Quotes & Sayings About Writers And Society

Writers choose to drink because of their inability to cope with the daily hassles of being part of a society. Why shouldn't they? Every day an intelligent human being is plagued with bills, horrifying news stories and general idiocy that slowly grinds away at their psyche, breaking off pieces of it that may never fit again. — Thor Benson

The sneakiest form of literary subtlety, in a corrupt society, is to speak the plain truth. The critics will not understand you; the public will not believe you; your fellow writers will shake their heads. Laughter, praise, honors, money, and the love of beautiful girls will be your only reward. — Edward Abbey

This diversity of social and semi-governmental institutions and organizations gives us not merely an insight into the immense complexity of an urban society, but also an inkling of the huge efforts and even violence required if they are to be disciplined, levelled down and made uniform. We come to realize all the things that must be done to ensure that the hundreds of newspapers and magazines follow the same linguistic line, the theatre repertoires are made to conform, and the libraries and bookshops are purged of the works of writers who have not kept up with the times. What must happen to ensure that museums, whose exhibitions and displays necessarily reflect long-term efforts, accept the inevitability of a new line and a new course? And what must be done to ensure that hundreds of schools and hundreds of thousands of schoolchildren feel ready to accept a new canon — Karl Schlogel

I don't think writers really choose their subjects. I think the subjects, the topics, the themes, choose us, and then we make the most of what we have. For Trollope, society; for Roth, Jews. For me, apparently, love. Why hide it? — Amy Bloom

Some people get offended by what I write, by what I do with my life and by what I say to those they never saw. And they also get offended when told they are too stupid to have the right to judge anyone. These poor souls don't know that respect and intelligence are correlated. — Daniel Marques

But writers INVITE ghosts, maybe; along with actors and
artists, they are the only totally accepted mediums of our society. They make worlds that never
were, populate them with people who never existed, and then invite us to join them in their
fantasies. And we do it, don't we? Yes. We PAY to do it. — Stephen King

At a time when India is going through great changes and, with China, is likely to inherit the world from the West, it is important that writers like me try to highlight the brutal injustices of society. — Aravind Adiga

In the name of being social, we learn to ignore our natural instinct.
Society keeps dictating do's and don'ts which we keep obeying day in and day out. — Chitralekha Paul

Well, I wasn't going to abuse him. I was only going to ask: Is there any quality which distinguishes his work from that of twenty struggling writers one could name? Of course not. He's a clever, prolific man; so are they. But he began with money and friends; he came from Oxford into the thick of advertised people; his name was mentioned in print six times a week before he had written a dozen articles. This kind of thing will become the rule. Men won't succeed in literature that they may get into society, but will get into society that they may succeed in literature. — George Gissing

I think the HeforShe campaign is a fantastic initiative, and of course men and boys should be involved in seeking equality for women, because we are people, and you are people, and people should help out other people. I think more engagement too could be found from addressing the problems males face from gender inequality, because while the problems girls and women face from sexism are much more violent, I sometimes think the pressures on boys and men are more poisonous. If we think about it clearly, we see that the gender inequalities men face often lead to the gender inequalities women face. For instance, domestic abuse is often about a man's assertion of power and control, but if he didn't think he needed those things in the first place, would the abuse ever happen? Similarly, rape culture is often about male entitlement, but that sense of entitlement comes from what we as a society tell men about their gender, and what it means. — Abigail Tarttelin

But we should ask the question: Why should a writer be more than a writer? Why should a writer be a guru? Why are we supposed to be psychiatrists? Isn't it enough to write and tell the truth? It's not like telling the truth is common. Writers are the earthworms of society. We aerate the soil. That's enough. — Erica Jong

Every writer on this planet THINKS he is a great writer (why waste your entire life writing when you believe you are mediocre?) but its deemed socially unacceptable to actually speak out such thoughts. So, modesty is always a public concept and not an inner one. For that reason alone 'modesty' can actually be said to be the product of a large ego, for the ego is primarily concerned with survival and society rewards this dishonesty and tends to punish honesty (see Camus) — Martijn Benders

