Quotes & Sayings About Writing And Literature

Athenaeum, or Jonathan Edwards at thirteen entering Yale College, and while yet of a tender age shining in the horizon of American literature; while the same age finds H. W. Longfellow writing for the Portland Gazette. At fourteen John Quincy Adams was private secretary to Francis H. Dana, American Minister to Russia; at fifteen Benjamin Franklin was writing for the New England Courant, and at an early age became a noted journalist. Benjamin West at sixteen had painted "The Death of Socrates," at seventeen George Bancroft had won a degree in history, Washington Irving had gained — Charles Stewart Given

Literature has been part of my life for as long as I can remember. I can't think back before a time that I didn't love writing and reading. When I was really young, my mother would read poems to me. I loved Edgar Allan Poe - I am sure I didn't understand it, but I loved it. — Alexandra Adornetto

In a way, 'Billy Elliot' was autobiographical. I can't dance, but I think his dancing was me discovering about writing and literature. — Lee Hall

Among the many worlds which man did not receive as a gift of nature, but which he created with his own mind, the world of books is the greatest. Every child, scrawling his first letters on his slate and attempting to read for the first time, in so doing, enters an artificial and complicated world; to know the laws and rules of this world completely and to practice them perfectly, no single human life is long enough. Without words, without writing, and without books there would be no history, there could be no concept of humanity. And if anyone wants to try to enclose in a small space in a single house or single room, the history of the human spirit and to make it his own, he can only do this in the form of a collection of books. — Hermann Hesse

What really knocks me out is a book that, when you're all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn't happen much, though. — J.D. Salinger

Plato laments the decline of the oral tradition and the atrophy of memory which writing induces, I at the other end of the Age of the Written Word am impressed by the sturdiness and reliability of words on paper ... The will to record indelibly, to set down stories in permanent words, seems to me akin to the conviction that we are larger than our biologies. — Jonathan Franzen

a novelist's work is often a strategy (I don't mean the author need be aware of this) for dealing with some personal dilemma. Not just that the dilemma is "worked out" in the narrative, as critics often tell us, but that the acts of writing and publishing and positioning oneself in the world of literature are all part of an attempt to find a solution, however provisional, to some deep personal unease. — Tim Parks

I had been reading children's books all my life and saw them not as minor amusements but as part of the whole literary mainstream; not as "juveniles" or "kiddie lit," one of the most demeaning terms in the scholastic jargon.
My belief was, and is, that the child's book is a unique and valid art form; a means of dealing with things which cannot be dealt with quite as well in any other way. There is, I'm convinced, no inner, qualitative difference between writing for adults and writing for children. The raw materials are the same for both: the human condition and our response to it. — Lloyd Alexander

The critic's aim should be to interpret the work they are writing about and help readers appreciate it, by defining and analysing those qualities that make it precious and by indicating the angle of visions from which its beauties are visible. But many critics do not realize their function. They aim not to appreciate, but to judge; they seek first to draw lines about literature and then bully readers into accepting these laws. — David Cecil

The balance between literature and philosophy in Schopenhauer and Nietzsche is different from that struck in the novella, but, as Mann clearly pointed out in his writings about both thinkers, both modes are present. — Philip Kitcher

People won't see Imagination in something that doesn't relate to their experience because of their own mental limitations. I want people to escape the expected and ordinary, to escape the regular expectations of a story, and truly step into a different world of literature. — Lionel Suggs

His importance to the century just past, and therefore his status as a figure in history as well as in literature, derives from the extraordinary salience of the subjects he 'took on,' and stayed with, and never abandoned. As a consequence, we commonly use the term 'Orwellian' in one of two ways. To describe a state of affairs as 'Orwellian' is to imply crushing tyranny and fear and conformism. To describe a piece of writing as 'Orwellian' is to recognize that human resistance to these terrors is unquenchable. Not bad for one short lifetime. — Christopher Hitchens

I did have a love for literature that overpowered my hatred of the people who taught it, and I think because I had no respect for the teachers, their attitude didn't poison the writing that I was discovering for myself. — Craig Ferguson

