Writers On Writing History Quotes & Sayings

I will only mention that the independent power of words to affect the writing of history is a thing to be watched out for. They have an almost frightening autonomous power to produce in the mind of the reader an image or idea that was not in the mind of the writer. Obviously they operate this way in all forms of writing, but history is particularly sensitive because one has a duty to be accurate, and careless use of words can leave a false impression one had not intended. — Barbara W. Tuchman

A friend of mine who writes history books said to me that he thought that the two creatures most to be pitied were the spider and the novelist - their lives hanging by a thread spun out of their own guts. But in some ways I think writers of fiction are the creatures most to be envied, because who else besides the spider is allowed to take that fragile thread and weave it into a pattern? What a gift of grace to be able to take the chaos from within and from it to create some semblance of order. — Katherine Paterson

There are some great writers who are great talkers, but there are more great writers who are not great talkers. People seem to think there is some connection between talking and writing, but I love to talk and if there were some connection between the two of them I would be the most prolific writer in the history of the world. — Fran Lebowitz

How to read writers on writing: With respect, amusement, and skepticism. They will contradict one another-as they should-for each writer brings an individual history to the writing task. There is no single theology here. — Donald Murray

Suppose a would-be writer can't begin? I really believe there are many excellent writers who have never written because they never could begin. This is especially the case of people of great sensitiveness, or of people of advanced education. Professors suffer most of all from this inhibition. Many of them carry their unwritten books to the grave. They overestimate the magnitude of the task, they overestimate the greatness of the final result. A child in a prep school will write the History of Greece and fetch it home finished after school. "He wrote a fine History of Greece the other day," says his fond father. Thirty years later the child, grown to be a professor, dreams of writing the History of Greece
the whole of it from the first Ionic invasion of the Aegean to the downfall of Alexandria. But he dreams. He never starts. He can't. It's too big. Anybody who has lived around a college knows the pathos of those unwritten books. — Stephen Leacock

As an editor, I must often tell writers that their stories "do not fit our present needs." But there are times when I want to reply: "Sir, I would not trust you to write a ransom note." — Richard Conniff

This is a landmark work in the history of African American studies and American intellectual history. Writing with verve, Jackson brings to life a large cast of characters and traces an ongoing conversation among the writers and critics of this period. This book is likely to become a model for a new generation of scholars, both for the breadth of its engagement and the depth of its archival research. — Werner Sollors

Great Literature is help for humans. It is medicine of the highest order. In a more aware culture, writers would be considered priests. And, in fact, I have approached writing in a distinctly priestess frame of mind. I know what The Color Purple can mean to people, women and men, who have no voice. Who believe they have few choices in life. It can open to them, to their view, the full abundance of this amazing journey we are all on. It can lift them into a new realization of their own power, beauty, love, courage. It is a book that unites the present with the past, therefore giving people a sense of history and of timelessness they might never achieve otherwise. And even were it not 'great' literature, it has the best interests of all of us humans at heart. That we grow, change, challenge, encourage, love fiercely in the awareness that real love can never be incorrect. — Alice Walker

One often hears of writers that rise and swell with their subject, though it may seem but an ordinary one. How, then, with me, writing of this Leviathan? Unconsciously my chirography expands into placard capitals. Give me a condor's quill! Give me Vesuvius' crater for an inkstand! Friends, hold my arms! For in the mere act of penning my thoughts of this Leviathan, they weary me, and make me faint with their out-reaching comprehensiveness of sweep, as if to include the whole circle of the sciences, and all the generations of whales, and men, and mastodons, past, present, and to come, with all the revolving panoramas of empire on earth, and throughout the whole universe, not excluding its suburbs. Such, and so magnifying, is the virtue of a large and liberal theme! We expand to its bulk. To produce a mighty book, you must choose a mighty theme. No great and enduring volume can ever be written on the flea, though many there be who have tried it. — Herman Melville

Some writers just write about their own lives. Well, I don't want to do that. I want to have a really boring life. A quiet, boring life so no one wants to write a biography. I'm the only writer in history only to have one wife, for instance. — T.C. Boyle

As writers we intend to make a difference, to alter people's lives for the greater good ... this is why we write, to have an impact on society, to put a personal stamp on history ... Art and literature are the legacies we leave to succeeding generations. We'll be forgotten, but our books and essays, our stories and poems can survive us ... — Lee Gutkind

