Writers On Reading Quotes & Sayings

Do you know why books such as this are so important? Because they have quality. And what does the word quality mean? To me it means texture. This book has pores. It has features. This book can go under the microscope. You'd find life under the glass, streaming past in infinite profusion. The more pores, the more truthfully recorded details of life per square inch you can get on a sheet of paper, the more 'literary' you are. That's my definition anyway. Telling detail. Fresh detail. The good writers touch life often. The mediocre ones run a quick hand over her. The bad ones rape her and leave her for the flies. So now you see why books are hated and feared? They show the pores in the face of life. — Ray Bradbury

I think the reason why I don't read so much, is because as I have observed, whole books all boil down to a drop of essence. You can read a book full of ten thousand words and at the end, sum it up in one sentence; I am more for the one sentence. I am more for the essence. It's like how you need a truckload of roses to extract one drop of rose oil; I don't want to bother with the truckload of roses because I would rather walk away with the drop of rose oil. So in my mind, I have written two hundred books. Why? Because I have with me two hundred vials with one drop of essence in each! — C. JoyBell C.

If we're lucky, writer and reader alike, we'll finish the last line or two of a short story and then just sit for a minute, quietly. Ideally, we'll ponder what we've just written or read; maybe our hearts or intellects will have been moved off the peg just a little from where they were before. Our body temperature will have gone up, or down, by a degree. Then, breathing evenly and steadily once more, we'll collect ourselves, writers and readers alike, get up, "created of warm blood and nerves" as a Chekhov character puts it, and go on to the next thing: Life. Always life. — Raymond Carver

Reading is sexy. Women who read are suspect. Women who write dangerous. — Chloe Thurlow

On top of whatever else I'm doing, I'm usually teaching some form of composition. The benefit of this is I get to read across disciplines. Often enough that work spills over to my creative reading/thinking, and I reach a point of saturation where I can't distinguish between texts and writers and everything starts to blur and smudge together. — Gregory Pardlo

Writing is learned by imitation. I learned to write mainly by reading writers who were doing the kind of writing I wanted to do and by trying to figure out how they did it. S. J. Perelman told me that when he was starting out he could have been arrested for imitating Ring Lardner. Woody Allen could have been arrested for imitating S. J. Perelman. And who hasn't tried to imitate Woody Allen? Students often feel guilty about modeling their writing on someone else's writing. They think it's unethical - which is commendable. Or they're afraid they'll lose their own identity. The point, however, is that we eventually move beyond our models; we take what we need and then we shed those skins and become who we are supposed to become. But — William Zinsser

There's a difference between publicity and marketing. A lot of writers don't realize how much marketing goes on beyond the scenes, with sales reps and advanced reading copies, all that stuff that happens months before a book is published. — Victoria Strauss

Far from being writers - founders of their own place, heirs of the peasants of earlier ages now working on the soil of language, diggers of wells and builders of houses - readers are travellers; they move across lands belonging to someone else, like nomads poaching their way across fields they did not write, despoiling the wealth of Egypt to enjoy it themselves. — Michel De Certeau

Thomas Randall and Christopher Golden not only are inventive writers but write in a sense to grab your attention cover to cover! I absolutely advise you to read,"The Waking" series. You'll love it if you are into the movie,"The- Grudge". I'm currently working on reading the second book of the trilogy. — Thomas Randall

A lot of writers dwell on their relationships with their mothers, but only a few are worth reading. — Kathryn Harrison

Authors do not need to offer us the answers to such weighty questions such as how to live and prepare us to accept death. The aim of a writer's is to frame worldly questions that allow all readers too independently and jointly explore life-altering questions in a way that satisfies the fabric of thought corresponding to our respective times. — Kilroy J. Oldster

He believes that if talent is demanded of a literary publisher or a writer, it must also be demanded of a reader. Because we mustn't deceive ourselves: on the journey of reading we often travel through difficult terrains that demand a capacity for intelligent emotion, a desire to understand the other, and to approach a language distinct from the one of our daily tyrannies ... Writers fail readers, but it also happens the other way around and readers fail writers when all they ask of them is confirmation that the world is how they see it. — Enrique Vila-Matas