Writing, I reminded them, can't be taught or learned in a vacuum. We must say to students in every area of knowledge: "This is how other people have written about this subject. Read it; study it; think about it. You can do it too." In many subjects, students don't even know that a literature exists - that mathematics, for instance, consists of more than right and wrong answers, that physics consists of more than right or wrong lab reports. I — William Zinsser

[Satan] has hundreds of agents writing pornographic literature and producing sex movies to pollute [the mind]. He has intellectuals in high positions teaching a hedonistic and permissive philosophy ... They lack an anchor for their real self. — Billy Graham

Workshop Hermeticism, fiction for which the highest praise involves the words 'competent,' 'finished,' 'problem-free,' fiction over which Writing-Program pre- and proscriptions loom with the enclosing force of horizons: no character without Freudian trauma in accessible past, without near-diagnostic physical description; no image undissolved into regulation Updikean metaphor; no overture without a dramatized scene to 'show' what's 'told'; no denouement prior to an epiphany whose approach can be charted by and Freitag on any Macintosh. — David Foster Wallace

Modern Arabic literature achieved international recognition when Mahfouz was awarded the Nobel prize in 1988 ( ... ) Mahfouz also rendered Arabic literature a great service by developing, over the years, a form of language in which many of the archaisms and cliches that had become fashionable were discarded, a language that could serve as an adequate instrument for the writing of fiction in these times. — Denys Johnson-Davies

I think the novel is a wonder....it has vitality to an extraordinary degree, and glamour, and a great deal of underlying thought of unusual quality....And as for the sheer writing, it's astonishing. [About The Great Gatsby] — Maxwell Perkins

On a spectrum of literary productions, memoir is just another form. If the person doing the reviewing or critiquing was ill-educated about literary forms, they could write something dunderheaded about the author or their life (I've seen these and barfed at them), but anyone who is well-practiced and educated in literature - why would they leave that at the door when entering memoir? — Lidia Yuknavitch

For me the poem and the poetry open mic isn't about competition and it never will be. Honestly? It's wrong. The open mic is about 1 poet, one fellow human being up on a stage or behind a podium sharing their work regardless of what form or style they bring to it. In other words? The guy with the low slam score is more than likely a far better poet-writer than the guy who actually won. But who are you? I ? Or really anyone else to judge them? The Poetry Slam has become an overgrown, over used monopoly on American literature and poetry and is now over utilized by the academic & public school establishments. And over the years has sadly become the "McDonalds Of Poetry". We can only hope that the same old stale atmosphere of it all eventually becomes or evolves into something new that translates to and from the written page and that gives new poets with different styles & authentic voices a chance to share their work too. — R.M. Engelhardt

Do you know what the worst thing about literature is? . What? I said. That you end up being friends with writers. And friendship, treasure though it may be, destroys your critical sense. Once, said Don Pancracio, Monteforte Toledo dropped this riddle in my lap: a poet is lost in a city on the verge of collapse, with no money, or friends, or anyone to turn to. And of course, he neither wants nor plans to turn to anyone. For several days he roams the city and the country, eating nothing, or eating scraps. He's even stopped writing. Or he writes in his head: in other words, he hallucinates. All signs point to an imminent death. His drastic disappearance foreshadows it. And yet the poet doesn't die. — Roberto Bolano

I believe one of the important differences between creating literature and just telling a story around the campfire is that in literature you're recreating the experience of life, not just relaying a 'this happened, then that happened' kind of narrative. The specific details and layers of depth that make the world of the story - and what the character is experiencing in that world - as real as possible are elements I love as a reader and, consequently, elements I strive to use effectively as a writer. — Lara Campbell McGehee

It's been suggested that most women fail to write significantly because the female mind is viscerotonic, and occupied almost exclusively with the moment-to-moment reality of emotions. If this is true, literature's loss is science fiction's gain, for Out of Bounds, Judith Merril's collection of short stories, is a warm and colorful rendering of the minutiae of the future. — Alfred Bester