Anyway, the way political history is passed down is influenced and spoiled by the closeness of the writers to the political figures that they're writing about. It's a sad state of affairs, but there's probably more veracity of reporting in my work than there is in the newspapers. — Raymond Pettibon

God preserve us from writers who regurgitate what they have learnt from books! It is people's secrets we want to know - it is the natural history of the human heart that we have been trying to put down for a thousand years and everyone must and can leave their contribution. — August Strindberg

Too many writers are trying to write with too shallow an education. Whether they go to college or not is immaterial ... a good writer needs a sense of the history of literature to be successful as a writer. — James Kisner

When my brother, ... , was a young boy learning the Chinese classics, I was in the habit of listening with him and I became unusually proficient at understanding those passages that he found too difficult to grasp and memorize. Father a most learned man, was always regretting the fact: 'Just my luck!' he would say. 'What a pity she was not born a man!' But then I gradually realized that people were saying 'It's bad enough when a man flaunts his Chinese learning; she will come to no good,' and since I have avoided writing the simplest character. — Murasaki Shikibu

If the historian will submit himself to his material instead of trying to impose himself on his material, then the material will ultimately speak to him and supply the answers. — Barbara W. Tuchman

The authentic human being is one of us who instinctively knows what he should not do, and, in addition, he will balk at doing it. He will refuse to do it, even if this brings down dread consequences to him and to those whom he loves. This, to me, is the ultimately heroic trait of ordinary people; they say no to the tyrant and they calmly take the consequences of this resistance. Their deeds may be small, and almost always unnoticed, unmarked by history. Their names are not remembered, nor did these authentic humans expect their names to be remembered. I see their authenticity in an odd way: not in their willingness to perform great heroic deeds but in their quiet refusals. In essence, they cannot be compelled to be what they are not. — Philip K. Dick

If writers only dared to dare, a Suetonius or a Tacitus of the Novel could exist, for the Novel is essentially the history of manners, turned into a story and a play, as is History itself often enough. And there is no other difference than this: that the one, the Novel, cloaks its manners under the disguise of invented characters, while the other, History, provides names and addresses. Only, the Novel probes much deeper than history. It has an ideal, and History has none; it is limited by reality. The Novel also holds the stage much longer. ("A Woman's Vengeance") — Jules Barbey D'Aurevilly

There's power in stories, though. That's all history is: the best tales. The ones that last. Might as well be mine. — Varric Tethras

Writers the most learned, the most accurate in details, and the soundest in tendency, frequently fall into a habit which can neither be cured nor pardoned,-the habit of making history into the proof of their theories. — Lord Acton

Throughout much of history, women writers have capitulated to male standards, and have paid too much heed to what Virginia Woolf calls "the angel in the house." She is that little ghost who sits on one's shoulder while one writes and whispers, "Be nice, don't say anything that will embarrass the family, don't say anything your man will disapprove of ... " [ellipsis in original] The "angel in the house" castrates one's creativity because it deprives one of essential honesty, and many women writers have yet to win the freedom to be honest with themselves. — Erica Jong

By definition he [the writer] cannot put himself today in the service of those who make history; he is at the service of those who suffer it — Albert Camus

How come you write the way you do?" an apprentice writer in my Johns Hopkins workshop once disingenuously asked Donald Barthelme, who was visiting. Without missing a beat, Don replied, "Because Samuel Beckett was already writing the way he does."
Asked another, smiling but serious, "How can we become better writers than we are?"
"Well," DB advised, "for starters, read through the whole history of philosophy, from the pre-Socratics up through last semester. That might help."
"But Coach Barth has already advised us to read all of literature, from Gilgamesh up through last semester ... "
"That, too," Donald affirmed, and twinkled that shrewd Amish-farmer-from-West-11th-Street twinkle of his. "You're probably wasting time on things like eating and sleeping. Cease that, and read all of philosophy and all of literature. Also art. Plus politics and a few other things. The history of everything. — John Barth

Language is very tough, though, a tenacity that is backed up by a long history. However it is treated, its autonomy cannot be lost or seriously damaged, even if that treatment is rather rough. It is the inherent right of all writers to experiment with the possibilities of language in every way they can imagine - without that adventurous spirit, nothing new can ever be born. — Haruki Murakami

