Quotes & Sayings About Writing Prose

I don't think there's any essential difference, at least for me, between writing poetry and writing prose. — Jorge Luis Borges

I've seen a lot of patriots and they all died just like anybody else if it hurt bad enough and once they were dead their patriotism was only good for legends; it was bad for their prose and made them write bad poetry. If you are going to be a great patriot i.e. loyal to any existing order of government (not one who wishes to destroy the existing for something better) you want to be killed early if your life and works won't stink. — Ernest Hemingway,

Driving down deserted early morning roads. Round and round. Round downtown. Through naked streets. Lips pursed on two litre bottles of beer, but pursuing the lips of freedom's night. Swapping cars. Winding up at karaoke bars or Bolsi- the best place in town. For the food. For the folk. For the service. For the crema de papaya. And for that late night dawn's whiskey coffee. — Harry Whitewolf

Being incomprehensible offers unparalleled protection against having nothing to say ... but writing with simplicity requires courage, for there is a danger that one will be overlooked, dismissed as simpleminded by those with a tenacious belief that the impassable prose is a hallmark of intelligence. — Alain De Botton

He who writes prose builds his temple to Fame in rubble; he who writes verses builds it in granite. — Edward Bulwer-Lytton, 1st Baron Lytton

And I realise the only way to tell the others
is through the way my voice can take these broken words
and turn it into music.
Turn it into poetry.
And I sing to make myself come alive,
but also for you,
because I'd like this to mean something.
To not disappear with the dark I will enter one day
and so now I will tell.
If not for you, then for my own heart,
because it tells me to,
and I'm learning to listen. — Charlotte Eriksson

Helen Lowe writes wonderful stories, yes, but her work also speaks with lyricism to deeper questions of how we treat each other. With lovely prose that brings vivid life to her characters, she creates a universe with people we care about. This is an author with a gift for fantasy. — Catherine Asaro

Never try to keep it professional, keep it smutty, write with bodily fluids on sandpaper, and damn the men with clipboards in white suits, the literary bean-counters, the prose police. — Peter Selgin

I'm happy to be a writer - of prose, poetry, every kind of writing. Every person in the world who isn't a recluse, hermit or mute uses words. I know of no other art form that we always use. — Maya Angelou

I want to burn with excitement or anger and bleed, bleed out my words. I want to get all fucked up and write raw and ugly about all these things I see and am and could be. — Charlotte Eriksson

Writing is revision. All prose responds to work. — Tracy Kidder

I do three drafts handwritten and then it's typed up ... They are different from each other, they are hopefully improvements in the sense you're going back over something. The first time you write it, it's the first thing that you can think. The second time you're trying to shape the dialogue, helping the characters. The third time you're doing it because you want the words to sound nice, hopefully making the prose better, making it more fun to read, making the jokes funnier and the scary bits scarier. — Clive Barker

In less than an hour I have to hold class for a group of idiot freshmen. And, on a desk in the living room, is a mountain of midterm examinations with essays I must suffer through, feeling my stomach turn at their paucity of intelligence, their adolescent phraseology. And all that tripe, all those miles of hideous prose, had been would into an eternal skein in his head. And there it sat unraveling into his own writing until he wondered if he could stand the thought of living anymore. I have digested the worst, he thought. Is it any wonder that I exude it piecemeal? ("Mad House") — Richard Matheson

It pleases him how Spell is how the word is made but also, in the hands of the magician, how the world is changed. One letter separates Word from World, and that letter is like the number one, or an 'I', or a shaft of light between almost closed curtains. There is an old letter called a thorn, which jags and tears at the throat as it's uttered. Later he learns that Grammar and Glamour share the same deeper root, which is further magic, and there can be neither magic without that root, nor plant. He's lost in it like Chid in Child, or God reversed into Dog. Somewhere inside him is a colon. A sentence can last for life. — Charles Lambert

I think of poetry as a very inclusive term. Still, it's interesting that people want to make the distinction. I love the magazine Double Room for that reason (contributors have to write about their ideas on the prose poem/flash fiction). — Matthea Harvey

My own conscious ideal has been to delude the reader into accepting an impossibility, or series of impossibilities, by means of a sort of verbal black magic, in the achievement of which I make use of prose-rhythm, metaphor, simile, tone-color, counter-point, and other stylistic resources, like a sort of incantation. — Clark Ashton Smith