The average buyer in bookshop spends 8 seconds on the front cover and 15 seconds on the back cover before deciding whether to purchase the book or not. On average, he does not get past page 18. See? The odds are stacked against us writers! — Ashwin Sanghi

I love the writers of my thousand books. It pleases me to think how astonished old Homer, whoever he was, would be to find his epics on the shelf of such an unimaginable being as myself, in the middle of an unrumored continent. I love the large minority of the writers on my shelves who have struggled with words and thoughts and, by my lights, have lost the struggle. All together they are my community, the creators of the very idea of books, poetry, and extended narratives, and of the amazing human conversation that has taken place across the millennia, through weal and woe, over the heads of interest and utility. — Marilynne Robinson

Live a life worth reading about. Then write it. — Chris Campanioni

Zafar argues that the greatest influence on a writer may be on her psychic dispositions as a writer. Reading Philip Roth, writes Zafar, might clear the way of inhibitions that held you back from writing about reckless desire, the temptations of power, and the immanence of rage, or reading Naipaul might convince you to seize the ego that so wants to be loved, drag it outside, put it up against a wall, and shoot it. — Zia Haider Rahman

Children's reading and children's thinking are the rock-bottom base upon which this country will rise. Or not rise. In these days of tension and confusion, writers are beginning to realize that books for children have a greater potential for good or evil than any other form of literature on earth. — Dr. Seuss

Some writers are the kind of solo violinists who need complete silence to tune their instruments. Others want to hear every member of the orchestra - they'll take a cue from a clarinet, from an oboe, even. I am one of those. My writing desk is covered in open novels. I read lines to swim in a certain sensibility, to strike a particular note, to encourage rigour when I'm too sentimental, to bring verbal ease when I'm syntactically uptight. I think of reading like a balanced diet; if your sentences are baggy, too baroque, cut back on fatty Foster Wallace, say, and pick up Kafka, as roughage. If your aesthetic has become so refined it is stopping you from placing a single black mark on white paper, stop worrying so much about what Nabokov would say; pick up Dostoyevsky, patron saint of substance over style. — Zadie Smith

When I am about to embark on a difficult journey, I comfort myself by reading the accounts of the great nineteenth-century travellers, men like Stanley, Burton, Speke, Burckhardt and Barth. — Tahir Shah

When I was a schoolgirl my safe haven was a place at the uninhabited part of my parents' house. I used to climb up to the large windowsill that was facing a spreading plum-tree in the garden. Reading books, or penning my own stories, diaries and poems, it was especially fun to rest there during the warmer seasons of the year with an open window, when the tree was all covered with tender, odorous blossom in spring, and with rich purple fruitage in summer. — Sahara Sanders

This posture of skepticism towards the classics displays a profound misjudg- ment. For the great works of Western culture are remarkable for the dis- tance that they maintained from the norms and orthodoxies that gave birth to them. Only a very shallow reading of Chaucer or Shakespeare would see those writers as endorsing the societies in which they lived, or would over- look the far more important fact that their works hold mankind to the light of moral judgment, and examine, with all the love and all the pity that it calls for, the frailty of human nature. It is precisely the aspiration towards universal truth, towards a God's-eye perspective on the human condition, that is the hallmark of Western culture. — Theodore Dalrymple

She texted me 'I love you.'
I texted back 'I love you too.'
She then texted me 'I love you more.'
And I smiled reading her message and texted in reply 'No, I love you more.'
Then she texted me 'I love you infinity power infinity power infinity into infinity.'
I had no words to reply and smiled looking at her text! — Avijeet Das

What about his style?" asked Dalgliesh who was beginning to think that his reading had been unnecessarily restricted.
"Turgid but grammatical. And, in these days, when every illiterate debutante thinks she is a novelist, who am I to quarrel with that? Written with Fowler on his left hand and Roget on his right. Stale, flat and, alas, rapidly becoming unprofitable ... "
"What was he like as a person?" asked Dalgliesh.
"Oh, difficult. Very difficult, poor fellow! I thought you knew him? A precise, self-opinionated, nervous little man perpetually fretting about his sales, his publicity or his book jackets. He overvalued his own talent and undervalued everyone else's, which didn't exactly make for popularity."
"A typical writer, in fact?" suggested Dalgliesh mischievously. — P.D. James

