Writing As Power Quotes & Sayings

In our modern world, this elemental quality of storytelling is denied. We live today in a world in which everything has its place and function and nothing is left out of place. Storytelling is thus at a discount and like everything else in a world ruled by the laws of exchange value, literature is required to submit itself to the requirements of the market and must learn, like any other commodity, to adapt and serve needs that lie outside of itself and its concrete value. It is forced to stand not for itself but for an ideological cause of one sort or another, whether it be political, social or literary. It cannot exist for itself: like everything else it has to be justified. And for this very reason the power of storytelling is automatically devalued. Literature is reduced to the status of complimentary utilitarian functions: as a pastime to provide distraction and entertainment, or as a heightened activity that would claim to explore 'great truths' about the human condition. — Michael Richardson

Deep within the individual is a vast reservoir of untapped power awaiting to be used. no person can have the use of all this potential until he learns to know his or her own self. the trouble with many people is that they got through life thinking and writing themselves off as ordinary commonplace persons. having no proper belief in themselves they live aimless and erratic lives largely because they never realize what their lives really can be or what they can become — Norman Vincent Peale

Lily Brown writes with and against things in poems that are coiled up tight as springs (or snakes). A believer in the power of the line, she writes, 'I think the plastics/and sink them' then 'Where is the sand/man hiding the dirt.' These terse, biting poems will make you look around and wonder. — Rae Armantrout

And for the next long years of my life, I tried to remember only the reading, not the terrible things that happened to me as I came and went up and down the stairs. The library became my sanctuary. I loved the ways the precious stories took shape but always had room to be read again. I became fascinated with how writers did that. How did they make a story feel so complete and yet to open-ended? It was like painting a picture that changed each time you looked at it. — Rene Denfeld

He realized that for Ponge there was no division between the work of writing and the work of seeing. For no word can be written without first having been seen, and before it finds its way to the page it must first have been part of the body, a physical presence that one has lived with in the same way one lives with one's heart, one's stomach, and one's brain. Memory, then, not so much as the past contained within us, but as proof of our life in the present. If a man is to be truly present among his surroundings, he must be thinking not of himself, but of what he sees. He might forget himself in order to be there. And from that forgetfulness arises the power of memory. — Paul Auster

The State of the Union has become, under presidents of both parties, a political pep rally degrading to everyone. The judiciary and uniformed military should never attend. And Congress, by hosting a spectacle so monarchical in structure (which is why Thomas Jefferson sent his thoughts to Congress in writing) deepens the diminishment of the legislative branch as a mostly reactive servant of an overbearing executive. — George F. Will

I'm looking for a writer who doesn't know where the sentence is leading her; a writer who starts with her obsessions and whose heart is bursting with love, a writer sly enough to give the slip to her secret police, the ones who know her so well, the ones with the power to accuse and condemn in the blink of an eye. It's all right that she doesn't know what she's thinking until she writes it, as if the words already exist somewhere and draw her to them. She may not know how she got there, but she knows when she's arrived. — Sy Safransky

You should focus relentlessly on something you're good at doing, but before that you must think hard about whether it will be valuable in the future. For the startup world, this means you should not necessarily start your own company, even if you are extraordinarily talented. If anything, too many people are starting their own companies today. People who understand the power law will hesitate more than others when it comes to founding a new venture: they know how tremendously successful they could become by joining the very best company while it's growing fast. The power law means that differences between companies will dwarf the differences in roles inside companies. You could have 100% of the equity if you fully fund your own venture, but if it fails you'll have 100% of nothing. Owning just 0.01% of Google, by contrast, is incredibly valuable (more than $35 million as of this writing). — Peter Thiel

As I mentioned briefly on the phone, the best thing about the Air Chrysalis is that it's not an imitation of anyone. It has absolutely none of the usual new writer's sense of 'I want to be another so-and-so'. the syle, for sure, is rough,and the writing is clumsy. She even gets the title wrong: she's confusing 'chrysalis' and 'cocoon'. You could pick it apart completely if you wanted to. But the story itself has real power: it draws you in. the overall plots is a fantasy, but the descriptive details is incredibly real.The balance between the two is excellent. I don't know if words like 'originality' or Inevitability' fit here, and I suppose I might agree if someone insisted it's not at that level, but finally, after you work your way through the thing, with all its faults, it leaves a real impression- it gets to you in some strange, inexplicable way that may be a little disturbing. — Haruki Murakami

