Writing Horror Quotes & Sayings

Horror fiction seems to spawn more dumbass 'rules' than any other kind of writing, and one of the dumbest is the assumed 'requirement' of a twist ending, going all the way back to H.H. Munro. This story is also the result of a long rumination on how stories are sometimes scuttled or diminished by succumbing to such 'rules'. — David J. Schow

There are ... otherwise quite decent people who are so dull of nature that they believe that they must attribute the swift flight of fancy to some illness of the psyche, and thus it happens that this or that writer is said to create not other than while imbibing intoxicating drink or that his fantasies are the result of overexcited nerves and resulting fever. But who can fail to know that, while a state of psychical excitement caused by the one or other stimulant may indeed generate some lucky and brilliant ideas, it can never produce a well-founded, substantial work of art that requires the utmost presence of mind. — E.T.A. Hoffmann

...I've never understood the logic that says a work doesn't need to be judged on the quality of its writing or characters simply because its genre. On the other hand, I've also never understood the logic of excusing a work from the need to tell a story worth telling about people worth knowing simply because the author writes pretty language or has some insights to offer. — Glen Hirshberg

Charlie Marlowe never wrote horror, but somehow horror was writing Charlie Marlowe. — Ruta Sepetys

I've been told by a few people at conferences I have a rather academic approach to the subject matter that makes it easy for people to ask questions. I think some genre writers feel the need to "sell" or defend what they do, and so when a door opens to discuss their genre, regardless of what that genre is, they tend to get almost pushy. I'm comfortable with what I write. It is part of who I am. I don't really need to sell it. But if I'm asked, I'll explain it. — Julie Ann Dawson

I have sat here at my desk, day after day, night after night, a blank sheet of paper before me, unable to lift my pen, trembling and weeping too. — Susan Hill

When one writes, there's the double horror of discovering not only what it is that one so fears but also the triviality of that fear. — Deborah Eisenberg

I write horror because I enjoy it. I'm endlessly fascinated by the supernatural, by death, by darkness. And, to be honest, I don't have much choice. This is the way my mind works. — Bentley Little

The biggest difference between writing a movie and writing a novel? No one ever tries to sleep with me to get into one of my novels. — Mylo Carbia

Okay. Right. Horror meets romance meets erotica meets fantasy meets hip hop. Throw in some leather and some Miami Ink shit, stir with a baseball bat and a tire iron, sprinkle on some baby powder, and serve over a hot bed of Holy-Mary-mother-of-God-this-has-to-work-or-I'm-going-to-be-a-lawyer-for-the-rest-of-my-natural-life.
No problem."
(J.R. Ward on the elements of writing the Black Dagger Brotherhood) — J.R. Ward

In one way, it is this sense of order and also love that, I think, really saved Eleanor Roosevelt's life. And in her own writing, she's very warm about her grandmother, even though, if you look at contemporary accounts, they're accounts of horror at the Dickensian scene that Tivoli represents: bleak and drear and dark and unhappy. But Eleanor Roosevelt in her own writings is not very unhappy about Tivoli. — Blanche Wiesen Cook

Someone once asked me what I thought horror fiction did. What its purpose was . . . I replied that when I wrote horror fiction, I tried to take the improbable, the unimaginable, and the impossible, and make it seem not only possible--but inevitable. — Michael McDowell

I was asked in an interview once: You're writing another book with a female lead? Aren't you afraid you're going to be pigeonholed? And I thought, I write a team superhero book, an uplifting solo hero book, I write a horror-western, and I write a ghost story. What am I gonna be pigeonholed as? Has a man in the history of men ever been asked if he was going to be pigeonholed because he wrote two consecutive books with male leads? — Kelly Sue DeConnick

I never attended a creative writing class in my life. I have a horror of them; most writers groups moonlight as support groups for the kind of people who think that writing is therapeutic. Writing is the exact opposite of therapy. — Zadie Smith