Good writing is almost the concomitant of good history. Literature and history were joined long since by the powers which shaped the human brain; we cannot put them asunder. — C.V. Wedgwood

What I do know is that writing is the thing I am best at, and I don't have the stomach, the ability, the strength or the courage to enter the political arena. And I think writing can be a political act, if only to let those people accountable know they are being watched. Literature can be a conscience. — Miguel Syjuco

The word 'NO' is the best motivation there is for the storyteller in you. — A.K. Kuykendall

J. R. R. Tolkien, undisputedly a most fluent speaker of this language, was criticized in his day for indulging his juvenile whim of writing fantasy, which was then considered - as it still is in many quarters - an inferior form of literature and disdained as mere "escapism." "Of course it is escapist," he cried. "That is its glory! When a soldier is a prisoner of war it is his duty to escape - and take as many with him as he can." He went on to explain, "The moneylenders, the knownothings, the authoritarians have us all in prison; if we value the freedom of the mind and soul, if we're partisans of liberty, then it's our plain duty to escape, and to take as many people with us as possible. — Stephen R. Lawhead

One often hears of writers that rise and swell with their subject, though it may seem but an ordinary one. How, then, with me, writing of this Leviathan? Unconsciously my chirography expands into placard capitals. Give me a condor's quill! Give me Vesuvius' crater for an inkstand! Friends, hold my arms! For in the mere act of penning my thoughts of this Leviathan, they weary me, and make me faint with their out-reaching comprehensiveness of sweep, as if to include the whole circle of the sciences, and all the generations of whales, and men, and mastodons, past, present, and to come, with all the revolving panoramas of empire on earth, and throughout the whole universe, not excluding its suburbs. Such, and so magnifying, is the virtue of a large and liberal theme! We expand to its bulk. To produce a mighty book, you must choose a mighty theme. No great and enduring volume can ever be written on the flea, though many there be who have tried it. — Herman Melville

Nature is amazing wonder. — Lailah Gifty Akita

In general there should be gay characters in YA because a) surprise, there are gay folks everywhere and b) in my opinion as a father, there's not a damn thing wrong with my child encountering gay folks in her literature, because see point a). — John Scalzi

The other night we talked about literature's elimination of the unessential, so that we are given a concentrated "dose" of life. I said, almost indignantly, "That's the danger of it, it prepares you to live, but at the same time, it exposes you to disappointments because it gives a heightened concept of living, it leaves out the dull or stagnant moments. You, in your books, also have a heightened rhythm, and a sequence of events so packed with excitement that I expected all your life to be delirious, intoxicated."
Literature is an exaggeration, a dramatization, and those who are nourished on it (as I was) are in great danger of trying to approximate an impossible rhythm. Trying to live up to Dostoevskian scenes every day. And between writers there is a straining after extravagance. We incite each other to jazz-up our rhythm. — Anais Nin

I am writing a play which I probably will not finish until the end of November. I am writing it with considerable pleasure, though I sin frightfully against the conventions of the stage. It is a comedy with three female parts, six male, four acts, a landscape (view of the lake), lots of talk on literature, little action and tons of love. — Anton Chekhov

You may ask, why not simply call this literature Christian? Unfortunately, the word Christian is no longer reliable. It has come to mean anyone with a golden heart. And a golden heart would be a positive interference in the writing of fiction. — Flannery O'Connor

I had another reason for seeking Him, for trying to espy His face, a professional one. God and literature are conflated in my mind. Why this is, I'm not sure. Perhaps because great books seem heavensent. Perhaps because I know that each nove is a puny but very valiant attempt at godlike behavior. Perhaps because there is no difference between the finest poetry and most transcendent mysticism. Perhaps because writers like Thomas Merton, who are able to enter the realm of the spirit and come away with fine, lucid prose. Perhaps because of more secular writers, like John Steinbeck, whose every passage, it seems to me, peals with religiousity and faith. It once occured to me that literature - all art really - is either talking to people about God, or talking to God about people. — Paul Quarrington

