Write And Be Heard Quotes & Sayings

I got a job at Metro and went in to see Louis Mayer, who told me he wanted me to be a producer. I said I wanted to write and direct. He said, No, you have to produce first, you have to crawl before you can walk. Which is as good a definition of producing as I ever heard. — Joseph L. Mankiewicz

Before I was 12 years old, I had no interest in music; I was just into football. Then I heard Don McLean's 'Vincent' come on at the end of an episode of 'The Simpsons.' You know when you hear something and you don't understand why you like it, you just do? That's how I felt. I just thought, 'I want to be able to write songs like that.' — Jake Bugg

Let me quote a few words by Dr. Chalmers: "Thousands of men breathe, move and live, pass off the stage of life, and are heard no more - Why? They do not partake of good in the world, and none were blessed by them; none could point to them as the means of their redemption; not a line they wrote, not a word they spoke could be recalled; and so they perished; their light went out in darkness, and they were not remembered more than insects of yesterday. Will you thus live and die, O man immortal? Live for something. Do good, and leave behind you a monument of virtue that the storms of time can never destroy. Write your name in kindness, love and mercy, on the hearts of the thousands you come in contact with year by year; you will never be forgotten. No, your name, your deeds will be as legible on the hearts you leave behind as the stars on the brow of evening. Good deeds will shine as the stars of heaven. — D.L. Moody

Censor the body and you censor breath and speech at the same time. Write yourself. Your body must be heard. — Helene Cixous

All children grow up, all but one. His name is Peter and by now, all the civilized world has heard of him. He has captured the public imagination and become a legend, a subject for poets, philosophers and psychologists to write about, and for children to dream of. The children's tales might be lacking in some details, but on the whole they are more accurate than most other accounts, for children will always understand Peter intuitively, as I did when I first met him.

"I shall endeavor to tell you the true story of my friend Peter, because he cannot tell it to you himself. Afterward I hope you will love him and defend him as I have for the remainder of your days. Pass on to others a true account of the wild boy who would not grow up, who danced with kings and won the hearts of princesses. He defied logic and reason, lived and loved with an innocent heart, and found peace in the midst of a turbulent world. — Christopher Daniel Mechling

We need to write because so many of our stories are not being heard. Where could they be heard in this era of fear and media monopolies? Writing allows us to transform what has happened to us and to fight back against what's hurting us. While not everyone is an author, everyone is a writer and I think that the process of writing is deeply spiritual and liberatory. — Sandra Cisneros

Some may think there is danger of setting too high a standard of action. I have heard teachers contend that a child will learn to write much faster by having an inferior copy, than by imitating one which is comparatively perfect; 'because,' say they, 'a pupil is liable to be discouraged if you give him a perfect copy; but if it is only a little in advance of his own, he will take courage from the belief that he shall soon be able to equal it.' I am fully convinced, however, that this is not so. The more perfect the copy you place before the child, provided it be written, and not engraved, the better. For it must always be possible in the nature of things, for the child to imitate it; and what is not absolutely impossible, every child may reasonably be expected to aspire after, on the principle, that whatever man has done, man may do. — Anonymous

I would give them (aspiring writers) the oldest advice in the craft: Read and write. Read a lot. Read new authors and established ones, read people whose work is in the same vein as yours and those whose genre is totally different. You've heard of chain-smokers. Writers, especially beginners, need to be chain-readers. And lastly, write every day. Write about things that get under your skin and keep you up at night. — Khaled Hosseini

When I read my writing, am amazed by what I have captured in a given moments. — Lailah Gifty Akita

The big thing that everyone forgets, you're famous and on TV and everything, but I think there's something very rewarding to be able to write a song, record it, and have it turn out as you heard it in your head, or even better. — Phil Collen

Is not the real experience of each individual very limited? And, if a writer dwells upon that solely or principally, is he not in danger of repeating himself, and also of becoming an egotist? Then, too, imagination is a strong, restless faculty, which claims to be heard and exercised: are we to be quite deaf to her cry, and insensate to her struggles? When she shows us bright pictures, are we never to look at them, and try to reproduce them? And when she is eloquent, and speaks rapidly and urgently in our ear, are we not to write to her dictation? — Charlotte Bronte

