Writer Of Your Life Story Quotes & Sayings

When you are turning pages
if you are in the midst of a really good writer
of the very rare kind

his or her voice becomes crystal clear

and all of your own so very still.
They sit down, fold their arms across
your lap and shhhhstillness from within

and from this
in this rare moment

you will be able to observe and then
if you wish
rewrite
your own story.

Yes, this is what the really rare and good writer does
and how reading can heal your life story. — Cathrine Lodoen

I cannot find the perfect person, but I refuse to live my life living a tragic love story based on just sex, and selfish act. — Roxy Writer

Being a writer is a solitary life. So the little part of me that's an actor still enjoys the theatrical part of reading and doing the voices and telling the story. — Jeffrey Eugenides

If I'd learned anything from writing this book, it was that no matter how you might read characters in a book, real life was always different. It was easy for a writer to spin a story to make the hero or heroine seem smart and intelligent, for them to make the right moves, take the correct steps toward their future, but when it came to real life, it didn't quite happen that easily. People were constantly making mistakes and showing insecurities, even when they didn't realize it, and being so imperfect that it actually made them perfect . . . because they were human. Those — Meghan Quinn

If we're lucky, writer and reader alike, we'll finish the last line or two of a short story and then just sit for a minute, quietly. Ideally, we'll ponder what we've just written or read; maybe our hearts or intellects will have been moved off the peg just a little from where they were before. Our body temperature will have gone up, or down, by a degree. Then, breathing evenly and steadily once more, we'll collect ourselves, writers and readers alike, get up, "created of warm blood and nerves" as a Chekhov character puts it, and go on to the next thing: Life. Always life. — Raymond Carver

For grief has always been so dear to you that you would make me writhing in pain in the brothel of your imaginations than to be playing with a bunch of balloons in the yard where I should have been."
"And may be that's why, you'd rather talk to me about this, than to write a story about me where I could live happily. — Sanhita Baruah

Its odd to be a writer, you hear someone's experience and you stash it away in some tiny part of your memory and you go on your way again, only to find; in a few lived through chapters of your story a piece of their puzzle became your pathway to hope and you create words from it, like your mind creates some kind of magic. 'Yeah, it's odd being a writer. — Nikki Rowe

Josie thinks that the problem with being a writer is that you miss a lot of your life wondering if the things that happen to you are good enough to use in a story, and most of the time they're not and you have to make shit up anyway. — Katherine Heiny

I believe one of the important differences between creating literature and just telling a story around the campfire is that in literature you're recreating the experience of life, not just relaying a 'this happened, then that happened' kind of narrative. The specific details and layers of depth that make the world of the story - and what the character is experiencing in that world - as real as possible are elements I love as a reader and, consequently, elements I strive to use effectively as a writer. — Lara Campbell McGehee

The confessional writer will treat her story like a wailing wall. She kneels, and her story spills out, messy, improper. It isn't a protest or even graffiti, but her story is an offering of things that she overlooked or notices that others have overlooked. She is in danger of exposure but she remembers when she lived in hiding and that was worse. She cannot turn back now because this is how life has spun out of her, part vexing passage and part prayer. — Patricia Hickman

The writer's business is to find the shape in unruly life and to serve her story. — Dorothy Gallagher

I often feel like that with the way I portray myself I come off as looking much worse than any of the other characters. I guess it might also be worth noting that anyone I've had as a main character in a story I've written has had full knowledge that I am a writer who writes about the people in her life. — Marie Calloway

There's an enormous difference between being a story writer and being a regular person. As a person, it's your duty to stay on a straight and even keel, not to break down blubbering in the streets, not to pull rude drivers from their cars, not to swing from the branches of trees. But as a writer it's your duty to lie and to view everything in life, however outrageous, as an interesting possibility. You may need to be ruthless or amoral in your writing to be original. Telling a story straight from real life is only being a reporter, not a creator. You have to make your story bigger, better, more magical, more meaningful than life is, no matter how special or wonderful in real life the moment may have been. — Rick Bass

You are the storyteller and the editor of your book of life. So write tales of imagination, tragedy, and adventure and illustrate it with the colors of beauty. — Debasish Mridha

Sooner or later every writer evolves his own definition of a story.
Mine is: A reflection of life plus beginning and end (life seems not to have either) and a meaning. — Mary O'Hara