You've clearly been charged with hiring a jack-of-all-trades. And Dr. Auden is that mythical creature you seek: fully qualified to teach British and American literature, women's studies, composition, creative writing, intermediate parasailing, advanced sword swallowing, and subcategories and permutations of the above. — Julie Schumacher

Literature can teach us how to live before we live, and how to die before we die. I believe that writing is practice for death, and for every (other) transformation human beings encounter. — Jayne Anne Phillips

I still maintain that the times get precisely the literature that they deserve, and that if the writing of this period is gloomy the gloom is not so much inherent in the literature as in the times. — Bill Styron

Blackadder was fifty-four and had come to editing Ash out of pique. He was the son and grandson of Scottish schoolmasters. His grandfather recited poetry on firelight evenings: Marmion, Childe Harold, Ragnarok. His father sent him to Downing College in Cambridge to study under F. R. Leavis. Leavis did to Blackadder what he did to serious students; he showed him the terrible, the magnificent importance and urgency of English literature and simultaneously deprived him of any confidence in his own capacity to contribute to, or change it. The young Blackadder wrote poems, imagined Dr Leavis's comments on them, and burned them. — A.S. Byatt

There is only one motive for writing a novel: to be published and read. To me there is no distinction between the mystery novel and the novel, only between good books and bad books. A good book takes the reader into a new world of experience; it is an experiment. A bad book, unless the writing is inept, reinforces the intransigent attitude of the reader not to experiment with a new world. Since there are criminals and psychopaths and sociopaths in all my novels they are in a way psychological thrillers. — John Franklin Bardin

ROBERT MASELLO is the author of many previous works of fiction and nonfiction, most recently the novels Blood and Ice and The Medusa Amulet. A native of Evanston, Illinois, he studied writing under the novelists Robert Stone and Geoffrey Wolff at Princeton, and has since taught and lectured at many leading universities. For six years, he was the visiting lecturer in literature at Claremont McKenna College. He now lives and works in Santa Monica, — Robert Masello

The only reward to be expected from literature is contempt if one fails and hatred if one succeeds. — Voltaire

People recover differently. Some change cities, some fall in love and some begin writing. — Kanza Javed

People often ask me why my style is so simple. It is, in fact, deceptively simple, for no two sentences are alike. It is clarity that I am striving to attain, not simplicity.
Of course, some people want literature to be difficult and there are writers who like to make their readers toil and sweat. They hope to be taken more seriously that way. I have always tried to achieve a prose that is easy and conversational. And those who think this is simple should try it for themselves. — Ruskin Bond

With the enormous and steady increase in the volume of our literature, we must rely more and more upon sympathetic selection, judicious editing, and the indexer who knows where to exercise discretion. Any simpleton can write a book, but it requires high skill to make an index. — Rossiter Johnson

Plays are literature: the word, the idea. Film is much more like the form in which we dream - in action and images (Television is furniture). I think a great play can only be a play. It fits the stage better than it fits the screen. Some stories insist on being film, can't be contained on stage. In the end, all writing serves to answer the same question: Why are we alive? And the form the question takes - play, film, novel - is dictated, I suppose, by whether its story is driven by character or place. — Israel Horovitz

Reading the book now means that one can, if one wants, play Fantasy Literature
match writers off against each other and see who won over the long haul. Faulkner or Henry Green? I reckon the surprise champ was P.G. Wodehouse, as elegant and resourceful a prose stylist as anyone held up for our inspection here ... he has turned out to be as enduring as anyone apart from Orwell. Jokes, you see. People do like jokes.
(Hornby's thoughts after reading "Enemies of Promise" by Cyril Connolly) — Nick Hornby

God produced great writing, a matter of first importance to a man like Lincoln, ever impressed with the nature of cause and forces. — Richard Brookhiser

While an author is yet living we estimate his powers by his worst performance, and when he is dead we rate them by his best. — Samuel Johnson