For people never say anything the same way twice; no two of them ever say it the same. The greatest imaginative writer that ever brooded in a lavender robe and a mellowed briar in his teeth, couldn't tell you, though e try for a lifetime, how the simplest strap-hanger will ask the conductor to be let off at the next stop ...
It is all for the taking. All the manuals by frustrated fictioneers on how to write can't give you the first syllable of reality, at any cot, that any common conversation can. All the classics, read and re-read, can't help you catch the ring of truth as does the word heard first-hand. — Nelson Algren

Being a famous writer is great. But there is a limit for it. For what extend can you be famous, and what would you achieve? True, your books will be best sellers, your blog writings and tweets will be hits, fans will love you, and what next? We all die to reach 'there' as budding writers, but once we reach 'it', we think, what next? Is this what we wanted all our lives? To grab all the leading awards, write best sellers, to be loved, to be known and heard? Will they help us achieve inner peace? I believe the utmost important thing is achieving inner peace, not money and fame. A writer should write to achieve inner peace forgetting all other things. Money, fame, fans are not going to last forever, but inner peace is. — Ama H. Vanniarachchy

By writing her self, woman will return to the body which has been more than confiscated from her, which has been turned into the uncanny stranger on display - the ailing or dead figure, which so often turns out to be the nasty companion, the cause and location of inhibitions. Censor the body and you censor breath and speech at the same time.
Write your self. Your body must be heard. Only then will the immense resources of the unconscious spring forth. — Helene Cixous

Write something worth reading and your voice will be heard. — Teresa Mummert

Perhaps it was true a century ago - I deeply regret that it is no longer true - but the United States criminal justice system long ago lost any legitimate claim to the loyal cooperation of American citizens. You cannot write tens of thousands of criminal statutes, including many touching upon conduct that is neither immoral nor dangerous, write those laws as broadly as you can imagine, scatter them throughout the thousands of pages of the United States Code - and then expect decent law-abiding, unsuspecting citizens to cooperate with an investigation into whether they may have violated some law they have never even heard about. The next time some police officer or government agent asks you whether you would be willing to answer a few questions about where you have been and what you have been doing, you must respectfully but very firmly decline. — James Duane

I used to think that: whenever I heard that someone had taken 10 years to write a novel, I'd think it must be a big, serious book. Now I think, 'No - it took you one year to write, and nine years to sit around eating Kit Kats.' — Ian Rankin

Let your words be your voice. And let your voice be heard within the hearts of others. — Anasia Nicole Hixon

You know that I had heard so many times people say things like, 'You could never write 'Harry Potter' and have it be about Harriett Potter because nobody would read it; people only want to read an adventure story if it's about a boy,' and I thought, 'I don't think that's true.' — Cassandra Clare

I heard some stuff recently from Julian Casablancas, and his solo stuff is amazing. If I could write with anyone, it would be him. — Harry Styles

Do you think you might be able to love me someday?" He asked and heard her laugh softly.

"I already do." She said and his soul soared. "So this is what the poets write about? This is what they call love?" She asked.

"Yes my love." He said softly.

"They do not do it justice." She stated and he laughed.

"I agree." He told her as he held her, wondering how this could be real. — Jasmine Dubroff

I write a tiny fraction of what I used to write. My only job used to be to just write songs, and that was a really nice job to have, but only a tiny amount of people heard those songs, and I didn't make a living from it, and eventually I begged my parents to let me move back into my room. — Regina Spektor

Ah." He set down his backpack and pulled out their notebook. "You're working on your final project?"
"Indirectly," Cath said.
"What does that mean?"
"Have you ever heard sculptors say that they don't actually sculpt an object; they sculpt away everything that isn't the object?"
"No." He sat down.
"Well, I'm writing everything that isn't my final project, so that when I actually sit down to write it, that's all that will be left in my mind. — Rainbow Rowell

You claim you want to be heard.

