Writing A Paper With Quotes & Sayings

After a long while he sat upright with great effort, exhaled a sigh and reached for a clean sheet of lined paper, smoothing it out on the desk. He unscrewed the lid of his fountain pen, laid it perpendicular to his paper, and began to write. Often he compared his writing to white water. He had only to leap in to be dragged away on its rapids, thrown this way and that with his own will rendered impotent. While writing he found the words came from the muscles in his hands, the feel of the shaft of his pen, the locked joint of his elbow. the scratching noise of the nib marking paper and, underneath all that, some coordinating impulse in his guts. Certainly not from his mind. — Ali Shaw

When the last autumn of Dickens's life was over, he continued to work through his final winter and into spring. This is how all of us writers give away the days and years and decades of our lives in exchange for stacks of paper with scratches and squiggles on them. And when Death calls, how many of us would trade all those pages, all that squandered lifetime-worth of painfully achieved scratches and squiggles, for just one more day, one more fully lived and experienced day? And what price would we writers pay for that one extra day spent with those we ignored while we were locked away scratching and squiggling in our arrogant years of solipsistic isolation?
Would we trade all those pages for a single hour? Or all of our books for one real minute? — Dan Simmons

Writing, music, sculpting, painting, and prayer! These are the three things that are most closely related! Writers, musicians, sculptors, painters, and the faithful are the ones who make things out of nothing. Everybody else, they make things out of something, they have materials! But a written work can be done with nothing, it can begin in the soul! A musical piece begins with a harmony in the soul, a sculpture begins with a formless, useless piece of rock chiseled and formed and molded into the thing that was first conceived in the sculptor's heart! A painting can be carried inside the mind for a lifetime, before ever being put onto paper or canvass! And a prayer! A prayer is a thought, a remembrance, a whisper, a communion, that is from the soul going to what cannot be seen, yet it can move mountains! And so I believe that these five things are interrelated, these five kinds of people are kin. — C. JoyBell C.

He read his own obituary and an editorial lamenting his demise and praising his fortitude and immediately began to think up witty ways of writing to the paper to announce his continued and uninterrupted existence. The other two joined in the game with enthusiasm, and soon all three of them were howling with laughter and emptying bottles at a rate which would have alarmed even a depressed Scandinavian. — Louis De Bernieres

Some professional writers write everyday no matter what and perhaps that's the way it should be done, but it's not the way I do it. If I'm not pregnant with words and I'm not in labor with them, I don't even try to bring them forth because they won't be any good anyway. Once I'm ready to deliver, it's like being pregnant. I've got to find a typewriter or a piece of paper. The only words that have ever had any possible value to others seem to have been those words that just had to come out. — Marianne Williamson

The thing to remember when you're writing," he said, " is, it's not whether or not what you put on paper is true. It's whether it wakes a truth in your reader. I don't care what literary device you might use, or belief systems you tap into
if you can make a story true for the reader, if you can give them a glimpse into another way of seeing the world, or another way that they can cope with their problems, then that story is a succes. — Charles De Lint

The kind of true-life writing that is fun to read - that makes an ally of the reader - is the kind that you are so nervous about putting down on paper that you lock the Word file with a secret password and encrypt it - and all of it. — Julie Klausner

You don't impress the officials at NASA with a paper airplane. You don't boast about your crayon sketches in the presence of Picasso. You don't claim equality with Einstein because you can write 'H20.' And you don't boast about your goodness in the presence of the Perfect. — Max Lucado

I know more about Emily Bronte than anyone I know. I know enough about her family to have been a part. I've walked with her on her damp luscious lonely moors, watched her strain to write on miniscule scraps of paper, seen her hide her works from prying eyes.
I've brooded alongside her and participated in her taciturnity. Before her death at the ripe old age of 30, I nursed her from the things that ultimately killed her: tuberculosis with a side order of Victorian thinking. — Chila Woychik

Read poetry every day of your life. Poetry is good because it flexes muscles you don't use often enough. Poetry expands the senses and keeps them in prime condition. It keeps you aware of your nose, your eye, your ear, your tongue, your hand.
And, above all, poetry is compacted metaphor or simile. Such metaphors, like Japanese paper flowers, may expand outward into gigantic shapes. Ideas lie everywhere through the poetry books, yet how rarely have I heard short story teachers recommending them for browsing.
What poetry? Any poetry that makes your hair stand up along your arms. Don't force yourself too hard. Take it easy. Over the years you may catch up to, move even with, and pass T. S. Eliot on your way to other pastures. You say you don't understand Dylan Thomas? Yes, but your ganglion does, and your secret wits, and all your unborn children. Read him, as you can read a horse with your eyes, set free and charging over an endless green meadow on a windy day. — Ray Bradbury

Timmy, who made a daring escape, also made a mistake of paying the taxi driver with a check made out of toilet paper. — Janet Frame

