Writing About History Quotes & Sayings
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Top Writing About History Quotes

In crime books it's possible to chart forensic technology by how well it has to be explained to a reader. In mid-Victorian crime novels fingerprinting has to be explained because it's new. Nowadays it's part of our world and we can simply assume that knowledge if we write about it. — Sara Sheridan

Our history has moved in that direction slowly at times but unmistakably thanks to generations of Americans who refused to give up or back down.Now you are writing a new chapter of that story. This campaign [2016] is about making sure there are no ceilings, no limits on any of us. And this our moment to come together. — Hillary Clinton

Studying the world's oldest writing for the first time compels you to wonder about what writing is and how it came about more than five thousand years ago and what the world might have looked like without it.
Writing as I would define it serves to record language by means of an agreed set of symbols that enable a message to be played back like a wax cylinder recording.
The reader's eye runs over the signs and tells the brain how each is pronounced and the inner message springs into life. — Irving Finkel

About two hundred or two hundred and fifty years after the death of Grettir, his history was committed to writing, and then it became fixed - nothing further was added to it, and we have his story after having travelled down over two hundred years as a tradition. — Sabine Baring-Gould

We have a history in country music of writing about the darker side of things - maybe not as much in modern times, but there's a lot of cheating and self-deprecation. We sort it out in song, in country music, as a genre. — Chris Stapleton

This is the Manifesto of Little Monster
There is something heroic about the way my fans operate their cameras. So precisely, so intricately and so proudly. Like Kings writing the history of their people, is their prolific nature that both creates and procures what will later be percieved as the kingdom. So the real truth about Lady Gaga fans, my little monsters, lies in this sentiment: They are the Kings. They are the Queens. They write the hisory of the kingdom and I am something of a devoted Jester. It is in the theory of perception that we have established our bond, or the lie I should say, for which we kill. We are nothing without our image. Without our projection. Without the spiritual hologram of who we percieve ourselves to be or rather to become, in the future.
When you are lonely,
I will be lonely too.
And this is the fame. — Lady Gaga

I love a mysterious underground and have exploited this in many of my books: the ice tunnels of Greenland, the volcanic tubes of Iceland, the mysterious passageways beneath an ancient African hillside or a Buddhist monastery in central China. And of course, London's famous tube system, setting for my book LONDON UNDERGROUND. It's a funny sort of fixation, especially given my mother's claustrophobia, which I saw her deal with on many occasions. We once lined up to take a tour into the Lascaux Caverns in France to see the ancient cave paintings. My mother didn't make it past the first quirky turn into the depths, and she sent me on by myself. Given her interest in history and archaeology, which she used as the basis for a series of mysteries she published and which inspired my own writing, it always surprised me she still loved to write about places she could never visit. — Chris Angus

I've always felt that the poems I've written which have historical context are hopefully not just simply plucking something out of history and saying great, let's write about that. In every case what has happened is that I've become fascinated or haunted by something and couldn't shake it. — Rita Dove

Richard Price got a million dollar advance on one fake film book based on a paragraph outline and is able to seduce gullible White reviewers who know less about ghetto life than he. The New York Times has devoted more space to Price's tourist, ghetto writing than to any Black writer in history. — Ishmael Reed

Woman must write her self: must write about women and bring women to writing, from which they have been driven away as violently as from their bodies - for the same reasons, by the same law, with the same fatal goal. Woman must put herself into the text - as into the world and into history - by her own movement. — Helene Cixous

I approach writing female characters the same why I approach writing male characters. I never think I'm writing about women, I think I'm writing about one woman, one person. And I try to imagine what she is like, and endow her with a lot of my own thoughts and history. — Jeffrey Eugenides

Aspiring novelists should be taught that the old adage, "Write about what you know," isn't limited to what you have personally experienced. Vicarious experience is also a great part of what you know. Read a lot of history and it becomes part of your store of knowledge, part of what you're prepared to write about. The same goes for stories and memories that other people share with you. — James Carlos Blake

Uncontrollable consumerism has become a watchword of our culture despite regular and compelling calls for its end. The United States has more malls than high schools; Americans spend more time shopping than reading ... Some of the most insightful writing about the American character over the nation's history has been about neither freedom nor democracy but about the crazed impulse to acquire things. — Anna Quindlen

