Writing And The Power Of Words Quotes & Sayings

I will only mention that the independent power of words to affect the writing of history is a thing to be watched out for. They have an almost frightening autonomous power to produce in the mind of the reader an image or idea that was not in the mind of the writer. Obviously they operate this way in all forms of writing, but history is particularly sensitive because one has a duty to be accurate, and careless use of words can leave a false impression one had not intended. — Barbara W. Tuchman

And for the next long years of my life, I tried to remember only the reading, not the terrible things that happened to me as I came and went up and down the stairs. The library became my sanctuary. I loved the ways the precious stories took shape but always had room to be read again. I became fascinated with how writers did that. How did they make a story feel so complete and yet to open-ended? It was like painting a picture that changed each time you looked at it. — Rene Denfeld

I'm looking for a writer who doesn't know where the sentence is leading her; a writer who starts with her obsessions and whose heart is bursting with love, a writer sly enough to give the slip to her secret police, the ones who know her so well, the ones with the power to accuse and condemn in the blink of an eye. It's all right that she doesn't know what she's thinking until she writes it, as if the words already exist somewhere and draw her to them. She may not know how she got there, but she knows when she's arrived. — Sy Safransky

Even their contemporaries felt that the relationship of Elizabeth and Robert transcended the details on practicality. There had to be some explanation for their lifelong fidelity, and those contemporaries put it down to 'synaptia', a hidden conspiracy of the stars, whose power to rule human lives no-one doubted: 'a sympathy of spirits between them, occasioned perhaps by some secret constellation', in the words of the historian William Camden, writing at the beginning of the seventeenth century. Theirs was a relationship already rooted in history and mythology. And that moment when Elizabeth heard she had come to the throne encapsulated much about their story. If our well-loved picture of Elizabeth's accession is something of a fantasy - if the reality is on the whole more interesting - you might say the same about our traditional picture of her relationship with Robert Dudley. — Sarah Gristwood

As I mentioned briefly on the phone, the best thing about the Air Chrysalis is that it's not an imitation of anyone. It has absolutely none of the usual new writer's sense of 'I want to be another so-and-so'. the syle, for sure, is rough,and the writing is clumsy. She even gets the title wrong: she's confusing 'chrysalis' and 'cocoon'. You could pick it apart completely if you wanted to. But the story itself has real power: it draws you in. the overall plots is a fantasy, but the descriptive details is incredibly real.The balance between the two is excellent. I don't know if words like 'originality' or Inevitability' fit here, and I suppose I might agree if someone insisted it's not at that level, but finally, after you work your way through the thing, with all its faults, it leaves a real impression- it gets to you in some strange, inexplicable way that may be a little disturbing. — Haruki Murakami

As the chapters took shape, a change came over her. It was the double-sided recognition that this book, the last that she would write, might achieve esteem and success equal to her great novel, but that its emotional heart would lie in her own unhappiness for having failed to find the one thing she wanted. For the first time she was a character in her own writing, and her frailties and mistakes were trapped on the page by the beauty and unsparing focus of her prose. Towards the end it was a battle to finish a page. The story was the story she had told herself for decades, deep within her own mind, and now as it grew, line by line, on the paper before her, she wrestled with each turn in the path all over again, as if it were still possible to change its course with the power of her words. — Frederick Weisel

[Everything you write is] not simply a collection of words, but a means of influence not to be taken lightly. Let your recipient's emotions be the gondola, and your words, its gondolier. — A.J. Darkholme

Creation takes place in bottlenecks ... A creator who isn't grabbed around the throat by a set of impossibilities is no creator. A creator's someone who creates their own impossibilities, and thereby creates possibilities ... it's by banging your head on the wall that you find a way through. You have to work on the wall, because without a set of impossibilities, you won't have the line of flight, the exit that is creation, the power of falsity that is truth. Your writing has to be liquid or gaseous simply because normal perception and opinion are solid, geometric ... You have to open up words, break things open, to free earth's vectors. — Gilles Deleuze

The best ending ever, for a science fiction book - or any novel, now that I think about it - was in Rendezvous With Rama. You know that you're at the end of the book and yet, there is no resolution. Then he hits you with those last six words. Better yet, the power is in the very last word. Wow! — John Gaver

Words written fifty years ago, a hundred years ago, a thousand years ago, can have as much of this power today as ever they had it then to come alive for us and in us and to make us more alive within ourselves. That, I suppose, is the final mystery as well as the final power of words: That not even across great distances of time and space do they ever lose their capacity for becoming incarnate. And when these words tell of virtue and nobility, when they move closer to that truth and gentleness of spirit by which we become fully human, the reading of them is sacramental; and a library is as holy a place as any temple is holy because through the words which are treasured in it the Word itself becomes flesh again and again and dwells among us and within us, full of grace and truth.
Frederick Buechner, A Room Called Remember, in an essay called The Speaking and Writing of Words. — Frederick Buechner

There is just too much cruelty, selfishness and corruption in the world not to want to crush the poisonous will of those who cause it by writing about it as powerfully as I can. — Carla H. Krueger

