Quotes & Sayings About Writing And Feelings

For me, it's important that I experience and feel what the characters are feeling. So I put myself in those moments, in their thoughts, and let it happen naturally. I write what I feel. — Chevy Stevens

I'm trying to get in the habit of, you know, picking up a book and learning how to write my feelings down, not my feelings but my thoughts, about things, and hopefully I'll moving toward the writing and directing thing soon. — Corey Haim

Turn your attentions to it. Try to raise up the sunken feelings of this enormous past; your personality will grow stronger, your solitude will expand and become a place where you can live in the twilight, where the noise of other
people passes by, far in the distance. — Rainer Maria Rilke

Even today I keep a Dream Journal. It's whatever's going on in my subconscious, or things from dreams or even interesting items that pop into my head. I have thousands of pages of notes which I hope someday will turn into stories, or movies ... Being on the road gives me breathing time and the opportunity to think about what to do next. In fact right before I came down for lunch today, I was writing down notes about my feelings. Things that I need to do to keep motivated. I need to be motivated if I am to going to devote fifteen months to writing another book. And I couldn't write a book just because it's a commercial idea. I need to have a compelling reason. — Clive Barker

Fighting and writing's deepest layers of beauty lie not only in the physical and mental realms of what we know, but also as an incognizable instinct, a realm we will never fully know but will forever feel. — Cameron Conaway

It takes extraordinary mental discipline to transmit human experience without perversion. Truth telling is unnatural. Lying is an important aspect of humanity. We lie to other people to prevent hurt feelings and we deceive ourselves in order to protect our noble sense of being a good person. Dishonesty and inaccuracy preserves our quest seeking uninterrupted personal pleasure. I shall eschew pleasure seeking and cultivate precision of mind and moral character that precious truth telling necessitates. Reading and writing, along with observing nature and studious reflection on vivid personal experiences is the process methodology that will bring me closest to discovering inviolate verity of existence and becoming a doyen for all the immaculate truth, beauty, and goodness in this world. — Kilroy J. Oldster

For a female to write about her feelings, and then be portrayed as some clingy, insane, desperate girlfriend in need of making you marry her and have kids with her, I think that's taking something that potentially should be celebrated - a woman writing about her feelings in a confessional way - that's taking it and turning it and twisting it into something that is frankly a little sexist. — Taylor Swift

When you're writing is when the "god should I just drop this" feeling can hit. When you're editing is when the "god this is awful and I've wasted everyone's time and money and will be revealed as a fraud" feeling can hit. — Rian Johnson

I write in praise of the solitary act: of not feeling a trespassing tongue forced into one's mouth, one's breath smothered, nipples crushed against the ribcage, and that metallic tingling in the chin set off by a certain odd nerve: unpleasure. — Fleur Adcock

If I'm feeling confident, then I write confident, happy, or assured music. I can hear some early electronic sketches I did where I'm clearly not confident and everything's a bit mid-range, nothing really pushes through. — Anna Meredith

Sometimes when reading aloud to my husband, I'll start crying. It completely stuns me. As if the words in my body and on the page - in relation to each other - are cocooned against my own feelings about what I'm writing until they're loosed in the air and become their own. Then I realize what I may or may not have done. — Julianna Baggott

I have learned to write about things that are personal without objectifying anybody or anything, and that's been an important lesson for me. It's useful not to dump on people while simultaneously expressing a truth or a feeling if it's necessary, without diluting the intensity of the lyric. — Martha Wainwright

The aim of my writing is to utterly remove the distance between author and reader so that the book becomes a sort of semipermeable membrane through which feelings, ideas, nutrients pass ... — Erica Jong

I cannot recall having believed, even as a child, that the purpose of reading fiction was to learn about the place commonly called the real world. I seem to have sensed from the first that to read fiction was to make available for myself a new kind of space. In that space, a version of myself was free to move among places and personages the distinguishing features of which were the feelings they caused to arise in me rather than their seeming appearance, much less their possible resemblance to places or persons in the world where I sat reading. — Gerald Murnane