I will quote one sentence from this text, namely, the one with which it ended. It was also the sentence which finally dissolved the writer's block that had inhibited the author from starting work. I have since used it whenever I myself have been gripped by fear of the blank sheet in front of me. It is infallible, and its effect is always the same: the knot unravels and a stream of words gushes out on to the virgin paper. It acts like a magic spell and I sometimes fancy it really is one. But, even if it isn't the work of a sorcerer, it is certainly the most brilliant sentence any writer has ever devised. It runs: 'This is where my story begins.' — Walter Moers

But with writing, all you need is a pad of paper. — Scott Caan

But why do you write? - A: I am not one of those who think with an inky pen in their hand, much less one of those who in front of an open inkwell abandon themselves to their passions while they sit in a chair and stare at the paper. I am annoyed by and ashamed of my writing; writing is for me a pressing and embarrassing need, and to speak of it even in a parable disgusts me. B: But why, then, do you write? - A: Well, my friend, to be quite frank: so far, I have not discovered any other way of getting rid of my thoughts. - B: And why do you want to get rid of them? - A: Why I want to? Do I want to? I must. - B: Enough! Enough! 94 — Friedrich Nietzsche

One exercise I always do when I'm getting to know a character is ask her to tell me her secrets. Sit down with a pen and paper, and start with, 'I never told anybody ... ' and go from there, writing in the voice of your character. — Jennifer McMahon

To you, it's a book to read - a nicely printed stack of paper with a beautiful cover. To me, it's a living, breathing thing that I have invested my heart and soul in. It's much more than a stack of paper to me. It's my imagination - come alive in your hand. — Jason P. Stadtlander

Faced with a totally controlled, monitored and owned online world, in which every utterance is immediately scanned and filed away, many have yet to make the connection that the best solution may not be running Tor and eighteen proxies, but writing things down on paper and talking face-to-face. Remember the mail? Remember conversations? Yeah, those still exist. Want to shake somebody out of their online trance? Send them a letter. Send them art. Want to record something that will last longer than a few seconds on Facebook or Twitter? Write a book. The physical world didn't go anywhere. In fact, physical artifacts and experiences have only grown in totemic power the more we've pushed them away. — Jason Louv

Writing takes a pen, a sheet of paper and, to start with, just the shadow of an idea. — Francoise Sagan

It's a huge Carthusian monastery, stuck down between rocks and sea, where you may imagine me, without white gloves or hair curling, as pale as ever, in a cell with such doors as Paris never had for gates. The cell is the shape of a tall coffin, with an enormous dusty vaulting, a small window ... Bach, my scrawls and waste paper - silence - you could scream - there would still be silence. Indeed, I write to you from a strange place. — Frederic Chopin

I have a real aversion to machines. I write with a pen. Then I read it to someone who writes it onto the computer. What are those computer letters made of anyway? Light? Too insubstantial. Paper, you can feel it. A pen. There's a connection. A pen goes exactly at your speed, whereas that machine jumps. And then, that machine is waiting for you, just humming uh-huh, yes? — Fran Lebowitz

Gavin said that writing novels with a PC was supposed to be easier than writing with a typewriter and bond paper, or with a pen and foolscap, or with a chisel and a granite obelisk imported from Greece. I shook my head with pity as he related this canard to me. — Gary Reilly

Hammett wrote at first (and almost to the end) for people with a sharp, aggressive attitude to life. They were not afraid of the seamy side of things; they lived there. Violence did not dismay them; it was right down their street. Hammett gave murder back to the kind of people that commit it for reasons, not just to provide a corpse; and with the means at hand, not hand-wrought dueling pistols, curare and tropical fish. He put these people down on paper as they were, and he made them talk and think in the language they customarily used for these purposes — Raymond Chandler

The first five years as a writer, I didn't know how to write at all. I couldn't write my way out of a white paper bag. And yet, I did some remarkable things. And later on, there were periods where I got this mission to find an articulate voice with rewrites and all. There were periods where I was as dense as Faulkner. — Richard Meltzer

And so many of the indies have partnered with Google to sell ebooks right from their own websites. These stores are embracing the "new technology" instead of hiding from it, because they realize it's about the story, not the ink on paper. If you want ebooks, your local indie can sell you ebooks. If your local independent is hanging up posters saying that ebooks will kill everything, you should tag that bookstore as a favorite in your GPS doohickey. You'll get great deals, because that store will have a going-out-of-business sale soon. Yes, even though you try to save it with a letter-writing campaign. — Steve Weddle

My perfect day is sitting in a room with some blank paper. That's heaven. That's gold and anything else is just a waste of time. — Cormac McCarthy

I gather a repulsive nobody writing in a paper no one of any decency would be seen dead with has written something loathesome and inhumane. — Stephen Fry