I make up as little as possible. I spend a great deal of time on research, on finding all the available accounts of a scene or incident, finding out all the background details and the biographies of the people involved there, and I try to run up all the accounts side by side to see where the contradictions are and to look where things have gone missing. And it's really in the gap - it's in the erasures - that I think the novelist can best go to work because inevitably in history in any period, we know a lot about what happened, but we may be far hazier on why it happened. And there's always the question, why did it happen the way it did? Where was the turning point? — Hilary Mantel

Long ago, during my apprenticeship in the wine trade, I learned that wine is more than the sum of its parts, and more than an expression of its physical origin. The real significance of wine as the nexus of just about everything became clearer to me when I started writing about it. The more I read, the more I traveled, and the more questions I asked, the further I was pulled into the realms of history and economics, politics, literature, food, community, and all else that affects the way we live. Wine, I found, draws on everything and leads everywhere. — Gerald Asher

To write about history or language is supposed to be within the reach of every man. To write about natural science is allowed to be within the reach only of those who have mastered the subjects on which they write. — Edward Augustus Freeman

My writing has to support more than my research habit, but I love to curl up with a book about some dusty corner of history. — Lynn Abbey

The conqueror writes history, they came, they conquered and they write. You don't expect the people who came to invade us to tell the truth about us ... — Miriam Makeba

When you think about archaeology, archaeology is the only field that allows us to tell the story of 99 percent of our history prior to 3,000 B.C. and writing. — Sarah Parcak

When I'm not writing or tweaking my computer, I do embroidery. When I'm not plunging into the past, tweaking, or embroidering, I'm reading books about history, computers, or embroidery. — Lynn Abbey

The most important things to remember about back story are that (a) everyone has a history and (b) most of it isn't very interesting. — Stephen King

The Exile In July 587 BCE, Babylonian soldiers broke through Jerusalem's walls, ending a starvation siege that had lasted well over a year. They burned the city and Solomon's temple and took its king and many other leaders to Babylon as captives, leaving others to fend for themselves in the destroyed land. Many surrounding countries disappeared altogether when similar disasters befell them. But Judah did not. Instead, the period scholars most often call the "Babylonian exile" inspired religious leaders to revise parts of Scripture that had been passed down to them. It also sparked the writing of entirely new Scriptures and the revision of ideas about God, creation, and history. Much of what is called the Hebrew Scriptures or Old Testament was written, edited, and compiled during and after this national tragedy. — Walter Brueggemann

Like water our ideals for writing what seems at first to be a calling to pen a masterpiece, it at first can be pure, fluid even (words can come easily) but we also have to learn to work with what our eyes glaze over as weak substitutes, words that we think have no substance to what we are learning towards. What is every poet's intention? Their intention is to forge, nullify, create, defend, fill the reader with the awe and inspiration that every poet themselves craves. They want to carve a name for themselves in the annals of history, leave a not so quiet legacy behind. Poets want immortality or rather they want their words to become immortal. Perhaps even Marlowe and Shakespeare had discussions about this. — Abigail George

Prehistory isn't like a 'veil' or a 'curtain' that 'lifts' to reveal the pre-set 'stage' of history. Rather, prehistory is an absence of something: an absence of writing. So a better image of the 'dawn of history' might be an AM radio in the pre-dawn hours: you recognize wisps of words or music across the dial, inter blending, and noise obscures even the few clear-channel stations. The first ones we find, when we switch on the radio of history about 3200B.C.E., come from Mesopotamia, and those from Egypt soon emerge. Eventually the neighbouring lands produce records, with the effect that the ancient Near East is probably the best documented civilization before the invention of printing." (Daniels and Bright, page 19) — Peter T. Daniels

Historical novels are about costumery. I think that's the magic and mystery of fiction. I don't want to write historical fiction but I do want the story to have the feel of history. There's a difference. — Chang-rae Lee

Some writers just write about their own lives. Well, I don't want to do that. I want to have a really boring life. A quiet, boring life so no one wants to write a biography. I'm the only writer in history only to have one wife, for instance. — T.C. Boyle

