Write That Scene Quotes & Sayings

What is happening here?" Her voice is unsteady as she says a line that's not in the script.
"You tell me," I say, and I'm not even sure where my own voice is coming from.
Then she turns around, uncrosses her legs, and mirrors me, kneeling. "You wrote that scene for me, didn't you?"
I nod. My throat is dry. I can barely speak.
"That day you saw me with Shelby outside the theater, right?"
"Yes." I swallow. I'm an open book now.
"Did you write it because it makes the show better? Or did you write it for me? — Lauren Blakely

When I first started writing, there was no way I'd write a sex scene. That just seemed impossible. That's why in "Fight Club" all the sex happens off-screen. It's all just a noise on the other side of the wall or the ceiling. I just couldn't bring to write in a scene like that. So one of the challenges with "Choke" was I wanted to write sex scenes until I was really comfortable just writing them in a very mechanical way. — Chuck Palahniuk

Problem, purpose, conflict, goal. Use them. Think about them while you are in the planning phase of your novel; keep these elements at the back of your mind to guide you while you write. When you have written a scene, make sure they are all there, or that if one or another is missing, it is intentional and the effect is what you want. — Phyllis A. Whitney

I used to write chronologically when I started, from beginning to end. Eventually I went, 'That's absurd; my heart is in this one scene, therefore I must follow it.' — Joss Whedon

If you give me a typewriter and I'm having a good day, I can write a scene that will astonish its readers. That will perhaps make them laugh, perhaps make them cry - that will have some emotional clout to it. It doesn't cost much to do that. — Alan Moore

Any strongly marked expression of face on the part of a chief actor in a scene of great interest to whom many eyes are directed, will be unconsciously imitated by the spectators. Her forehead was painfully anxious and intent as she gave this evidence, and, in the pauses when she stopped for the Judge to write it down, watched its effect upon the counsel for and against. Among the lookers-on there was the same expression in all quarters of the court; insomuch, that a great majority of the foreheads there, might have been mirrors reflecting the witness, — Charles Dickens

My style might seem awkward, but I'm only trying to write down the things in the scene that I think the reader should know. — Ernest Hemingway,

My intention was to write a chapter of the moral history of my country and I chose Dublin for the scene because that city seemed to me the centre of paralysis. I have tried to present it to the indifferent public under four of its aspects: childhood, adolescence, maturity and public life. The stories are arranged in this order. I have written it for the most part in a style of scrupulous meanness and with the conviction that he is a very bold man who dares to alter in the presentment, still more to deform, whatever he has seen and heard. — James Joyce

I really look up to writers who are able to write compressed, single-scene stories, where everything happens in a kitchen. But I just can't think that way. For me it would be impossible to write a story where I didn't know what someone's parents did and what their grandparents did and who they used to date. — Molly Antopol

I took many notes, more than usual before I sat down and wrote Act One, Scene One. I had perhaps eighty pages of notes ... I was so prepared that the script seemed inevitable. It was almost all there. I could almost collate it from my notes. The story line, the rather tenuous plot we have, seemed to work out itself. It was a very helpful way to write, and it wasn't so scary. I wasn't starting with a completely blank page. — Charles Busch

When we write memoir we are re-creating, sorting through the layer of remembering, to put form and shape to our experience through language. By borrowing from the techniques of fiction and poetry, we are able to make the events of our past come alive, creating detailed pictures of time and place and portraits of the people who have come and gone in our lives. We use scene and dialogue, challenging ourselves to recall how someone talked, what they said (or more accurately, what we remember that they said) and how we felt when moving among the people and events of our past. — Janice Gray

Darling Eve!"
The Irish was a bit more ripe in the voice, and no, the eyes not as stunningly blue. But Julian Cross hit the gorgeous mark, and moved well.
In fact he moved straight to Eve, yanked her into a quick, hard kiss, with a hint of tongue.
"Hey!"
"I couldn't help it." The not-quite-blue-enough eyes twinkled at her. "I feel like we're close."
"Think that again and they'll have to write a fat lip into your next scene." She caught Roarke, eyes narrowed, across the room. "And possibly a broken jaw. — J.D. Robb