As the chapters took shape, a change came over her. It was the double-sided recognition that this book, the last that she would write, might achieve esteem and success equal to her great novel, but that its emotional heart would lie in her own unhappiness for having failed to find the one thing she wanted. For the first time she was a character in her own writing, and her frailties and mistakes were trapped on the page by the beauty and unsparing focus of her prose. Towards the end it was a battle to finish a page. The story was the story she had told herself for decades, deep within her own mind, and now as it grew, line by line, on the paper before her, she wrestled with each turn in the path all over again, as if it were still possible to change its course with the power of her words. — Frederick Weisel

Language is power ... Language can be used as a means of changing reality. — Adrienne Rich

I tell people to write the stories that you're afraid to talk about, the stories you wish you'd forget, because those have the most power. Those are the ones that have the most strength when you give them as a testimony. — Sandra Cisneros

Words written fifty years ago, a hundred years ago, a thousand years ago, can have as much of this power today as ever they had it then to come alive for us and in us and to make us more alive within ourselves. That, I suppose, is the final mystery as well as the final power of words: That not even across great distances of time and space do they ever lose their capacity for becoming incarnate. And when these words tell of virtue and nobility, when they move closer to that truth and gentleness of spirit by which we become fully human, the reading of them is sacramental; and a library is as holy a place as any temple is holy because through the words which are treasured in it the Word itself becomes flesh again and again and dwells among us and within us, full of grace and truth.
Frederick Buechner, A Room Called Remember, in an essay called The Speaking and Writing of Words. — Frederick Buechner

There is just too much cruelty, selfishness and corruption in the world not to want to crush the poisonous will of those who cause it by writing about it as powerfully as I can. — Carla H. Krueger

The Simonian system can be extracted from the writings of Hippolytus. The cosmos begins with the one root, which is unfathomable Silence, pre-existent, limitless power, existing in singleness. It bestirs itself and assumes a determinate aspect by turning into Thinking (Nous, i.e. Mind), from which comes forth the Thought (Epinoia). As soon as thought is born out of the thinking silence, suddenly one has become two. — Edward F Edinger

Sarah Palin and her virtual burqa have me and my friends retching into our handbags. She's such a power-mad, backwater beauty-pageant casualty, it's easy to write her off and make fun of her. But in reality I feel as horrified as a ghetto Jew watching the rise of National Socialism. — Cintra Wilson

I write because writing is power. Writing is creation. When you write, you are as a god, a deity wielding his pen like some Harry Potter staff, making whatever you want to happen, happen. By sheer force of will and some clever word placement, I can arrange all of these little symbols together to invoke emotions and ideas at a whim out of whosoever allows me to cast my spell. It does not take a man and a woman to create. It just takes a writer. — Jonathan Culver

My intention is for all of my activities to be directed by Spirit. My intention is to love and radiate my love to my writing and any who might read these words. My intention is to trust in what comes through me and to be a vehicle of Spirit, judging none of it. My intention is to recognize the Spirit as my Source and to detach from my ego. My intention is to do all that I can to elevate the collective consciousness to be more closely in rapport with the Spirit of the originating supreme power of intention. — Wayne W. Dyer

I treat my writing like a day job, like my main job, even if for many years I was doing other jobs to pay the bills. I worked as a copy editor. I was a medical guinea pig. I was an eBay power seller of ladies' handbags. I was an assistant to a bookie at the horse races. I bartended. I did anything I could to make ends meet. — Miguel Syjuco

"Oppression" or "systems of oppression" operate as a shorthand terms in much writing and speaking so that we do not have to list all these systems of meaning and control each time (i.e. racism, ableism, xenophobia, etc.). I needed a term like that, but "oppression" implies a kind of top-down understanding of power that is at odds with the Foucaultian model I rely on in my work. — Dean Spade

Writing is both an act of power and surrender. Passion and discovery. It is a tug at your soul that continues to pull you forward, even as you go kicking and screaming. (p.18) — Laraine Herring

As an activist, you do find yourself directed more toward public action. But I've always tried to use stories from my own life in my writing for instance. It has always been clear to me that the stories of each other's lives are our best textbooks. Every social justice movement that I know of has come out of people sitting in small groups, telling their life stories, and discovering that other people have shared similar experiences. So, if we've shared many experiences, then it probably has something to do with power or politics, and if we unify and act together, then we can make a change. — Gloria Steinem

Selling is crucial to your success because without the sale, you do not make any money. The great thing about writing a book to position yourself is that the book does a lot of the selling for you. People read the book and come to you for more answers. If you have products created to match the theme of your book, your platform (website) will do the selling for you. Automate as much of the process as you can with opt-in boxes, video sales landing pages and special offers. Make it as easy as you can for your fans and followers. Once your products are created, simply write about them, talk about them, and create articles from the content and say, "Yes" to interviews. The buzz created will point people back to your site where your automatic sales team is ready to take orders 24 hours a day. — Kytka Hilmar-Jezek