In my philosophy, I think churches should not argue and be greedy with money. I think different churches like the synagogues, mosques, and Christian/Catholic churches should focus on bringing peace in the world and not compete. I know in today's world, people are defending one religion to another and try to show off. Has God, Jesus, or the disciples mentioned about competition in the Bible? I don't think so. Because if we compete, we turn to selfish needs and be greedy. So whatever religion you're in, have faith in it as much as you can and help others. Because in every religion I know, you have to give back the poor and have peace in your mind. — Simi Sunny

A writer is someone who analyses the society, people and the world around him or her. Simply a writer is someone who pays attention to the utmost simple things happening around him or her. I believe the best things about being a writer is, you are going to live forever through your work, in your books, in the hearts of your readers, in your characters. — Ama H. Vanniarachchy

Perhaps the most obvious political inequality is the violation of the precept one person one vote. Yet until recent times most writers rejected equal universal suffrage. Indeed, persons were not regarded as the proper subjects of representation at all. Often it was interests that were to be represented, with Whig and Tory differing as to whether the interest of the rising middle class should be given a place alongside the landed and ecclesiastical interests. For others it is regions that are to be represented, or forms of culture, as when one speaks of the representation of the agricultural and urban elements of society. At the first sight, these kinds of representation appear unjust. How far they depart from the precept one person one vote is a measure of their abstract injustice, and indicates the strength of the countervailing reasons that must be forthcoming.119 — John Rawls

John Dorschner, one of our staff writers here at Tropic magazine at The Miami Herald, who is a good friend of mine and an excellent journalist, but a raving liberal, wrote a story about a group that periodically pops up saying that they're going to start their own country or start their own planet or go back to their original planet, or whatever. They were going to "create a libertarian society" on a floating platform in the Caribbean somewhere. I know there's never going to be a country on a floating anything, but if they want to talk about it, that's great. — Dave Barry

Imagination, which is the Eldorado of the poet and of the novel-writer, often proves the most pernicious gift to the individuals who compose the talkers instead of the writers in society. — Marguerite Gardiner, Countess Of Blessington

Like many nonconformist and beat generation writers, William S. Burroughs takes the outcasts of society as his theme. — William S. Burroughs

When members of the London Poetry Society asked Browning to interpret a particularly difficult passage of Sordello, he read it twice, frowned, then admitted, "When I wrote that, God and I knew what I meant, but now God alone knows."
Rather than risk sounding dense, readers, colleagues, and critics who can't figure out what a writer is trying to say but think it sounds intelligent will typically resort to calling such work "daring," "provocative," or "complex." An unholy alliance of writers and readers is at work here. — Ralph Keyes

If you are trying to decide among a few people to fill a position hire the best writer. it doesn't matter if the person is marketer, salesperson, designer, programmer, or whatever, their writing skills will pay off. That's because being a good writer is about more than writing clear writing. Clear writing is a sign of clear thinking. great writers know how to communicate. they make things easy to understand. they can put themselves in someone else's shoes. they know what to omit. And those are qualities you want in any candidate. Writing is making a comeback all over our society ... Writing is today's currency for good ideas. — Jason Fried

All writers pen sad stories to garner sympathy, writing is after all for the abandoned of the society: the ink-leech, spewing black blood and sucking innocent souls. — Aporva Kala

Literary censorship should not be necessary within the parameters of the law because it's simply a reflection of prevailing social prejudices!

Writing should challenge and change prevailing ideas - churning the guts and ruffling feathers of friends, family and society. Antagonizing is a product of open writing. Expecting less is resignation and stagnation that slides the art into the status-quo.

Writing needs the wider view that shows the causality of our prevailing social prejudice - and shakes at its foundation.