Men have external genitalia, while women have internal genitalia. This simple difference makes a lot of difference in how they write about themselves - and how you might write about your characters. Male writers don't often address internal sensation in a character, because they don't experience it (and probably often don't realize consciously that it's there). This accounts for a lot of Really Terrible sex scenes written by men (if you look at the "Bad Sex-Scene Awards" in any given year, you'll see that the vast majority are done by male writers). — Diana Gabaldon

I feel satisfaction at the end of the day when I've written a scene that I really like or when I write a good line of dialogue that I read out to my wife or something like that. But there's also days where it's just bloody agony and I go, 'ugh, this is such crap! Why did I think I had any talent? — George R R Martin

Every book has got its challenges. You run into a plot point that you can't figure out, or a scene that you struggle to write and have to write 50 times. — Justin Cronin

Sometimes I just want to write a really intense love scene. But I can't do that in my books for teens, or parents will complain - believe me, I've tried. — Meg Cabot

I have tried to write soundtracks, and the main problem with those was that the directors often had in their minds a much stronger sense of what they wanted to hear, than what I was willing to give them, and I guess there was no way to say, "Well why don't you write your scene around my music?" Because that's just cocky and awful. — Zach Condon

I'll generally write out every scene that's in the film on a couple of pieces of paper, just with a little one-line. And then I can scan it a bit and go, 'This first third of the film, generally, I'm kind of calm.' Then I might do something on one piece of paper that just relates to the energy of the character. — Guy Pearce

If you do a scene and you really like a character in it or a premise in it to write it down and to work on it so that you can have five or six characters that you can pull out in an audition. — Amy Poehler

I lie and repeat these words over to myself, and find that they are capital. Little by little others come and fit themselves to the preceding ones. I grow keenly wakeful. I get up and snatch paper and pencil from the table behind my bed. It was as if a vein had burst in me ; one word follows another, and they fit themselves together harmoniously with telling effect. Scenes piles on scene, actions and speeches bubble up in my brain, and a wonderful sense of pleasure empowers me. I write as one possessed, and fill page after page without a moment's pause — Knut Hamsun

With screenplays, it's all about being as concise as possible. If you have a scene that's set in a bar, you just have to write, 'Interior: Bar.' — David Benioff

But how?" my students ask. "How do you actually do it?"
You sit down, I say. You try to sit down at approximately the same time every day. This is how you train your unconscious to kick in for you creatively. So you sit down at, say, nine every morning, or ten every night. You put a piece of paper in the typewriter, or you turn on the computer and bring up the right file, and then you stare at it for an hour or so. You begin rocking, just a little at first, and then like a huge autistic child. You look at the ceiling, and over at the clock, yawn, and stare at the paper again. Then, with your fingers poised on the keyboard, you squint at an image that is forming in your mind
a scene, a locale, a character, whatever
and you try to quiet your mind so you can hear what that landscape or character has to say above the other voices in your mind. — Anne Lamott

You don't go to other books and take little pieces because although say a romantic scene may have been many times before all the details of who it is, where it is, are so intertwined in that text that it's easier to write it from scratch. — Bill Gates

Sometimes I find it tiresome to write actions and describe the scene in a very intricate way so that every crew member understands where we are going - that I can find a little bit long and tiresome. But dialogue is just all my life. There's no way I could ever be challenged, not challenged, but I'm always so happy to write dialogue. — Xavier Dolan

How it works for me is that a scene comes to mind, usually a scene between the hero and heroine, that depicts the emotional conflict. From that scene, the characters come alive for me. I don't do a lot of preplanning in any way when I write. — Lori Foster

Change of scene is the thing. I head of a man. Girl refused him. Man went abroad. Two months later girl wired him "Come back, Muriel." Man started to write out a reply; suddenly found that he couldn't remember girl's surname; so never answered at all, and lived happily ever after. — P.G. Wodehouse

I think I can say without fear of inaccuracy that description is my strong point. Possibly this fact is central to my feeling excluded and so on in what might be called "the scene." There appears to be a particular divide in literature that has "description" and all it implies, as its focus. Some people hate "fancy writing," and just want to "cut to the chase," and so on. This attitude deeply irritates me. If you can't try and take words to their limit in the field of literature, then where can you? I actually think that variety is good, but it's usually the enemies of "fancy writing" who also seem to deplore variety and believe that there's only one way to write - without adverbs etc. etc. — Quentin S. Crisp

I know that there's a cultural expectation that women be nurturing, delicate flowers. And I am. So delicate. But that doesn't mean I can't write a good, gory murder scene. — Chelsea Cain