I'll be living quietly in a house somewhere in the suburbs, enjoying a peaceful existence not writing the book I'm not writing now and, so as to continue not doing so, I will come up with different excuses from the ones I use now to avoid actually confronting myself. Or else I'll be interned in a poorhouse, content with my utter failure, mingling with the riffraff who believed they were geniuses when in fact they were just beggars with dreams, mixing with the anonymous mass of people who had neither the strength to triumph nor the power to turn their defeats into victories. — Fernando Pessoa

The spoken discourse may roll on strongly as the great tidal wave; but, like the wave, it dies at last feebly on the sands. It is heard by few, remembered by still fewer, and fades away, like an echo in the mountains, leaving no token of power. It is the written human speech, that gave power and permanence to human thought. — Albert Pike

Wesley Stace has always been the only genuinely gifted fiction writer who also happens to be a rock star, but Wonderkid is the book he was born to write. And if you prefer your novels brazen, poignant and hilarious, as I do, you were born to read it. Like a great show, this will stay with you long after the last cymbal crash and power strum. — Sam Lipsyte

While still in Beijing Gao wrote a brief postscript for his seventeen-story collection in which he warns readers that his fiction does not set out to tell a story. There is no plot, as is found in most fiction, and anything of interest to be found in it is inherent in the language itself. More explicit is his proposal that the art of fiction is "the actualisation of language and not the imitation of reality in writing", and that its power to fascinate lies in the fact that, simply by using language, it is able to evoke genuine feeling. — Mabel Lee

Another important consequence in the arrival of digital technology and its facilitation of feedback is that we can look at large systems and recognize them once more not only as part of ourselves, but also as components that can change ...
Now, though, we live in a world where text is fluid, where is responds to our instructions. Writing something down records it, but does not make it true or permanent. So why should we put up with a system we don't like simply because it's been written somewhere? — Nick Harkaway

But as I began to write this book, I realised that without the whole truth my life would have no power, no real meaning. With the help of my mother, the memories of our lives in North Korea and China cane back to me like scenes from a forgotten nightmare. Some of the images reappeared with a terrible clarity; others were hazy, or scrambled like a deck of cards spilled on the floor. The process of writing has been the process of remembering, and of trying to make sense out of those memories. — Yeonmi Park

The move from a structuralist account in which capital is understood to structure social relations in relatively homologous ways to a view of hegemony in which power relations are subject to repetition, convergence, and rearticulation brought the question of temporality into the thinking of structure, and marked a shift from a form of Althusserian theory that takes structural totalities as theoretical objects to one in which the insights into the contingent possibility of structure inaugurate a renewed conception of hegemony as bound up with the contingent sites and strategies of the rearticulation of power. — Judith Butler

The reflection and experience of many years have led me to consider the holy writings not only as the most authentic and instructive in themselves, but as the clue to all other history. They tell us what man is, and they alone tell us why he is what he is: a contradictory creature that seeing and approving of what is good, pursues and performs what is evil. All of private and public life is there displayed ... From the same pure fountain of wisdom we learn that vice destroys freedom; that arbitrary power is founded on public immorality. — Gouverneur Morris

Freud elevated unconscious processes to the throne of the mind, imbuing them with the power to guide our every thought and deed, and to a significant extent writing free will out of the picture.
Decades later, neuroscience has linked genetic mechanisms to neuronal circuits coursing with a multiplicity of neurotransmitters to argue that the brain is a machine whose behavior is predestined, or at least determined, in such a way as seemingly to leave no room for the will. It is not merely that will is not free, in the modern scientific view; not merely that it is constrained, a captive of material forces. It is, more radically, that the will, a manifestation of the mind, does not even exist, because a mind independent of brain does not exist. — Jeffrey M. Schwartz

Elegance of language may not be in the power of all of us; but simplicity and straight forwardness are. Write much as you would speak; speak as you think. If with your inferior, speak no coarser than usual; if with your superiors, no finer. — William P. Alford

All life is an experiment. Place yourself in the middle of the stream of power and wisdom which animates all whom it floats, and you are without effort impelled to truth, to right and a perfect contentment. I wish to write such rhymes as shall not suggest a restraint, but contrariwise the wildest freedom. Immortality. I notice that as soon as writers broach this question they begin to quote. I hate quotation. Tell me what you know. — Ralph Waldo Emerson