Writing tales of horror makes it hard to convince people that I'm a nice, gentle person. I love rainbows and wildflowers and butterflies and babies, and I wouldn't swat a fly unless it was diving directly into my fruit salad. — Diane Hoh

If I can keep writing just one good page a day, I will have 15 published novels in my expected lifetime. Tick, tick, tick... — Barry James Hickey

[ ... ]i'm not a leftist trying to smuggle in my evil message by the nefarious means of fantasy novels. I'm a science fiction and fantasy geek. I love this stuff. And when I write my novels, I'm not writing them to make political points. I'm writing them because I passionately love monsters and the weird and horror stories and strange situations and surrealism, and what I want to do is communicate that. But, because I come at this with a political perspective, the world that I'm creating is embedded with many of the concerns that I have [ ... ] I'm trying to say I've invented this world that I think is really cool and I have these really big stories to tell in it and one of the ways that I find to make that interesting is to think about it politically. If you want to do that too, that's fantastic. But if not, isn't this a cool monster? — China Mieville

Give me just enough information so that I can lie convincingly. — Stephen King

great literature is literature that speaks to deep, fundamental human truths and experience in a way that is relatable to the reader and that may provoke engagement or facilitate insight into these truths and experiences. If these truths and experiences are about breaches of the normal, then surely horror has a place in literature, and in facts may proffer deep engagement with the most profound aspects of our existence. Sometimes only horror can say what needs to be said. — Jacob M. Held

I have this one nasty habit. Makes me hard to live with. I write ...
... writing is antisocial. It's as solitary as masturbation. Disturb a writer when he is in the throes of creation and he is likely to turn and bite right to the bone ... and not even know that he's doing it. As writers' wives and husbands often learn to their horror ...
... there is no way that writers can be tamed and rendered civilized. Or even cured. In a household with more than one person, of which one is a writer, the only solution known to science is to provide the patient with an isolation room, where he can endure the acute stages in private, and where food can be poked in to him with a stick. Because, if you disturb the patient at such times, he may break into tears or become violent. Or he may not hear you at all ... and, if you shake him at this stage, he bites ... — Robert A. Heinlein

My fear, as a writer, is that I am a curiosity. That I can only bring you this peculiar condition from far away, from outside, and if you look at it then it will mean nothing. So, I have to pretend it's more than that. Horror writing lets me do that. — Tony Burgess

Horror, let's face it, is basically pretty dumb. You're writing about events that are preposterous, and the trick is to dress them up in language so compelling that the reader doesn't care. — T.E.D. Klein

Horror films had died a little bit before Scream came around. That was one of the reasons I wrote it. I wanted to write something that wasn't being made right now and maybe sell if I come up with a new horror film. Because no one is watching those movies. Let's do it. That was my whole goal, and it paid off. I feel like it's never stopped. — Kevin D. Williamson

Best-selling horror fiction is indeed necessarily conservative because it must entertain a large number of readers. It's like network television. I'm your local cable access station. — Thomas Ligotti

Deadlines help me, but my muse hates them. My muse functions in fits and starts, and tends to take very long vacations. Deadlines are like a hot poker to his ass. They force us both to sit down and write, which is what it takes to do this. — Alistair Cross

It is dark. You cannot see. Only the hint of stars out the broken window. And a voice as old as the Snake from the Garden whispers, 'I will hold your hand. — John Wick

You stole my story and something's got to be done about it. — Stephen King

The 'experimental' writer, then, is simply following the story's commands to the best of his human ability. The writer is not the story, the story is the story. See? Sometimes this is very hard to accept and sometimes too easy. On the one hand, there's the writer who can't face his fate: that the telling of a story has nothing at all to do with him; on the other hand, there's the one who faces it too well: that the telling of the story has nothing at all to do with him — Thomas Ligotti

One day I want to write a full-on horror book. — Christopher Bollen

Human beings across every culture I know about require such stories, stories with cool winds and wood smoke. They speak to something deep within us, the capacity to conceptualize, objectify and find patterns, thereby to create the flow of events and perceptions that find perfect expression in fiction. We are built this way, we create stories by reflex, unstoppably. But this elegant system really works best when the elements of the emerging story, whether is is being written or being read, are taken as literal fact. Almost always, to respond to the particulars of the fantastic as if they were metaphorical or allegorical is to drain them of vitality. — Peter Straub