Writing for the page is only one form of writing for the eye. Wherever solemn inscriptions are put up in public places, there is a sense that the site and the occasion demand a form of writing which goes beyond plain informative prose. Each word is so valued that the letters forming it are seen as objects of solemn beauty. — James Fenton

All the elements of good writing depend on the writer's skill in choosing one word instead of another. — Francine Prose

One often hears of writers that rise and swell with their subject, though it may seem but an ordinary one. How, then, with me, writing of this Leviathan? Unconsciously my chirography expands into placard capitals. Give me a condor's quill! Give me Vesuvius' crater for an inkstand! Friends, hold my arms! For in the mere act of penning my thoughts of this Leviathan, they weary me, and make me faint with their out-reaching comprehensiveness of sweep, as if to include the whole circle of the sciences, and all the generations of whales, and men, and mastodons, past, present, and to come, with all the revolving panoramas of empire on earth, and throughout the whole universe, not excluding its suburbs. Such, and so magnifying, is the virtue of a large and liberal theme! We expand to its bulk. To produce a mighty book, you must choose a mighty theme. No great and enduring volume can ever be written on the flea, though many there be who have tried it. — Herman Melville

The Big Dipper wheels on its bowl. In years hence it will have stopped looking like a saucepan and will resemble a sugar scoop as the earth continues to wobble and the dipper's seven stars speed in different directions. — Ann Zwinger

Criticism is, for me, like essay writing, a wonderful way of relaxation; it doesn't require a heightened and mediated voice, like prose fiction, but rather a calm, rational, even conversational voice. — Joyce Carol Oates

I had another reason for seeking Him, for trying to espy His face, a professional one. God and literature are conflated in my mind. Why this is, I'm not sure. Perhaps because great books seem heavensent. Perhaps because I know that each nove is a puny but very valiant attempt at godlike behavior. Perhaps because there is no difference between the finest poetry and most transcendent mysticism. Perhaps because writers like Thomas Merton, who are able to enter the realm of the spirit and come away with fine, lucid prose. Perhaps because of more secular writers, like John Steinbeck, whose every passage, it seems to me, peals with religiousity and faith. It once occured to me that literature - all art really - is either talking to people about God, or talking to God about people. — Paul Quarrington

Bottom line, when someone defensively says their way of writing is their style, then that usually means they're making an excuse for poor prose. — A.J. Flowers

Only a natural writer could sound as if she is not writing so much as thinking on the page. — Francine Prose

[T]welve year old Libby O'Shea coasted on a homemade swing, toes touching a blinding-blue heaven dolloped with clouds. — Julie Lessman

I don't like slapdash careless prose, and if I saw myself doing it, I would give up writing altogether. — Ruth Rendell

I think the underlying purpose is expression. It's not about technique, it's not about hitting the right note, writing the perfect prose, having the perfect brushstroke. It's about expression of oneself, the things around you, and the emotions. I think expression is the one word that I would use, whether it's for sorrow, tragedy, joy, or even the need to express and be heard. — Charlie Albright

Aesthetic enthusiasm. Perception of beauty in the external world, or, on the other hand, in words and their right arrangement. Pleasure in the impact of one sound on another, in the firmness of good prose or the rhythm of a good story. Desire to share an experience which one feels is valuable and ought not to be missed. The aesthetic motive is very feeble in a lot of writers, but even a pamphleteer or writer of textbooks will have pet words and phrases which appeal to him for non-utilitarian reasons; or he may feel strongly about typography, width of margins, etc. Above the level of a railway guide, no book is quite free from aesthetic considerations. — George Orwell

Probably the best way to describe my writing style is to refer you to "purple prose", which was a tag given to the early mass market magazine writers earning a half cent a word for their fiction. They had to use every adjective, verb and adverb in the English language to add word count to stories in order to feed and support families. — Tom Johnson

Much of the writing of physicists barely reaches the level of prose. — Steven Weinberg

I don't suppose a writing man ever really gets rid of his old crocus-yellow neckties. Sooner or later, I think, they show up in his prose, and there isn't a hell of a lot he can do about it. — J.D. Salinger