I asked Geertrui the other day what she thought love is-real love, true love. She said that for her real love is observing another person and being observed by another person with complete attention. If she's right, you only have to look at the pictures Rembrandt painted of Titus, and there are quite a lot, to see that they loved each other. Because that is what you're seeing. Complete attention, one of the other ... "but in that case," he said, speaking the words as the thought came to him, "all art is love, because all art is about looking closely, isn't it? Looking closely at what's being painted."
"The artist looking closely while he paints, the viewer looking closely at what has been painted. I agree. All true art, yes. Painting, Writing-literature-also. I think it is. And bad art is a failure to observe with complete attention. So, you see why I like the history of art. It's the study of how to observe life with complete attention. It's the history of love. — Aidan Chambers

In terms of writing about horses, I fell backwards into that. I was intent on getting a Ph.D., becoming a professor, and writing on history but I got sick 14 years ago when I was 19. Getting sick derailed that plan completely. — Laura Hillenbrand

God pity us that after years of writing, using mountains of paper and rivers of ink, exhausting flashy terminology about the biggest revival meetings in history, we are still faced with gross corruption in every nation, as well as with the most prayerless church age since Pentecost. — Leonard Ravenhill

I could not do what I do without the kindness, consideration, resourcefulness and work of librarians, particularly in public libraries. What started me writing history happened because of some curiosity that I had about some photographs I'd seen in the Library of Congress. — David McCullough

I think a lot of my interest in history now isn't so much in places and names and texts and public figures, but more in examining all the nuances and idiosyncrasies of particular stories of everyday people. And if that doesn't happen, then I usually transplant myself and my own stories to a particular historical event. Which is why you'll see me, the first person pronoun, interacting in a song about Carl Sandburg, or you'll find my [sic] interacting with Saul Bellow. It's sort of a re-rendering of history and making it my own. — Sufjan Stevens

More people have more access to more readers for less money than ever before in history. It means a lot of dross; but it means a lot of very talented people can find and nurture a readership in ways that were not possible twenty years ago. From a creative perspective, that is all that writing is about. — John Hodgman

If a fish is born in your aquarium and you call him John, write out a birth certificate, tell him about his family history, and in two minutes he gets eaten by another fish - that's tragic. But it's only tragic because you projected a separate self where there was none. You got hold of a fraction of dynamic process, a molecular dance, and a separate entity out of it. — Eckhart Tolle

The things you're passionate about and interested in, get experience with them by going deep on projects. I would encourage science projects, plays. Pursue science, math, writing, history - the 21st century demands a lot of cross-disciplinary thinking. — Megan Smith

Based on what you know about him in history books, what do you think Abraham Lincoln would be doing if he were alive today? 1) Writing his memoirs of the Civil War. 2) Advising the President. 3) Desperately clawing at the inside of his coffin. — David Letterman

In The Art and Aesthetics of Boxing, David Scott addresses the daunting task of establishing a groundwork for the aesthetics of boxing-and succeeds with consummate authority ... In Scott's incisive blend of art history, sociology, and sports writing, he makes a daring and original statement about fighters and the artists who enshrined them. — Robert Anasi

The art of writing history is the art of emphasizing the significant facts at the expense of the insignificant. And it is the same in every field of knowledge. Knowledge is power only if a man knows what facts not to bother about. — Robert Wilson Lynd

As a graduate student at Oxford in 1963, I began writing about books in revolutionary France, helping to found the discipline of book history. I was in my academic corner writing about Enlightenment ideals when the Internet exploded the world of academic communication in the 1990s. — Robert Darnton

Ever hear the expression "write what you know?" My version says "write what you want to know." If you want to know about the history of Spain, write about the history of Spain - fiction or nonfiction. If your fascinated by the old west, maybe your character lives there. — Amelia Atwater-Rhodes

I feel very strongly that where the facts exist, a historical novelist should use them if they're writing about a person who really lived, because a lot of people come to history through historical novels. I did. And a lot of people want their history that way. — Alison Weir

I'm not a method actor, I don't write my character's history or all those kinds of things. I'm more about the 90 percent of the brain that is subconscious. I like to just pick certain pieces, let it soak in, and then let it kind of emerge out. — Cary-Hiroyuki Tagawa

Every writer has his writing technique - what he can and can't do to describe something like war or history. I'm not good at writing about those things, but I try because I feel it is necessary to write that kind of thing. — Haruki Murakami

At the beginning of my career as a writer, I felt I knew nothing of Chinese culture. I was writing about emotional confusion with my mother related to our different beliefs. Hers was based in family history, which I didn't know anything about. I always felt hesitant in talking about Chinese culture and American culture. — Amy Tan