I read a lot of ghost stories because I was writing a ghost story. I didn't think at all I was writing a horror or a thriller or whatever because it is about a ghost, whereas a horror film can be about aliens or things that rise out of the marsh that have no human shape. — Susan Hill

I used to write my own versions of famous tales, such as William Tell or Robin Hood, and illustrate them myself, too. When I entered my teens, I got more into horror and science fiction and wrote a lot of short stories. A literary education complicated things and for many years I wrote nothing but poetry. Then I got back to story-telling. — Peter Robinson

You know so much about people from the second they open their mouths. Right away you might know that you might want to keep them out. That's part of the horror of speaking, of writing. There is nowhere to hide. When you try to hide, the spectacle can grow grotesque. — Maggie Nelson

A serious adult story must be true to something in life. Since marvel tales cannot be true to the events of life, they must shift their emphasis towards something to which they can be true; namely, certain wistful or restless moods of the human spirit, wherein it seeks to weave gossamer ladders of escape from the galling tyranny of time, space, and natural law. — H.P. Lovecraft

I would rather never make a penny on book sales and know that many had derived some fair pleasure from my writing, than to know that very few had ever taken a chance on my work. I certainly won't last forever, but I'd love to think that my imagination will continue to surface in the minds of others. — Eric Diehl

When I try to write love, it only turns into horror. Thinking about it with a clear head, feeling such deep emotions to some other person you don't even know is truly a terrifying thingI wonder if love isn't a manifestation of madness in some way. — Gen Urobuchi

I cannot say how strongly I object to people using other people's writing as research. Research is non-fiction, especially for horror, fantasy, science fiction. Do not take your research from other people's fiction. Just don't. — Laurell K. Hamilton

I spent years only ever reading horror and then trying to write horror - and deep down, a horror writer is still what I'd love to be. But it wasn't until I started writing crime that things began to work for me. — Paul Cleave

When I write my novels, I'm not writing them to make political points. I'm writing them because I passionately love monsters and the weird and horror stories and strange situations and surrealism, and what I want to do is communicate that. But, because I come at this with a political perspective, the world that I'm creating is embedded with many of the concerns that I have. But I never let them get in the way of the monsters. — China Mieville

It would be very hard to write a serious drama and say some of these things. You can be much more abstract and allusive with horror, and it's very forgiving to the author. You don't necessarily have to take an absolutely positive position. You can just write whatever. — George A. Romero

I tell everyone who asks me about writing ... almost everyone has an idea for a book, and some even have a great ending, but it's that 290 or so pages in between that are tough! — Brooklyn Hudson

No amount of therapy can replace the joy of revenge writing. — Mylo Carbia

If you focus on the humanity of your stories, your characters, then the horror will be stronger, scarier. Without the humanity, the horror becomes nothing more than a tawdry parlor trick. All flash and no magic, and worst of all, no heart. — Don Roff

But anyway, I look around sometimes and I think - this will maybe sound weird - it's like the corporate world's full of ghosts. And actually, let me revise that, my parents are in academia so I've had front row seats for that horror show, I know academia's no different, so maybe a fairer way of putting this would be to say that adulthood's full of ghosts."

"I'm sorry, I'm not sure I quite --"

"I'm talking about these people who've ended up in one life instead of another and they are just so disappointed. Do you know what I mean? They've done what's expected of them. They want to do something different but it's impossible now, there's a mortgage, kids, whatever, they're trapped. Dan's like that."

"You don't think he likes his job, then."