I would say that the writers I like and trust have at the base of their prose something called the English sentence. An awful lot of modern writing seems to me to be a depressed use of language. Once, I called it "vow-of-poverty prose." No, give me the king in his countinghouse. Give me Updike. — Martin Amis

I consider myself a writer who writes about American expatriates. And if I have any overt cause as a writer besides writing the best prose I can, it's to try to make Americans have a more visceral feeling about how America impacts everybody in the world. — Bob Shacochis

I see manuscripts and books that are spoiled for the literary reader because they are one long stream of top-of-the-head writing, a writer telling a story without concern for precision or freshness in the use of language. Some of this storytelling reads as if it were spoken rather than written, stuffed with tired images that pop into the writer's head because they are so familiar. The top of the head is fit for growing hair, but not for generating fine prose. — Sol Stein

The first two books that I did by myself were long stories in verse. I knew I could do that because I'd written a lot in verse. But, verse stories are hard to sell, so my editor encouraged me to try writing in prose. — Natalie Babbitt

Good authors, too, who once knew better words now only use four-letter words writing prose ... anything goes. — Cole Porter

The guiding metaphor of classic style is seeing the world. The writer can see something that the reader has not yet noticed, and he orients the reader's gaze so that she can see it for herself. The purpose of writing is presentation, and its motive is disinterested truth. It succeeds when it aligns language with the truth, the proof of success being clarity and simplicity. The truth can be known, and is not the same as the language that reveals it; prose is a window onto the world. The writer knows the truth before putting it into words; he is not using the occasion of writing to sort out what he thinks. Nor does the writer of classic prose have to argue for the truth; he just needs to present it. That is because the reader is competent and can recognize the truth when she sees it, as long as she is given an unobstructed view. The writer and the reader are equals, and the process of directing the reader's gaze takes the form of a conversation. — Steven Pinker

With everything I've done from "Jackie Brown" on, I got really into really writing more prose in the - in what you're calling the stage directions, all right. And consequently my scripts have gotten bigger and bigger, and got to "Kill Bill" volume 1 and 2. — Quentin Tarantino

Poetry is creative expression; Prose is constructive expression ... by creative I mean original. In Poetry the words are born or reborn in the act of thinking ... There is no time interval between the words and the thought when a real poet writes, both of them happen together, and both the thought and the word are Poetry. — Herbert Read

If there's anything I'm keen to get better at in my writing, then it's the writing of prose as opposed to the writing of dialogue. — David Nicholls

I used to write sonnets and various things, and moved from there into writing prose, which, incidentally, is a lot more interesting than poetry, including the rhythms of prose. — Shelby Foote

I want prose fiction to be recognized as that, and I'm not interested in writing as it becomes more personal. — John C. Hawkes

Literature supplements the lives of people and enables us to feel connected with the world. Shared stories blunt a sense of tragic aloneness, and endow us with the tools to understand our humanness. Reading about the lives of other people acquaints us with the hardships of other people. The authorial voices of narrative prose express our shared feelings of deprivation — Kilroy J. Oldster

Good prose should be transparent, like a window pane. — George Orwell

As dawn leaks into the sky it edits out the stars like excess punctuation marks, deleting asterisks and periods, commas, and semi-colons, leaving only unhinged thoughts rotating and pivoting, and unsecured words. — Ann Zwinger

Prose should have a flow, the forward momentum of a certain energized weight; it should feel like a voice tumbling in your ear. — John Updike

One great difference between good writing, that readers overlook, and bad writing, that they fail to notice, has to do with the number of rewrites and revisions usually required by the former. It isn't at all easy to write clear, declarative prose - transparency evolves from ruthless cutting and trimming and is hard work - while lumpy, tangle-footed writing flows from the pen as if inspired by the Muse. — Ira Levin

Writers quite often starve. And I'm mainly just writing critical prose and poetry, that's a formula for starvation. — Clive James

Use the words that live inside your head. And if the words that live inside your head are those of a sentimental Victorian troubadour, then please close your head in a door jamb until you kill all that overwrought prose in an act of brain damage. — Chuck Wendig