The longer I am a writer
so long now that my writing finger is periodically numb
the better I understand what writing is; what its function is; what it is supposed to do. I learn that the writer's pen is a microphone held up to the mouths of ancestors and even stones of long ago. That once given permission by the writer
a fool, and so why should one fear?
horses, dogs, rivers, and, yes, chickens can step forward and expound on their lives. The magic of this is not so much in the power of the microphone as in the ability of the nonhuman object or animal to BE and the human animal to PERCEIVE ITS BEING. — Alice Walker

Getting ink felt right, like it would help her put her life in order, to move forwards. It was her body, despite the things that'd been done to it, and she wanted to claim it, to own it, to prove that to herself. She knew it wasn't magic, but the idea of writing her own identity felt like the closest she could get to reclaiming her life. Sometimes there's power in the act; sometimes there's strength in words. She wanted to find an image that represented those things she was feeling, to etch it on her skin as tangible proof of her decision to change. — Melissa Marr

One thinks about modern academics, especially philosophers and sociologists. Their language is often voiceless and without power because it is so utterly cut off from experience and things. There is no sense of words carrying experiences, only of reflecting relationships between other words or between "concepts." There is no sense of an actual self seeing a thing or having an experience... Sociology - by its very nature? - seems to be an enterprise whose practitioners cut themselves off from experience and things and deal entirely with categories about categories. As a result sociologists, more even than writers in other disciplines, often write language which has utterly died — Peter Elbow

Rhythm, repetition, making patterns
these are not only important devices for shaping the strange and abstract instrument/object we call a poem or a story, but they are craved as well because of our primordial need for reassurance, the sense of security we get from moving over the known. A mystery doesn't lose power in revisiting. Writing is not just to know, it is also to console. We need to be reminded that we are part of the obscure rhythm of birth and decade. It is the humming that matters. — Breyten Breytenbach

It was very lucky for me as a writer that I studied the physical sciences rather than English. I wrote for my own amusement. There was no kindly English professor to tell me for my own good how awful my writing really was. And there was no professor with the power to order me what to read, either. — Kurt Vonnegut

We preach sermons, write books on apologetics, conduct city-wide evangelistic campaigns. For those alienated from the church, that approach no longer has the same drawing power. And for the truly needy, words alone don't satisfy; "A hungry person has no ears," as one relief worker told me. A skeptical world judges the truth of what we say by the proof of how we live. — Philip Yancey

Writing is not the voice's shadow but the tracks of its steps. It is only thanks to writing that we can listen to the ancient Greeks and Egyptians even today, that we can hear their voices as full of life as if they had just spoken. My friend, only writing has the power to move a voice through time, and make it as immortal as the gods. — Rafik Schami

Style in painting is the same as in writing,-a power over materials, whether words or colors. — James Ellis

Hope, as Chesterton said, is the power of being cheerful in circumstances that we know to be desperate. Writing can be a pretty desperate endeavor, because it is about some of our deepest needs: our need to be visible, to be heard, our need to make sense of our lives, to wake up and grow and belong. It is no wonder if we sometimes tend to take ourselves perhaps a bit too seriously. So — Anne Lamott

But the nature of our civilized minds is so detached from the senses, even in the vulgar, by abstractions corresponding to all theabstract terms our languages abound in, and so refined by the art of writing, and as it were spiritualized by the use of numbers, because even the vulgar know how to count and reckon, that it is naturally beyond our power to form the vast image of this mistress called Sympathetic Nature. — Giambattista Vico

There's power in stories, though. That's all history is: the best tales. The ones that last. Might as well be mine. — Varric Tethras

I had never understood quite so clearly the effective power of Jane Jacob's writing - no, her clear-headed observation - as I did reading "What We See". Maybe that's really the point of writing. That if you take the time to look, to really observe, then you see what is happening, and, with the clarity of that vision, you can act to save neighborhoods. — Nancy Milford

Still, Antwerp, the parties, my husband's talks--all of it fed my mind. I'd hardly set down my quill before I took it up again, writing stories unconnected--of a pimp, a virgin, a rogue--strung up like pearls on a thread. ... 'I am very ambitious, yet 'tis neither for Beauty, Wit, Titles, Wealth, or Power, but as they are steps to raise me to Fames Tower.'