Athletes take care of their bodies. Writers must similarly take care of the sensibility that houses the possibility of poems. There is nourishment in books, other art, history, philosophies - in holiness and in mirth. It is in honest hands-on labor also; I don't mean to indicate
a preference for the scholarly life. And it is in the green world - among people, and animals, and trees for that matter, if one genuinely cares about trees. — Mary Oliver

My mother is changing history. She is making her balalaika-smashing mother into a heroine. Does she want me to do the same for her? Is that what good children do for their parents? What about good writers? — Gary Shteyngart

Great writers, I discovered, were not to be bowed down before and worshipped, but embraced and befriended. Their names resounded through history not because they had massive brows and thought deep incomprehensible thoughts, but because they opened windows in the mind, they put their arms round you and showed you things you always knew but never dared to believe. Even if their names were terrifyingly foreign and intellectual sounding, Dostoevsky, Baudelaire or Cavafy, they turned out to be charming and wonderful and quite unalarming after all. — Stephen Fry

The written word is greatest sacred documentation. — Lailah Gifty Akita

For historians, creative writers provide a kind of pornography. They break the rules and admit the thing that is imagined, but is not licensed to be imagined. — Hilary Mantel

Henry Luce to his Time magazine writers: Tell the history of our time through the people who make it. — Walter Isaacson

Read a lot. But read as a writer, to see how other writers are doing it. And make your knowledge of literature in English as deep and broad as you can. In workshops, writers are often told to read what is being written now, but if that is all you read, you are limiting yourself. You need to get a good overall sense of English literary history, so you can write out of that knowledge. — Theodora Goss

You never know what will spark a student's interest and feed the flame of learning. For me, all subjects are connected: writing, reading, science, art, music, math, social studies. By presenting myself as a writer with wide ranging passions - for astronomy, volcanology, art, music, history, and community service - I hope to inspire not only budding writers but also budding scientists, artists, activists... — Elizabeth Rusch

People are reading. In fact, due to social media they are reading more than any time in history. Now we must find a way to get them to include books in all that reading. It starts with us writers doing a better job of writing. — Will Gibson

We always worry that we are copying someone else, that we don't have our own style. Don't worry. Writing is a communal act. Contrary to popular belief, a writer is not Prometheus alone on a hill full of fire. We are very arrogant to think we alone have a totally original mind. We are carried on the backs of all the writers who came before us. We live in the present with all the history, ideas, and soda pop of this time. It all gets mixed up in our writing. — Natalie Goldberg

Make today the day you begin that awesome idea you have had for years. Now go, write this book, and remember that today is an important day in history. — M. Kirin

Stop making excuses and start making history. — A.D. Posey

Maurice Kenny stands at the forefront of his generation. Few writers of any ethnicity are destined to be remembered in the mainstream of literary history; I believe that Kenny's contributions as a poet are among those few. He writes from the center, as our Elders would say. — Wendy Rose

Thunderstorms were common in Sarantium on midsummer nights, sufficiently so to make plausible the oft-repeated tale that the Emperor Apius passed to the god in the midst of a towering storm, with lightning flashing and rolls of thunder besieging the Holy City. Even Pertennius of Eubulus, writing only twenty years after, told the story this way, adding a statue of the Emperor toppling before the bronze gates to the Imperial Precinct and an oak tree split asunder just outside the landward walls. Writers of history often seek the dramatic over the truth. It is a failing of the profession. — Guy Gavriel Kay

Read good writing, and don't live in the present. Live in the deep past, with the language of the Koran or the Mabinogion or Mother Goose or Dickens or Dickinson or Baldwin or whatever speaks to you deeply. Literature is not high school and it's not actually necessary to know what everyone around you is wearing, in terms of style, and being influenced by people who are being published in this very moment is going to make you look just like them, which is probably not a good long-term goal for being yourself or making a meaningful contribution. At any point in history there is a great tide of writers of similar tone, they wash in, they wash out, the strange starfish stay behind, and the conches. — Rebecca Solnit

You have to get inside the people you are writing about. You have to go below the surface. And that's to a very large degree what all writers are doing - they're trying to get below the surface. Whether it's in fiction or poetry or writing history and biography. Some people make that possible because they write wonderful letters and diaries. And you have to sort of go where the material is. — David McCullough