But it's also a human tendency - and a pronounced tendency in America - to become enamored of our tools and lose sight of their place. Think about a couple of the basic functions of any community: educating children and policing the streets. Today we spend huge effort and millions of dollars to bring more technology into the classroom, when the great majority of students in the great majority of circumstances can learn almost all of what they need to know with a supportive family, a pencil, some paper, good books, and a great teacher. The schools that produced Shakespeare and Jefferson and Darwin had some writing materials, some printed books - and that was it. — Eric Greitens

I have seldom met an individual of literary tastes or propensities in whom the writing of love was not directly attributable to the love of writing.
A person of this sort falls terribly in love, but in the end it turns out that he is more bemused by a sheet of white paper than a sheet of white bed linen. He would rather leap into print with his lady than leap into bed with her. (This first pleases the lady and then annoys her. She wants him to do both, and with virtually the same impulse.) — E.B. White

I like things to be orderly. For seven years I ate at Bob's Big Boy. I would go at 2:30, after the lunch rush. I ate a chocolate shake and four, five, six, seven cups of coffee-with lots of sugar. And there's lots of sugar in that chocolate shake. It's a thick shake. In a silver goblet. I would get a rush from all this sugar, and I would get so many ideas! I would write them on these napkins. It was like I had a desk with paper. All I had to do was remember to bring my pen, but a waitress would give me one if I remembered to return it at the end of my stay. I got a lot of ideas at Bob's. — David

Writing, and especially writing a novel, where you get to sit in a room by yourself with either a pen and a paper or a computer for a couple of years, is a very solitary occupation. You can read sales figures - a hundred thousand books sold, half a million books sold - but they are just numbers. — Neil Gaiman

Write it down. Not just to remember it, but to forget it in the right way. My notebook are a kind of materialized subconscious, a hard-copy memory and its invisible substrata, following their own rules. More than once I have been surprised to discover that an idea I thought was new and original, something I set down in a notebook yesterday, is already contained in another note from years before. Sometimes the second version repeats the first, almost word for word, across the space of a decade. The earlier version, once brought with clarity to the surface, has been covered over again by layers of yellowing paper. — Ivan Vladislavic

I'd see him do things that didn't fit with his face or hands, things like painting a picture at OT with real paints on a blank paper with no lines or numbers anywhere on it to tell him where to paint, or like writing letters to somebody in a beautiful flowing hand. How could a man who looked like him paint pictures or write letters to people, or be upset and worried like I saw him once when he got a letter back? — Ken Kesey

I didn't want to be a sideman. My own style was coming out and I was into my own writing. I wrote a whole album, I arranged it all with pencil and paper. I did eventually do a lot of work with my father, but that was different. I was living at home; I wasn't a starving musician. I wasn't spoiled, but I wasn't going to have some producer come in and tell me what to play. — Shuggie Otis

For all the energy directed toward the stratagem of big city living, New Yorkers are never too distracted to respond to, and more often, proactively assist visitors. Tourists tracing the routes of subway maps with their fingers, squinting at street signs or staring at a slip of paper with confusion are typical recipients of our generosity. We know our city can be as challenging as it is fascinating, and we want visitors to have a good experience. — Gina Greenlee

Who Am I?
I'm a creator, a visionary, a poet. I approach the world with the eyes of an artist, the ears of a musician, and the soul of a writer. I see rainbows where others see only rain, and possibilities when others see only problems. I love spring flowers, summer's heat on my body, and the beauty of the dying leaves in the fall. Classical music, art museums, and ballet are sources of inspiration, as well as blues music and dim cafes. I love to write; words flow easily from my fingertips, and my heart beats rapidly with excitement as an idea becomes a reality on the paper in front of me. I smile often, laugh easily, and I weep at pain and cruelty. I'm a learner and a seeker of knowledge, and I try to take my readers along on my journey. I am passionate about what I do. I learned to dream through reading, learned to create dreams through writing, and learned to develop dreamers through teaching. I shall always be a dreamer. Come dream with me. — Sharon M. Draper

To most, being locked away in solitary with nothing but pen and paper would prove a hard punishment. What a strange creature who views this as heaven. — Richelle E. Goodrich

Look at that," he said. "How the ink bleeds." He loved the way it looked, to write on a thick pillow of the pad, the way the thicker width of paper underneath was softer and allowed for a more cushiony interface between pen and surface, which meant more time the two would be in contact for any given point, allowing the fiber of the paper to pull, through capillary action, more ink from the pen, more ink, which meant more evenness of ink, a thicker, more even line, a line with character, with solidity. The pad, all those ninety-nine sheets underneath him, the hundred, the even number, ten to the second power, the exponent, the clean block of planes, the space-time, really, represented by that pad, all of the possible drawings, graphs, curves, relationships, all of the answers, questions, mysteries, all of the problems solvable in that space, in those sheets, in those squares. — Charles Yu

The personal screenplay- where you dive into the terrifying depths of your soul, unearth the most intimate details about yourself, and put it on paper for the world to see. Proceed with caution, for madness lies ahead. — A.D. Posey