He was one of a long line of mimsy and embittered middle-class sensitives who disguised their feeble and decadent lust as something spiritual and Socratic.
And why not? If it meant he had to end his days on some Mediterranean island writing lyric prose for Faber and Faber and literary criticism for the New Statesman, running through successions of houseboys and 'secretaries', getting sloshed on Fernet Branca and having to pay off the Chief of Police every six months, then so be it. Better than driving to the office in the rain. — Stephen Fry

I think I was also afraid of the novel. I write line by line, proceeding at snail's pace, rewriting as I go and paring the excess away. This is against all the best advice for writing long form prose, and I have tried over the years to break myself of the habit, but I can't bear to leave anything ungainly on the page and half the fun for me is that tinkering. So the length of a novel was a daunting prospect. — Debra Dean

We all know what good writing is: It's the novel we can't put down, the poem we never forget, the speech that changes the way we look at the world. It's the article that tells us when, where, and how, the essay that clarifies what was hazy before. Good writing is the memo that gets action, the letter that says what a phone call can't. It's the movie that makes us cry, the TV show that makes us laugh, the lyrics to the song we can't stop singing, the advertisement that makes us buy. Good writing can take form in prose or poetry, fiction or nonfiction. It can be formal or informal, literary or colloquial. The rules and tools for achieving each are different, but one difficult-to-define quality runs through them all: style. "Effectiveness of assertion" was George Bernard Shaw's definition of style. "Proper words in proper places" was Jonathan Swift's. You — Mitchell Ivers

[Referring to passage by Alice Munro] Finally, the passage contradicts a form of bad advice often given young writers
namely, that the job of the author is to show, not tell. Needless to say, many great novelists combine "dramatic" showing with long sections of the flat-out authorial narration that is, I guess, what is meant by telling. And the warning against telling leads to a confusion that causes novice writers to think that everything should be acted out
don't tell us a character is happy, show us how she screams "yay" and jumps up and down for joy
when in fact the responsibility of showing should be assumed by the energetic and specific use of language. — Francine Prose

To write a novel is to dream while awake, then express the dream to the reader in an absorbing way. The road leading from the writer's inner world to the readers' is paved with prose. — Alan Joshua

I started writing prose before I started writing television. Then 'Breaking Bad' came around, and to me, writing 'Breaking Bad' is like writing a novel each season. So it's been very creatively satisfying writing for the show. — George Mastras

Why can't prose be poetic? — Kevin Focke

Prose unfolds in time; and time contains both obstacles and revelations. Prose develops, the way characters and situations do. It requires a flow. A poem is an instant, lightning across the sky. Prose is before the storm, the storm, after the storm. — Molly Peacock

When I start writing a poem, I can usually know quite early on whether it's a lineated or prose poem, but I don't think I can explain how. It's like deciding whether to wear a skirt or a pair of pants. — Matthea Harvey

I personally am a 'discovery writer,' as we're termed, someone who plans the book by writing it and then revising the entire thing. When it comes to saga, this means writing large chunks of prose before any of it coalesces into a book. — Katharine Kerr

If things are going well I can easily spend twelve hours a day writing, but not writing writing, just thinking and revising and taking a comma out and putting it back in. — Francine Prose

There's more substance in my prose and my poetry than in all my films together. Writing is a more direct way of expressing yourself because, in cinema, you always have finances, organization, actors, technical apparatus and all that stuff coming in between. — Werner Herzog

It is woefully hard to find good, or even merely literate, writers, and they laugh at me when I say that sloppy, go-as-you-please writing carries less authority than decent prose. You must remember our public, they say. And indeed that is what I do, and I think the public is fully able to deal with the best they can produce. Patronizing the public, and assuming that it hangs, breathless, upon what it reads in the papers, is almost the worst of journalistic sins. — Robertson Davies

Writing isn't generally a lucrative source of income; only a few, exceptional writers reach the income levels associated with the best-sellers. Rather, most of us write because we can make a modest living, or even supplement our day jobs, doing something about which we feel passionately. Even at the worst of times, when nothing goes right, when the prose is clumsy and the ideas feel stale, at least we're doing something that we genuinely love. There's no other reason to work this hard, except that love. — Melissa Scott

The first book was my first attempt at writing full-length prose. — Neil Simon

One reason why I like writing poetry - you can say so many things in it that are true in poetry but wouldn't be true in prose. — Lucy Maud Montgomery