There are times when I want to be plainspoken about my feelings in a song. But there are other times when it's really good to try and get my head around different kinds of song structures, or maybe I might get turned on by trying to write a song that would fit in this one scene in a movie. And by the end of all this, you just end up with a bunch of different ideas. And songs are really just ideas. — Ryan Adams

I like the fact that by mimicking the way memory works, a writer can actually write in a fluid way - one solid scene doesn't have to fall on another solid scene, you can just have a fragment that then dovetails into another one that took place 30 years apart from it. — Kazuo Ishiguro

Nothing is sillier than the creative writing teacher's dictum
"Write about what you know." But whether you're writing
about people or dragons, your personal observation of how
things happen in the world - how character reveals itself - can
turn a dead scene into a vital one. Preliminary good advice
might be: Write as if you were a movie camera. Get exactly
what is there. All human beings see with astonishing accuracy,
not that they can necessarily write it down. — John Gardner

In a given scene I may know nothing more than how it's supposed to end, most of the time not even that. Scenes are improvised. A character does or says something, and with as much spontaneity and schizophrenia as I can muster, another character responds. In this way, everything I write is spontaneous chain reaction and I'm running around playing leapfrog in my brain trying to "be" all my people. — Richard Price

I like the rhythm of comedy in dramas, if that makes sense. In other words, I don't want to write setup, punch, setup, punch, where the joke dictates the scene; I want to find comedy in which the drama is actually driving the moment in the scene. — Rob Thomas

I write with a fountain pen. And then revise word by word and line by line so that the first draft of a scene is usually the tenth or so draft. — John Dufresne

I read daily, not so much for the benefit of my writing, but because I am addicted to it. There is nothing in the world for me that compares to being lost in a really good novel. That said, reading is an absolute must if you want to write. It is a trite enough thing to say, but very true nonetheless. I cannot understand aspiring writers who email me for advice and freely admit that they read very little. I have learned something from every writer I have ever read. Sometimes I have done so consciously, picking up something about how to frame a scene, or seeing a new possibility with regards to structure, or interesting ways to write dialogue. Other times, I think, my collective reading experience affects my sensibilities and informs me in ways that I am not quite aware of, but in real ways that impact how I approach writing. The short of it is, as an aspiring writer, there is nothing as damaging to your credibility as saying that you don't like to read — Khaled Hosseini

To say that George Lucas cannot write a love scene is an understatement; greeting cards have expressed more passion. — Roger Ebert

The term biodynamics - push it aside, it is verbosity. It doesn't matter a bit. One has to use words to make headings, that's all it is. It's rather like the stupidity in a picture gallery today where you have to write under it what the scene or person is. It is equally as nonsensical as that. Therefore to talk about biodynamic gardening, biodynamic horticulture, biodynamic agriculture and the French intensive system is merely a horrible heading of terminology. — Alan Chadwick

When Joseph Wambaugh writes about the LAPD, you listen because you know he knows the scene. Lots of people write cop novels, but they don't have that authenticity. — Gregory Benford

What I have in advance are people I want to write about and a problem or problems that I see those people encountering and that I want to explore - it all proceeds sentence by sentence, paragraph by paragraph, and scene by scene. — Chaim Potok

What comes to me always is a character, a scene, a moment. That's going to be the beginning. Then, as I write, I begin to perceive an ending. I begin to see a destination, although sometimes that changes. And then, of course, there's the whole middle section looming. — Lois Lowry

A story should be like a roller coaster. That is to say before writing a really cruel scene, I have to lift the people's spirits, for example, with a fun scene ... Before writing a scene of pure despair, we must go through scenes of hope. And indeed, when I write, all of this amuses me very much. — Ryukishi07

This was a really amazing part of your adventure, Hamlet. You're sure that, should you ever one day write a book about this story or perhaps a stage production, you'd DEFINITELY include this scene. Why, you'd have to be literally crazy to write a story where you journey to England, get attacked by pirates - actual pirates! - but then just sum up that whole adventure in a single sentence. Hah! That'd be the worst. Who puts a pirate-attack scene in their story and doesn't show it to the audience? Hopefully nobody, that's who! Even from a purely structural viewpoint, you've got to give the audience something awesome to make up for all the introspection you've been doing; that just seems pretty obvious is all. — Ryan North