Bury me smilin' with G's in my pocket, Have a party at my funeral let every rapper rock it Let the hoes that I used to know, from way before Kiss me from my head to my toe, Gimme a paper and pen so I can write about my life of sin, Couple bottles of gin, in case I don't get in ... — Tupac Shakur

I always start writing with a clean piece of paper and a dirty mind.
— Patrick Dennis

There on the landing sits the typewriter. It is clogged with dust, the ribbon dried and flimsy. Looking at it gives Felix a feeling close to vertigo. He realises he can replicate in his head the exact sound it used to make. The clac-clac-a-clac of the metal letters hitting the paper, the ribbon raising itself each time to make the impression. The machine-gun fire of it, when the work was going well. The stops and pauses when it wasn't, to allow for a sigh, a draw on a cigarette. The ding every time the carriage reached its limit. The whirr as the page was snatched out, then the rolling ratcheting as a new one was wound in. — Maggie O'Farrell

I don't write my standup on paper or anything; but I just organically do it on stage, have an idea, chat it up a little bit. I'm keeping notes. I'm trying to keep up with this world and try to bring out a special every year. — Jim Jefferies

But how?" my students ask. "How do you actually do it?"
You sit down, I say. You try to sit down at approximately the same time every day. This is how you train your unconscious to kick in for you creatively. So you sit down at, say, nine every morning, or ten every night. You put a piece of paper in the typewriter, or you turn on the computer and bring up the right file, and then you stare at it for an hour or so. You begin rocking, just a little at first, and then like a huge autistic child. You look at the ceiling, and over at the clock, yawn, and stare at the paper again. Then, with your fingers poised on the keyboard, you squint at an image that is forming in your mind
a scene, a locale, a character, whatever
and you try to quiet your mind so you can hear what that landscape or character has to say above the other voices in your mind. — Anne Lamott

When confronted with two courses of action I jot down on a piece of paper all the arguments in favor of each one, then on the opposite side I write the arguments against each one. Then by weighing the arguments pro and con and cancelling them out, one against the other, I take the course indicated by what remains. — Benjamin Franklin

Paper or razor blade, never give up And just remember just to hold out more A couple years ago I couldn't just control that thought You'd find me buskin' on the street When it was cold outdoors And now I'm sweating on the stage With the sold out tours Writing love songs for the sake of it Never to make a hit — Ed Sheeran

Writing has such a power for expressionEven when you can't talk with no one else in the whole world you can talk to your paper. Your feelings whether good, bad or indifferent. We call it despojo in Spanish, which means to be able to get rid of all this agony, weight inside of you. It brings clarity. — Piri Thomas

Writing in that state is the most profound satisfaction she knows, but her access to it comes and goes without warning. She may pick up her pen and follow it with her hand as it moves across the paper; she may pick up her pen and find she's merely herself, a woman in a housecoat holding a pen, afraid and uncertain, only mildly competent, with no idea about where to begin or what to write.
She picks up her pen — Michael Cunningham

I'm tempted to say, 'Writing treatments is like designing a film by hiring six million monkeys to tear out pages of an encyclopedia, then you put the pages through a paper-shredder, randomly grab whatever intact lines are left, sing them in Italian to a Spanish deaf-mute, and then make story decisions with the guy via conference call.' But no ... compared to writing treatments, that makes sense, too. — Terry Rossio

If you want to concentrate deeply on some problem, and especially some piece of writing or paper-work, you should acquire a cat. Alone with the cat in the room where you work ... the cat will invariably get up on your desk and settle placidly under the desk lamp ... The cat will settle down and be serene, with a serenity that passes all understanding. And the tranquility of the cat will gradually come to affect you, sitting there at your desk, so that all the excitable qualities that impede your concentration compose themselves and give your mind back the self-command it has lost. You need not watch the cat all the time. Its presence alone is enough. The effect of a cat on your concentration is remarkable, very mysterious. — Muriel Spark

Exercise your imagination muscle! How many uses can you come up with for a flowerpot? Write down your answers. But don't write them in this book. Grab a separate sheet of paper. I didn't spend two and a half weeks writing a book just so you could mark up the pages with your silly ideas for things you can do with a flowerpot. When it comes down to it, what's wrong with a flowerpot not being a flowerpot? Why is nothing ever good enough for you? — Amy Sedaris

The other thing that's happened with writing is that I'm not afraid it will go away. Up until a couple of years ago, I feared that sitting down with paper and pencil revealed too much desire and that for such ambition I would be punished. My vocabulary would contract anorexia, ideas would be born autistic, even titles would not come to flirt with me anymore. I suppose this was tied to that internal judge, the serpent who eats her own tail. She insinuates you're not good enough; you believe her and try less, ratifying her assessment; so you try even less; and on and on. This snake survives on your dying. Finally, now, the elided words of my wisest writing teacher, the poet David Wojahn, make sense. "Be ambitious," he said, "for the work." Not for the in-dwelling editor. That bitch was impossible to please anyway. — Marsha L. Larsen