You'll have to excuse Kyle; he's somewhat of a history geek and gets himself all excited. He talks without thinking sometimes," Collin said punching his arm. "But, he is well informed about our situation. He knows details about things that I don't."
"What does he know exactly?"
"Kyle said the book dates a long way back."
I tilted my head. "You mean the book I've been writing in?" Collin nodded. "How does he know this?"
"I love this," Kyle interrupted. "I'm in the car right? You guys can see me? — Nicole Gulla

We have a tradition of passing our history orally and singing a lot of it and writing songs about it and there's kind of a calling in Irish voices when they're singing in their Irish accent. — Sinead O'Connor

I like ethics." The question of morality, how and why do people behave in certain ways. "And the principle of knowledge." I continue, "I've read this one." I show him On Certainty (book) by Ludwig Wittgenstein wrapped in my hand.
"An intelligent one, that is, though, modern mind rarely appreciates such kind of writing. Not any more. I studied philosophy myself, and you know what I think? Every branch of knowledge needs philosophy for it helps to organise the flow of ideas and articulate meanings.
I could not agree more to that. "Do you think it will be deserted one day?"
"Probably. Nobody will bother about it any more, just like history. What is the only thing people become more interested in nowadays?" he asks. "Making money." His thumb rubs repeatedly over the tip of the index finger. "Philosophy and history are considered as eccentric. They don't usually offer people high income, and that's the inexorable reality. We've got to deal with it anyhow. — Aishah Madadiy

A lot of crime writing suffers from treading water. I feel an obligation to move the character on and not repeat myself. I try to fit him into a different period and a different agenda. That way, you learn slightly more about his personal history in the tradition of the unreliable narrator. It makes it more challenging to write. — Philip Kerr

I am not a chess historian - I myself am a piece of chess history, which no one can avoid. I will not write about myself, but I am sure that someone will write ... — Wilhelm Steinitz

Athletes take care of their bodies. Writers must similarly take care of the sensibility that houses the possibility of poems. There is nourishment in books, other art, history, philosophies - in holiness and in mirth. It is in honest hands-on labor also; I don't mean to indicate
a preference for the scholarly life. And it is in the green world - among people, and animals, and trees for that matter, if one genuinely cares about trees. — Mary Oliver

I am, apparently, of that rare breed that likes to write. The demands of a chapter pull me from bed in the morning, and regardless of how well I think I know the day's road ahead, there are always surprises. But the pleasures that come from writing about the American past, of discovering what I hope no one has seen before, are of course balanced by rough, often tedious stretches. Writing does not come easily for me; I work slowly, much like a sculptor with a chisel, only words rather than stone or wood are my medium. But when at the end of the day I have a page or two that seem right, I pull away from the desk certain that all is right in the world, regardless of what the evening news might tell me later. — David Freeman Hawke

My mother is changing history. She is making her balalaika-smashing mother into a heroine. Does she want me to do the same for her? Is that what good children do for their parents? What about good writers? — Gary Shteyngart

The Mathematician's Shiva is a brilliant and compelling family saga full of warmth, pathos, history, and humor, not to mention a cast of delightfully quirky characters, and a math lesson or two; all together, a winning equation! When Rojstaczer writes about mathematics, you'd think he was writing about poetry. — Jonathan Evison

Write about the experiences that made you feel human. And whatever happens, please do continue to live and write. The people of your own time may not perceive your words, but be cheered by the fact that history has shown that, many times, mankind has learned to love an author, even if their own time thought nothing of them. — Kat Lowe

There's nothing compared to the history of writing about the city of New York that you get, say, in Charles Reznikoff. — Stephen Vincent Benet

I'm such a history-nerd that, with time for research, I could probably enjoy writing in just about any time period. — Susan Holloway Scott

They preferred writing about great men to writing about great hills; but they sat on the great hills to write it. They gave out much less about Nature, but they drank in, perhaps, much more. They painted the white robes of their holy virgins with the blinding snow, at which they had stared all day. They blazoned the shields of their paladins with the purple and gold of many heraldic sunsets. The greenness of a thousand green leaves clustered into the live green figure of Robin Hood. The blueness of a score of forgotten skies became the blue robes of the Virgin. The inspiration went in like sunbeams and came out like Apollo. — G.K. Chesterton