I no longer protect myself from the world I grew up in. Rather, today I try to protect the feelings I have for that world, the emotional space where my desire to write first took hold, and still grows. — Elena Ferrante

Reading all my old love letters was disorienting. You remember thinking the thoughts and writing the words but, man, you can't TOUCH those feelings. Its like they belonged to someone else. Someone you don't even know. I'm aware, in an intellectual way. That I felt all those things about him, but this emotions are far away now.
What's so strange to me is that I can't even force my heart back to that place where I felt that all consuming passion. That makes me feel distant from myself. Who WAS I then? Will I ever be able to get back to that place? Reading the letters again made me wonder: Which is the real me? The one who saw the world in that emotionally saturated way, or the me who sees it the way I do now? — Bill Shapiro

...I've been ripped off, lied to, slandered, gossiped about slapped, falsely accused, and had my truths not believed. I've had my heart broken, had my pride stomped on, witnessed unforgivable acts, and heard words that hurt so much I withed that they would not replay in my head, but they did. In all these moments--some tear-soaked, some life-defining, but all character-building moments--I have felt vulnerable.
And I believe these feelings of vulnerability--when a person feels scared and alone and overwhelmed and pissed off, wen the sting of unfairness bites deep--while miserable to live through, are the basis for writing compelling fiction. — Jessica Page Morrell

Because I write intuitively and image-by-image and moment-by-moment, my writing has to be powered by feelings and emotions. — Fred D'Aguiar

So much of writing is fed by vanity and the feeling that what you are doing is the most important thing in the world and it has not been done before and only you can do it. Without these feelings, many writers would not be able to write anything at all. — Pankaj Mishra

When writing my Leg book, I drew heavily on the detailed journals I had kept as a patient in 1974. Oaxaca Journal, too, relied heavily on my handwritten notebooks. But for the most part, I rarely look at the journals I have kept for the greater part of a lifetime. The act of writing is itself enough; it serves to clarify my thoughts and feelings. The act of writing is an integral part of my mental life; ideas emerge, are shaped, in the act of writing. — Oliver Sacks

So I wanted to write a play that put some thoughts and feelings in the air about the miracle and the mystery and that alluded to deep and unknown forces. But then really just have people going to the store and fixing the sink and going through the normal things of looking for love and getting up in the morning. Because that's how we live. — Will Eno

My experiences always influence my writing, but usually only on an emotional level. I have experienced death of a family member and it's easy to dredge up those feelings and get them on the page. — Kim Smith

A novelist's chief desire is to be as unconscious as possible. He has to induce in himself a state of perpetual lethargy. He wants life to proceed with the utmost quiet and regularity. He wants to see the same faces, to read the same books, to do the same things day after day, month after month, while he is writing, so that nothing may break the illusion in which he is living - so that nothing may disturb or disquiet the mysterious nosings about, feelings around, darts, dashes, and sudden discoveries of that very shy and illusive spirit, the imagination. — Virginia Woolf

I'm afraid my closely guarded solitude causes some hurt feelings now and then. But how to explain, without wounding someone, that you want to be wholly in the world you are writing about, that it would take two days to get the visitor's voice out of the house so that you could listen to your own characters again? — Margaret Bourke-White

James's critical genius comes out most tellingly in his mastery over, his baffling escape from, Ideas; a mastery and an escape which are perhaps the last test of a superior intelligence. He had a mind so fine that no idea could violate it. [ ... ] In England, ideas run wild and pasture on the emotions; instead of thinking with our feelings (a very different thing) we corrupt our feelings with ideas; we produce the public, the political, the emotional idea, evading sensation and thought. [ ... ] James in his novels is like the best French critics in maintaining a point of view, a view-point untouched by the parasite idea. He is the most intelligent man of his generation.
(Little Review, 1918) — T. S. Eliot

Polly finished her huge narrative during the summer term. The day after she had finished it, she went round with the oddest mixture of feelings, pride at having got it done, sick of the sight of it and glad it was over, and completely lost without it. — Diana Wynne Jones