He was back at the point of departure, at the place that filled writers with dread and excitement, for this was where they must decide which new story to tackle of the many floating in the air, which plot to bind themselves to for a lengthy period; and they had to choose carefully, study each option calmly ... because there were dangerous stories, stories that resisted being inhabited, and stories that pulled you apart while you were writing them ... At that moment, before reverently committing the first word to paper, he could write anything he wanted, and this fired his blood with a powerful sense of freedom, as wonderful as it was fleeting, for he knew it would vanish the moment he chose one story and sacrificed all the others. — Felix J. Palma

Do you call it doubting to write down on a piece of paper that you doubt? If so, doubt has nothing to do with any serious business. But do not make believe; if pedantry has not eaten all the reality out of you, recognize, as you must, that there is much that you do not doubt, in the least. Now that which you do not at all doubt, you must and do regard as infallible, absolute truth. — Charles Sanders Peirce

At some time during the process, [of writing] I came up with a therapeutic device. After each draft I would tear up the pages and feed the paper to a worm compost I keep in my garage. A few months later, those painful pages were dirt that nourished my yard, which I could walk with bare feet. It was a real and tangible connection to that larger immensity. I liked to remind myself that the same process is going to happen to me when I'm done, when I die and nature tears me up... — Ryan Holiday

Every first-rate editor I have ever heard of reads, edits and rewrites every word that goes into his publication ... Good editors are not 'permissive'; they do not let their colleagues do 'their thing'; they make sure that everybody does the 'paper's thing.' A good, let alone a great editor is an obsessive autocrat with a whim of iron, who rewrites and rewrites, cuts and slashes, until every piece is exactly the way he thinks it should have been done. — Peter Drucker

It is eerily terrifying that there is no sound when a heart breaks. Car accidents end with a bang, falling ends with a thud, even writing makes the scratching sound of pencil against paper. But the sound of a heart breaking is completely silent. Almost as though no one, not even the universe itself could create a sound for such devastation. Almost as though silence is the only way the universe could pay its respect to the sound of a heart falling apart. — Nikita Gill

Poor, harmless paper, that might have gone to print a Shakespeare on, and was instead so clumsily defaced with nonsense. — Robert Louis Stevenson

A lot of people think they can write poetry, and many do, because they can figure out how to line up the words or make certain sounds rhyme or just imitate the other poets they've read. But this boy, he's the real poet, because when he tries to put on paper what he's seen with his heart, he will believe deep down that there are no good words for it, no words can do it, and at that moment he will have begun to write poetry. — Cynthia Rylant

Theodore," Ben says, interrupting him. " You seem like a... nice guy."
"Thanks," Theodore says, smiling.
"Let me finish," Ben says, holding up a finder in warning. "Because you're about to hate me. I lied. I'm not writing a paper." He points at Glenn. "This guy told me earlier today where to show up tonight so that I could find the girl I'm supposed to spend the rest of my life with. And I'm sorry, but that girl just so happens to be your date. And I'm in love with her. Like, really in love with her. Crippling, debilitating, paralyzing love. So please accept my sincerest apologies, because she's coming home with me tonight. I hope. I pray." Ben shoots me an endearing look. "Please ? Otherwise this speech will make me look like a complete fool and that won't be good when we tell our grandkids about this. — Colleen Hoover

The inkstand is full of ink, and the paper lies white and unspotted, in the round of light thrown by a candle. Puffs of darkness sweep into the corners, and keep rolling through the room behind his chair. The air is silver and pearl, for the night is liquid with moonlight.
See how the roof glitters, like ice!
Over there, a slice of yellow cuts into the silver-blue, and beside it stand two geraniums, purple because the light is silver-blue, to-night. — Amy Lowell

Every story you've read, play you've seen, every movie and every television show, every poem you've heard and every song...

All came to live because someone had a story in their mind and had enough courage to put it on paper and share it with the world.

Be brave. Tell your story.

-DS. — D.S. Kenn

Please do, however, allow me to deliver one very personal message. It is something that I always keep in mind while I am writing fiction. I have never gone so far as to write it on a piece of paper and paste it to the wall: Rather, it is carved into the wall of my mind, and it goes something like this:
"Between a high, solid wall and an egg that breaks against it, I will always stand on the side of the egg."
Yes, no matter how right the wall may be and how wrong the egg, I will stand with the egg. Someone else will have to decide what is right and what is wrong; perhaps time or history will decide. If there were a novelist who, for whatever reason, wrote works standing with the wall, of what value would such works be? — Haruki Murakami

Like a bird, my thoughts were flying away so I became a writer to cage my thoughts with paper and pen. You should not call me a writer but rather a catcher of thoughts. — Debasish Mridha