By the time I was doing "Kill Bill," it was so much filled with prose that, you know, I start seeing why people write a screenplay and make it more like a blueprint, because basically I had written - in "Kill Bill," I had basically written a novel, and basically every day I was adapting my novel to the screen on the fly, you know, on my feet. — Quentin Tarantino

All I want is a modest place in Mr X's Good Reading, Miss Y's Good Writing, and that new edition of One Thousand Best Bits of Recent Prose. — James Agate

Plain words on plain paper. Remember what Orwell says, that good prose is like a windowpane. Cut every page you write by at least a third. Stop constructing those piffling little similes of yours. Work out what you want to say. Then say it in the most direct and vigorous way you can. Eat meat. Drink blood. Give up your social life and don't think you can have friends. Rise in the quiet hours of the night and prick your fingertips and use the blood for ink; that will cure you of persiflage! But do I take my own advice? Not a bit. Persiflage is my nom de guerre. (Don't use foreign expressions. It's elitist.) — Hilary Mantel

For me, writing essays, prose and fiction is a great way to be self-indulgent. — Diablo Cody

Invisible prose only!" rules out the sparkling style of [writers] ... For [whom] vivid prose, and the visionary mind it evinces, rich with speculation, insight, and subjectivity, is the craft and offers a unique caliber of truth. Is there any other art form one would praise by saying it's "invisible"? By definition, art transcends the ordinary, calls attention to itself, and offers virtuosity as its calling card. One that makes it possible to do what metaphor does so well: illuminate what can't be wholly understood. — Diane Ackerman

When well executed, description is unobtrusive and lends substance to a novel. It is the body fat of prose: too much is unhealthy, but without any, you no longer have the thing - you have its skeleton. — Howard Mittelmark

Most of my writing consists of an attempt to translate aphorisms into continuous prose. — Northrop Frye

James was sixteen, Cam seventeen, perhaps. She had looked round for someone who was not there, for Mrs. Ramsay, presumably. But there was only kind Mrs. Beckwith turning over her sketches under the lamp. Then, being tired, her mind still rising and falling with the sea, the taste and smell that places have after long absence possessing her, the candles wavering in her eyes, she had lost herself and gone under. It was a wonderful night, starlit; the waves sounded as they went upstairs; the moon surprised them, enormous, pale, as they passed the staircase window. She had slept at once. — Virginia Woolf

It is perfectly legitimate to write novels which are essentially prose poems, but in the end, I think, a novel is like a car, and if you buy a car and grow flowers in it, you're forgetting that the car is designed to take you somewhere else. — Robert Harris

There should be two main objectives in ordinary prose writing: to convey a message and to include in it nothing that will distract the reader's attention or check his habitual pace of reading - he should feel that he is seated at ease in a taxi, not riding a temperamental horse through traffic. — Robert Graves

[Tom] Wolfe's books offered a whole new world to step into, and whilst at times you could accuse him of being somewhat long-winded, he had an incredible quality of prose and a bravery of writing from the heart. He believed in being autobiographical at all times. — Jude Law

The assignment was a two-page essay, in Greek, on any epigram of Callimachus that we chose. I'd done only a page and I started to hurry through the rest in impatient and slightly dishonest fashion, writing out the English and translating word by word. It was something Julian asked us not to do. The value of Greek prose composition, he said, was not that it gave one any particular facility in the language that could not be gained as easily by other methods but that if done properly, off the top of one's head, it taught one to think in Greek. One's thought patterns become different, he said, when forced into the confines of a rigid and unfamiliar tongue. Certain common ideas become inexpressible; other, previously undreamt-of ones spring to life, finding miraculous new articulation. — Donna Tartt

To write rhythmic prose one must go deep into oneself and find the anonymous and multiple rhythm of the blood. Prose needs to be built like a cathedral. There, one is truly without a name, without ambition, without help; on scaffoldings, alone with one's consciousness. — Rainer Maria Rilke

Read your work aloud, if you can, if you aren't too embarrassed by the sound of your voice ringing out when you are alone in a room. Chances are that the sentence you can hardly pronounce without stumbling is a sentence that needs to be reworked to make it smoother and more fluent. A poet once told me that he was reading a draft of a new poem aloud to himself when a thief broke into his Manhattan loft. Instantly surmising that he had entered the dwelling of a madman, the thief turned and ran without taking anything, and without harming the poet. So it maybe that reading your work aloud will not only improve its quality but save your life in the process. — Francine Prose

