Writer Or Editor Quotes & Sayings

...writing allows us to reposition ourselves so we can see what is otherwise in our mental blind spots or those things about oneself and the world that we neither can see nor understand from the spot where we stand. — Rob Bignell, Editor

You abandon most readily those works that have no destination other than your own wishes; there is no editor or producer standing there waiting for them ... I've told every young writer I know to do the job all the way through even if they think it's no good. Then they'll have the precedent of having finished work. — William, Saroyan

That such lowly beginnings would soon become one of the world's strongest dictatorships is beyond fantastic. Lenin was essentially a pamphleteer. In 1918 he was identified as "Chairman of the Council of People's Commissars and journalist," and earned more money from publication honoraria (15,000 rubles) than from his salary (10,000 rubles).17 Trotsky was a writer as well, and a grandiloquent orator, but similarly without experience or training in statecraft. Sverdlov was something of an amateur forger, thanks to his father's engraving craft, and a crack political organizer but hardly an experienced policy maker. Stalin was also an organizer, a rabble-rouser, and, briefly, a bandit, but primarily a periodicals editor - commissar of nationalities was effectively his first regular employment since his brief stint as a teenage Tiflis weatherman. Now, — Stephen Kotkin

Being an editor doesn't make you a better writer - or vice versa. The worst thing any editor can do is be in competition with his writer. — Joseph Kanon

You can be a member of all of the romance writers associations, take part in all of the networking available, or win the latest romance award ... but guess what? None of that makes a difference if you don't WRITE something people want to READ. The greatest editor in the world won't make your book a best seller if it isn't something people care about. So forget all of the fluff that clouds your purpose ... writing!! — Kathryn Le Veque

Learn to enjoy this tidying process. I don't like to write; I like to have written. But I love to rewrite. I especially like to cut: to press the DELETE key and see an unnecessary word or phrase or sentence vanish into the electricity. I like to replace a humdrum word with one that has more precision or color. I like to strengthen the transition between one sentence and another. I like to rephrase a drab sentence to give it a more pleasing rhythm or a more graceful musical line. With every small refinement I feel that I'm coming nearer to where I would like to arrive, and when I finally get there I know it was the rewriting, not the writing, that wont the game. — William Zinsser

I think being an editor really helped me take other people's notes on my writing. I'd get a note like 'It's too wet' or 'The first couple chapters are good, but then the rest of the pages were so wet that they were completely illegible' or 'Did you dip this in Sprite? This smells like Sprite. Why would you dip your novel in Sprite?' And instead of pushing back, I'd listen. That's an incredibly important skill for a young writer to have. — Toni Morrison

I think it's important to have an experienced writer or editor critique your work to get it ready to pitch an agent. — Tom Robinson

Every word I write is a seed that I may nurture into a small, beautiful poem or a tall, soaring tree. — Rob Bignell, Editor

The anti-Stratfordians hold that Shakespeare didn't write Shakespeare's plays - it was another fellow of the same name, or of a different name. In this they invert the megalomaniacal equation and make themselves not the elect, but the superior of the elect. Barred from composing Shakespeare's plays by a regrettable temporal accident, they, in the fantasy of most every editor, accept the mantle of primum mobile, consign the (falsely named) creator to oblivion, and turn to the adulation of the crowd for their deed of discovery and insight - so much more thoughtful and intellectual than the necessarily sloppy work of the writer. — David Mamet

The most famous self-made man in the world today is our own Edison. Talk with Mr. Edison and he will tell you he owes much if not most of his success to omnivorous reading. Forbes is one of his favorite publications. How closely he reads it can be gathered from a letter just received from him in which he asks the editor to forward a long analytical letter to the writer of a series of articles which contained two figures Mr. Edison questions, and he wants to know exactly on what authority or investigation they were based. Both letters were the product of Mr. Edison and were signed by him. — B.C. Forbes

The writer's job is to write the screenplay and keep the reader turning pages, not to determine how a scene or sequence should be filmed. You don't have to tell the director and cinematographer and film editor how to do their jobs. Your job is to write the screenplay, to give them enough visual information so they can bring those words on the page into life, in full 'sound and fury,' revealing strong visual and dramatic action, with clarity, insight, and emotion. — Syd Field

When interviewing for a job, tell the editor how you love to report. How your passion is gathering information. Do not mention how you want to be a writer, use the word 'prose,' or that deep down you have a sinking suspicion you are the next Norman Mailer. — Michael Hastings

Risk is important to me as a writer, reader, and editor. I love stories that take a premise or style that seems unlikely to succeed, whose first paragraphs risk a raised eyebrow or groan, and whose last paragraphs are then all that much sweeter a triumph. Basically, I love being proved wrong. — Caitlin Horrocks

When coming up with Wonder Woman cover designs, sometimes people will pitch ideas to me, either the writer or the editor. And it's interesting, because I know they're not trying to, but they end up pitching things that end up feeling like damsel-in-distress covers, where the tension comes from her needing to be rescued somehow. And it's something I immediately push back against. — Cliff Chiang