Writers spare us no less and please leave your praise and oppugn to Christopher Hitchens. — Jack Tar

Most historians and other writers of what we now consider 'primary sources' simply didn't think about women and their contribution to society. They took it for granted, except when that contribution or its lack directly affected men. — Tansy Rayner Roberts

It is no wonder that the writers of the nineteenth century look upon society as an artificial creation of the legislator's genius. This idea
the fruit of classical education
has taken possession of all the intellectuals and famous writers of our country. To these intellectuals and writers, the relationship between persons and the legislator appears to be the same as the relationship between the clay and the potter. — Frederic Bastiat

There is a line from the Marina Tsvetaeva poem I'm so fond of: "In this most Christian of worlds/ All poets are Jews." What she means is that writers and artists are outside the normal flow of daily life, the normal flow of society in general. — Paul Auster

It's only recently that I've come to understand that writers are not marginal to our society, that they, in fact, do all our thinking for us, that we are writing myths and our myths are believed, and that old myths are believed until someone writes a new one. — Kurt Vonnegut

Literature is the one place in any society where, within the secrecy of our own heads, we can hear voices talking about everything in every possible way. The reason for ensuring that that privileged arena is preserved is not that writers want the absolute freedom to say and do whatever they please. It is that we, all of us, readers and writers and citizens and generals and goodmen, need that little, unimportant-looking room. We do not need to call it sacred, but we do need to remember that it is necessary — Salman Rushdie

As writers we intend to make a difference, to alter people's lives for the greater good ... this is why we write, to have an impact on society, to put a personal stamp on history ... Art and literature are the legacies we leave to succeeding generations. We'll be forgotten, but our books and essays, our stories and poems can survive us ... — Lee Gutkind

As a writer one doesn't belong anywhere. Fiction writers, I think, are even more outside the pale, necessarily on the edge of society. Because society and people are our meat, one really doesn't belong in the midst of society. The great challenge in writing is always to find the universal in the local, the parochial. And to do that, one needs distance. — William Trevor

Most - but not all - of the writers I knew then were young men who cherished their independence, were unconcerned about job security, and were serious about their writing. They didn't want to be anyone's employee if it interfered with their writing. They were halfway or all the way outside the mainstream and were often not interested in becoming part of the burgeoning corporate society. They had more freedom than your average American. — Sterling Lord

As he spoke, he looked into their faces and saw, as though in his own features, that fundamentally they all bore the indelible impress of a similar background: army tradition; long spells of garrison service in a world isolated from the rest of society; a sense of alienation, of being despised by that society and ridiculed by liberal writers; the official ban on discussing politics and political literature, resulting in a blunting or stultifying of the intellect; a permanent shortage of money; and yet, despite it all, the knowledge that they represented, in purified and concentrated form, the vitality and courage of the whole nation. — Aleksandr Solzhenitsyn

Writers and people who had command of words were respected and feared as people who manipulated magic. In latter times I think that artists and writers have allowed themselves to be sold down the river. They have accepted the prevailing belief that art and writing are merely forms of entertainment. They're not seen as transformative forces that can change a human being; that can change a society. They are seen as simple entertainment; things with which we can fill 20 minutes, half an hour, while we're waiting to die. — Alan Moore

Writers matter in a society to the extent that we can help that society hear its unvoiced longing, encounter its erased and disregarded selves, break with complacency, numbness, despair. — Adrienne Rich

[I]t is the writer's duty to write fiction which promotes virtue, the good, the beautiful, and above all, the true ... It is the writer's duty to hate injustice, to defy the powerful, and to speak for the voiceless. To be ... the severest critics of our own societies. — Edward Abbey

We all - adults and children, writers and readers - have an obligation to daydream. We have an obligation to imagine. It is easy to pretend that nobody can change anything, that we are in a world in which society is huge and the individual is less than nothing: an atom in a wall, a grain of rice in a rice field. But the truth is, individuals change their world over and over, individuals make the future, and they do it by imagining that things can be different. — Neil Gaiman