I did some writing for that movie. The remake of Planet of the Apes. I didn't write the script. But I wrote some lines that they ended up ... not using ... I wrote one line. I thought it would've been perfect. I don't know if anyone saw the movie. It's the scene where the ape general comes in. And they're trying to decide if they should attack right there, or wait until a little later. And I wrote: "Man these bananas are good!" But they didn't use it. I did all of that research. — Brian Regan

I don't write from dreams because I don't remember mine, but I had a fragment of an image left about twins, whose father was telling them how their lives were going to go for the next eight years. I wrote a scene about that, and then another and then another and then another, and after five months I had 732 pages. — Tamora Pierce

As a writer myself, my job has very often been to also write on the job. So you get the script and a vague idea of how the scene might work, and you then add funny words or change the script. I'm not the world's best writer or the world's best actor, but I can do that thing where I can fix - or ruin - fix-slash-ruin, add quirk, add value. — Sally Phillips

I am inspired just by the way a scene can be interpreted by the actors. It can make a huge difference on the type of music that you write. It's best for me if I don't work at all on a project until the movie is shot and I have some sort of edit in front of me. — Marco Beltrami

Having written both comedy and drama, comedy's harder because the fear of failure's so much stronger. When you write a scene and you see it cut together, and it doesn't make you laugh, it hurts in a way that failed drama doesn't. Failed drama, it's all, 'That's not that compelling,' but failed comedy just lays there. — Rob Thomas

I would say I'm a storyteller first, but game making is very wrapped up in how I think of story. If I were to have a story idea, and I decided to write a novel with it instead, I'd have to very consciously de-couple it from gamedom - for example, deliberately add in things that could not be represented in a game scene. — Jane Jensen

I often will write a scene from three different points of view to find out which has the most tension and which way I'm able to conceal the information I'm trying to conceal. And that is, at the end of the day, what writing suspense is all about. — Dan Brown

At twenty-one, Richard Wright was not the world-famous author he would eventually be. But poor and black, he decided he would read and no one could stop him. Did he storm the library and make a scene? No, not in the Jim Crow South he didn't. Instead, he forged a note that said, "Dear Madam: Will you please let this nigger boy have some books by HL Mencken?" (because no one would write that about themselves, right?), and checked them out with a stolen library card, pretending they were for someone else. With the stakes this high, you better be willing to bend the rules or do something desperate or crazy. To thumb your nose at the authorities and say: What? This is not a bridge. I don't know what you're talking about. Or, in some cases, giving the middle finger to the people trying to hold you down and blowing right through their evil, disgusting rules. Pragmatism is not so much realism as flexibility. — Ryan Holiday

I can't write a scene unless I've visualized it. Unless I can actually see it, and that's why a lot of reviewers have said my books are very cinematic, because I actually do see them before I write them. — Eric Van Lustbader

I'm sure that everything you do contributes to the sort of novel that you write. A lot of actors have an understanding of drama and a good ear for dialogue and also the rhythm of speech. Similarly, my 16 years in radio drama has influenced me. You only have 45 minutes, or 7,000 words, to tell a story, so every scene has to have a point. — Rachel Joyce

Daniel, I was asked of a budding author, how do you know if your story is on track? My answer: I start by knowing my intention, my target. Then, with purpose, I write the scene that unfolds before me, as faithfully as is human. - Daniel LaMonte — Daniel LaMonte

It is the most fun I'm ever going to have. I love to write. I love it. I mean, there's nothing in the world I like better, and that includes sex, probably because I'm so very bad at it. It's the greatest peace when I'm in a scene, and it's just me and the character, that's it, that's where I want to live my life. — Joss Whedon

My writing became more and more minimalist. In the end, I couldn't write at all. For seven or eight years, I hardly wrote. But then I had a revelation. What if I did the opposite? What if, when a sentence or a scene was bad, I expanded it, and poured in more and more? After I started to do that, I became free in my writing. — Karl Ove Knausgaard

I love it when characters surprise you, just like real people. When I write a scene I just try to make the characters behave in a way that feels natural to them. Sometimes that means they make a left turn and do something unexpected. Those are always the best scenes in my opinion. — Brad Falchuk

There is no such thing as too ordinary to write about, whether that's life or a scene in a novel. What's interesting to people, whether it's memoir or fiction, is the truth. — Augusten Burroughs