O minor victory! O small delight! My star began to rise. — Danielle Dutton

So it's really best to keep your secrets when you have them, for their own good, as well as yours.
This is, in part, why there is less magic in the world today. Magic is secret and secrets are magic, after all, and years upon years of teaching and sharing magic and worse. Writing it down in fancy books that get all dusty with age has lessened it, removed its power bit by bit. It was inevitable, perhaps, but not unavoidable. Everyone makes mistakes. — Erin Morgenstern

In writing, they deem it irreverent to express the Supreme Being by any special name. He is symbolized by what may be termed the heiroglyphic of a pyramid, /. In prayer they address Him by a name which they deem too sacred to confide to a stranger, and I know it not. In conversation they generally use a periphrastic epithet, such as the All-Good. The letter V, symbolical of the inverted pyramid, where it is an initial, nearly always denotes excellence of power; as Vril, of which I have said so much; Veed, an immortal spirit; Veed-ya, immortality; — Edward Bulwer-Lytton

Think of it: a writer actually possesses the power to alter his past, to change what was once experienced as defeat into victory and what was once experienced as speechless anguish into a stroke of great good fortune or even something approaching blessedness, depending upon what he does with that past, what he makes out of it. — Franz Wright

At times of crisis or distress, it's poems that people turn to. (Poetry) still has a power to speak to people's feelings, maybe in a way that fiction, because it works in a longer way, can't. There's a little bit of your brain that mourns and grieves that you're not writing poetry, but actually as long as I'm writing something, I'm happy. — Blake Morrison

Zafar argues that the greatest influence on a writer may be on her psychic dispositions as a writer. Reading Philip Roth, writes Zafar, might clear the way of inhibitions that held you back from writing about reckless desire, the temptations of power, and the immanence of rage, or reading Naipaul might convince you to seize the ego that so wants to be loved, drag it outside, put it up against a wall, and shoot it. — Zia Haider Rahman

As every writer knows ... there is something mysterious about the writer's ability, on any given day, to write. When the juices are flowing, or the writer is 'hot', an invisible wall seems to fall away, and the writer moves easily and surely from one kind of reality to another ... Every writer has experienced at least moments of this strange, magical state. Reading student fiction one can spot at once where the power turns on and where it turns off, where the writer writes from 'inspiration' or deep, flowing vision, and where he had to struggle along on mere intellect. — John Gardner

And the reason I am so nervous is that everything I do now is leading me to one of three possible futures ... Which one will it be? Time alone will tell. But still I know that writing this diary can perhaps provide the answer; it may even help produce the right future. — Adolfo Bioy Casares

Man has existed for about a million years. He has possessed writing for about 6,000 years, agriculture somewhat longer, but perhaps not much longer. Science, as a dominant factor in determining the belief of educated men, has existed for about 300 years; as a source of economic technique, for about 150 years. In this brief period it has proved itself an incredibly powerful revolutionary force. When we consider how recently it has risen to power, we find ourselves forced to believe that we are at the very beginning of its work in transforming human life. — Bertrand Russell

Tortured Soul 101: The depth of despair one experiences during the creative process (as experienced say, in an abysmally blank page or canvas) is directly proportional to the scope and power of the work that emerges when it breaks. — F.T. McKinstry

I knew I had no lyrical quality, a small vocabulary, little gift of metaphor. The original and striking simile never occurred to me. Poetic flights ... were beyond my powers. On the other hand, I had an acute power of observation, and it seemed to me that I could see a great many things that other people missed. I could put down in clear terms what I saw ... I knew that I should never write as well as I could wish, but I thought, with pains, that I could arrive at writing as well as my natural defects allowed. — W. Somerset Maugham

My essay had evolved into thinking about fucking. You could be raped a thousand times and still be a virgin. I was writing about fucking by a master and fucking as a slave, about Hegel, the comfort women and teenage porno stars. Ms. Bain and Mr. Rotowsky could fail me, I didn't care. I'd pass just with the bibliography. I was compiling a list of every single book I'd read or that I wanted to read that was about power and sex. High school should have a whole fucking course on just this. I was helping the school make curriculum ...
I was writing my essay, writing easily now. I didn't have a reader anymore like Lee or Chris but I imagined that I was writing for them both. Maybe I was writing for anyone who could fucking stand me. — Tamara Faith Berger

His style as a writer places him in the category of the immortals, and his courage as a critic outlives the bitter battles in which he engaged. As a result, we use the word 'Orwellian' in two senses: The first describes a nightmare state, a dystopia of untrammelled power; the second describes the human qualities that are always ranged in resistance to such regimes, and that may be more potent and durable than we sometimes dare to think. — Christopher Hitchens

It is dangerous to leave written that which is badly written.
A chance word, upon paper, may destroy the world. Watch carefully and erase, while the power is still yours, I say to myself, for all that is put down, once it escapes, may rot its way into a thousand minds, the corn become a black smut, and all libraries, of necessity, be burned to the ground as a consequence.
Only one answer: write carelessly so that nothing that is not green will survive. — William Carlos Williams