The main focus of Burroughs' Wild Boys tetralogy is an apocalyptic world in which the social order is disrupted enough to allow gay men the possibility of forming seperate communities. The eponymous characters of The Wild Boys band together in the deserts of North Africa to create an alternative to heterosexual society and simultaneously wage war on an intolerant, heterosexual social order that refuses them independence. Burroughs repeatedly links the boys with the youth movements of the late 1960's. He cites Genet's belief that 'it is time for writers to support the rebellion of youth not only with their words but with their presence as well.' The Wild Boys can thus be read as a progression from the riots of Chicago and Stonewall in that they are a radical group of youthful, queer, multiracial revolutionaries who echo Burroughs' own belief that non-violent action is not enough. — Jamie Russell

There will be rebels. They will live in the shadows. They will be the renegade painters, sculptors, poets, writers, journalists, musicians, actors, dancers, organizers, activists, mystics, intellectuals and other outcasts who are willing to accept personal sacrifice. They will not surrender their integrity, creativity, independence and finally their souls. They will speak the truth. The state will have little tolerance of them. They will be poor. The wider society will be conditioned by mass propaganda to write them off as parasites or traitors. They will keep alive what is left of dignity and freedom. Perhaps one day they will rise up and triumph. But one does not live in poverty and on the margins of society because of the certainty of success. One lives like that because to collaborate with radical evil is to betray all that is good and beautiful. It is to become a captive. It is to give up the moral autonomy that makes us human. The rebels will be our hope. — Chris Hedges

Further, many writers and scholars speak in private, say, after half a bottle of wine, differently from the way they do in print. Their writing is certifiably fake, fake. And many of the problems of society come from the argument "other people are doing it." So if I call someone a dangerous ethically challenged fragilista in private after the third glass of Lebanese wine (white), I will be obligated to do so here. — Nassim Nicholas Taleb

In nothing is the difference between the Americans and the Soviets so marked as in the attitude, not only toward writers, but of writers toward their system. For in the Soviet Union the writer's job is to encourage, to celebrate, to explain, and in every way to carry forward the Soviet system. Whereas in America, and in England, a good writer is the watch-dog of society. His job is to satirize its silliness, to attack its injustices, to stigmatize its faults. And this is the reason that in America neither society nor government is very fond of writers. The two are completely opposite approaches toward literature. — John Steinbeck

A writer shouldn't be restricted to any single race, society or even country, he or she has to be for the entire world, and writers should try to write on global issues that are affecting peoples' life in a direct or indirect way. — Tim I. Gurung

I believe that writers, unless they consider themselves terribly exquisite, are at heart people who live by night, a little bit outside society, moving between delinquency and conformity. — Guillermo Cabrera Infante

You can't go wrong in choosing anything, and I love people who dodge all the gender-imperative rubbish that society torments us all with. I love the fact that he didn't think heterosexuality resolved anything at all, meaning, I assume, that he didn't think it was enough just to be heterosexual. You read him and you are immediately convinced that the rest of the world is suffering a mass mental illness. I love writers like that. — Morrissey

I like the hip writers: Fitzgerald, the guy who committed suicide, Hemingway, all those guys. Some of them were alcoholics and drug addicts but they had fun. They were real people. They formed the culture of American literature. Hemingway admired Tolstoy, Tolstoy admired Pushkin, and Mailer admired Hemingway. It all flows down. The greats are all connected. One day I'm gonna write a book myself. The first chapter will be about what a rough deal my momma got. She believed in you guys and your society. — Mike Tyson

If you dig deep and keep peeling the onion, artists and freelance writers are the leaders in society - the people who start to get new ideas out. — Allan Savory

Don't let society's defined genre hold you down, be a free spirit and just write, let society be the one to decide where each piece fits in. — Uma Nnenna

Go all the way to Sun Alliance to Chancery Lane, only to be told that they wouldn't insure my new house because of my profession. "Actors ... and writers ... well, you know."
..I couldn't help feeling something of a reject from society as I walked out again into Chancery Lane ... my solicitor cheerfully informs me that several big companies, including Eagle Star won't touch actors. The happy and slightly absurd ending to this story is that I finally find a willing insurer in the National Farmers' Union at Huntingdon. — Michael Palin