He wanted paper and something to write with, some way to sustain a thought, to place it in the world. — Don DeLillo

The struggle for a life extracts all our attention, and leaves us blind, deaf, dumb and senseless. The writer, the artist, the musician vanishes, without even the charity of a proper cremation. At this point words become formless sounds, and thoughts run out of paper and jump out of the terra firma and fly in the air, forcing us to find someone to share them with, someone who could understand. The fear of wasting words is the worst kind of it, only a writer knows. — Anu Lal

... The Book is more important than your plans for it. You have to go with what works for The Book ~ if your ideas appear hollow or forced when they are put on paper, chop them, erase them, pulverise them and start again. Don't whine when things are not going your way, because they are going the right way for The Book, which is more important. The show must go on, and so must The Book. — E.A. Bucchianeri

Writing is one of the best therapies that exist. Either on paper, computer, phone or tablet, in any form it is helpful. Whenever you feel like writing, just do it. Let the words flow out of your mind and heart. It doesn't have to make sense to anyone but you. Some people may find easier to express themselves in writing than verbally. While you will have time to choose the best words, you will also escape the fear of immediate reaction. Take your time and play with the words until you feel you got them right. One can write about anything. About a dream, a fantasy, a love story, happenings during the day, an apology or a greeting, everything is permitted in the world of writing. There it is no good or bad. — Nico J. Genes

Young writers should be encouraged to write, and discouraged from thinking they are writers. If they arrive at college with literary ambitions, they should be told that everything they have done since their first childhood poems, printed in the school paper, has been preparation for entering a long, long apprenticeship. — Wallace Stegner

How do I like to write? withe a soft pencil and a hard dick, not the other way round.
I like the paper of all kinds : creamy, white, yellow, thick, thin, lined, plain. In my cupboard I have at least fifty notebooks, each of which, at the time of purchase, filled me with excitement of what might be said of new thoughts discovered ... and then-nothing. — Hanif Kureishi

If I tried to write long-hand, I suppose I'd never finish a novel. I edit too much as I write - the paper would be "white-out" and sharpie marks. Writing with a computer works for me, so I stick with it. — Nicholas Sparks

Confront the page that taunts you with its whiteness. Face your enemy and fill it with words. You are bigger and stronger than a piece of paper. — Fennel Hudson

The writing of a book may be a solitary business, it is done alone. The writer sits down with paper and pen, or typewriter, and, withdrawn from the world, tries to set down the story that is crying to be written. We write alone, but we do not write in isolation. No matter how fantastic a story line may be, it still comes out of our response to what is happening to us and to the world in which we live. — Madeleine L'Engle

It is a glorious thing, to be able to write with pen on paper instead of nail or hook into oak, to feel one's words flowing so smoothly from instrument to surface, without the barriers of friction or poor leverage, and yet its own subtle tactile pleasures as the nib scratches tiny channels into the sheet. And here, unlike in his cabin, here he feels no division between his mind and his hand, no errors in translation or static in the transmission: the words appearing on the page are the ones he has intended to put there, the images match the scenes in his mind, the sensations the very ones that warm his chest, prickle his scalp, push against his eyes. — Doug Dorst

When you suffer, you can look deeply at your situation and find the many blessings that are already surrounding you. It is wonderful to sit with a pen and paper and write down all the conditions for happiness that are already there, already available to you right in this moment. — Nhat Hanh

The pressure disappeared with the first word he put on paper. He thought
while his hand moved rapidly
what a power there was in words; later, for those who heard them, but first for the one who found them; a healing power, a solution, like the breaking of a barrier. He thought, perhaps the basic secret the scientists have not discovered, the first fount of life, is that which happens when a thought takes shape in words. — Ayn Rand

The problem with me is that I cannot focus when she is on my mind. I can't. I probably will make a mistake when writing that paper and will start writing everything I feel about her - the professor will be very happy with that, I am sure. Oh well, such is my life. I guess I've been attempting my best to forget her for several weeks now. But even in that act of forgetting her, I am remembering her. I am recollecting her and recreating her in my mind. And that's where everything falls apart. In remembering her, I remember her goodness. In remembering her, I remember her weaknesses and my own. In remembering her, I am remembering myself. Out of that dark cave of mine, I call myself out. And then all of the remembering starts again. I doodle, I twitch, I aim restlessly for some unseen goal. And then my thoughts drift to you.
I'll let them stay there for now. Just for a minute.
Or two. — Moses Y. Mikheyev

It had been startling and disappointing to me to find out that story books had been written by people, that books were not natural wonders, coming up of themselves like grass. Yet regardless of where they come from, I cannot remember a time when I was not in love with them
with the books themselves, cover and binding and the paper they were printed on, with their smell and their weight and with their possession in my arms, captured and carried off to myself. Still illiterate, I was ready for them, committed to all the reading I could give them ... — Eudora Welty