Some people become passionate readers and fans of science fiction during childhood or adolescence. I picked up on SF somewhat later than that; my escape reading of choice during my youth was historical novels, and one of my favorite writers was Mary Renault. — Pamela Sargent

It is possible that the malice of writers has been overrated (by myself among others). Reading their ruminations on their craft, one sees why this writer could not possibly like that one, would indeed consider him a menace. Literature is a battleground of conflicting faiths, and nobler passions than envy are involved. — Wilfrid Sheed

I believe that half the trouble in the world comes from people asking 'What have I achieved?' rather than 'What have I enjoyed?' I've been writing about a subject I love as long as I can remember
horses and the people associated with them, anyplace, anywhere, anytime. I couldn't be happier knowing that young people are reading my books. But even more important to me is that I've enjoyed so much the writing of them. — Walter Farley

I was always very curious as a young man about why older writers who I met seemed so indifferent to what was going on, whereas I, in my 20s, was reading everything. Everything seemed important. But they were only interested in the writers they admired when they were young, and I didn't understand it then, but now, now I understand it. — Paul Auster

Writing and reading decrease our sense of isolation. They deepen and widen and expand our sense of life: they feed the soul. When writers make us shake our heads with the exactness of their prose and their truths, and even make us laugh about ourselves or life, our buoyancy is restored. We are given a shot at dancing with, or at least clapping along with, the absurdity of life, instead of being squashed by it over and over again. It's like singing on a boat during a terrible storm at sea. You can't stop the raging storm, but singing can change the hearts and spirits of the people who are together on that ship. — Anne Lamott

The man is in his work,read it if you want to know about him. — R.M. Engelhardt

Far and away the greatest menace to the writer - any writer, beginning or otherwise - is the reader. The reader is, after all, a kind of silent partner in this whole business of writing, and a work of fiction is surely incomplete if it is never read. The reader is, in fact, the writer's only unrelenting, genuine enemy. He has everything on his side; all he has to do, after all, is shut his eyes, and any work of fiction becomes meaningless. Moreover, a reader has an advantage over a beginning writer in not being a beginning reader; before he takes up a story to read it, he can be presumed to have read everything from Shakespeare to Jack Kerouac. No matter whether he reads a story in manuscript as a great personal favor, or opens a magazine, or - kindest of all - goes into a bookstore and pays good money for a book, he is still an enemy to be defeated with any kind of dirty fighting that comes to the writer's mind. — Shirley Jackson

All the books I was reading as a teenager were about individuals having adventures. So I thought that was what writers were supposed to do: to go out on the road. — Patrick DeWitt

Oh you cut your hair! What happened? Are you going through a breakup or something?"

"My favorite character died. — Joyce Rachelle

Careful writers pick up the nuances of words by focusing on their makeup and their contexts over the course of tens of thousands of hours of reading. — Steven Pinker

My horizon on humanity is enlarged by reading the writers of poems, seeing a painting, listening to some music, some opera, which has nothing at all to do with a volatile human condition or struggle or whatever. It enriches me as a human being. — Wole Soyinka

Yet every great storyteller knows it's the fine art of taking me by the hand and showing me that has the most effect on a reader's soul. It's how writers slip it all into us while we're not looking. While we're reading words, they're making magic happen, and when that magic lands right in our hearts, we're theirs forever. — Rene Gutteridge

You can be a writer who doesn't read everyday. But you're not fooling anyone. It shows, rather embarrassingly, in your work. — Don Roff

It feels to me as thought I've become the character in it, and the character's life ends when the books does. I suppose there are times I'm glad too. Then the ending is like coming out of a bad dream, and I feel all light and free, reborn. I sometimes wonder whether writers really know what they're doing to us readers. [...] I don't read much anymore [...] maybe for that reason. Because I didn't want books to have me in their power. It's like poison. I imagined I'd become immune. But you never become immune. On the contrary. — Peter Stamm

That's just it, Eva said with a gleam in her eyes that matched the rhinestones on her glasses, you had to get somebody to teach you, to facilitate. Literacy wasn't like a piece of my mama's lemon cake you handed over to somebody on a plate. — Minrose Gwin