The only distinguishing characteristic of a literature professor at the millennium was that he or she wrote about other people's writing. Apart from that, the writing he wrote about didn't even need to be literature, or writing about literature, or even writing about writing about literature. He needed theory...In the unflickering glare, at the center of a severe perspective, Nelson suddenly felt the visceral truth of the world as text; he apperceived the fundamentally linguistic nature of reality. Everything was text, at every level of existence, all the way up from quarks to queer theory. Words arranged in lines; lines arrayed on pages; pages pressed together, bound, and trimmed in books; books arranged cover to cover along a shelf like the words in a line of text; shelves stacked one atop the other like lines of text on a page; rows of shelves pressed together, with just the barest passage for the reader, like the pages of a book. — James Hynes

He had gathered about him what was considered by many to be the intellectual and artistic elite ... actually, a group of bored men and libertines who were glib-tongued, talking much of art, literature, and music but without any deep-seated convictions upon any subject aside from their own prejudices. Mainly concerned with their own posturing, they were creatures of fad and whim, seizing upon this writer or that composer and exalting him to the skies until he bored them, then shifting to some other. Occasionally, the artist upon whom they lavished attention were of genuine ability, but more often they possessed some obscurity that gave the dilettantes an illusion of depth and quality. In the majority of cases what was fancied to be profound was simply bad writing, bad painting, or deliberately affected obscurity. — Louis L'Amour

In Catcher in the Rye, the protagonist Holden Caulfield mentions reading books that make him wish he could be friends with the author and be able to call him on the phone and so forth. I would consider a literary work that made someone feel this way a success. Furthermore, it's the only kind of success in literature that means anything to me. — Thomas Ligotti

All prizes have a role, if they are run with integrity and with a clear focus on reading and quality writing. I don't think any of them is necessary, but they all play an incredibly important role in building a body of literature, in introducing new authors to new readers, and extending reading. — Kate Mosse

We speak about understanding each other, having those conversations nationwide - culturally, historically - and yet there's a lot of gaps. So I want to assist with closing the gap of knowing about and hearing about our Latino communities in terms of literature, in terms of writing. — Juan Felipe Herrera

The man of understanding can no more sit quiet and resigned while his country lets its literature decay, and lets good writing meet with contempt, than a good doctor could sit quiet and contented while some ignorant child was infecting itself with tuberculosis under the impression that it was merely eating jam tarts. — Ezra Pound

It was evident to me then that I existed in the same manner as all other men, that I must grow old, that I must die like them, and that among them I was to be distinguished merely as one of those who have no aptitude for writing. And so, utterly despondent, I renounced literature for ever, — Marcel Proust

'Harry Potter' opened so many doors for young adult literature. It really did convince the publishing industry that writing for children was a viable enterprise. And it also convinced a lot of people that kids will read if we give them books that they care about and love. — Rick Riordan

It's very fluid, this space between philosophy and literature, and that's something that resonates for me. — Tom McCarthy

The first time I read Isaac Babel was in a college creative writing class. The instructor was a sympathetic Jewish novelist with a Jesus-like beard, an affinity for Russian literature, and a melancholy sense of humor, such that one afternoon he even "realized" the truth of human mortality, right there in the classroom. He pointed at each of us around the seminar table: "You're going to die. And you're going to die. And you're going to die." I still remember the expression on the face of one of my classmates, a genial scion of the Kennedy family who always wrote the same story, about a busy corporate lawyer who neglected his wife. The expression was confused. — Elif Batuman

Reading books makes us more attentive to our personage and the aesthetic world that we live in. Writers that we idolize use language, logic, and nuance to paint physical and emotional scenes with refined precision. A writer's use of vivid language creates lingering aftereffects that work their wonder on the reader's malleable mind. A stirred mind resurrects our semiconscious memories; it causes us to summon up enduring images of our family, friends, and acquaintances. Just as importantly, inspirational writing makes us recognize our own telling character traits and identify our formerly unexpressed thoughts and feelings. — Kilroy J. Oldster

I called it a baptism in flaming ink that forced me to shed my shyness about recognizing myself as a poet and to accept the fact that life had never given me any choice in the matter. And then I had to discover exactly what that meant. — Aberjhani