I eat broccoli. I think about the plot. I pace in circles for hours, counter-clockwise, listening to music. I try to think of one detail in the scene I'm about to write that I'm really excited about writing. Until I can come up with that one detail, I pace. — Matthew Tobin Anderson

I try to write 'and it's all very funny' after each scene description so that the reader can imagine the movie in their head. — Noah Baumbach

Different ideas will capture my imagination and ask if they can be in a story. Sometimes they fit together and sometimes they don't. One notion leads to another and I might write pages that will have to go away later, but I'm sketching, getting to know a character, how he or she speaks or lives, so I just let it flow. Things start to click. I don't outline before starting, nor do I write one chapter at a time or even in chronological order. If I'm thinking about a scene, conversation, or event that will come later, I page down and write away. — Lisa Preston

There's the movie you write, there's the movie you shoot and the movie you edit, and often, you find that you're getting the same information out of a scene that you already have and a scene that's actually more powerful, so you have to make the tough decision to take it out. — Tate Taylor

The magic in writing is not so much using your imagination as it is allowing the reader to uses theirs. When I write a novel I'm not going to hand walk you through each scene. Avid readers tend to have very high IQ's so I'm constantly aware of, and respect that. I have a tendency to give my readers vivid descriptions of panoramic viewpoints, soft breezes, and the late evening as it scrapes against the emerging night and present this step by suspenseful step. Once I get them to the threshold of that unseen cliff, I shove them off and say, take it from there. — Carl Henegan

I know exactly what it's like to stand on top of a tall building or in a high place and look down and go, 'Ohhhh my God.' I try to get into that place every time I write a scene like that. And definitely when I write the action scenes, I get overheated and my heart goes really fast. I get very involved. — Veronica Roth

There were definitely scenes I struggled with more than others: the car accident and the thunderstorm are two that come to mind. It's difficult to write about a thunderstorm. There are only so many ways to describe it and our vocabulary is so limited. And the car accident scene required a tense, manic quality that had to be conveyed in the language, as well as the character's dialogue and actions. I was editing these scenes long after I thought I was finished with them. — Mary J. Miller

Always I find when I begin to write there is one character who obstinately will not come alive ... He never does the unexpected thing, he never surprises me, he never takes charge. Every other character helps, he only hinders. And yet one cannot do without him. I can imagine a God feeling in just that way about some of us. The saints, one would suppose, in a sense create themselves. They come alive. They are capable of the surprising act or word. The stand outside the plot, unconditioned by it. But we have to be pushed around. We have the obstinancy of non-existence. We are inextricably bound to the plot, and wearily God forces us, here and there, according to his intention, characters without poetry, without free will, whose only importance is that somewhere, at some time, we help to furnish the scene in which a living character moves and speaks, perhaps the saints with the opportunities for their free will. — Graham Greene

Being a fiction writer is really like being an actor, because if you're going to write convincingly it has to sound right and play right. The only way that works is to emotionally and technically act out and see the scene you're in.
There's no better job in the world, because when I sit down at that computer I'm the world's best forensics expert, if that's what I'm writing about that day. Or I'm some crazed psycho running down a dark alley.
Or I'm a gorgeous woman looking to find a man that night. Whatever! But I'm all of those things, every day. How can you beat that? — Ridley Pearson

Every day, while I was writing out my description of what I was going to write for the knowledge component of the triangle, I would play the scene through in my mind and try to get excited about it. I'd look for all the cool little hooks, the parts that interested me most, and focus on those since they were obviously what made the scene cool. If I couldn't find anything to get excited over, then I would change the scene, or get rid of it entirely. I decided then and there that, no matter how useful a scene might be for my plot, boring scenes had no place in my novels. — Rachel Aaron

The only way to write honestly about the scene is to be part of it. If there is one quick truism about psychedelic drugs, it is that anyone who tries to write about them without first-expierience is a fool and a fraud. — Hunter S. Thompson

The Florida in my novels is not as seedy as the real Florida. It's hard to stay ahead of the curve. Every time I write a scene that I think is the sickest thing I have ever dreamed up, it is surpassed by something that happens in real life. — Carl Hiaasen

To write, for example, a crime that is horrible but which somehow 'resembles' the butterfly, which would be light and fine like the butterfly. I could also describe the butterfly, but bearing in mind the horrible scene of a crime, so that the butterfly would become something frightful. — Italo Calvino