As a guide I had only my own feelings for what is appealing or moving, and for many the guide was inevitably often at fault. Some who have read the book, or at any rate have reviewed it, have found it boring, absurd, or contemptible; and I have no cause to complain, since I have similar opinions of their works, or of the kinds of writing that they evidently prefer. But — J.R.R. Tolkien

After the first glass of vodka
you can accept just about anything
of life even your own mysteriousness
you think it is nice that a box
of matches is purple and brown and is called La Petite and comes from Sweden
for they are words that you know and that is all you know words not their feelings or what they mean and you write because you know them not because you understand them because you don't you are stupid and lazy and will never be great but you do what you know because what else is there? — Frank O'Hara

A book coming out into the world can be a harsh, harsh time. And your feelings are on the line. Everything that publication is about is really not what your writing is about. Your writing is coming out of something else, and publication and being in the public are something else. And those of us who have published, in whatever way we're published, are very fortunate. — Lynne Tillman

Before the magisterial mess of Trevor Thomas's house, the orderly houses that most of us live in seem meagre and lifeless
as, in the same way, the narratives called biographies pale and shrink in the face of the disorderly actuality that is a life. The house also stirred my imagination as a metaphor for the problem of writing. Each person who sits down to write faces not a blank page but his own overfilled mind. The problem is to clear out most of what is in it ... The goal is to make a space where a few ideas and images and feelings may be so arranged that a reader will want to linger awhile among them, rather than to flee, as I wanted to flee from Thomas's house. — Janet Malcolm

He hung a patient expression on his face, the kind usually seen on people who talked about releasing your anger and surrounding yourself with good feelings while writing off anyone who disagreed with them as unenlightened. — Amy Fecteau

Literature supplements the lives of people and enables us to feel connected with the world. Shared stories blunt a sense of tragic aloneness, and endow us with the tools to understand our humanness. Reading about the lives of other people acquaints us with the hardships of other people. The authorial voices of narrative prose express our shared feelings of deprivation — Kilroy J. Oldster

Writing is not just my Hobby . Pen is mouthpiece of my feelings,I have no another one But paper is my best friend. and My Best Friend always Listen so patiently whatever,whenever i speak — Mohammed Zaki Ansari

The tendency in our spiritual life but also our more general attitude toward love is that our feelings are all that is going on. And so to us the totality of love is what we feel. But to really love someone requires commitment, fidelity and vulnerability. Mother Teresa wasn't "feeling" Christ's love, and she could have shut down. But she was up at 4:30 every morning for Jesus, and still writing to him, "Your happiness is all I want." — Brian Kolodiejchuk

Solitary writers come out of nowhere and do not belong anywhere. They are not domesticated or socialized, not as writers. Their subject is not the world about them but the one within them. From story to story or poem to poem, they repeat themselves because all they have to work with are themselves and their dreams, which are strange dreams and often bad dreams. As anyone knows, nothing is more troublesome to communicate than yourself and your dreams, the feelings and visions that have molded you into what you are. — Thomas Ligotti

But books were full of stories and stories were full of lies and lies hurt Jesus's feelings, so I didn't know what to think. I blamed my family. They were the ones who taught me so much about telling stories, and how not to do it, and then, in inspired moments of surprise, how to tell one so good you forgot what day it was, and I liked forgetting what day it was, so I made certain life choices that would allow me to get paid to forget what day it was and teach others to forget what day it was, which is, after all, what I think heaven probably is: the whole world, forgetting what day it is. You have to, I bet, with an endless supply of them. — Harrison Scott Key

Inside of all of us there is the need and the desire to be heard, to have our innermost thoughts, feelings and desires expressed for others to hear, to see and to understand. We all want to matter to someone, to leave a mark. Writers just take those thoughts, feelings and desires and express them in such a way that the reader not only reads them but feels them as well. — Vicktor Alexander

I'm not the kind of man to bottle up my feelings, Kells. I don't sit up in my room pining away, writing love poems. I'm not a dreamer. I'm a fighter. I'm a man of action, and it will take all of my self-control not to fight for this. When something needs to be done, I do it. When I feel something, I act on it. I don't see any reason why Ren deserves to get the girl of his dreams and I don't. It doesn't seem fair that this happens to me twice. — Colleen Houck