In my writing, I want to address all communities, you know. I've spent many years talking about Chicano culture, Chicano history, and at the same time, I've also been in many communities and presented my work in many communities, in many classrooms, and that's where my vision is and my delight is and my heart is. — Juan Felipe Herrera

One of the rules of history is that people do not write about what is too obvious to mention. And so the information, having never been recorded, is now lost for ever. — Michael Bywater

Our children are an integral component of our stories as we are of theirs and, therefore, each child acts as the knighted messengers to carry their forebears' stories into the future. To deprive our children of the narrative cells regarding the formation of the ozone layer that rims the atmosphere of our ancestors' saga and parental determination of selfhood is to deny them of the sacred right to claim the sanctity of their heritage. Accordingly, all wrinkled brow natives are chargeable with the sacrosanct obligation of telling their kith and kin the memorable story of the scenic days they spent as children of nature splashing about in their naked innocence in the brook of infinite time and space. We must scrupulous document our family's history as well as scrawl out our personal story. — Kilroy J. Oldster

Chopper Read attended a writing school I gave for inmates at Risdon Prison in Hobart many years ago. Even if I hadn't known about his hacked-off ears and his criminal history, I'd have found him powerful and compelling. — Garry Disher

Why write about the past? Well, there's more of it. — John Cleese

Write in pictures. With your words, let the reader see not letters, but images. Be specific about every detail, but don't describe it
make it happen on the page, if you were writing fiction, or make it happen over again, if you were writing about history or some recent event. — A.A. Patawaran

The idea that a student can write a sonnet or a novel without having a sound understanding about its history, and where it fits into literature as a whole, seems to me to be manifestly daft. — Nicholas Royle

The more I've gotten interested in writing about history and making sense of myself within the continuum of history, the more I've turned to paintings, to art. I look to the imagery of art to help me understand something about my own place in the world. — Natasha Trethewey

Giraldus claimed that he had heard about Eleanor's adultery with Geoffrey from the saintly Bishop Hugh of Lincoln, who had learned of it from Henry II of England, Geoffrey's son and Eleanor's second husband. Eleanor was estranged from Henry at the time Giraldus was writing, and the king was trying to secure an annulment of their marriage from the Pope. It would have been to his advantage to declare her an adulterous wife who had had carnal relations with his father, for that in itself would have rendered their marriage incestuous and would have provided prima facie grounds for its dissolution. — Alison Weir

History is about the untold story, and writing historical fiction is a wonderful way to present the past in a compelling and entertaining way. — Paul W. Feenstra

The Jews invented the legend of the Nazi atrocities ... Anyone who reads the Koran and the holy writings of the monotheistic religions sees what they did to the prophets, and what acts of madness and slaughter the Jews carried out throughout history ... Anyone who reads these texts cannot think of co-existence with them, of peace with them, or about accepting their presence, not only in Palestine of 1948 but even in a small village in Palestine, because they are a cancer which is liable to spread again at any moment. — Hassan Nasrallah

We can now say with considerable confidence that the Bible is not a history of anyone's past ... The Bible's "Israel" is a literary fiction ... Not only have Adam and Eve and the flood story passed over to mythology, but we can no longer talk about a time of the patriarchs. There never was a "United Monarchy" in history and it is meaningless to speak of pre-exilic prophets and their writings ... The Bible deals with the origin traditions of a people who never existed as such — Thomas L. Thompson

Most historical accounts were written by fallible scholars, using incomplete or biased resource materials; written through the scholars' own conscious or unconscious predilections; published by textbook or printing companies that have a stake in maintaining a certain set of beliefs; subtly influenced by entities of government and society - national administrations, state education departments, local school boards, etcetera - that also wish to maintain certain sets of beliefs. To be blunt about it, much of the history of many countries and states is based on delusion, propaganda, misinformation, and omission. — James Alexander Thom

The fascination for me writing about crime in Berlin was the idea that there was this much bigger crime taking place in the background, a fantastically epochal moment in history which is just going on. That just sort of makes the whole thing have a greater resonance. — Philip Kerr

Politics is a story about the relationship between the past and the future; history is a story about the relationship between the past and the present. It's what history and politics share - a vantage on the past - that makes writing the history of politics fraught. And it's what they don't share that makes the study of history vital. Politics is accountable to opinion; history is accountable to evidence. — Jill Lepore