Edwards's stark presentation of the immanent consciousness of Separation enters the structure of her poems. Each word is a cipher, through its sensible sign another sign hidden. The recipient of a letter, or combination of letter and poem from Emily Dickinson, was forced much like Edwards' listening congregation, through shock and through subtraction of the ordinary, to a new way of perceiving. Subject and object were fused at that moment, into the immediate feeling of understanding. This re-ordering of the forward process of reading is what makes her poetry and the prose of her letters among the most original writing of her century. — Susan Howe

Let him be fifty feet away, let him not even speak to you, let him not even see you, he permeated, he prevailed, he imposed himself. He changed everything. — Virginia Woolf

Habit is the best thing for you if you're trying to write prose. — Alan Cheuse

Poetry creates the myth, the prose writer draws its portrait. — Jean-Paul Sartre

Poetry is its own medium; it's very different than writing prose. Poetry can talk in an imagistic sense, it has particular ways of catching an environment. — Story Musgrave

With prose, I know where I'm starting and I think I know where I'm going. — Paul T. Scheuring

People often ask me why my style is so simple. It is, in fact, deceptively simple, for no two sentences are alike. It is clarity that I am striving to attain, not simplicity.
Of course, some people want literature to be difficult and there are writers who like to make their readers toil and sweat. They hope to be taken more seriously that way. I have always tried to achieve a prose that is easy and conversational. And those who think this is simple should try it for themselves. — Ruskin Bond

Programming is the art of writing essays in crystal clear prose and making them executable — Per Brinch Hansen

Reading the book now means that one can, if one wants, play Fantasy Literature
match writers off against each other and see who won over the long haul. Faulkner or Henry Green? I reckon the surprise champ was P.G. Wodehouse, as elegant and resourceful a prose stylist as anyone held up for our inspection here ... he has turned out to be as enduring as anyone apart from Orwell. Jokes, you see. People do like jokes.
(Hornby's thoughts after reading "Enemies of Promise" by Cyril Connolly) — Nick Hornby

The moon hung heavy over the lake like an overripe orange, trickling its golden stream of light across inky depths. — Julie Lessman

Why do you always write poetry? Why do you not write prose? Prose is so much more difficult. — Walter Pater

My object when writing prose is to write as clearly as possible. I think I know what I'm saying in prose, and I want others to understand it and to be able to restate it. — Pattiann Rogers

All writers are like bomb-throwers, whether they attack with dense academic prose or jazzy riffs of stream-of-consciousness writing. — Betsy Lerner

Prose before hoes, muthafucka! I'll be right over. — David Louden

You start realizing that good prose is crunchy. There's texture in your mouth as you say it. You realize bad writing, bland writing, has no texture, no taste, no corners in your mouth. I'm a great believer in reading aloud. — Janet Fitch

Who dreamt
and made incarnate gaps in Time & Space
through images juxtaposed,
and trapped the archangel of the soul between 2 visual images
and joined the elemental verbs and set the noun
and dash of consciousness together
jumping with sensation of Pater Omnipotens Aeterna Deus
to recreate the syntax and measure of poor human
prose and stand before you speechless and intelligent and shaking with shame — Allen Ginsberg

What I'm constantly striving for in my prose is clarity. So that, ideally, the writing will become so transparent that the reader will forget that the medium of communication is language. — Jonathan Lethem

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,-
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is. — Elizabeth Barrett Browning

Poetry is more than a form of art. It's a vibration and a pulsing heart. Whether it's sour or whether it's sweet. It can give you strength no one can defeat — Stanley Victor Paskavich

The root difficulty in all cases was the state of being blind and deaf to words
not seeing the words for the prose. Being adults, they had forgotten what every child understands, which is giving and taking a meaning is not automatic and inevitable — Jacques Barzun

[Louis] Brandeis is writing directly to us. His clear voice comes through a century and he's speaking to us and he's galvanizing us and he's persuading us. And that's why I love to read the prose. — Jeffrey Rosen