There's a feeling that you get when you write songs where ... it feels like it's destined to do something. Then sometimes you get that feeling with a song and it never goes anywhere, that happens all the time too, so you never really know. — Bonnie McKee

Yet the scene around me had its influence, and a guilty feeling possessed me as I realized that of all present in that place of peace and clean content, I was the only profane thing, an ogre lurking to destroy. The half-grown ferns and evergreen sedge grasses through which the early breeze whispered, would, if I had my way, soon be smeared with the blood of some animal, who was viewing, perhaps with feelings akin to my own, the dawning of another day; to be is last. Strange thoughts, maybe, coming from a trapper, one whose trade is to kill;but be it known to you that he who lives much alone within the portals of the temple of Nature learns to think, and deeply, of things which seldom come within the scope of ordinary life. Much Killing brings ine time, no longer triumph, but a revulsion of feeling. — Grey Owl

And yet, for a writer of fiction, part of the heart remains that of a stranger, for what we are trying to do is to understand those others who are our fictional characters, somehow to gain entrance to their minds and feelings, to respect them for themselves as human individuals, and to portray them as truly as we can. The whole process of fiction is a mysterious one, and a writer, however experienced, remains in some ways a perpetual amateur, or perhaps a perpetual traveller, an explorer of those inner territories, those strange lands of the heart and spirit. — Margaret Laurence

During the writing process you're going to discover things about yourself you never knew. For example, if you're writing about something that happened to you, you may re-experience some old feelings and emotions. You may get 'wacky' and irritable and live each day as if you were on an emotional roller coaster. Don't worry. Just keep writing. — Syd Field

When trying to comprehend what is happening to, and through, oneself, why not question the narratives one has been handed to make sense with? This is an approach increasingly utilized within transgender knowledge production, one spearheaded by transgender people themselves. It brings to light questions about previous entries into the trans nonfiction canon, asking: Is it necessary, when writing a trans protagonist, to describe in detail a medical transition, to 'confess' conflicted feelings of body confusion? Has it even been internalized into a communal consciousness, into something resembling a trans storytelling requirement? — Mitch Kellaway

I want to go and write music that announces to you that you can feel something. I don't want to tell you what to feel, but I just want you to have the possibility of feeling something. — Hans Zimmer

For a while I never show anybody what I'm writing, and during that time I need the feeling that publishing is only an option. I might publish this, I might not. I think if I had to publish it, I might panic. — Daniel Kehlmann

The good writer, the great writer, has what I have called the three S's: the power to see, to sense, and to say. That is, he is perceptive, he is feeling, and he has the power to express in language what he observes and reacts to. — Lawrence Clark Powell

Writing has ... been to me like a bath from which I have risen feeling cleaner, healthier, and freer. — Henrik Ibsen

My own feeling is that the only possible reason for engaging in the hard labor of writing a novel, is that one is bothered by something one needs to understand, and can come to understand only through the characters in the imagined situation. — May Sarton

I like writing for children. It seems to me that most people underestimate their understanding and the strength of their feelings and in my books for them I try to put this right. — Nina Bawden

Why is it important to look at fiction writing through the lens of emotional experience? Because that's the way readers read. They don't so much read as respond. They do not automatically adopt your outlook and outrage. They formulate their own. You are not the author of what readers feel, just the provocateur of those feelings. You may curate your characters' experiences and put them on display, but the exhibit's meaning is different in thousands of ways for thousands of different museum visitors, your readers. Not — Donald Maass

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I certainly had no feeling for harmony, and Schoenberg thought that that would make it impossible for me to write music. He said, 'You'll come to a wall you won't be able to get through.' So I said, 'I'll beat my head against that wall.' — John Cage