The society to which we belong seems to be dying or is already dead. I don't mean to sound dramatic, but clearly the dark side is rising. Things could not have been more odd and frightening in the Middle Ages. But the tradition of artists will continue no matter what form the society takes. And this is another reason to write: people need us, to mirror for them and for each other without distortion-not to look around and say, 'Look at yourselves, you idiots!,' but to say, 'This is who we are. — Anne Lamott

Honest and earnest criticism from those whose interests are most nearly touched,- criticism of writers by readers, of government by those governed, of leaders by those led, - this is the soul of democracy and the safeguard of modern society — W.E.B. Du Bois

Nowadays, the Internet decides if you're good, not the big man in the big office. No matter how important that man thinks he is, everyone else knows that he's not important anymore, and the Internet decides these things, here in the modern age. — Alexei Maxim Russell

We all perform balancing acts between self and family, individual and community, private desire and group expectation. Gay people in particular must break with the groupthink of church and society in order to live their own lives. (It's why you still see half-read copies of Atlas Shrugged on the night tables of otherwise intelligent gay men.) — Christopher Bram

She saw none of them in their natural state. She asserts that though there may be women distinguished as writers in England, there are no ladies who have any great conversational and political influence in society, of that kind which, during the old regime, was obtained in France by what they would call their femmes marquantes2, such as Madame de Tencin, Madame de Deffand, Mademoiselle de l'Espinasse. This remark stung me to the quick, for my country and for myself, and raised in me a foolish, vainglorious emulation, an ambition false in its objects, and unsuited to the manners, domestic habits, and public virtue of our country. I — Maria Edgeworth

Should a writer have a social purpose? Any honest writer is bound to become a critic of the society he lives in, and sometimes, like Mark Twain or Kurt Vonnegut or Leo Tolstoy or Francois Rabelais, a very harsh critic indeed. The others are sycophants, courtiers, servitors, entertainers. Shakespeare was a sychophant; however, he was and is also a very good poet, and so we continue to read him. — Edward Abbey

I'm humbled and enormously grateful to be connected to [Franz] Kafka in a any way. He is one of the writers I admire. I think he has been a big influence on me. I appreciate the idea of the individual person battling the society - which is true in all his books. — Alan Lightman

As it happened, all three of us turned out to be real writers
a coincidence almost too large to be termed mere coincidence in a society where literally tens of thousands (maybe hundreds of thousands) of college students aspire to the writer's trade and where bare hundreds actually break through. — Stephen King

There are some fine books and essays about that. Lewis Hyde has written about alcoholism and poets and the role that society gives its writers - encouraging them to die. — Sharon Olds

In Japan, the writers have made up a literary community, a circle, a society. I think 90 percent of Japan's writers live in Tokyo. Naturally, they make a community. There are groups and customs, and so they are tied up in a way. — Haruki Murakami

SOME writers have so confounded society with government, as to leave little or no distinction between them; whereas they are not only different, but have different origins. Society is produced by our wants, and government by wickedness; the former promotes our happiness positively by uniting our affections, the latter negatively by restraining our vices. — Thomas Paine

Too many people, once they reach a comfortable position in life, forget the important role writers like Hammett - who dropped out of high school in his first year to work supporting his family - or Howard - struggling to break into the pulps with absolutely no professional advice and little encouragement - play in literature, just as they tend to ignore the role the working man and woman play in society. — Don Herron

The collective sign of relief heaved on V-J Day ought to have inspired Hollywood to release a flood of "happily ever after" films. But some victors didn't feel too good about their spoils. They'd seen too much by then. Too much warfare, too much poverty, too much greed, all in the service of rapacious progress. A bundle of unfinished business lingered from the Depression - nagging questions about ingrained venality, mean human nature, and the way unchecked urban growth threw society dangerously out of whack. Writers and directors responded by delivering gritty, bitter dramas that slapped our romantic illusions in the face and put the boot to the throat of the smug bourgeoisie. Still, plenty of us took it - and liked it. — Eddie Muller