As a German philosopher writing in the aftermath of the Nazi regime, Marcuse understood the sleep inducing force of indoctrination, its power to make people forget and forfeit their own real interests. "The fact that the vast majority of the population accepts, and is made to accept, this society does not render it less irrational and less reprehensible," he wrote. "The distinction between true and false consciousness, real and immediate interest still is meaningful." — Daniel Pinchbeck

All we are doing are self-portraits. As simple that. We accumulate knowledge and wisdom and power, and we get our hearts broken, and we write. We write for others to absorb what took us so long to understand. — Cristian Mihai

Many of our students want to do what they have done and that has made them successful thus far in their lives: play by the rules, and do what is expected. But as much social science research and writing by Malcolm Gladwell, among others, make clear, the rules are mostly created by those already in power so obtaining power often entails standing out and breaking rules and social conventions. — Jeffrey Pfeffer

Your intention is for readers to benefit from your experiences and avoid the costly and time consuming mistakes you may have made. You want to help your readers know the short cuts and what you would have avoided, and why. As you write, keep a clear sense of why writing this is important to you, but also share your why within the body of the book. Why do your readers need to take the steps you describe? Are you saving them time, money, resources? Why did you start your journey to begin with? Did you want to change the world or get from point "A" to point "B"? Why did you keep going even when it was difficult? Was there a light at the end of the tunnel, a reward at the end? Why should they hang in there? All of these things will work magically if implemented correctly and consistently. — Kytka Hilmar-Jezek

I am not covetous, but as ambitious as ever any of my sex was, is, or can be; which makes, that though I cannot be Henry the Fifth, or Charles the Second, yet I endeavour to be Margaret the First; and although I have neither power, time, not occasion to conquer the world as Alexander and Caesar did; yet rather than not be mistress of one, since Fortune and Fates would give me none, I have made a world of my own; for which nobody, I hope, will blame me, since it is in everyone's power to do the like. — Margaret Cavendish

Although many of his other novels are brilliant there is a power in 'Oliver Twist' that I believe Dickens never managed to retrieve. It is as if he was sent to this earth with the sole purpose of writing this book. — Henning Mankell

Cyborg writing must not be about the Fall, the imagination of a once-upon-a-time wholeness before language, before writing, before Man. Cyborg writing is about the power to survive, not on the basis of original innocence, but on the basis of seizing the tools to mark the world that marked them as other. — Donna J. Haraway

I don't really go out and do too much like networking and Hollywood events kind of thing. But I do some writing, and I find it helps me as an actor in terms of giving yourself back the power and feeling a bit of strength in that respect. — Scottie Thompson

As a writer, I can't really take days off. Writing is like creating an art. Once you stop writing, you can lose your rhythm and context, meaning that your writing may lose its power. — Andrea Hirata

I have never been able to write with anything more than the left hand of my mind; the right hand has always been engaged in something to do with personal relationships. I don't complain, because I think my left hand's power, as much as it has, is due to its knowledge of what my right hand is doing. — Rebecca West

My stories usually begin with the characters and some elements of how power (personal, political, magical) functions in the world. The rest develops as I write, and research helps a great deal with that. If you're going to write about an agrarian economy, research agrarian economies. If your main character is starving, then you should know what it means for a malnourished body to break down. — Leigh Bardugo

Yet early on in the marriage I found myself
despite all my self-promises
drifting into the role of wife: focusing on the renovations of the apartment, doing silly little domestic things instead of writing, using the wife role as cop-out from my work, my work which had always involved me in so much controversy and which some part of me longed to retreat from ... Even when I was forty-seven, full of my own power, my own identity, something in me wanted to escape from the fray and dwindle into a wife. It seemed to comfy, so safe. — Erica Jong

...And there really are men who believe in this, who spend their time in promoting Leagues of Peace, in delivering addresses, and in writing books; and of course the governments sympathize with it all, pretending that they approve of it; just as they pretend to support temperance, while they actually derive the larger part of their income from intemperance; just as they pretend to maintain liberty of the constitution, when it is the absence of liberty to which they owe their power; just as they pretend to care for the improvement of the laboring classes, while on oppression of the workman rest the very foundations of the State; just as they pretend to uphold Christianity, when Christianity is subversive of every government. — Leo Tolstoy

Then as now the PC held a curious power over restless, analytical people. To start with, the computer carried a psychological appeal not unlike that of an automobile. Both machines were objects of intense attachment for many of their owners - feelings of attachment that went well beyond the utility of the machines. While illustrating the way in which people can form emotional bonds with tools, the symbolisms of the automobile and the PC differed in an important way. The realm of the automobile extended no further than that of fantasy and enjoyment. The PC, by contrast, was a medium for creation. The utility of a PC arose directly from its software. Writing software required little money and, surprisingly, scant experience. — G. Pascal Zachary