There is a diverse meaning to the lyrics as well. A lot of the stuff I write is from a personal level but is not really anything that I care about if people get or not so I write alot of the stuff as metaphors based in Viking mythology and Viking History which is sort of my main interest in life and sort of my main atmosphere in life. — Johan Hegg

What comes forth from you as an artist cannot be controlled. But you have responsibilities as a global citizen. Your history dictates your duty. And by writing about black people, you are not limiting yourself. The experiences of African-Americans are as wide open as God's closet. — August Wilson

If you would be remembered, write a book worth the reading or live a life worth the writing about. — Benjamin Franklin

Thus, towards the end of the eighteenth century a change came about which, if I were rewriting history, I should describe more fully and think of greater importance than the Crusades or the Wars of the Roses. The middle-class woman began to write. For if Pride and Prejudice matters, and Middlemarch and Villette and Wuthering Heights matter, then it matters far more than I can prove in an hour's discourse that women generally, and not merely the lonely aristocrat shut up in her country house among her folios and her flatterers, took to writing. — Virginia Woolf

I'm actually writing history. It isn't what you'd call big history. I don't write about presidents and generals ... I write about the man who was ranching, the man who was mining, the man who was opening up the country. — Louis L'Amour

I often tell people who want to write historical fiction: don't read all that much about the period you're writing about; read things from the period that you're writing about. There's a tendency to stoke up on a lot of biography and a lot of history, and not to actually get back to the original sources. — Thomas Mallon

History is what we read, write and think about the past. — Michael Howard

You have to get inside the people you are writing about. You have to go below the surface. And that's to a very large degree what all writers are doing - they're trying to get below the surface. Whether it's in fiction or poetry or writing history and biography. Some people make that possible because they write wonderful letters and diaries. And you have to sort of go where the material is. — David McCullough

I can certainly throw out some observation about the process of creating which may be of use. Firstly, it's the best & the worst of worlds, because the only fuel you have to make the fire blaze on the page / screen is the stuff of your own being. An artist consumes his or herself in the act of making art. I can feel that consumption even now, sitting here at my desk at the end of a working day. In order to generate the ideas that I have set on the page for the last 10 or 11 hours I have burned the fuel of my own history. This is, obviously a double-edged sword. In order to give, the artist must take from himself. That's the deal. And it's very important to me that the work I do is the best I can make it, because I know what is being burned up to create. As the villain of Sacrament says: living & dying, we feed the fire. — Clive Barker

Generations of devoted American history buffs have spent countless hours reading and writing long books about the American Revolution without ever having come across the name of Dr. Thomas Young. Yet it was Young who came up with the idea for the original tea party - the one in Boston Harbor. — Matthew Stewart

Cramming the stories of Israel into a modern mold of history writing not only makes the Bible look like utter nonsense; it also obscures what the Bible models for us about our own spiritual journey. On that journey, what matters most is not simply where we've been - the triumphs or the tragedies - but where we are with God now in the moment. All great spiritual leaders will tell us that living in the moment is key to vibrant communion with God. The now is where God's presence is found, where neither past memories nor the future with its idle speculations dominates. — Peter Enns

Just handling this ocean of different books - new and used, in and out of print, famous and forgotten - it was literature as this giant mosaic of texts and experiments and attitudes. I think it's just very liberating to break out of a great man's theory of history.
I guess I've always liked working from that sense of - what would you call it? - license that the margins permit. I always just visualize myself writing books that were meant one day to be dusty, forgotten volumes being encountered by intrepid browsers in a used bookstore. It was a much less freighted way to think about trying to enter the conversation than to imagine I had to write The Great Gatsby. — Jonathan Lethem

Most of my formal choices are a combination of everything I learned about form - semiotics, linguistics, and the history of style experimentations tethered to literary movements (formalism, deconstruction, modernism, and postmodernism), and the basic principal of breaking every rule I ever learned from a patriarchal writing tradition that never included my body or experience, and thus has nothing to offer me in terms of representation. — Lidia Yuknavitch

When asked why he wrote the book, Freed said:
In the 1980s, I joined the small group of anthropologists who were writing about the history of their subject. I believed that I could add some balance to American anthropological history, and that the best place to start was with museums -
where the story began. The more I delved into the archives, the more I was fascinated. I was hooked. — Stanley A. Freed