Literature cannot develop between the categories "permitted" - "not permitted" - "this you can and that you can't." Literature that is not the air of its contemporary society, that dares not warn in time against threatening moral and social dangers, such literature does not deserve the name of literature; it is only a facade. Such literature loses the confidence of its own people, and its published works are used as waste paper instead of being read.
-Letter to the Fourth National Congress of Soviet Writers — Aleksandr Solzhenitsyn

No one in a productive society wants you to know there ways of looking at the world other than their ways, and among the effects drugs may have is that of switching a mind from the normal track. Reading the works of certain writers has a corresponding effect. When receptive individuals explore the writings of someone such as Lovecraft, they are majestically solaced to find articulations of existence countering those to which the heads around them have become habituated. — Thomas Ligotti

Art has a noble task: to educate man. That's why the writer's part in our society is a most responsible one. The writers are the architects of human souls and the critics are the architects of the writer's souls. — Slawomir Mrozek

I do not like the reappearance of the Jesuits ... Shall we not have regular swarms of them here, in as many disguises as only a king of the gipsies can assume, dressed as printers, publishers, writers and schoolmasters? If ever there was a body of men who merited damnation on earth and in Hell, it is this society of Loyola's. Nevertheless, we are compelled by our system of religious toleration to offer them an asylum. — John Adams

In the time we spend reeling in confusion, grasping at straws trying to piece our egos together, we forget to acknowledge some things. Society created gender roles and categorizations and lifestyles and names and titles because we fear the unknown, especially when the unknown is us.
It's as though we're stranded in the middle of an ocean, but we were promised the current would bring us back ashore. We're given all we need on the life raft. As far as we can see, we're being led back, slowly. We don't know when we'll approach the shore, but all evidence points to the fact that we will. But we don't spend our time looking around, enjoying the view, seeing who came with us, and riding out the waves. We sit and panic about what we're doing and why we came here.
It doesn't matter where we started because we may never know. It matters where we're going, because that, we do. We begin and we end. We've seen one, so there's only one other option. — Brianna Wiest

I certainly don't object to [writers] trying to imagine the lives of other societies, but you have to do it with a certain amount of humility and respect. If it were not for the ethnographic material that had been collected by missionaries and anthropologists and so forth, much of past Native American society would no longer be accessible. What I object to is making kitsch of things that are very serious. — Michael Dorris

Writers brought up in Africa have many advantages - being at the center of a modern battlefield; part of a society in rapid, dramatic change. But in a long run it can also be a handicap: to wake up every morning with one's eyes on a fresh evidence of inhumanity; to be reminded twenty times a day of injustice, and always the same brand of it, can be limiting. — Doris Lessing

If the decline of Christianity created the modern political zealot - and his crimes - so the evaporation of religious faith among the educated left a vacuum in the minds of Western intellectuals easily filled by secular superstition. There is no other explanation for the credulity with which scientists, accustomed to evaluating evidence, and writers, whose whole function was to study and criticize society, accepted the crudest Stalinist propaganda at its face value. They needed to believe; they wanted to be duped. — Paul Johnson

The function of a writer is to call a spade a spade. If words are sick, it is up to us to cure them. Instead of that, many writers live off this sickness. In many cases modern literature is a cancer of words ... There is nothing more deplorable than the literary practice which, I believe, is called poetic prose and which consists of using words for the obscure harmonics which reosund about them and which are made up of vague meanings which are in contradiction with the clear meaning ... That is not all: we are living in an age of mystifications. Some are fundamental ones which are due to the structure of society; some are secondary. At any rate, the social order today rests upon the mystification of consciousness, as does disorder as well. — Jean-Paul Sartre