I want to be able to do anything with words: handle slashing, flaming descriptions like Wells, and use the paradox with the clarity of Samuel Butler, the breadth of Bernard Shaw and the wit of Oscar Wilde, I want to do the wide sultry heavens of Conrad, the rolled-gold sundowns and crazy-quilt skies of Hitchens and Kipling as well as the pastel dawns and twilights of Chesterton. All that is by way of example. As a matter of fact I am a professed literary thief, hot after the best methods of every writer in my generation. — F Scott Fitzgerald

I had the most incredible English and literature teachers in school, and it really influenced my love of storytelling. It's what made me excited to study journalism in college. I love editorials and documentaries. All of that came from being given the opportunity to lose myself in good writing when I was a kid. — Sophia Bush

Without books, everything would have been crooked. Without books, the wisdom in books today would have been fairy and folk tales. Without books the whole truth about life would have been imaginations and a guessing game — Ernest Agyemang Yeboah

Reading books is a way for you to communicate with and learn from the best thinkers that are writing today and that have ever lived. — Joshua Rogers

They came generally from people writing theses on fantasy or on the Dark Is Rising books. They were full of questions I'd never thought about and false assumptions that I didn't want to think about. They would ask me in great detail for, say, the specific local and mythical derivations of my Greenwitch, a leaf-figure thrown over a Cornish cliff as a fertility sacrifice, and I would have to write back and say, "I'm terribly sorry; I made it all up." They told me I echoed Hassidic myth, which I hadn't read, and the Mormon suprastructure, which I'd never even heard of. They saw symbols and buried meanings and allegories everywhere. I'd thought I was making a clear soup, but for them it was a thick mysterious stew.

from "In Defense of the the Artist" in Signposts to Criticism of Children's Literature (1983) — Susan Cooper

Of course, literature is the only spiritual and humane career. Even painting tends to dumness, and music turns people erotic, whereas the more you write the nicer you become. — Virginia Woolf

In Edmund Gosse, Agnes Smedley, Geoffrey Wolff, we have a set of memoirists whose work records a steadily changing idea of the emergent self. But for each of them a flash of insight illuminating that idea grew out of the struggle to clarify one's own formative experience; and in each case the strength and beauty of the writing lie in the power of concentration with which this insight is pursued, and made to become the the writer's organizing principle. That principle at work is what makes a memoir literature rather than testament. — Vivian Gornick

The world is changing from day to day; it is high time for our writers to take off their masks, look frankly, keenly, and boldly at life, and write about real flesh and blood. It is high time for a brand-new arena for literature, high time for some bold fighters to charge headlong into battle! — Lu Xun

But how much love, oh, Lord, how much love I experienced at times in those dreams of mine, in those "escapes into everything beautiful and sublime." Even though it was fantastic love, even though it was never directed at anything human, there was still so much love that afterward, in reality, I no longer felt any impulse to direct it: that would have been an unnecessary luxury. — Fyodor Dostoyevsky

Heretics are the only [bitter] remedy against the entropy of human thought.
("Literature, Revolution, and Entropy") — Yevgeny Zamyatin

I first encountered Bradbury's writing when I was pretty young. He's a great bridge author between young-adult fiction and literature. — Sam Weller

My fingers burn behind the keys of my typewriter, the lettering fading with every thoughtful strike. The many words I write I dare not stall; my mind perpetually alert for my magnum opus call. — A.K. Kuykendall

Literature might be called the art of story, and story might in turn be called a universal language, for every culture we know of has a tradition of storytelling. No doubt stories have touched your life, too, from bedtime stories you may have heard as a child to news stories you see on TV or read in a newspaper. We might even say that a major goal of living is to created the story of our own lives, a story we hope to take pleasure and pride in telling. — Andrea A. Lunsford

Allen Ginsberg was a world authority on the writing of William Blake, and had an incredible knowledge of classic literature and world politics. — David Amram

For the serious mediocre writer convention makes him sound like a lot of other people; for the popular writer it gives him a formula he can exploit; for the serious good writer it releases his experiences or emotions from himself and incorporates them into literature, where they belong. — Northrop Frye