Novelists have, on the average, about the same IQs as the cosmetic consultants at Bloomingdale's department store. Our power is patience. We have discovered that writing allows even a stupid person to seem halfway intelligent, if only that person will write the same thought over and over again, improving it just a little bit each time. It is a lot like inflating a blimp with a bicycle pump. Anybody can do it. All it takes is time. — Kurt Vonnegut

I am glad that the country world ... retains a power to use our English tongue. It is a part of its sense of reality, of its vocabulary of definite terms, and of its habit of earthly common sense. I find this country writing an excellent corrective of the urban vocabulary of abstractions and of the emotion disguised as thinking which abstractions and humbug have loosed upon the world. May there always be such things as a door, a milk pail, and a loaf of bread, and words to do them honor. — Henry Beston

In Edmund Gosse, Agnes Smedley, Geoffrey Wolff, we have a set of memoirists whose work records a steadily changing idea of the emergent self. But for each of them a flash of insight illuminating that idea grew out of the struggle to clarify one's own formative experience; and in each case the strength and beauty of the writing lie in the power of concentration with which this insight is pursued, and made to become the the writer's organizing principle. That principle at work is what makes a memoir literature rather than testament. — Vivian Gornick

After a long time spent learning how to write as a woman instead of as an honorary man, I was able to come back to Earthsea and write the next three books in another and newer tradition: that of questioning, rather than accepting, the gendering of power as male. — Ursula K. Le Guin

Secrets have power. And that power diminishes when they are shared, so they are best kept and kept well. Sharing secrets, real secrets, important ones, with even one other person, will change them. Writing them down is worse, because who can tell how many eyes might see them inscribed on paper, no matter how careful you might be with it. So it's really best to keep your secrets when you have them, for their own good, as well as yours. — Erin Morgenstern

People are certainly impressed by the aura of creative power which a writer may wear, but can easily demolish it with a few well-chosen questions. Bob Shaw has observed that the deadliest questions usually come as a pair: "Have you published anything?" - loosely translated as: I've never heard of you - and "What name do you write under?" - loosely translatable as: I've definitely never heard of you. — Brian Stableford

What does it mean to be a used white wife, a mother, a tragic girl writing poems? Sandra Simonds gets into these messy words and then tears them apart. Sometimes with the words of others. And sometimes with poems made from scratch. They aren't all bad, these words. But they aren't all good either. And that is where Mother was a Tragic Girl gets its power. You will at moments be laughing but then you will also at moments just as much be crying. If Antigone was alive and decided to write some poems about the nuclear family, she would write them like Sandra Simonds. These are tough. — Juliana Spahr

I knew from my years of writing about NSA abuses that it can be hard to generate serious concern about secret state surveillance: invasion of privacy and abuse of power can be viewed as abstractions, ones that are difficult to get people to care about viscerally. — Glenn Greenwald

Who will teach me to write? a reader wanted to know.
The page, the page, that eternal blankness, the blankness of eternity which you cover slowly, affirming time's scrawl as a right and your daring as necessity; the page, which you cover woodenly, ruining it, but asserting your freedom and power to act, acknowledging that you ruin everything you touch but touching it nevertheless, because acting is better than being here in mere opacity; the page, which you cover slowly with the crabbed thread of your gut; the page in the purity of its possibilities; the page of your death, against which you pit such flawed excellences as you can muster with all your life's strength: that page will teach you to write. — Annie Dillard

The real power of comics is writing as you draw. — Chris Ware

I never set out to write a book to change women's lives, to change history. It's like, 'Who, me?' Yes, me. I did it. And I'm not that different from other women. Maybe my power and glory was that I could speak my truth as a woman and it was the truth of every woman. — Betty Friedan

Some writers might tell you that writing is like a piece of magic - a process of creating something out of nothing, and I guess I used to think about it that way too a long long time ago. But as I've lived my life and loved and lost friends and family, and seen dreams smashed and resurrected, and marveled at the pettiness, drear ambition and ignorance of the herd of which I am a part, I can no longer say that a poem or a story or a script comes from nothing. If it's any good, if it has any power, any potent emotional body, then it's something that a writer has paid for, not only in time, but in all the anxiety that accompanies living and those small fret-filled acts of becoming present that make it possible for us to see beyond our little patch of immediacy. It's not just a reaching out, but a reaching in, into the depths of our being from whence we've sprung. — Billy Marshall Stoneking

Think of yourself as an incandescent power, illuminated and perhaps forever talked to by God and his messengers. — Brenda Ueland