"Correct," she said, "but I don't think he even realises it. You probably encounter people like him all the time. High-functioning sleepwalkers, essentially. — Emily St. John Mandel

I write what I want to write. Period. I don't write novels-for-hire using media tie-in characters, I don't write suspense novels or thrillers. I write horror. And if no one wants to buy my books, I'll just keep writing them until they do sell
and get a job at Taco Bell in the meantime. — Bentley Little

Sometimes the biggest disasters aren't noticed at all - no one's around to write horror stories. — Vernor Vinge

I didn't want to be the woman who gave herself over willingly to the first man to notice her. I didn't want to be the stupid girl in every novel who loved without question and entered relationships that didn't make sense. — Destinee Hardwick

I think of myth and magic as the hieroglyphics of the human psyche. They are a special language that circumvents conscious thought and goes straight to the subconscious.
Non-fiction uses the medium of information. It tells us what we need to know.
Science fiction primarily uses the medium of physics and mathematics. It tells us how things work, or could work.
Horror taps into the darker imagery of the psychology, telling us what we should fear.
Fantasy, magic and myth, however, tap into the spiritual potential of the human life. Their medium is symbolism, truth made manifest in word pictures, and they tell us what things mean on a deep, internal level. I have always been a meaning-maker. I have always been someone who strives to make sense of everything and perhaps that is where my life as a storyteller first began. Life doesn't always make sense, but story must. And so I write stories, and the world comes right again. — Ripley Patton

For those who resist the notion that the mainstream is a genre, we recommend that they browse the shelves of their local bookstore. For if the mainstream is not a genre, then it must necessarily embrace all kinds of writing: romance, adventure, horror, thriller, crime, and, yes, science fiction. — James Patrick Kelly

The unknown characters of writing seem to be endowed with an evil of life of their own as though sentient, and fain would wrest themselves forth from the parchment and wreak mischief on whomsoever gazes upon them. — E. Hoffmann Price

Fear is essential in horror fiction. Gore is optional. — Rayne Hall

I was starting to recognize a corner I was driving myself into: that all writing could do was refer to things that had already been written. I'm making the margin, but the margin of a book that already exists. I was having this exhilaration at, but at the same time horror of this recognition that I'd driven myself into the world of only books. This is a world of the previously written, and maybe I don't have to add to it, maybe all I can do is measure it. — Vito Acconci

There was a cinema called The Orient outside the community centre where we rehearsed in Six Ways, and whenever it showed a horror film the queue would go all the way down the street and around the corner. 'Isn't it strange how people will pay money to frighten themselves?' I remember Tony [Iommi] saying one day. 'Maybe we should stop doing blues and write scary music instead.' — Ozzy Osbourne

I never said you had to like it. You have to accept it. No regret."
- Clare Harding

From the current book in writing BUMPKIN by Lani Brown. — Lani Brown

Writing my novel 'The Narrow Road to the Deep North,' I came to conclude that great crimes like the Death Railway did not begin with the first beating or murder on that grim line of horror in 1943. — Richard Flanagan

The elasticity of our dreams can take us to unspoken worlds, but our innate horror of the unknown is what weighs us down. Fight it.


Travel to the isolated coils of smoldering dust trapped in our dusky sky or explore the unseen timeless vibration of dancing particles that fashions existence. Whatever choice you make can change your life forever. The same applies to a story. Words are the atoms of a tale, and together they compose a universe. — H.S. Crow

Obviously loss of family is huge and critical, but I think really it's more about losing a sense of family. The horror of that kind of incompleteness. Writing this book, I tried not to think about my father, which does no one any good fictionally. I did try to imagine not just the horror of that moment, but the horror of having witnessed it, and the lifelong void. And I think that's what's so frightening. — Chang-rae Lee

The one test of the really weird (story) is simply this
whether or not there be excited in the reader a profound sense of dread, and of contact with unknown spheres and powers; a subtle attitude of awed listening, as if for the beating of black wings or the scratching of outside shapes and entities on the known universe's utmost rim. — H.P. Lovecraft