In fiction, there happens to be a long history of creative engagement with marginality, with the very human components of society that others don't want to think about, from writers such as Dostoyevsky, Baudelaire, and Rimbaud to Genet and Sarrazin and right on up to Norman Mailer. — Rachel Kushner

Today the crime novelist has one advantage denied to writers of 'straight' or 'literary' novels. Unlike them he can range over all levels of society, for crime can easily breach the barriers that exist in our stratified society. Because of these barriers the modern literary novel, unlike its 19th-century predecessors, is often confined to the horizontal, dealing only with one class. But crime runs through society from top to bottom, and so the crime novelist can present a fuller picture of the way we live now. — Allan Massie

For the Age has itself become vulgar, and most people have no idea to what extent they are themselves tainted. The bad manners of all parliaments, the general tendency to connive at a rather shady business transaction if it promises to bring in money without work, jazz and Negro dances as the spiritual outlet in all circles of society, women painted like prostitutes, the efforts of writers to win popularity by ridiculing in their novels and plays the correctness of well-bred people, and the bad taste shown even by the nobility and old princely families in throwing off every kind of social restraint and time-honoured custom: all of these go to prove that it is now the vulgar mob that gives the tone. — Oswald Spengler

Hard times are coming, when we'll be wanting the voices of writers who can see alternatives to how we live now, can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine real grounds for hope. — Ursula K. Le Guin

All things considered, I've learned more from talking to painters than talking to writers. Not that painters are smarter than writers, such is seldom the case, but in conversation writers are inclined to waste an inordinate amount of time either bragging or bellyaching about reviews and royalties, complaining about their publishers, or dissing other authors. Painters, being equally insecure, can likewise come across as boring and bitchy
it's tough being creative in a materialistic society
but since they labor not in vineyards of verbiage but upon ice floes of visual images, they tend to function with fewer inhibitions than the wordsmiths when it comes to vocally exploring and expressing ideas. Since no one judges their speech, comparing it to their written work, they don't feel so acutely the weight of language. — Tom Robbins

At some point I started getting published, and experienced a meager knock-kneed standing in the literary world, and I started to get almost everything that many of you graduates are hoping for
except for the money. I got a lot of things that society had promised would make me whole and fulfilled
all the things that the culture tells you, from preschool on, will quiet the throbbing anxiety inside you. I got some stature, the respect of other writers, even a low-grade fame. The culture says these things will save you, as long as you also manage to keep your weight down. But the culture lies. — Anne Lamott

The difference between you and I Dre is that i can take a bad experience and make money off it, You just have to live with yours until time blurs your memory of the details.
Most writers i know aren't beautiful by society's standard. Writing is not modelling but Writer's do have beautiful souls. — Crystal Evans

The writer who position is Christian, and probably also the writer whose position is not, will begin to wonder at this point if there could not be some ugly correlation between our unparalleled prosperity and the stridency of these demands for a literature that shows us the joy of life. He may at least be permitted to ask if these screams for joy would be quite so piercing if joy were really more abundant in our prosperous society. — Flannery O'Connor

According to our anarchist writers, world conflict should lead to creative chaos. If such chaos is intelligently exploited, a free society will emerge. But when I looked about me, I was forced to accept that the preconditions of creative chaos did not exist, neither did the intelligent exploiters. Chaos presupposes a vacuum of power, yet bourgeois power was gaining everywhere, and so was the military might of America, for whom West Germany was by now the arsenal and craven ally in the world war that appeared inevitable. As to the intelligent exploiters, they were too busy making profits and driving Mercedes cars to avail themselves of the opportunities we had created for them. — John Le Carre

There is this thing called the university, and everybody goes there now. And there are these things called teachers who make students read this book with good ideas or that book with good ideas until that's where we get our ideas. We don't think them; we read them in books.
I like Utopian talk, speculation about what our planet should be, anger about what our planet is.
I think writers are the most important members of society, not just potentially but actually. Good writers must have and stand by their own ideas. — Kurt Vonnegut