It's possible, in a poem or a short story, to write about commonplace things and objects using commonplace but precise language, and to endow those things
a chair, a window curtain, a fork, a stone, a woman's earring
with immense, even startling power. It is possible to write a line of seemingly innocuous dialogue and have it send a chill along the reader's spine
the source of artistic delight, as Nabokov would have it. That's the kind of writing that most interests me. — Raymond Carver

Logic might be imagined to exist independent of writing - syllogisms can be spoken as well as written - but it did not. Speech is too fleeting to allow for analysis. Logic descended from the written word, in Greece as well as India and China, where it developed independently. Logic turns the act of abstraction into a tool for determining what is true and what is false: truth can be discovered in words alone, apart from concrete experience. Logic takes its form in chains: sequences whose members connect one to another. Conclusions follow from premises. These require a degree of constancy. They have no power unless people can examine and evaluate them. In contrast, an oral narrative proceeds by accretion, the words passing by in a line of parade past the viewing stand, briefly present and then gone, interacting with one another via memory and association. — James Gleick

As far as you are able to gather from hints scattered through these letters, Apocryphal Power, riven by internecine battles and eluding the control of its founder, Ermes Marana, has broken into two groups: a sect of enlightened followers of the Archangel of Light and a sect of nihilist followers of the Archon of Shadow. The former are convinced that among the false books flooding the world they can track down the few that bear a truth perhaps extrahuman or extraterrestrial. The latter believe that only counterfeiting, mystification, intentional falsehood can represent absolute value in a book, a truth not contaminated by the dominant pseudo truths. — Italo Calvino

Writing, as most art, is considered to be essentially superfluous. Who is an artist before a surgeon? Or a scientist? But the fact that tyrants and political forces of every age have been threatened by art again and again, condemned it as degenerate or poisonous, and have silenced, brutalized, or murdered artists because of their work only serves to illustrate how significant art is, that it is our one greatest power. I would even go so far as to say that the tyrant 'understands' art more than the devotee, for the latter is generally too 'pious' and adoring, almost like a simple-minded believer overwrought by faith who simply loves and finds everything 'great,' whereas the former suffers the transformative threat of art more, is even endangered by it, hence their terror. — Rainer J. Hanshe

Writing stories has given me the power to change things I could not change as a child. I can make boys into doctors. I can make fathers stop drinking. I can make mothers stay. — Cynthia Rylant

The power of fictitious writing, for good as well as for evil, is a thing which ought most seriously to be reflected upon. — Harriet Beecher Stowe

Acting is the most pure fun as far as jobs go, but it can be limiting in terms of freedom of expression. You are never the master of the story, just a part of it. But writing and directing give you the power of the gods. — David Hayter

A form of intellectual productiveness, therein lies its peculiar charm. Intellectual productiveness is one of the greatest joys - if not the greatest one - of human existence. It is not everyone who can write a play, or build a bridge, or even make a good joke. But in chess everyone can, everyone must be intellectually productive, and so can share in this select delight. I have always a slight feeling of pity for the man who has no knowledge of chess, just as I would pity the man who has remained ignorant of love. Chess, like love, like music, has the power to make men happy. — Siegbert Tarrasch

I always wanted to write a book about LA, a big ambitious book. Nobody had ever really done it with LA- treating the city seriously as a major economic and cultural power, as the embodiment of 21st century America. — James Frey

The preservation of the Jew was certainly not casual. He has endured through the power of a certain ideal, based on the recognition of a Higher Power in human affairs. Time after time in his history, moreover, he has been saved from disaster in a manner, which cannot be described excepting as 'providential.' The author has deliberately attempted to write this book in a secular spirit; he does not think that his readers can fail to see in it, on every page, a higher immanence — Cecil Roth

Awareness of having better things to do with their lives is the secret to immunizing our children against false values
whether presented on television or in "real life." The child who finds fulfillment in music or reading or cooking or swimming or writing or drawing is not as easily convinced that he needs recognition or power or some "high" to feel worthwhile. — Polly Berrien Berends

You have a great advantage as a writer, Monsieur,' said Poirot. 'You can relieve your feelings by expedient of the printed word. You have the power of the pen over your enemies. — Agatha Christie

Just recognizing and naming that many of the things we treat as historical fact are stories can help erode their power over our sense of identity and thinking. If they are stories rather than "truth," we can write new stories that better represent the country we aspire to be. Our new stories can be about diverse people working together to overcome challenges and make life better for all, about figuring out how to live sustainably on this one planet we share, and on deep respect for cooperation, fairness, and equity instead of promoting hyper-competitive individualism. — Annie Leonard