My intention is for all of my activities to be directed by Spirit. My intention is to love and radiate my love to my writing and any who might read these words. My intention is to trust in what comes through me and to be a vehicle of Spirit, judging none of it. My intention is to recognize the Spirit as my Source and to detach from my ego. My intention is to do all that I can to elevate the collective consciousness to be more closely in rapport with the Spirit of the originating supreme power of intention. — Wayne W. Dyer

God did not write a book and send it by messenger to be read at a distance by unaided minds. He spoke a Book and lives in His spoken words, constantly speaking His words and causing the power of them to persist across the years. — Aiden Wilson Tozer

I stress the expansion and elaboration of language. In simplifying it, reducing it, we reduce the power of our expression and our power to communicate. Standardization, the use of worn-out formulas, impedes communication because it does not match the subtlety of our minds or emotions, the multimedia of our unconscious life. — Anais Nin

These are old words, old stories and we are not here to blindly repeat them. They are not law. They are power, nourishment. There is a river of voices coming out of the past, resonating in the telling of the old stories...We are grounded in its power. It is our connection to each other and to the larger universe. — Robert William Case

We preach sermons, write books on apologetics, conduct city-wide evangelistic campaigns. For those alienated from the church, that approach no longer has the same drawing power. And for the truly needy, words alone don't satisfy; "A hungry person has no ears," as one relief worker told me. A skeptical world judges the truth of what we say by the proof of how we live. — Philip Yancey

I write poems for myself and I write poetry that gets torn apart and becomes songs. I have a lot of respect for words, the power of words. — Kurt Cobain

And if all the trees on earth were pens and the ocean [were ink], with seven
oceans behind it to add to its [supply], yet would not the words of Allah be
exhausted [in the writing]: for Allah is Exalted in Power, full of Wisdom. — Anonymous

Writing has nothing to do with meaning. It has to do with landsurveying and cartography, including the mapping of countries yet to come. — Gilles Deleuze

Another important consequence in the arrival of digital technology and its facilitation of feedback is that we can look at large systems and recognize them once more not only as part of ourselves, but also as components that can change ...
Now, though, we live in a world where text is fluid, where is responds to our instructions. Writing something down records it, but does not make it true or permanent. So why should we put up with a system we don't like simply because it's been written somewhere? — Nick Harkaway

It has often been said
there's so much to be read,
you never can cram
all those words in your head.
So the writer who breeds
more words than he needs
is making a chore
for the reader who reads.
That's why my belief is
the briefer the brief is,
the greater the sigh
of the reader's relief is.
And that's why your books
have such power and strength.
You publish with shorth!
(Shorth is better than length.) — Dr. Seuss

We live and breathe words ... It was books that made me feel that perhaps I was not completely alone. They could be honest with me, and I with them. Reading your words, what you wrote, how you were lonely sometimes and afraid, but always brave; the way you saw the world, its colors and textures and sounds, I felt
I felt the way you thought, hoped, felt, dreamt. I felt I was dreaming and thinking and feeling with you. I dreamed what you dreamed, wanted what you wanted
and then I realized that truly I just wanted you. — Cassandra Clare

The poet must always, in every instance, have the vibrant word ... that by it's trenchancy can so wound my soul that it whimpers ... One must know and recognize not merely the direct but the secret power of the word; one must be able to give one's writing unexpected effects. It must have a hectic, anguished vehemence, so that it rushes past like a gust of air, and it must have a latent, roistering tenderness so that it creeps and steals one's mind; it must be able to ring out like a sea-shanty in a tremendous hour, in the time of the tempest, and it must be able to sigh like one who, in tearful mood, sobs in his inmost heart. — Knut Hamsun

To care about words, to have a stake in what is written, to believe in the power of books - this overwhelms the rest, and beside it one's life becomes very small. — Paul Auster

He was intrigued by the power of words, not the literary words that filled the books in the library but the sharp, staccato words that went into the writing of news stories. Words that went for the jugular. Active verbs that danced and raced on the page. — Robert Cormier

There's one thing I've been striving for all my life: with sex, with writing, with surfing, with partying, with anything and everything. And that is to be free. It's the one feeling I never had growing up. When I open my eyes, I feel free like I never have before. I see the guys sitting against the wall, their cheeks shining with tears, and I can tell they've been on this ride with me. Then I see Lorraine, beaming at me like an angel. And I tell her, "You're doing God's work." The words come out of my mouth before I have a chance to think about them. I've never used the word God in my life in a spiritual context. In fact, the week before, I even had an hour-long debate with the spiritual counselor here, trying to dissuade him from the belief that there's a higher power who cares about the fate of every individual. — Neil Strauss

Getting ink felt right, like it would help her put her life in order, to move forwards. It was her body, despite the things that'd been done to it, and she wanted to claim it, to own it, to prove that to herself. She knew it wasn't magic, but the idea of writing her own identity felt like the closest she could get to reclaiming her life. Sometimes there's power in the act; sometimes there's strength in words. She wanted to find an image that represented those things she was feeling, to etch it on her skin as tangible proof of her decision to change. — Melissa Marr