The museums in children's minds, I think, automatically empty themselves in times of utmost horror - to protect the children from eternal grief.
For my own part, though: It would have been catastrophe if I had forgotten my sister at once. I had never told her so, but she was the person I had always written for. She was the secret of whatever artistic unity I had ever achieved. She was the secret of my technique. Any creation which has any wholeness and harmoniousness, I suspect, was made by an artist or inventor with an audience of one in mind.
Yes, and she was nice enough, or Nature was nice enough, to allow me to feel her presence for a number of years after she died - to let me go on writing for her. But then she began to fade away, perhaps because she had more important business elsewhere. — Kurt Vonnegut

I had Paterson, and The Art Lover, to guide me for The Tales of Horror (written from 1988-'97 and published in 1999), but I still was so lost, back then, as I tried to understand what I was writing and how it went together. There was a draft of that manuscript that had all these brightly colored paper clips on the pages so I could visualize what I saw as the book's themes and threads - that was a long time ago. — Laura Mullen

Sing a song of suspense in which the players die.
Four and twenty ravens in an Edgar Allan Pie.
When the pie was broken, the ravens couldn't sing.
Their throats had been sliced open by Stephen, the new King.
The King was in his writing house, stifling a laugh
While his queen was in a tizzy of her bloody Lovecraft.
When the dead maid got the garden for her rank as royal whore,
King's shovel made it double and he married nevermore. — Jessica McHugh

Movie. What's my favorite kind of movie?"
"Is there a point to this?"
"Please, Lucy. What's my favorite movie?"
"Horror. Why?"
"No reason," I sighed as I slouched back in the chair.
"And would you stop that! Please? It's distracting," she said as she
slammed her hand down on top of mine to stop me from twirling my ring.
I jerked my hand out from under hers so I could cross my arms over my
chest.
"What's with you today?" Her tone was saturated with distaste.
"Nothing."
"Well, you're being awfully annoying for nothing to be wrong," she
retorted. "Go ahead, Josh. I'm listening now."
I could feel the cold emanating from her and flowing in my direction. It
had been this way for a while I just didn't want to see it.
Danny and Josh looked at me and then awkwardly focused on other
things. — Kaitlin Scott

When Stephen King elaborated on his inspirations for his novel "Carrie" he draws from a time when he was a young man, and describes his impression when he came upon a statue of Christ on the cross, hanging there in misery, and he thought "If THAT guy ever came back, he probably wouldn't be in a saving mood." — Stephen King

My god, people are selling their work and people are reading it! The horror! That MFA programs have to advertise that they'll let you write YA or fantasy or what-have-you is just absurd, but we do, because the presumption is that they're closed to that sort of thing. You're offering an MFA in creative writing? Teach people how to write well, worry about that part, let the writers come up with the stories. — Tod Goldberg

I read 'The Conspiracy Against the Human Race' and found it incredibly powerful writing. For me as a reader, it was less impactful as philosophy than as one writer's ultimate confessional: an absolute horror story, where the self is the monster. — Nic Pizzolatto

I would say that since I was nine years old I've always wanted to write and direct horror movies and action movies. There's never been a time in my life where that wasn't all I wanted to do. — Jay Baruchel

Horror writers can write about everything in the real world that a mainstream novelist can
plus the supernatural, which is the most fertile field for metaphor imaginable. — Bentley Little

The class, on the other hand, buzzed and hummed with the anticipated pleasure of writing it up, one day. They were vindicated. Miss Fox belonged after all in the normal world of their writings, the world of domestic violence, torture and shock-horror. They would write what they knew, what had happened to Cicely Fox, and it would be most satisfactorily therapeutic. — A.S. Byatt

I knew I wanted to work with Brad [Falchuk] and Ian [Brennan] again on something comedic, and we are having a blast writing SCREAM QUEENS. We hope to create a whole new genre - comedy-horror - and the idea is for every season to revolve around two female leads. — Ryan Murphy

With American Morons, Glen Hirshberg confidently shoulders his way through the generational pack to claim his rightful place on the summit. These stories are smart, challenging, ripe with feeling, expansive in every way: Horror as it should be writ, and as only the best and most expressive can write it. — Peter Straub