I've always been a quitter. I quit the Boy Scouts, the glee club, the marching band. Gave up my paper route, turned my back on the church, stuffed the basketball team. I dropped out of college, sidestepped the army with a 4-F on the grounds of mental instability, went back to school, made a go of it, entered a Ph.D. program in nineteenth-century British literature, sat in the front row, took notes assiduously, bought a pair of horn-rims, and quit on the eve of my comprehensive exams. I got married, separated, divorced. Quit smoking, quit jogging, quit eating red meat. I quit jobs: digging graves, pumping gas, selling insurance, showing pornographic films in an art theater in Boston. When I was nineteen I made frantic love to a pinch-faced, sack-bosomed girl I'd known from high school. She got pregnant. I quit town. — T.C. Boyle

The process of writing a novel begins with a pang, a moment of recognition, and a situation, a character, or something you read in a paper, that seems to go off, like a solar flare inside your head. — Martin Amis

I am a creator, writing like the wind, I carry the weight of a future world in the barrel of a pen, etching my characters into the paper with life giving ink so my dreams and reality might finally meet. — L.M. Fields

Every phrase had to be captured on paper or it wasn't real, it slipped away. I'd see the words hanging in midair
Camille, pass the milk
and anxiety coiled up in me as they began to fade, like jet exhaust. Writing them down, though, I had them. No worries that they'd become extinct. I was a lingual conservationist. I was the class freak, a tight, nervous eighth-grader frenziedly copying down phrases ("Mr. Feeney is totally gay," "Jamie Dobson is ugly," "They never have chocolate milk") with a keenness bordering on the religious. — Gillian Flynn

Don't underestimate this gift of finding a place in the writing world: if you really work at describing creatively on paper the truth as you understand it, as you have experienced it, with the people or material who are in you, who are asking that you help them get written, you will come to a secret feeling of honor. — Anne Lamott

From an author's point of view, the most painful and dangerous weapon ain't no gun or blade, but a piece of paper with the word rejected on it. — Anonymous

All I need is a sheet of paper
and something to write with, and then
I can turn the world upside down. — Friedrich Nietzsche

The sad truth is, S - , most people are not writers. This has nothing to do with literacy - or intelligence, or general culture. There are people who can correct the grammar, spelling, diction, and style of a college English paper with the best of them - who are still not writers. Indeed, most of what gets published in books, magazines, and newspapers is not written by real writers - which is one reason why so much of it is so bad. — Samuel R. Delany

Writing - like any art - is so damned personal that there really isn't a right way to do it. You do what works for you; what matters is getting the words on the paper. Sure, if you hear advice, and it works, then excellent. But, if it doesn't, you have to realize that perhaps nothing is wrong with you. You don't jive with the advice. — Mur Lafferty

Around 1980, I'd been writing short stories, all to no success; so I wrote a fan letter to Stephen King and asked "How long should it take an aspiring writer to either get published or know when to give up?" Lo and behold, King wrote back to me in long hand with blue flair pen on 14-inch paper, purveying a very nice, helpful note; in it he said my letter proved a "command of the language," that I should never give up, and that it would take years to succeed, not months. "That's cold comfort but it's the truth." This was the ultimate encouragement for a young writer to be who didn't know shit about the market. I took Mr. King's advice and actually sold my first novel little more than a year later. I'll always be copiously grateful for this advice, and it's the same advice I give aspiring writers now (along with the story of King's reply!). — Edward Lee

GOOSE, n. A bird that supplies quills for writing. These, by some occult process of nature, are penetrated and suffused with various degrees of the bird's intellectual energies and emotional character, so that when inked and drawn mechanically across paper by a person called an "author," there results a very fair and accurate transcript of the fowl's thought and feeling. The difference in geese, as discovered by this ingenious method, is considerable: many are found to have only trivial and insignificant powers, but some are seen to be very great geese indeed. — Ambrose Bierce

He was not such a special person. He loved to read very much, and also to write. He was a poet, and he exhibited me many of his poems. I remember many of them. They were silly, you could say, and about love. He was always in his room writing those things, and never with people. I used to tell him, What good is all that love doing on paper? I said, Let love write on you for a little. But he was so stubborn. Or perhaps he was only timid. — Jonathan Safran Foer

I don't understand the feeling of, the way people speak of writing as though it were, like, some kind of djinn to be summoned or like it's the Loch Ness monster or seeing a shooting star. It's a physical act. It is a thing you do with your muscles and your body and your willpower. Watch, I'll show you: get a piece of paper. Get a pencil. Put the pencil on the paper and write the word 'something.' — Matt Fraction

I'm a writer who stacks cat food for a living. It's true: I have a master's degree in creative writing, I've published two critically successful books, and I get paid to replenish the shelves of my local food co-op with pet food, sponges and toilet paper. Nine days out of 10, I do it quite happily. — Ali Liebegott