I am glad that the country world ... retains a power to use our English tongue. It is a part of its sense of reality, of its vocabulary of definite terms, and of its habit of earthly common sense. I find this country writing an excellent corrective of the urban vocabulary of abstractions and of the emotion disguised as thinking which abstractions and humbug have loosed upon the world. May there always be such things as a door, a milk pail, and a loaf of bread, and words to do them honor. — Henry Beston

What does it mean to be a used white wife, a mother, a tragic girl writing poems? Sandra Simonds gets into these messy words and then tears them apart. Sometimes with the words of others. And sometimes with poems made from scratch. They aren't all bad, these words. But they aren't all good either. And that is where Mother was a Tragic Girl gets its power. You will at moments be laughing but then you will also at moments just as much be crying. If Antigone was alive and decided to write some poems about the nuclear family, she would write them like Sandra Simonds. These are tough. — Juliana Spahr

Writing with voice is writing into which someone has breathed. It has that fluency, rhythm, and liveliness that exist naturally in the speech of most people when they are enjoying a conversation ... Writing with real voice has the power to make you pay attention and understand
the words go deep. — Peter Elbow

Both reading and writing are experiences
lifelong
in the course of which we who encounter words used in certain ways are persuaded by them to be brought mind and heart within the presence, the power, of the imagination. — Eudora Welty

I sit here before my computer, Amiguita, my altar on top of the monitor with the Virgen de Coatlalopeuh candle and copal incense burning. My companion, a wooden serpent staff with feathers, is to my right while I ponder the ways metaphor and symbol concretize the spirit and etherealize the body. The Writing is my whole life, it is my obsession. This vampire which is my talent does not suffer other suitors. Daily I court it, offer my neck to its teeth. This is the sacrifice that the act of creation requires, a blood sacrifice. For only through the body, through the pulling of flesh, can the human soul be transformed. And for images, words, stories to have this transformative power, they must arise from the human body
flesh and bone
and from the Earth's body
stone, sky, liquid, soil. This work, these images, piercing tongue or ear lobes with cactus needle, are my offerings, are my Aztecan blood sacrifices. — Gloria E. Anzaldua

Figures are the most shocking things in the world. The prettiest little squiggles of black looked at in the right light and yet consider the blow they can give you upon the heart. — H.G.Wells

And I see a lot of us, the producers, who write the books and make the books, accepting this
letting commodity profiteers sell us like deodorant, and tell us what to publish, what to write.
Books aren't just commodities; the profit motive is often in conflict with the aims of art. We live in capitalism. Its power seems inescapable
but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words. — Ursula K. Le Guin

public display and operatic suffering - an in-your-face owning of one's vulnerability and fucked-upness to the point of embarrassing and offending tight-asses is a powerful feminist strategy. Writing is tough work, I don't see how anyone can really write from a position of weakness. Sometimes I may start out in that position, but the act of commandeering words flips me into a position of power. — Dodie Bellamy

Logic might be imagined to exist independent of writing - syllogisms can be spoken as well as written - but it did not. Speech is too fleeting to allow for analysis. Logic descended from the written word, in Greece as well as India and China, where it developed independently. Logic turns the act of abstraction into a tool for determining what is true and what is false: truth can be discovered in words alone, apart from concrete experience. Logic takes its form in chains: sequences whose members connect one to another. Conclusions follow from premises. These require a degree of constancy. They have no power unless people can examine and evaluate them. In contrast, an oral narrative proceeds by accretion, the words passing by in a line of parade past the viewing stand, briefly present and then gone, interacting with one another via memory and association. — James Gleick

And not only narrativity but the quality of the writing is of the first importance to me. Rightly or not, I believe a dull, inept style signals poverty or incompleteness of thought. I see the accuracy, scope, and quality of Darwin's intellect directly expressed in the clarity, strength, and vitality of his writing - the beauty of it. — Ursula K. Le Guin

When I started to learn how to read, I discovered the same kind of power. I could create an environment that I didn't have, and I could order this environment in the way that I couldn't in my actual life. Then, when I learned to write, I learned that I could do this not only for myself, but for other people. I could create whole things that were believable, at least to myself, at that point. And in this way, I began to wield an authority and a power that I had not had before. In other words, every child goes through this. Some pick football and some pick the library. I picked the library. — Donald Richie

A man who writes a story is forced to put into it the best of his knowledge and the best of his feeling. The discipline of the written word punishes stupidity and dishonesty. A writer lives in awe of words for they can be cruel or kind, and they can change their meanings right in front of you. — John Steinbeck

Slowly I discovered that writing was my way of coping with chaos and my cry of freedom, my homage to beauty. Because stories have the power to denounce, to teach, to inspire, sometimes to heal. That was a kind of epiphany and so I decided that being a writer would be my way to keep on keeping on and that words would be my bullets, my answers to the Weapons of Mass Deception. From that day on my conscience was at ease and growing old more endurable. And I knew I could 'look up and see the sky'. — Vittorio Vandelli