It is the voice of everyday people, rather than of a self-conscious 'artist', that we hear in Caedmon's Hymn, and in such texts as Deor's Lament (also known simply as Deor) or The Seafarer. These reflect ordinary human experience and are told in the first person. They make the reader or hearer relate directly with the narratorial 'I', and frequently contain intertextual references to religious texts. Although they express a faith in God, only Caedmon's Hymn is an overtly religious piece. Already we can notice one or two conventions creeping in; ways of writing which will be found again and again in later works. One of these is the use of the first-person speaker who narrates his experience, inviting the reader or listener to identify with him and sympathise with his feelings. — Ronald Carter

We have story-makers and we have writers apparently most of the today's writing falls into the first category. — Pushpa Rana

To those who care about punctuation, a sentence such as "Thank God its Friday" (without the apostrophe) rouses feelings not only of despair but of violence. The confusion of the possessive "its" (no apostrophe) with the contractive "it's" (with apostrophe) is an unequivocal signal of illiteracy and sets off a Pavlovian "kill" response in the average stickler. — Lynne Truss

The abstract music is just more interesting because it doesn't really have anything to say, but if it is good, it creates thoughts and feelings, and I enjoy that. For me, once the music creates those thoughts and feelings, I begin to write a song about it. — Paul Simon

The worse thing I have done in my life is Diary writing ... a wastage of time, wastage of papers filled with some imaginary feelings and bunch of silly activities done each day ... I cant feel any glimpse of appreciable work done by me, as whatever right I did, my Diary says " you were suppose to do it, so it was not a big deal ... huhhh ... "
I passed my last few nights in reading most of its pages ... "I laughed on the lines telling about my saddest moments and nights when I cried ... .. but I felt woeful and downhearted on the lines telling about the moments when I shared my smile with someone, when I enjoyed the moments with my friends and near and dear ones, who r far and far now, and we can't get those moments back in this busy selfish life"
So now its better in busy life to live evry day and forget it in night ... enjoy life ... save papers ... no diary writing from today ... Sorry Diary, You will Miss Me ... — Saket Assertive

I did not act in this fashion deliberately; I did not prefer this kind of relationship with people. I wanted a life in which there was a constant oneness of feeling with others, in which the basic emotions of life were shared, in which common memory formed a common past, in which collective hope reflected a national future. But I knew that no such thing was possible in my environment. The only ways in which I felt that my feelings could go outward without fear of rude rebuff or searing reprisal was in writing or reading, and to me they were ways of living. — Richard Wright

I make it a practice to avoid hating anyone. If someone's been guilty of despicable actions, especially toward me, I try to forget him. I used to follow a practice-somewhat contrived, I admit-to write the man's name on a piece of scrap paper, drop it into the lowest drawer of my desk, and say to myself: "That finishes the incident, and so far as I'm concerned, that fellow. The drawer became over the years a sort of private wastebasket for crumpled-up spite and discarded personalities. Besides, it seemed to be effective, and helped me avoid harboring useless black feelings." — Dwight D. Eisenhower

For a writer, it seems a help rather than a hindrance to be at least a little crazy. Who but a crazy person would carve out a very private, quiet place in the world, only to pour his/her innermost thoughts and emotions onto a page for the entire world to examine? Even in fiction, we give a map to our most secret feelings. Why do writers do it? Perhaps because we'd be crazier still if we didn't. — Leland Dirks

My technicians are my most important tools. Once I establish a rapport with them, then they would understand me in my next film. I wouldn't have to train anyone new. I give a lot of respect to all my technicians, because I'm a technician too. I wouldn't be able to convey a feeling if the writer didn't write it well, and the cameraman didn't shoot it well. — Yash Chopra

Reading books makes us more attentive to our personage and the aesthetic world that we live in. Writers that we idolize use language, logic, and nuance to paint physical and emotional scenes with refined precision. A writer's use of vivid language creates lingering aftereffects that work their wonder on the reader's malleable mind. A stirred mind resurrects our semiconscious memories; it causes us to summon up enduring images of our family, friends, and acquaintances. Just as importantly, inspirational writing makes us recognize our own telling character traits and identify our formerly unexpressed thoughts and feelings. — Kilroy J. Oldster

I like to be in the zone. I like being in the studio with the artists, with the producers, with the musicians, feeling it, and going there. I feel like I have a lot of content to start writing about. — LeCrae

