over and over while writing about the periodic table was the future of energy and the question of which element or elements will replace carbon as king. — Sam Kean

We put on a pot of tea, a necessity between these two writing friends. We
could no more imagine writing without this hot sustenance than we could
without pen and paper. We sat at the table to talk shop, sort through our
notes, and make plans for the book. Then we settled down in the sunroom,
giggling a little at the unexpected absurdity of our activity, editing
within arm's reach of each other, like toddlers at parallel play. — Mary Potter Kenyon

It's really a lovely feeling to write knowing that failure is taken off the table because if it's bad you just never show it to anyone. — Peter Morgan

You need to know that going in, and you also need to be able to write all the time. So when somebody looks at you across the table and says, "What do you think about a movie where Miley Cyrus switches souls with a basset hound?" You need to be able to sit there and figure out how to make that possibly shootable. — Robert Ben Garant

When you're writing fulltime like I am, writing to pay the bills and keep a roof over your head and food on the table, you can't afford to have writer's block. — Brian Keene

When I naturally write a story and I feel that the guy (is) sitting across the table from the girl and flirting with her ... I think, 'God, that can't be me' because I'm just too old for that part. You need a 30-year-old or a 35-year-old for that part. And so I've given myself less and less roles. — Woody Allen

Many Detroiters, for example, are beginning to see urban agriculture as a real part of the solution; to grow things right where people live, where they work, and definitely need healthier food on the table. Green city gardens are scattered throughout Detroit now, from the schoolyard at Catherine Ferguson Academy for pregnant teens and teen moms, to reclaimed land owned by a local order of Catholic friars (Earthworks), to a seven-acre organic farm in Rouge Park. Together, city gardeners, nonprofit organizations, and the Greening of Detroit resource agency are writing a new local-food story of urban Michigan. — Jaye Beeler