Writers' trousers are famously unpredictable in many ways, but I haven't met another author whose trousers simply disintegrated en route to a reading. There I was, young and nervous and not wearing a frock due to poor body image issues, stuck on a late afternoon train, leafing through my notes in a preparatory way and yet also feeling, somehow, chilly. — A. L. Kennedy

I picked up reading late because I grew up dyslexic. When I went to college, a friend who was a big reader got me started on a number of writers, including Hemingway. — Lee Pace

The American critic Dale Peck, author of Hatchet Jobs (2004), argues that reviewing finds its true character in critical GBH such as Fischer's [review of Martin Amis's Yellow Dog]. It represents a return to the prehistoric origins of reviewing in Zoilism - a kind of pelting of pretentious literature with dung, lest the writers get above themselves; it is to the novelist what the gown of humiliation was to the Roman politician - a salutary ordeal. Less grandly, bad reviews are fun, so long as you are not the author. There is, it must be admitted, a kind of furtive blood sport pleasure in seeing a novelist suffer. You read on. Whereas most of us stop reading at the first use of the word 'splendid' or 'marvellous' in a review. — John Sutherland

Reading books makes us more attentive to our personage and the aesthetic world that we live in. Writers that we idolize use language, logic, and nuance to paint physical and emotional scenes with refined precision. A writer's use of vivid language creates lingering aftereffects that work their wonder on the reader's malleable mind. A stirred mind resurrects our semiconscious memories; it causes us to summon up enduring images of our family, friends, and acquaintances. Just as importantly, inspirational writing makes us recognize our own telling character traits and identify our formerly unexpressed thoughts and feelings. — Kilroy J. Oldster

Some writers like to work in other places like coffee shops, but I can't - I'd end up people-watching. And if I were at a bookstore, I'd be reading. Sometimes I have some music on, but usually I like it quiet. — Julie Kagawa

Before there were books, we read each other. — Lisa Cron

Novelists congratulate themselves on their creation of this kind of "character" or that kind of "character," and readers pretend to talk knowingly about "character," but all it amounts to is that the writers are enjoying themselves writing lies and the readers are enjoying themselves reading lies. In fact, there is no such thing as character, something fixed and final. The real thing is something that novelists don't know how to write about. Or, if they tried, the end result would never be a novel. Real people are strangely difficult to make sense out of. Even a god would have his hands full trying. — Soseki Natsume

These sorrowful musings on my imperfection were nothing compared to the awful realization that I had gained precisely nothing from reading the books of the very best writers; no avenues had opened up, no light gleamed ahead and it had done nothing but depress me. Wormlike, the awful thought began to gnaw at my heart that I should never make a writer. — Mikhail Bulgakov

Texts on a lifeless strings of facts, but the keys to unlocking the character of human beings, people with likes and dislikes, diocese and foibles, errors and convictions. Words have texture and shape, and it is their almost tactile quality that leads readers to sculpt images of the writers who use them. These images are then interrogated, mocked, congratulated, or dismissed, depending on the context of the reading and the disposition of the reader. — Sam Wineburg

I am forever an advocate of books, both the reading of them and the writing. There is something sacred to me in that community. Because writing
and reading
is a solitary business. And it's good to know I'm not alone. — Shannon Celebi

When entering a library, I never forget to bow down! — Avijeet Das

Every now and then, I need a little spark of inspiration. It could be from reading (a novel, poetry, story, news article, a blog) or it could be attending an event (play, musical performance, poetry reading, writers conference). Something to wake up the drowsy Artist that lives within. For the past seven months, I have done all of these things and I noticed that my Artist has been up writing articles, a children's story, and most recently, working on new poems. After several years of hibernation, it is good to see my Artist so active. I must continue to give her a jolt to inspire her to do much more. — Sandra Proto

If words come alive on the page, the writer succeeds in connecting to the reader. — Aman Jassal

To have come on all this new world of writing, with time to read in a city like Paris where there was a way of living well and working, no matter how poor you were, was like having a great treasure given to you. You could take your treasure with you when you traveled too, and in the mountains where we lived in Switzerland and Italy, until we found Schruns in the high valley in the Vorarlberg in Austria, there were always the books, so that you lived in the new world you had found, the snow and the forests and the glaciers and their winter problems and your high shelter in the Hotel Taube in the village in the day time, and at night you could live in the other wonderful world the Russian writers were giving you. — Ernest Hemingway,