Speak up and speak clearly. I want to hear what you have to say because it matters. Let's listen to each other and respect one another's opinions. Although, they may be different, wisdom allows us to be responsible for our own feelings and actions. — Felicia Johnson

Her feelings as dark as the night sky, the moon was the only thing making her come alive
So she got some paper and pen to let the ink spill it all out because talking never seemed to work.
Blood drops fell on her little piece of paper, drowning it along with her. By the time the blood dried up it left her with nothing but red dust. Red. The same color her eyes were captivated by.
They never told her that there is no way to get over crazy, messy things in life. There's only crossing that red sea as if you're walking through the wilderniss. The sun will rise when you've gone through the depts of it all. Writing wont matter anymore. Don't you understand? You're life is not messy little girl, you're just crazy sometimes. — N

Writing a song isn't that hard. Writing a good song is difficult. Let's face it, we're faced with taking a complex feeling or event, making words rhyme and saying exactly what we want them to say in a short amount of time ... the primary reason for keeping it short and to the point is to be certain that you're not boring your audience. — Ann Reed

The Calling means so much to me. It's this idea of perception and how the mythology of the universe and Earth have played out and how I get to re-write that based on my imagination and some of my true feelings. It's about being a man pushing 35 and not having a sense of direction. It's about finding love and being totally unwilling to let it go. - About Qualia — Stephan Lawrence Theodore Clifford

I long for some connection, to the real and those who love them, and hope that my fiction can reach beyond the veil, that I might touch someone and make them feel something ... or something. — Shannon Celebi

My mother had always taught me to write about my feelings instead of sharing really personal things with others, so I spent many evenings writing in my diary, eating everything in the kitchen and waiting for Mr. Wrong to call. — Cathy Guisewite

In this couple defects were multiplied, as if by a dangerous doubling; weakness fed upon itself without a counterstrength and they were trapped, defaults, mutually committed, left holes everywhere in their lives. When you read their letters to each other it is often necessary to consult the signature in order to be sure which one has done the writing. Their tone about themselves, their mood, is the fatal one of nostalgia
a passive, consuming, repetitive poetry. Sometimes one feels even its most felicitious and melodious moments are fixed, rigid in experession, and that their feelings have gradually merged with their manner, fallen under the domination of style. Even in their suffering, so deep and beyond relief, their tonal memory controls the words, shaping them into the Fitzgerald tune, always so regretful, regressive, and touched with a careful felicity. — Elizabeth Hardwick

Many people don't have an outlet for their feelings or how they can express life and not everybody in a relationship is the kind of person who wants to. But if you can write, you can find a good way to do it. — Cameron Crowe

We write our life stories detailing our worldly experiences in order to expose the unconscious mind to the world of conscious appreciation. By extending our consciousness, we bring material insights to our emotional forefront. Words lay the foundation for truth telling. The music of our words allows us to train the lightness of language upon the darkness of our own humanity. The taxonomy of the human mind empowers us to employ the magic of language to share information, suggest action, speculate upon the future, reminisce about pastimes, lance our most ragged feelings, and pontificate, with a drunkard's sense of punchy assuredness, upon any topic that fits our fancy. We tell stories in order to mark our existence, to share both our triumphs and failures, and teach wisdom gained from our previous skirmishes in a convoluted world. In absence of our stories, we do not exist in our own minds or in the minds of our people. — Kilroy J. Oldster

Write backwards. Start from the feeling you want the audience to have at the end and then ask "How might that happen?" continually, until you have a beginning. — Lucy Prebble

People just didn't write songs that were so directly emotional in those days. They still don't. Part of Hank's [Williams] thing was that he was opening up about relationships between men and women in ways that nobody else did, and I think that's something that made him stand out so much. His songs are just so straightforward about these really deep feelings that are universal, but they're so hard to write about without sounding sappy or over the top. You think of men in that era - they didn't express themselves that way. — Michael McCaul

Writing for me is a dragnet that carries everything away with it: expressions and figures of speech, postures, feelings, thoughts, troubles. In short, the lives of others. — Elena Ferrante

It's a really weird feeling when you write something and you really know it and then you watch actors come in and do it. — Jake M. Johnson

I have occupied this idle, empty winter with writing a story. It has been written to please myself, without thought of my own vanity or modesty, without regard for other people's feelings, without considering whether I shock or hurt the living, without scrupling to speak of the dead.

