Writing Character Development Quotes & Sayings
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Top Writing Character Development Quotes

Perfection should generally be avoided in a character. Real people, such as your readers, aren't flawless and chances are they are not going to be able to fully identify with a character who is. — Craig Hart

There is the theory ... that you live in two places: You either live in fear, or you live in love. — Michael Keaton

When you look at "American Crime" and you have the character Terri LaCroix is a pharmaceutical executive - why does that character always have to be white? — Regina King

Thus we are guilty of a kind of temporary atheism which leaves us alone in the universe while, for the time, God is not. We talk of Him much and loudly, but we secretly think of Him as being absent, and we think of ourselves as inhabiting a parenthetic interval between the God who was and the God who will be. And we are lonely with an ancient and cosmic loneliness. — A.W. Tozer

The act of writing involves documenting and studiously examining interactions of all aspects of the self, the environment, and culture. Writing is an illustrious act of self-expression. Writing resembles a 'coming of the age' story because the ongoing process of defining a person's personality and character is representative of the synergistic product of the continuous and cumulative interaction of an organic self with the world, the constant process of developing psychological, social, cognitive and ethical self. — Kilroy J. Oldster

Character development is vital when writing a strong story. Weak characters make for weak stories. — Beem Weeks

Brandon: How does the character fit into the story, how will people expect them to fit into the story, and how, therefore, can I make them incongruous for those expectations? I'm looking for incongruity. Ask yourself why this character cannot fill the role in the plot that they are expected to fulfill. Ask yourself who would be perfect for this role. I'm not going to use that person. — Brandon Sanderson

The person you are (in total, at that moment in time) is what creates the story you're writing. It's infused in every piece of punctuation, in the plot, in the most minor character who crosses the page. It's all your voice. — Victor LaValle

Writing a children's book means you cannot spin out long narratives or have complex character development. — Norman Macleod

The old concept of chronological, orderly, symmetrical development of character died when it was discovered that the unconscious motivations are entirely at odds with fabricated conventions. Human beings do not grow in perfect symmetry. They oscillate, expand, contract, backtrack, arrest themselves, retrogress, mobilize, atrophy in part, proceed erratically according to experience and traumas. Some aspects of the personality mature, others do not. Some live in the past, some in the present. Some people are futuristic characters, some are cubistic, some are hard-edged, some geometric, some abstract, some impressionistic, some surrealistic! — Anais Nin

One of the greatest things about 'Continuum' is how great the writing is; our writing room is one of the most talented ones I've ever had. It really helps me as far as character development because they paint a very descriptive picture of who the characters are while still letting us have freedom to put in our own ideas. — Richard Harmon

TV is a different animal these days. You can bring together really smart writing and directing, in-depth character development and really meaty political and emotional stories. — Connie Nielsen

While every chapter should have goals to further the plot and delve our readers deeper into our world, there must be one goal above all else: Emotional Impact. — A.J. Flowers

Being passionate about something is the most beautiful characteristic you can develop. — Charlotte Eriksson

The author relates that the word "OBSCENE" springs from the concept in Greek drama that certain actions would be performed outside the scene or off the stage. He clarifies that the Greeks did not shy away from shocking actions, but they knew that portraying them in the audience's view would drown out the emotional subtlety of the character development and ethical dilemmas. — Gene Edward Veith Jr.

Introduce your main characters and themes in the first third of your novel. If you are writing a plot-driven genre novel make sure all your major themes/plot elements are introduced in the first third, which you can call the introduction. Develop your themes and characters in your second third, the development. Resolve your themes, mysteries and so on in the final third, the resolution. — Michael Moorcock

I'd write of people and places like I knew, and I'd make my characters talk everyday English; and I'd let the sun rise and set in the usual quiet way without much fuss over the fact. If I had to have villains at all, I'd give them a chance, Anne
I'd give them a chance. There are some terrible bad men the world, I suppose, but you'd have to go a long piece to find them ... But most of us have got a little decency somewhere in us. Keep on writing, Anne. — L.M. Montgomery

Authenticity is what I've always gone after in my work, and I understand what feels emotionally right, instinctively. Working with actors has just come with experience. — Susanna White

Pace, like everything else in writing, involves a trade-off. If you're not offering the reader a lot of action to keep her interested, you must offer something else in its stead. Slow pace is ideal for complex character development, detailed description, and nuances of style. — Nancy Kress

A lot of people who read my novel 'Smog City' ask me why I never killed off either of the two main characters. To be honest, it's because I've given them life. Not literally of course, but since I spent so much time developing and creating my characters, they've ended up with complex personalities, in fact they're almost sentient in a way, and to write them off as dead would be like killing a close friend to me. — Rebecca McNutt

Delicious days ahead for solitude and writing and, oh yes, the holiday meal with family. Live with my characters until term starts in 2012! — Stella Atrium

When I use people I know, all of my instincts seem to go dead, and if I'm getting anywhere near myself then I can't do it. It's actually a real weakness! I hate writing personal essays, I don't think I'm especially good at it. I like just encountering [my characters], discovering them. I love the escape of just being surrounded by all these people who are nothing like people I know. But I don't find it hard to be in the middle of a different life, with a different set of habits and way of thinking and talking. That seems to come easily to me. — Jennifer Egan

Each time I discovered a potential link between one character's story and another's, several more connections would reveal themselves, like a beautiful, complex web spinning itself. — Richard Scarsbrook

One Archeology and Decipherment
Two History: Heroes, Kings, and Ensi's
Three Society: The Sumerian City
Four Religion: Theology, Rite, and Myth
Five Literature: The Sumerian Belles-Lettres
Six Education: The Sumerian School
Seven Character: Drives, Motives, and Values
Eight The Legacy of Sumer
APPENDIXES
A. The Origin and Development of the Cuneiform System of Writing
B. The Sumerian Language
C. Votive Inscriptions
D. Sample Date-Formulas
E. Sumerian King List
F. Letters
G. Dit lla's (court decisions)
H. Lipit-Ishtar Law Code
1. Farmers' Almanac
SELECTED BIBLIOGRAPHY — Samuel Noah Kramer

From the beginning, I did not intend to create a typical classic fantasy. I wanted an organic, harmonious world where my story could evolve. If this world needed gnomes, I put them in there. As for drevalyankas, pikshas, bolugs and other totally original creatures, they appeared there somehow by themselves in the course of events, and then just began "to get under the feet of the main heroes" ... — Irina Lopatina

She's one of the few people able to look beyond the lines on my face to see the twenty-year-old who lives inside. — Kate Morton

I don't really have a drive toward being a director at all. Not that I wouldn't rule it out, but I just don't think my instincts lie necessarily in a very visual way. But I am very interested in storytelling, narrative and character development, so writing is something that I absolutely want to do. — Rose McIver

To hear one talk is better than to see one. — George MacDonald

That's where everything starts, as an actor: you've gotta have great writing and great character development, and then you have really great materials to work from. — Matt Lauria

With six weeks' worth of recuperation time, you'll also be able to see any glaring holes in the plot or character development. And listen
if you spot a few of these big holes, you are forbidden to feel depressed about them or to beat up on yourself. Screw-ups happen to the best of us. — Stephen King

In real life people do occasionally act out of character or do things we wouldn't normally expect them to do. In fiction, there should be a good reason for a character to do something outside of the ordinary. — Craig Hart