Great travel writing consists of equal parts curiosity, vulnerability and vocabulary. It is not a terrain for know-it-alls or the indecisive. The best of the genre can simply be an elegant natural history essay, a nicely writ sports piece, or a well-turned profile of a bar band and its music. A well-grounded sense of place is the challenge for the writer. We observe, we calculate, we inquire, we look for a link between what we already know and what we're about to learn. The finest travel writing describes what's going on when nobody's looking. — Tom Miller

I've written more about my parents than any writer in the history of the world, and I still return to their mysterious effigies as I try to figure out what it all means - some kind of annunciation or maybe even a summing-up They still exert immense control over me even though they've been dead for so long. But I can conjure up their images without exerting a thimbleful of effort. — Pat Conroy

Because I'm an art historian, I have some experience of writing that comes out of close attention. That's what really art history is. You're looking at something very closely, and you try to write in a meticulous way about it. — Teju Cole

I didn't learn much about writing at Sarah Lawrence, but I learned a lot about the sources of poems - dreams, myth, history - from the really great teachers, Joseph Campbell, Charles Trinkhaus, Bert Loewenberg, and a young Australian anthropologist named Harry Hawthorne. — Carolyn Kizer

When I started researching airline stewardesses, I found that the topic made for amusing cocktail party banter.
"You're writing a book about that? Wow, what fun!"
Yes, it was fun, but it was also serious history. Pretty women do not fit into what we have come to think of as serious history. Real history covers topics like Lincoln, World War II, or, frankly, anything involving powerful white males. — Victoria Vantoch

I very much was inspired by Bill Bryson. He does cover science, but more often, it's a mixture of science and travel, and whatever he happens to be writing about - Shakespeare, Australia, the United Kingdom, or when he covers science in 'A Short History Of Nearly Everything' - he has an incredible ability to be both entertaining and enlightening. — Mary Roach

I am doubtful myself about the undertaking. Part of the attraction of the L.R. is, I think, due to the glimpses of a large history in the background: an attraction like that of viewing far off an unvisited island, or seeing the towers of a distant city gleaming in a sunlit mist. To go there is to destroy the magic, unless new unattainable vistas are again revealed. Also many of the older legends are purely 'mythological', and nearly all are grim and tragic: a long account of the disasters that destroyed the beauty of the Ancient World, from the darkening of Valinor to the Downfall of Numenor and the flight of Elendil. — J.R.R. Tolkien

Think for a moment about the process that humans have used to record events throughout history. The first evidence we know of is paintings on cave walls. A little further along in time, after many intermediate steps, we see the development of writing. In the more recent past, we see the invention of the camera, audio recording devices, and ultimately video. The manner in which humans have recorded history (and to a lesser extent our own lives) has evolved. We've come a long way. Consider the implications of time. Much of the technology we take for granted today was pure science fiction 50-100 years ago, a dream 200 years ago, and inconceivable 500 years ago. Using these groupings of viewpoints, we can project into the future and categorize the possibilities. In — Todd William

Writing historical novels can be dangerous. We need to be as accurate and as fair about the historical record as we can be, at the same time as creating our fictional characters and, hopefully, telling a good story. The challenge is weaving the fiction into the history. — Edward Rutherfurd

I started writing novels while an undergraduate student, in an attempt to make sense of the city of Edinburgh, using a detective as my protagonist. Each book hopefully adds another piece to the jigsaw that is modern Scotland, asking questions about the nation's politics, economy, psyche and history ... and perhaps pointing towards its possible future. — Ian Rankin

You can't write about history without writing about politics at some point. History is about movements of people. 'What is criminality and what is government' is a theme that runs through every history. — David Mamet

it is important to stress that history is always constructed, not absolute or unchallangeable. Histories are stories about the past, and reconstructing the past ill involve elements of mythologising from the cultural, political and theoretical stances of both the historian and the informants. — John O'Toole

History is the art of making an argument about the past by telling a story accountable to evidence. In the writing of history, a story without an argument fades into antiquarianism; an argument without a story risks pedantry. Writing history requires empathy, inquiry, and debate. It requires forswearing condescension, cant, and nostalgia. The past isn't quaint. Much of it, in fact, is bleak. — Jill Lepore

[Writing about themselves] gives them wings, so that they can rise above the confounding maze of their lives and, from that perspective, begin to see the patterns and dead ends of their pasts, and a way out. That's the funny thing about mazes; what's baffling on the ground begins to make sense when you can begin to rise above it, the better to understand your history and fix yourself. — Wally Lamb