So you write your hollow words.

You fill your life with deception.

Because it's all about perception.

The world sees you one way.

And they listen to all you say.

You crave their attention.

To feed your addiction.

You have two sides.

Two faces.

You're trying to hide.

In two places. — Kasie West

Dostoevsky does not exist for me. Virginia Woolf does not exist for me. Her essays are quite good, but her novels are not of much interest for me. And Joyce. His stories are wonderful, but his novels are too artificial, even pompous. I have heard some writers say, When I read Kafka or Flaubert or Dostoevsky, I think, why should I write? He is so good. For me, writers like Kafka are so closed they don't allow you to follow them, whereas someone like Shakespeare leaves many paths unexplored, many things just announced, strong images unexplained - these invite you not to follow him but to be inspired. He inspires me. — Javier Marias

Just as anyone who listens to the muse will hear, you can write out of your own intention or out of inspiration. There is such a thing. It comes up and talks. And those who have heard deeply the rhythms and hymns of the gods, can recite those hymns in such a way that the gods will be attracted. — Joseph Campbell

I heard somewhere that whenever you write a book, people will ask you One Question about it over and over. And while I'm no expert in these matters, this is proving to be true. My first book dealt with a not-that-pleasant degenerate type, and the One Question was, 'Is this an autobiographical story?' — Patrick DeWitt

What do you have in mind after you graduate?"
What I always thought I had in mind was getting some big scholarship to graduate
school or a grant to study all over Europe, and then I thought I'd be a professor and write
books of poems or write books of poems and be an editor of some sort. Usually I had
these plans on the tip of my tongue.
"I don't really know," I heard myself say. I felt a deep shock, hearing myself say that, because the minute I said it, I knew it was true. — Sylvia Plath

I started growing up in a hurry and taking a lot of the philosophy I'd heard from church as a kid a lot more seriously - especially the Ten Commandments - and wondering how 'Thou shalt not kill' could be so absolutely ignored. It took me until I was in my 40s to write what I was thinking as a young soldier. — Dave Brubeck

We can't all leave this country, Bijan had told me-this is our home. The world is a large place, my magician had said when I went to him with my woes. You can write and teach wherever you are. You will be read more and heard better, in fact, once you are over there. To go or not to go? In the long run, it's all very personal, my magician reasoned. I always admired your former colleague's honesty, he said. Which former colleague? Dr. A, the one who said his only reason for leaving was because he liked to drink beer freely. I am getting sick of people who cloak their personal flaws and desires in the guise of patriotic fervor. They stay because they have no means of living anywhere else, because if they leave, they won't be the big shots they are over here; but they talk about sacrifice for the homeland. And then those who do leave claim they've gone in order to criticize and expose the regime. Why all these justifications? — Azar Nafisi

To be read. To be heard. To be seen. I want to be read, I want to be heard. I don't need to be seen. To write requires an ego, a belief that what you say matters. Writing also requires an aching curiosity leading you to discover, uncover, what is gnawing at your bones. Words have a weight to them. How you choose to present them and to whom is a matter of style and choice. — Terry Tempest Williams

Now go. Hang out with your friends and be immature. Responsible," I added hurriedly, "but immature."
He made a face. "Do those two go hand in hand?"
"If your immaturity can lead to consequences, then it's irresponsible."
Cole grunted. "You should write that shi- stuff down."
"I heard the "shit" in there, baby boy, and I'm stealing the last PopTart as punishment."
"Harsh, Jo." He shook his head, backing off with a smile. "Harsh. — Samantha Young

One objection I have heard voiced to works of this kind-dealing with Texas-is the amount of gore spilled across the pages. It can not be otherwise. In order to write a realistic and true history of any part of the Southwest, one must narrate such things, even at the risk of monotony. — Robert E. Howard

Going through life has its struggles, but not sharing the trials in a way that engages great communication, is a loss of the physical realities through our everyday senses. — Daniel B. Royer