The world, I know, is changing. I am not indifferent to the revolution that has caught us in its mighty skirts, to the enormity of the flood that is threatening to submerge us. But what could I do? In the welter of the surrounding storm, I have taken refuge for a moment on this little raft, constructed with the salvage of my memory. I have tried to steer it into that calm haven of art in which I still believe. I have tried to avoid some of the rocks and sandbanks that guard its entrance.

[from the introduction] — Dorothy Bussy

If you want to "get in touch with your feelings," fine, talk to yourself. We all do. But if you want to communicate with another thinking human being, get in touch with your thoughts. Put them in order, give them a purpose, use them to persuade, to instruct, to discover, to seduce. The secret way to do this is to write it down, and then cut out the confusing parts. — William Safire

I don't associate work with feelings of satisfaction. Rather, guilt, frustration, and resentment of people who write better than I do. — Garrison Keillor

If I write a fantastic story, I'm not writing something willful. On the contrary, I am writing something that stands for my feelings, or for my thoughts. So that, in a sense, a fantastic story is as real and perhaps more real than a mere circumstantial story. Because after all, circumstances come and go, and symbols remain. — Jorge Luis Borges

When I was writing my first novel, I smoked cigarettes. And when I think about what it was like to smoke, I remember exactly the feeling of sitting in front of my big old computer in that little room where I wrote my first novel. — Dani Shapiro

A lot of things appearing under my byline were written in one draft. But when I started to write poetry, I started getting fussy about every syllable. I wouldn't allow the work to be seen unless it felt perfect. Not clunky at all, no clunky syllables. So, really, for the printed page, it had to have a feeling of rhythmic and syntactic verisimilitude or something. — Richard Meltzer

When a writer is able to experience the whole range of human emotions, from deep depressions to glorious highs, it creates a whole inventory of feelings and musings from which they can choose and infuse into their words and characters. — David Perry

Why am I holding on to this stuff? Some of this junk is losing its punch. Pictures. Pieces of paper with writing on them - I can no longer connect with the thoughts or feelings that birthed them, that drove me in that panicky desperate moment to scribble in a barely legible scrawl as if on a cave wall. All say the same thing in some form or another: "I am here. This is me in this moment." Do I have some fantasy that this stuff will be important after I die? Do I think that scholars will be thrilled that I left such a disorganized treasure trove of creative evidence of me? Will the archives be fought over by college libraries? What will probably happen is my brother will come out with my mother and look in the boxes. My mother will hold up a VHS or a cassette and say to my brother, "Do I have a machine that plays these?" My brother will shake his head no and they will throw it all away. — Marc Maron

The quality of the writing, really. Simple as that. Beautiful words. It's very nice as a singer to do great songs, which have wonderful lyrics and strong feelings underneath the song. — Bryan Ferry

Then as now the PC held a curious power over restless, analytical people. To start with, the computer carried a psychological appeal not unlike that of an automobile. Both machines were objects of intense attachment for many of their owners - feelings of attachment that went well beyond the utility of the machines. While illustrating the way in which people can form emotional bonds with tools, the symbolisms of the automobile and the PC differed in an important way. The realm of the automobile extended no further than that of fantasy and enjoyment. The PC, by contrast, was a medium for creation. The utility of a PC arose directly from its software. Writing software required little money and, surprisingly, scant experience. — G. Pascal Zachary

Two temptations that impair the value of their work inevitably beset public men who write memoirs. One is a tendency to reconstruct the past to suit the present views and feelings of the writer; the other is a natual desire to set his own part in affairs in a pleasing light. — Edward Grey, 1st Viscount Grey Of Fallodon

I think writing in general can help us deal with anything we fear, anything which troubles us, anything that makes us angry or moves us. In fact, in most cases, writing has to engage with these feelings - the lack of engagement you find in parts of American writing is a form of imperialism turned inward. We don't see the poor, the abject, the destitute in fiction and literature nearly as much as we should. — John Freeman