Some writers might tell you that writing is like a piece of magic - a process of creating something out of nothing, and I guess I used to think about it that way too a long long time ago. But as I've lived my life and loved and lost friends and family, and seen dreams smashed and resurrected, and marveled at the pettiness, drear ambition and ignorance of the herd of which I am a part, I can no longer say that a poem or a story or a script comes from nothing. If it's any good, if it has any power, any potent emotional body, then it's something that a writer has paid for, not only in time, but in all the anxiety that accompanies living and those small fret-filled acts of becoming present that make it possible for us to see beyond our little patch of immediacy. It's not just a reaching out, but a reaching in, into the depths of our being from whence we've sprung. — Billy Marshall Stoneking

But what sets me apart from other Chinese writers is that I neither copy the narrative techniques of foreign writers nor imitate their story lines; what I am happy to do is closely explore what is embedded in their work in order to understand their observations of life and comprehend how they view the world we live in. In my mind, by reading the works of others, a writer is actually engaging in a dialogue, maybe even a romance in which, if there is a meeting of the minds, a lifelong friendship is born; if not, an amicable parting is fine, too. — Mo Yan

A new writer starting out today, whether it's for TV or film, they have to remember that they're telling the story to themselves first of all, and they have to tell the story so that their life depends upon it. — Tony Grisoni

I would like to write my life story, but it seems to write itself. — T.D. Mulhern

I love the unanswered question, the unresolved story, the unclimbed mountain, the tender shard of an incomplete dream. Most of the time. But is it mandatory for a writer to be ambiguous about everything? Isn't it true that there have been fearful episodes in human history when prudence and discretion would have just been euphemisms for pusillanimity? When caution was actually cowardice? When sophistication was disguised decadence? When circumspection was really a kind of espousal? Isn't it true, or at least theoretically possible, that there are times in the life of a people or a nation when the political climate demands that we - even the most sophisticated of us - overtly take sides? I think such times are upon us. — Arundhati Roy

The proverb, "Where there's a will.." sums it up for a writer who had just started in his writing life; for himself, the fictional characters and the audience of his works. It's a trinity of perspectives; one of his struggle, another of the story character which he writes about and the last one of the reader's expectation of his protagonists. — Lucas Michael

You are the writer of your life story; so don't forget to write the best one. — Debasish Mridha

The laws of literary creation are unique; they don't change, and they are the same for everyone everywhere. I mean that you can tell a story that covers three hours of human life or three centuries - it comes to the same thing. Each writer who creates something authentic in a natural way instinctively also creates the technique that suits him. — Ismail Kadare

When I write a book I write the best that I can and so much of that for me is following the book's demands, the subject's requirements - I love books, I always have. They have always been one of the places where I have felt very happy in the world. When I was younger, I loved to read genre fiction - I loved the magic-carpet ride of story! Now I need other things - I need the beautiful particular and strange language and form which brings a writer's book to life in me and speaks to my intellect, and, dare I say it, to my soul. — Micheline Aharonian Marcom

While Max appears to greatly admire Wallace as a writer and feel compassion for him as a man, he is never starry-eyed, or pulls his punches. Every Love Story is a Ghost Story is as illuminating, multifaceted, and serious an estimation of David Foster Wallace's life and work as we can hope to find. — Elissa Schappell

Social Media begins with a story - your story. — Germany Kent

Things that only a writer would understand - you're writing a character - you tell that character who she or he is and they stop you and make it clear, they are the ones telling their story. You just have to let them tell it. — Lisa Marbly-Warir

He pressed bravely ahead with his story, the outlines and preliminary versions of which by now filled two thick notebooks, reorganizing, redrafting, and obsessively re-polishing lines and paragraphs with a jeweler's precision.
But it was not good enough.
He wanted the pages to sing with ideas that had once seemed so important to him, all and everything he knew, and yet they did not, and no amount of diligence was able to bring them to life. The story came to be a burden and weighed more heavily in his hands each time he lifted it out of the drawer. After a few weeks he was reluctant to open the desk at all.
("Talking In The Dark") — Dennis Etchison

I began to meditate upon the writer's life. It is full of tribulation. First he must endure poverty and the world's indifference; then, having achieved a measure of success, he must submit to a good grace of its hazards...But he has one compensation, Whenever he has anything on his mind, whether it be a harassing reflection, grief at the death of a friend, unrequited love, wounded pride, anger at the treachery of someone to whom he has shown kindness, in short any emotion or any perplexing thought, he has only to put it down in black and white, using it as a theme of a story or the decoration of an essay, to forget all about it. He is the only free man. — W. Somerset Maugham

A writer draws a road map where readers walks with their love, joy, anger, tears, and dismay. Every story, every poem, has different meanings for every reader. — Debasish Mridha

I have my first review this is exciting
I write a passage to introduce the book and want to share it on SNS .
As below words,hope you can give me some advice.