And speaking of this wonderful machine:
[840] I'm puzzled by the difference between
Two methods of composing: A, the kind Which goes on solely in the poet's mind,
A testing of performing words, while he
Is soaping a third time one leg, and B,
The other kind, much more decorous, when
He's in his study writing with a pen. In method B the hand supports the thought,
The abstract battle is concretely fought.
The pen stops in mid-air, then swoops to bar
[850] A canceled sunset or restore a star,
And thus it physically guides the phrase
Toward faint daylight through the inky maze.
But method A is agony! The brain
Is soon enclosed in a steel cap of pain.
A muse in overalls directs the drill Which grinds and which no effort of the will
Can interrupt, while the automaton
Is taking off what he has just put on Or walking briskly to the corner store [860] To buy the paper he has read before. — Vladimir Nabokov

From an early age they knew what little value the world placed in books, and so didn't waste their time with them. Whereas I, even now, persist in believing that these black marks on white paper bear the greatest significance, that if I keep writing I might be able to catch the rainbow of consciousness in a jar. The only trust fund I have is this story, and unlike a prudent Wasp, I'm dipping into principal, spending it all. — Jeffrey Eugenides

Why am I holding on to this stuff? Some of this junk is losing its punch. Pictures. Pieces of paper with writing on them - I can no longer connect with the thoughts or feelings that birthed them, that drove me in that panicky desperate moment to scribble in a barely legible scrawl as if on a cave wall. All say the same thing in some form or another: "I am here. This is me in this moment." Do I have some fantasy that this stuff will be important after I die? Do I think that scholars will be thrilled that I left such a disorganized treasure trove of creative evidence of me? Will the archives be fought over by college libraries? What will probably happen is my brother will come out with my mother and look in the boxes. My mother will hold up a VHS or a cassette and say to my brother, "Do I have a machine that plays these?" My brother will shake his head no and they will throw it all away. — Marc Maron

Remember that you own what happened to you. If your childhood was less than ideal, you may have been raised thinking that if you told the truth about what really went on in your family, a long bony white finger would emerge from a cloud and point to you, while a chilling voice thundered, "We *told* you not to tell." But that was then. Just put down on paper everything you can remember now about your parents and siblings and relatives and neighbors, and we will deal with libel later on. — Anne Lamott

Sydney: Can I ask you a question? Me: As long as you promise never again to start a question off with whether or not you can propose a question. Sydney: Okay, asshole. I know I shouldn't be thinking about him at all, but I'm curious. What did he wrote on that paper when we went to get my purse? And what did you write back that made hit you? Me: I agree that you shouldn't be thinking about him at all, but I'm honestly shocked it's taken you this long to ask me about it. Sydney: Well? Ugh. I hate writing it verbatim, but she wants to know, so ... Me: He wrote "Are you fucking her?" Sydney: OMG! What a prick! Me: Yep. Sydney: So what did you say back to him that made him punch you? Me: I write, "Why do you think I'm here for her purse? I gave her a hundred for tonight, and now she owes me change." I reread the text, and I'm not so sure it sounds as funny as I thought it did. — Colleen Hoover

(2002) In Rome, month upon month, I struggled with how to structure the book about my father (He already had the water, he just had to discover jars). At one point I laid each chapter out on the terrazzo floor, eighty-three in all, arranged them like the map of an imaginary city. Some of the piles of paper, I imagined, were freestanding buildings, some were clustered into neighborhoods, and some were open space. On the outskirts, of course, were the tenements
abandoned, ramshackled. The spaces between the piles were the roads, the alleyways, the footpaths, the rivers. The bridges to other neighborhoods, the bridges out ... In this way I could get a sense if one could find their way through the book, if the map I was creating made sense, if it was a place one would want to spend some time in. If one could wander there, if one could get lost. — Nick Flynn

Where are you going?" I demanded.
He looked over his shoulder at me with an exasperated sigh. "To my room, of course."
"Can't we write the paper down here?" I asked.
The corners of Wesley's mouth turned slightly upward as he hooked a finger over his belt. "We could, Duffy, but the writing will go much faster if I'm typing, and my computer's upstairs. You're the one who said you wanted to get this over with. — Kody Keplinger

No one is asking, let alone demanding, that you write. The world is not waiting with bated breath for your article or book. Whether or not you get a single word on paper, the sun will rise, the earth will spin, the universe will expand. Writing is forever and always a choice - your choice. — Beth Mende Conny

When I give a speech at a corporate event, I often ask those in attendance, 'Do you know how to tell if you're doing the job?' As heads start whispering back and forth, I provide these clue: 'If you're up at 3 A.M. every night talking into a tape recorder and writing notes on scraps of paper, have a knot in your stomach and a rash on your skin, are losing sleep and losing touch with your wife and kids, have no appetite or sense of humor, and feel that everything might turn out wrong, then you're probably doing the job.' — Bill Walsh