I had feelings that I didn't know what to do with, and I felt better when I started writing them. I thought of it as poetry. I did notice girls really liked it. Better than football. They liked the combination. — Edward Hirsch

I learned a long time ago writing does soothe the soul. Our deepest feelings grasp our hands and as fast as you think of it your utmost feelings is in plain view. "A wisp of a thought brought to life. — Darlene Cruz

I'm in good form, taking no interest in things, neglecting clothes, meals, company, and feeling calm and stable as I write. — Bertolt Brecht

Here's the thing - in this damned century, you'll meet a lot of people who do a lot of things. What's funny is the fact that the most desirable attributes of these people are nothing but developed and cultured thoughts. And these things come naturally to people who shine bright. The other guys just try to ape these thoughts, in an embarrassing attempt to recreate some of that magic. Sadly,- what looks beautiful as a natural quotient can be extremely funny and disgusting when replicated manually. Stop replicating feelings; else you'll turn into one of those duplicate personalities. They're wannabes. You don't have to become one! — Shomprakash Sinha Roy

I do not write poetry; I take words and dip them in feelings. — Arti Honrao

A poem was a box for your soul. That was the point. It was the place where you could save bits of yourself, and shake out your darkest feelings, without worrying that people would think you were strange. While I was writing, I would forget myself and everyone else; poetry made me feel part of something noble and beautiful and bigger than me. [ ... ] I slid them under the carpet as soon as they were done, all the images and rhymes wrestled into place. By the time I had copied them out, I found I had memorized every line. Then they would surprise me by surging through me, like songs I knew by heart. — Andrea Ashworth

There is all this stuff about how sensitive poets are and how in touch with feelings, etc. they are, but really all we care about is language. At least in the initial stages of the process of writing the poem, though later other things start to come in, and a really good poem usually needs something more than just an interest in the material of language to mean anything to a reader. — Matthew Zapruder

It is a melancholy experience for a professional mathematician to find himself writing about mathematics. The function of a mathematician is to do something, to prove new theorems, to add to mathematics, and not to talk about what he or other mathematicians have done. Statesmen despise publicists, painters despise art-critics, and physiologists, physicists, or mathematicians have usually similar feelings: there is no scorn more profound, or on the whole more justifiable, than that of the men who make for the men who explain. Exposition, criticism, appreciation, is work for second-rate minds. — G.H. Hardy

I can write the stuff and play it myself and have something in my head, but the best feeling is when somebody else plays it and they're hearing something other than what I'm hearing. — Bill Frisell

I seem to grow more acutely conscious of the swift passage of time as I grow older. When I was small, days and hours were long and spacious, and there was play and acres of leisure, and many children's books to read. I remember that as I was writing a poem on "Snow" when I was eight. I said aloud, "I wish I could have the ability to write down the feelings I have now while I'm still little, because when I grow up I will know how to write, but I will have forgotten what being little feels like." And so it is that childlike sensitivity to new experiences and sensations seems to diminish in an inverse proportion to growth of technical ability. As we become polished, so do we become hardened and guilty of accepting eating, sleeping, seeing, and hearing too easily and lazily, without question. We become blunt and callous and blissfully passive as each day adds another drop to the stagnant well of our years. — Sylvia Plath

Always write exactly what you're feeling at the exact moment when writing something like poetry or an emotional novel. Put yourself, pour all emotions into your work ... make yourself cry, feel joy if you are writing joyful things, feel lovey if it calls for it ... just put your heart and soul into all that you do ... then you will be a good writer when you can make whoever reads your work, feel. -Nina Jean Slack — Nina Jean Slack

It is almost always a greater pleasure to come across a semicolon than a period. The period tells you that that is that; if you didn't get all the meaning you wanted or expected, anyway you got all the writer intended to parcel out and now you have to move along. But with a semicolon there you get a pleasant little feeling of expectancy; there is more to come; read on; it will get clearer. — Lewis Thomas