Glad to know about all of you who care about books, including or especially poetry. I'm a much published writer/editor of 12 books (medical nonfiction, literary novels, mysteries) and much short work, inc. prize-winning pieces. — Carole Spearin McCauley

To be a good editor or a good writer, I think you really need to be a great reader first. — Karen Thompson Walker

As good as' always spells mediocrity. But when a writer's work is in competition with all those thousands of other manuscripts that pour over an editor's desk, he cannot afford to be 'as good as'; he (or she) must be 'better than. — Phyllis A. Whitney

I've never had to work out of the arts. I've always either been a writer or an editor, or something where I've made my living from doing what I love. You can't get any better than that. — Len Wein

Benefits of Improv To the Editor: Re "Inmate Improv," by Anna Clark (Op-Ed, Dec. 31): It was not surprising to me that an improvisational theater workshop would help a prison inmate adjust to life after his release. Pretend play has been shown to improve the executive-function skills in preschool and school-age children. These skills include the ability to control emotions and behavior, resist impulses, and exercise self-control and discipline. As poor executive-function skills are associated with high dropout rates, drug use and crime, it would behoove all adults involved in child-rearing to encourage role-playing or "improv." STEVEN ROSENBERG Fairfield, Conn., Dec. 31, 2014 The writer is director of the Elementary Reading Program at the University of Bridgeport School of Education. — Anonymous

An editor sleeping with his writer was not as bad as a psychoanalyst sleeping with his patient, or even a professor sleeping with an undergraduate, let alone a president with an intern. — Edward St. Aubyn

One rule of the road not directly stated elsewhere in this book: 'The editor is always right.' The corollary is that no writer will take all of his or her editor's advice; for all have sinned and fallen short of editorial perfection. — Stephen King

For 10 years, I'd been working as a freelance writer and editor, making money but not a living. It was a good arrangement family-wise, allowing me to stay home with our daughter, but not so great financially or, sometimes, ego-wise. — Will Allison

You should never rely on interviews with musicians as being factual. Most of them are mangled and even have made up stuff in them, that is to say, made up stuff by the writer or editor. — Frank Black

Only the writers can change or fix the past by going back to edit old works — Munia Khan

You are not your poetry. Your self-esteem shouldn't depend on whether you publish, or whether some editor or writer you admire thinks you're any good. — Dorianne Laux

Never the less, at the age of fifteen, having never seen a writer, a poet, a publisher or a magazine editor, and having only the vaguest ideas of procedure, I began working on the profession I had chosen. — Robert E. Howard

Folding the laundry, completing another project at work, or watching television for the next hour doesn't build your writing muscles. It only leaves them flabby. — Rob Bignell, Editor

Yet, I also began to have the sense, fostered in part by the cross-contamination of research, that around the world enclaves that never knew one another - writers who could not have read each other - still had communicated across decades and across vast distances, had stared up at the same shared unfamiliar constellations in the night sky, heard the same unearthly music: a gorgeous choir of unique yet interlocking imaginations and visions and phantoms. At such times, you wonder as both a writer and an editor if you are creating narrative or merely serving as a conduit for what was already there. — Jeff VanderMeer

Every writer needs an editor. I don't care how good you are or think you are. — Nora Roberts

My last point about getting started as a writer: do something first, good or bad, successful or not, and write it up before approaching an editor. The best introduction to an editor is your own written work, published or not. I traveled across Siberia on my own money before ever approaching an editor; I wrote my first book, Siberian Dawn, without knowing a single editor, with no idea of how to get it published. I had to risk my life on the Congo before selling my first magazine story. If the rebel spirit dwells within you, you won't wait for an invitation, you'll invade and take no hostages. — Jeffery Taylor

What about feedback you've received about your leadership style over the years? Years ago, an executive editor of mine said, "You should count the number of times you praise somebody and then double that." Even the toughest, steeliest writer or editor often really wants to be told, "Hey, that was a great piece." Early in my career as a manager, it probably took me a while to realize that everybody wants that. It's just a human need. — Anonymous

I'm a writer first and an editor second ... or maybe third or even fourth. Successful editing requires a very specific set of skills, and I don't claim to have all of them at my command. — Lynn Abbey

{When Abraham Lincoln was 26 years old in 1835, he wrote a defense of Thomas Paine's deism; a political associate, Samuel Hill, burned it to save Lincoln's political career. Historian Roy Basler, the editor of Lincoln's papers, said Paine had a strong influence on Lincoln's style:}

No other writer of the eighteenth century, with the exception of Jefferson, parallels more closely the temper or gist of Lincoln's later thought. In style, Paine above all others affords the variety of eloquence which, chastened and adapted to Lincoln's own mood, is revealed in Lincoln's formal writings. — Roy Basler

The image of the copy editor is of someone who favours a rigid consistency, a mean person who enjoys pointing out other people's errors, a lowly person who is just starting on her career in publishing and is eager to make an impression, or, at worst, a bitter, thwarted person who wanted to be a writer and instead got stuck dotting the i's and crossing the t's and otherwise advancing the careers of other writers. — Mary Norris