If you ask a twenty-one-year-old poet whose poetry he likes, he might say, unblushing, "Nobody's," In his youth, he has not yet understood that poets like poetry, and novelists like novels; he himself likes only the role, the thought of himself in a hat. — Annie Dillard

I don't see myself as a very important person. But I was the second woman to write a novel in Iran, and I have written most of the novels about Iranian women. In this way, maybe I have a good place in Iranian literature. — Shahrnush Parsipur

To achieve lasting literature, fictional or factual, a writer needs perceptive vision, absorptive capacity, and creative strength. — Lawrence Clark Powell

India went through a dramatic revolution after the '90s when our economy started opening up for the first time and Indians were now experiencing the Western life, if you will. Drugs and sex and a lot of those influences came in as the economy stabilized, and we were growing up and experiencing that. The Indian writing market was very small at that time. Our literature was very attuned to what Western audiences were interested in, so everybody was writing about the slums in India and magic realism or stories about Hindus and Muslims and partition. — Karan Bajaj

I love literature deeply. I view books as sacred things, and in writing my story, I'm going to do my best to honor the form that has played such a huge part in shaping who I am. — Flea

Perhaps this is what Henry James meant when he talked about the "irresponsibility" of characters. Characters are irresponsible, art is irresponsible when compared to life, because it is first and foremost important that a character be real, and as readers or watchers we tend to applaud any effort made towards the construction of that reality. We do not, of course, indulge actual people in the world this way at all. In real life, the fact that something seems real to someone is not enough to interest us, or to convince us that that reality is interesting. But the self-reality of fictional characters is deeply engrossing, which is why villains are lovable in literature in ways that they are not in life. — James Wood

Read good writing, and don't live in the present. Live in the deep past, with the language of the Koran or the Mabinogion or Mother Goose or Dickens or Dickinson or Baldwin or whatever speaks to you deeply. Literature is not high school and it's not actually necessary to know what everyone around you is wearing, in terms of style, and being influenced by people who are being published in this very moment is going to make you look just like them, which is probably not a good long-term goal for being yourself or making a meaningful contribution. At any point in history there is a great tide of writers of similar tone, they wash in, they wash out, the strange starfish stay behind, and the conches. — Rebecca Solnit

There seemed no reason why she shouldn't try writing something in between, but she was discovering once again that reading and writing were not the same - you couldn't just soak it up and then squeeze it out again. — David Nicholls

When King Lear dies in act five, do you know what Shakespeare has written? He has written, 'He dies.' No more. No fanfare, no metaphor, no brilliant final words. The culmination of the most influential piece of dramatic literature is, 'He dies.' Now I am not asking you to be happy at my leaving but all I ask you to do is to turn the page and let the next story begin.
Mr. Magorium — Suzanne Weyn

Let those who want to save the world if you can get to see it clear and as a whole. Then any part you make will represent the whole if it's made truly. The thing to do is work and learn to make it. — Ernest Hemingway,

There is a very big difference between writing for children and writing for young adults. The first thing I would say is that 'Young Adult' does not mean 'Older Children', it really does mean young but adult, and the category should be seen as a subset of adult literature, not of children's books. — Garth Nix

let us start by picturing the Japan archipelago lying in the sea by the Chinese mainland. If its proximity allowed it to become part of the Sinosphere and acquire a written culture, its distance benefited the development of indigenous writing. The Dover Strait, separating England and France, is only 34 kilometers (21 miles) wide. A fine swimmer can swim across it. In contrast, the shortest distance between Japan and the Korean Peninsula is five or six times greater, and between Japan and the Chinese mainland, twenty-five times greater. The current, moreover, is deadly. . . . Japan's distance from China gave it political and cultural freedom and made possible the flowering of its own writing. — Minae Mizumura

The businessman who is a novelist is able to drop in on literature and feel no suicidal loss of esteem if the lady is not at home, and he can spend his life preparing without fuss for the awful interview. — V.S. Pritchett

Scholarly acumen sharpens taste and judgment, but we must never mistake criticism for art. Intellectual analysis, however heady, will not nourish the soul. — Robert McKee