" Want to share a book with all of you,my friends .So luck to read this book.
He is not a famous writer but all story is he's real experience,how to be abuse by his mother,
how to overcome learn disablity ,how to be a good father in life and how to get a middle class life
in US now.The purpose to write this book is that he want to help someone who have same experience
with him and encourage those people,you are not alone,there are many people have experienced
similar things,you can overcome it and you deserved a good life. This book can help us to avoid many
mistake when we as a parent . — Shawn Woods

Reading asks that you bring your whole life experience and your ability to decode the written word and your creative imagination to the page and be a co-author with the writer, because the story is just squiggles on the page unless you have a reader. — Katherine Paterson

I think of Jeremy telling me I had to be ruthless to be a writer. And I think how I did not go visit my brother and sister and my parents because I was always working on a story and there was never enough time. (But I didn't want to go either.) There never was enough time, and then later I knew if I stayed in my marriage I would not write another book, not the kind I wanted to, and there is that as well. But really, the ruthlessness, I think, comes in grabbing onto myself, in saying: This is me, and I will not go where I can't bear to go - to Amgash, Illinois - and I will not stay in a marriage when I don't want to, and I will grab myself and hurl onward through life, blind as a bat, but on I go! This is the ruthlessness, I think. — Elizabeth Strout

To tell a love story true, a romance writer must bare hearts, souls and bodies. — Chris Lange

It's quite difficult to know who owns a story. Is it the writer, who crafted it? The characters, who carry the plot forward? Or you, the reader, who breathes life into them? Or perhaps none of the three can exist without the other. Perhaps without this magical combination, a story would be nothing more than words on a page. — Jodi Picoult

I'm not just a reader or a writer; I inhale written words like they're my oxygen. It's not a hobby. It's a passion. People intrigue me. Life intrigues me. I see a story behind every pair of eyes I meet, history in every voice. I'll see someone wearing a smile and wonder what put it there. Words allow me to immerse myself in a whole other world. I get to become a different person. — Nicola Haken

In a sense my whole life as a writer is trying to find structural ways, or formal ways, to permit that outflowing so it doesn't just look like crazy output. In other words, if it turns out that you can do a given voice, that's just kind of inclination. But then if you can find a way to put that voice in a story so that the voice serves a purpose, then I would say that's being a writer. — George Saunders

My wish has always been to write my own story, to create a life that's worth writing about. But is a story worth anything at all if I have no one to tell it to? — Charlotte Eriksson

Stories have their own kind of truth," I pointed out. "And there's not much story if you don't make things up. I mean, you can't be a writer and just write about real life."
"Why not?" Luke snapped a twig.
I was amazed he even had to ask. "Because real life's only bearable if you don't have to live in it all the time. — K.M. Grant

My last point about getting started as a writer: do something first, good or bad, successful or not, and write it up before approaching an editor. The best introduction to an editor is your own written work, published or not. I traveled across Siberia on my own money before ever approaching an editor; I wrote my first book, Siberian Dawn, without knowing a single editor, with no idea of how to get it published. I had to risk my life on the Congo before selling my first magazine story. If the rebel spirit dwells within you, you won't wait for an invitation, you'll invade and take no hostages. — Jeffery Taylor

There are two sides to me. One is the writer. That's a savage person who looks at everything as a story and, you know, wants to use real life in his books. The other part is the Midwesterner, who, you know, wants to say nice things about people and be polite. — Walter Kirn

The Journal is not essentially a confession, a story about oneself. It is a Memorial. What does the writer have to remember? Himself, who he is when he is not writing, when he is living his daily life, when he is alive and real, and not dying and without truth. — Maurice Blanchot

You are a writer - you write one chapter and go on to the next and the next and so forth. You manage the story, you control the ending, no one else. Think about it. The only difference between life and fiction is you cannot rewrite the beginning, but the ending is always within reach. While you write you think how the story will end. Do you make it an ending with no regrets? — Patrick Timm