Introverts, in contrast, may have strong social skills and enjoy parties and business meetings, but after a while wish they were home in their pajamas. They prefer to devote their social energies to close friends, colleagues, and family. They listen more than they talk, think before they speak, and often feel as if they express themselves better in writing than in conversation. They tend to dislike conflict. Many have a horror of small talk, but enjoy deep discussions. — Susan Cain

Whether you're writing a horror show or a James Bond film, I think what bubbles beneath is interesting characterization. The colors that emerge through storytelling is what a dramatist does. There's always got to be something bubbling underneath that will erupt at some point. — John Logan

February 9th was HIS day. The day he always striked. — Mary Papas

In the attempt to find the just measure of horror and terror, I came upon the writing of Carole Gill whose work revealed a whole new dimension to me. The figure of the gothic child was there. Stoker's horror was there. Along with the romance! At the heart of her writing one stumbles upon a genuine search for that darkness we lost with the loss of Stoker."

~Dr. Margarita Georgieva ~ Gothic Readings in The Dark — Carole Gill

I cannot life for life itself: but for the words which stay the flux. My life, I feel, will not be lived until there are books and stories which relive it perpetually in time. I forget too easily how it was, and shrink to the horror of the here and now, with no past and no future. Writing breaks open the vaults of the dead and the skies behind which the prophesying angels hide. The mind makes and makes, spinning its web. — Sylvia Plath

In our dreams (writes Coleridge) images represent the sensations we think they cause; we do not feel horror because we are threatened by a sphinx; we dream of a sphinx in order to explain the horror we feel. — Jorge Luis Borges

There is no reticence nor any limit to a 'Majique.' Only the unwillingness of the mind to open itself to the limitless power of possibilities that exist within the unbelievable. — Rob Shepherd

If I'm still wistful about On the Road, I look on the rest of the Kerouac oeuvre
the poems, the poems!
in horror. Read Satori in Paris lately? But if I had never read Jack Kerouac's horrendous poems, I never would have had the guts to write horrendous poems myself. I never would have signed up for Mrs. Safford's poetry class the spring of junior year, which led me to poetry readings, which introduced me to bad red wine, and after that it's all just one big blurry condemned path to journalism and San Francisco. — Sarah Vowell

I wanted to write a horror story. But in some ways, I have always thought of myself as a kind of ghost-story/horror writer, though most of the time the supernatural never actually appears on stage. — Dan Chaon

While I was writing 'The Last Werewolf,' I didn't watch any horror movies. — Glen Duncan

In my poetry a rhyme
Would seem to me almost insolent.
Inside me contend
Delight at the apple tree in blossom
And horror at the house-painter's speeches.
But only the second
Drives me to my desk. — Bertolt Brecht

I like horror, but I tend to like it as seasoning. I'd get very bored if I was told I had to write a horror novel. I'd love to write a novel with horror elements, but too much, and it doesn't taste of anything else. — Neil Gaiman

Skill alone cannot teach or produce a great short story, which condenses the obsession of the creature; it is a hallucinatory presence manifest from the first sentence to fascinate the reader, to make him lose contact with the dull reality that surrounds him, submerging him in another that is more intense and compelling. — Julio Cortazar

I didn't want to write unless I could say, and think for myself. I looked to peers that I not only respected but those that supported that. I finished becoming who I am today by sticking up for myself as a voice, but that is in part thanks to the huge role the good guys I chose to work with played in my professional development. Some really terrific human beings who loved horror welcomed me with open arms. — Karen Walton

I'm trained as an architect; writing is like architecture. In buildings, there are design motifs that occur again and again, that repeat
patterns, curves. These motifs help us feel comfortable in a physical space. And the same works in writing, I've found. For me, the way words, punctuation and paragraphs fall on the page is important as well
the graphic design of the language. That was why the words and thoughts of Estha and Rahel, the twins, were so playful on the page ... I was being creative with their design. Words were broken apart, and then sometimes fused together. "Later" became "Lay. Ter." "An owl" became "A Nowl." "Sour metal smell" became "sourmetal smell."
Repetition I love, and used because it made me feel safe. Repeated words and phrases have a rocking feeling, like a lullaby. They help take away the shock of the plot
death, lives destroyed or the horror of the settings
a crazy, chaotic, emotional house, the sinister movie theater. — Arundhati Roy