I saw it all suddenly while I was reading Howards End . . . Forster's the only one who understands what the modern novel ought to be . . . Our frightful mistake was that we believed in tragedy: the point is, tragedy's quite impossible nowadays . . . We ought to aim at being essentially comic writers . . . The whole of Forster's technique is based on the tea-table: instead of trying to screw all his scenes up to the highest possible pitch, he tones them down until they sound like mothers'-meeting gossip . . . In fact, there's actually less emphasis laid on the big scenes than on the unimportant ones: that's what's so utterly terrific. It's the completely new kind of accentuation - like a person talking a different language . . . . — Christopher Isherwood

Inspiration for what we produce comes from reading, observing the world of humans around us and also the animal kingdom — Walt Disney Company

We are not 'censored' in the traditional way in the United States: writers are not beaten or killed because of their words, and no Ministry of Truth enforces an official version of what can be printed and thought. But in this culture of images, we are censoring ourselves. That may be more insidious and long-lasting. What I mean is that we disparage long-term complexity, and extol superficiality. We ignore reading, and lavish time on images. To read, in my mind, is to consider and to think. To see an image is to react. What happens when we start believing the world and what is important in it are only these reactions and prejudices? What have you become when the most expected of you is simply to press a 'Like' button? What kind of gulag is it when its inhabitants are too stupid to understand they are its prisoners? — Sergio Troncoso

Only a true reader will understand how lovely it is to read a book on rainy days. — Nicholaa Spencer

To be a better cook, cook more. To be a better writer, read more. — Mokokoma Mokhonoana

The good news (for writers) is that this means that ebooks on computers are more likely to be an enticement to buy the printed book (which is, after all, cheap, easily had, and easy to use) than a substitute for it. You can probably read just enough of the book off the screen to realize you want to be reading it on paper. — Cory Doctorow

The only thing better than a superb collection of spinechilling stories, is a superb collection of spinechilling stories accompanied by equally unsettling illustrations, and in that regard, you'd be hard-pressed to find a better example than IN MINT CONDITION: 2013. In reading it, I have discovered writers and artists previously unknown to me who are now very high on my radar, and they should be just as high on yours. — Kealan Patrick Burke

The whole world's writing novels, but nobody's reading them. — Robert Galbraith

As I got into my teens, I started reading better books, beginning with the Beats and then the hippie writers, people like Wallace Stegner up in Northern California, and all the political New Journalism stuff, the Boys on the Bus dudes and Ken Kesey. — Stephen Gaghan

Once, before leaving on vacation, I copied an entire page from an Alice Munro story and left it in my typewriter, hoping a burglar might come upon it and mistake her words for my own. That an intruder would spend his valuable time reading, that he might be impressed by the description of a crooked face, was something I did not question, as I believed, and still do, that stories save you. — Jincy Willett

I think that writing should be honest and simple, and it should say something about what it means to be a person. When God is good to us, we write in such a way that the act of reading becomes a pleasure to those who buy our books. — M.V. Carey

After reading Edgar Allan Poe. Something the critics have not noticed: a new literary world pointing to the literature of the 20th Century. Scientific miracles, fables on the pattern A+ B, a clear-sighted, sickly literature. No more poetry but analytic fantasy. Something monomaniacal. Things playing a more important part than people; love giving away to deductions and other forms of ideas, style, subject and interest. The basis of the novel transferred from the heart to the head, from the passion to the idea, from the drama to the denouement. — Jules De Goncourt

The pen, a double-edged mystery: cuts the writer, heals the reader. — Jenim Dibie

Twofold misjudgement. - The misfortune suffered by clear-minded and easily understood writers is that they are taken for shallow and thus little effort is expended on reading them: and the good fortune that attends the obscure is that the reader toils at them and ascribes to them the pleasure he has in fact gained from his own zeal. — Friedrich Nietzsche

Mice: But reading all the good writers might discourage you.
Y.C.: Then you ought to be discouraged. — Ernest Hemingway,