If the writer believes that our life is and will remain essentially mysterious, if he looks upon us as beings existing in a created order to whose laws we freely respond, then what he sees on the surface will be of interest to him only as he can go through it into an experience of mystery itself. His kind of fiction will always be pushing its own limits outward toward the limits of mystery, because for this kind of writer, the meaning of a story does not begin except at a depth where adequate motivation and adequate psychology and the various determinations have been exhausted. Such a writer will be interested in what we don't understand rather than in what we do. He will be interested in possibility rather than probability. He will be interested in characters who are forced out to meet evil and grace and who act on a trust beyond themselves - whether they know clearly what it is they act upon or not. — Flannery O'Connor

Books have been vastly important in my life - as both a reader and a writer. I've learned that the great gift of literature is that someone else's tale becomes a chapter of your story. And I still feel books are the best art form for making contact with another consciousness, which is why reading a good book by yourself never feels lonely. — Bob Smith

The term - 'Fairy-Tales' is so ironical in itself, when I sometimes sit to write love stories with a happy ending, it usually drags me into a dilemma whether, I should even begin with a love story at first place or not? Because honestly, I haven't seen many of them reaching climax, most of them just die out in the mid. Then comes the concept of fairy tales or what we say 'fiction', where nothing is impossible!
But over time, if I've realized something, it is that there's no such term called fiction when it comes to reality! Its harsh, in-your-face-sarcastic, ironical and highly irrational. You can't expect what's coming up next, and how it's going to blow you. In the real life, the entire meaning of fiction ceases to exist. Conclusively, we writers, deal with harsh reality and write lively fictions, this job in itself is so ironical but, that's life ... — Mehek Bassi

When a writer develops a story, he is confronted with a poison that is inside him. If you don't have that poison, your story will be boring and uninspired. It's like fugu: The flesh of the pufferfish is extremely tasty, but the roe, the liver, the heart can be lethally toxic. My stories are located in a dark, dangerous part of my consciousness, I feel the poison in my mind, but I can fend off a high dose of it because I have a strong body. When you are young, you are strong; so you can usually conquer the poison even without being in training. But beyond the age of 40 your strength wanes, you can no longer cope with the poison if you lead an unhealthy life. — Haruki Murakami

Antiheroes
Aren't just black and white; they exploit the mystery and allure of shadow, of shades of grey. For the writer, they offer more story possibilities than heroes. They could tip either way, either supporting or fighting him. Reformed antiheroes could revert to bad ways, and even on the side of good, but they cab still use methods that would make a true hero blush or flinch. The only problem is that the characteristics that make them antiheroes can, if use for good, transform them into heroes; and then life tends to be much less entertaining. — Helen McCarthy

In her book The Writing Life (1989), Annie Dillard tells the story of a fellow writer who was asked by a student, "Do you think I could be a writer?" "'Well,' the writer said, 'do you like sentences?'" The student is surprised by the question, but Dillard knows exactly what was meant. He was being told, she explains, that "if he likes sentences he could begin," and she remembers a similar conversation with a painter friend. "I asked him how he came to be a painter. He said, 'I like the smell of paint.'" The point, made implicitly (Dillard does not belabour it), is that you don't begin with a grand conception, either of the great American novel or masterpiece that will hang in the Louvre. You begin with a feel for the nitty-gritty material of the medium, paint in one case, sentences in the other. — Stanley Fish

It's the form it takes when it comes out the other side, of course, that gives a story something unique
its life. The story, in the way it has arrived at what it is on the page, has been something learned, by dint of the story's challenge and the work that rises to meet it
a process as uncharted for the writer as if it had never been attempted before. — Eudora Welty

When Eugenia turns the experiences of Thecla over in her heart, we know she is thinking about how Thecla's experience measures against her own. And of course our writer is reaching out to his or her own reader here: just as Eugenia was changed by Thecla's story, so the reader's own life should be somehow changed by Eugenia's. — Kate Cooper

Auto da Fay reveals the trickles of a creative sensibility that later became a tide, but essentially, Weldon the writer emerges only at the very end of this volume, in conjunction with her finding and marrying her husband of 30 years, Ron Weldon. In this sense, it is half a memoir, the private background story to the public future. ( ... ) The reader is forced to re-evaluate the spectacular weirdness of Weldon's fiction: having lived such a life any other kind would seem insipid. — Joanna Murray-Smith