Ever since I could remember reading, I was a fan of Horror Novels, then just an Avid reader of all things dark and deeply written or off the cuff styles and not so bland and sterile as if the grammar police forensically wrote it to be safe, then re-edited it to be even more annoyingly not from an emotion but from a text book, I love dark dark fiction that's why i write it. Some of my favorite writers are Anne Rice, Hunter S. Thompson and Clive Barker, perhaps you can sense this in my writing. — Liesalette

Come now, I was not about to let that thing eat you. — Stacy Buck

Flannery O'Connor's writing is quite dark, but it is so because she believes in the Devil, and in the Fall, and in humanity as it is. Novels that avoid the horror of human existence in this time between Eden and New Jerusalem can reinforce a Christian's tendency to Pelagianism. The Christian gospel isn't "clean" and "safe" and "family-friendly." It comes to its narrative climax at a bloody Place of the Skull and in a borrowed grave. — Russell D. Moore

I'd never imagined myself writing at all until I was almost 30. And horror films weren't to my taste, at least the super popular (slasher-y) ones of the day back then. The first novel I ever loved as a kid was Frankenstein, and I was always a crazy Hitchcock and Polanski fan ... but I never saw myself - a square spazzy girl from the suburbs - writing anything that would horrify anyone. Or so I thought ... — Karen Walton

His indirect way of approaching a character or an action, striving to realize it by surrounding rather than invading it, is ideally suited to the indefinite and suggestive presentation of a ghost story.
(introduction to "Sir Edmund Orme" by Henry James) — Herbert A. Wise

I have a horror of being self-indulgent and wasting time, and there is that risk in doing this kind of work. Are you totally deluded in sitting down at a desk every day and trying to write something? Is it self-indulgent, or might it possibly lead to something worthwhile? At a certain point I decided to keep on because I felt like the work was getting better, and I was taking great pleasure in that. — Ben Fountain

So, I outlined a horror novel and started writing. — George Stephen

The tragic fear and pity may be aroused by the Spectacle; but they may also be aroused by the very structure and incidents of the play - which is the better way and shows the better poet. The Plot in fact should be so framed that even without seeing the things take place, he who simply hears the account of them shall be filled with horror and pity at the incidents; which is just the effect that the mere recital of the story in Oedipus would have on one. To produce this same effect by means of the Spectacle is less artistic, and requires extraneous aid. — Aristotle.

I've always had a fascination for everything surrounding things that are unexplainable. Not surprising that my first movie was a horror film, even though, of course, at the time I had no experience writing horror music. — Christopher Young

We exponents of horror do much better than those Method actors. We make the unbelievable believable. More often than not, they make the believable unbelievable. — Vincent Price

An admirable line of Pablo Neruda's, "My creatures are born of a long denial," seems to me the best definition of writing as a kind of exorcism, casting off invading creatures by projecting them into universal existence, keeping them on the other side of the bridge ... It may be exaggerating to say that all completely successful short stories, especially fantastic stories, are products of neurosis, nightmares or hallucination neutralized through objectification and translated to a medium outside the neurotic terrain. This polarization can be found in any memorable short story, as if the author, wanting to rid himself of his creature as soon and as absolutely as possible, exorcises it the only way he can: by writing it. — Julio Cortazar

Great work doesn't make me jealous; it makes me want to work. — Glen Hirshberg

They want to be stimulated. They want to read something that can get under their skin and hang out there for a while. — Alistair Cross

On the other hand, now that I'm not dependent on fiction for my income, I've been writing more short stories despite the fact that there's no real paying market for short horror other than Cemetery Dance. — George Stephen

You name drop authors like other girls drop boy bands. — Danielle Paige