She wasn't all that interested, as a reader, in the reader. She was still partial to that increasingly eclipsed entity: the writer. Madeleine had a feeling that most semiotic theorists had been unpopular as children, often bullied or overlooked, and so had directed their lingering rage onto literature. They wanted to demote the author. They wanted a book, that hard-won, transcendent thing, to be a text, contingent, indeterminate, and open for suggestions. They wanted the reader to be the main thing. Because they were readers.
Whereas Madeleine was perfectly happy with the idea of genius. She wanted a book to take her places she couldn't get to herself. She thought a writer should work harder writing a book than she did reading it. — Jeffrey Eugenides

That such a slave as this should wear a sword,
Who wears no honesty. Such smiling rogues as these,
Like rats, oft bite the holy cords atwain
Which are too intrinse t' unloose; smooth every passion
That in the natures of their lords rebel,
Being oil to the fire, snow to the colder moods,
Renege, affirm, and turn their halcyon beaks
With every gale and vary of their masters
Knowing naught, like dogs, but following. — William Shakespeare

I always knew when I graduated from high school, I'd go to college. I never thought about what I was walking away from ... I just wanted to study literature and writing. — Gaby Hoffmann

I begin with writing the first
sentence - and trusting to Almighty
God for the second. — Laurence Sterne

I think myself I ought to be shot for writing such nonsense ... But it's unquestionably good escapist literature and I think I should rather like it if I were sitting in an air-raid shelter or recovering from flu. — Georgette Heyer

I am drawn mostly, insistently to the human voice. How powerful and necessary the solo voice, the experience of being someone, something else for a little while. This is and will remain literature's killer app, the thing most impervious to threat by everything that's not the word. — Ander Monson

It had been startling and disappointing to me to find out that story books had been written by people, that books were not natural wonders, coming up of themselves like grass. Yet regardless of where they come from, I cannot remember a time when I was not in love with them
with the books themselves, cover and binding and the paper they were printed on, with their smell and their weight and with their possession in my arms, captured and carried off to myself. Still illiterate, I was ready for them, committed to all the reading I could give them ... — Eudora Welty

When I am fully immersed in my work of nourishing humanity, it fills my head with all kinds of feel-good chemicals, such as endorphins, serotonin and dopamine. Problems occur during the brief intervals between the finishing of one work and the beginning of another. During these intervals, my biology starts to get filled with stress hormones cortisol and adrenalin, that worsens my OCD. That is why, I can't sit still even a day after I finish writing a book. Because if I do, my OCD begins to suffocate me inside my head. Hence, as soon as I deliver a work, I have to start working on my next scientific literature. — Abhijit Naskar

I've always been a quitter. I quit the Boy Scouts, the glee club, the marching band. Gave up my paper route, turned my back on the church, stuffed the basketball team. I dropped out of college, sidestepped the army with a 4-F on the grounds of mental instability, went back to school, made a go of it, entered a Ph.D. program in nineteenth-century British literature, sat in the front row, took notes assiduously, bought a pair of horn-rims, and quit on the eve of my comprehensive exams. I got married, separated, divorced. Quit smoking, quit jogging, quit eating red meat. I quit jobs: digging graves, pumping gas, selling insurance, showing pornographic films in an art theater in Boston. When I was nineteen I made frantic love to a pinch-faced, sack-bosomed girl I'd known from high school. She got pregnant. I quit town. — T.C. Boyle

Writing for children can be completely honest in non-cynical ways. In adult books you're required to be cynical. It embarrasses us to say positive things. You can have affection and hope in children's books, but that is out of fashion in adult fiction. — Lloyd Alexander

After reading Edgar Allan Poe. Something the critics have not noticed: a new literary world pointing to the literature of the 20th Century. Scientific miracles, fables on the pattern A+ B, a clear-sighted, sickly literature. No more poetry but analytic fantasy. Something monomaniacal. Things playing a more important part than people; love giving away to deductions and other forms of ideas, style, subject and interest. The basis of the novel transferred from the heart to the head, from the passion to the idea, from the drama to the denouement. — Jules De Goncourt