Sometimes it seems that half of the fairy tales of the world are some form of Cinderella, ugly duckling, or poor boy story, telling of the little person who has no power or possessions who ends up being king or queen, prince or princess. We write it off as wishful dreaming, when it is actually the foundational pattern of disguise or amnesia, loss, and recovery. Every Beauty is sleeping, it seems, before it can meet its Prince. The duckling must be "ugly," or there will be no story. The knight errant must be wounded, or he will never even know what the Holy Grail is, much less find it. Jesus must be crucified, or there can be no resurrection. It is written in our hardwiring, but can only be heard at the soul level. It will usually be resisted and opposed at the ego level. — Richard Rohr

I want to write something that means something to someone ... the reminds them of what a second, a moment, really is ... or that assures them that we are just as lost as they are. I want to write an emotion they are too fragile to let loose, so that my words can do the expression for them, the feeling for them. I want to write beyond the basics and the cliches ... I want to write you, I want to write a long walk on a starry night, I want to write an exhale or an inhale ... or suffocation.
I want to write as clear as my voice could be heard ... that is, if I had anything to say. — Augusten Burroughs

only had to write the play that I was already thinking of. Plays are much easier to write than books, because you can see them in your mind's eye, you are not hampered with all that description which clogs you so terribly in a book and stops you getting on with what's happening. The circumscribed limits of the stage simplifies things for you. You don't have to follow the heroine up and down the stairs, or out to the tennis lawn and back, thinking thoughts that have to be described. You have only what can be seen and heard and done to deal with. Looking and listening and feeling is what you have to deal with. I should — Agatha Christie

I started out in silence, writing as quietly as I had read, and then eventually people read some of what I had written, and some of the readers entered my world or drew me into theirs. I started out in silence and traveled until I arrived at a voice that was heard far away
first the silent voice that can only be read, and then I was asked to speak aloud and to read aloud. When I began to read aloud, another voice, one I hardly recognized, emerged from my mouth. Maybe it was more relaxed, because writing is speaking to no one, and even when you're reading to a crowd, you're still in that conversation with the absent, the faraway, the not yet born, the unknown, and the long gone for whom writers write, the crowd of the absent who hover all around the desk. — Rebecca Solnit

['Fire and Rain'] is sort of almost uncomfortably close. Almost confessional. The reason I could write a song like that at that point, and probably couldn't now, is that I didn't have any sense that anyone would hear it. I started writing the song while I was in London ... and I was totally unknown ... So I assumed that they would never be heard. I could just write or say anything I wanted. Now I'm very aware, and I have to deal with my stage fright and my anxiety about people examining or judging it. The idea that people will pass judgment on it is not a useful thought. — James Taylor

She heard her father's voice as she prepared, remembering all the times she had taken dictation for him, or had overheard him instructing young botanists. 'Be wakeful and watchful,' she heard Henry say. 'Make sure you are not the only member of your party who can write or read a letter. If you need need to find water, follow a dog. If you are starving, eat insects before you waste your energy on hunting. Anything that a bird can eat, you can eat. Your biggest dangers are not snakes, lions, or cannibals; your biggest dangers are blistered feet, carelessness, and fatigue. Be certain to write your diaries and maps legibly; if you die, your notes may be of use to a future explorer. In an emergency, you can always write in blood. — Elizabeth Gilbert

It was wonderful to walk down the long flights of stairs knowing that I'd had good luck working. I always worked until I had something done and I always stopped when I knew what was going to happen next. That way I could be sure of going on the next day. But sometimes when I was starting a new story and I could not get it going, I would sit in front of the fire and squeeze the peel of the little oranges into the edge of the flame and watch the sputter of blue that they made. I would stand and look out over the roofs of Paris and think, "Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know." So finally I would write one true sentence, and then go on from there. It was easy then because there was always one true sentence that you knew or had seen or had heard someone say. — Ernest Hemingway,

To believe those things, which are commonly spoken, by such as take upon them to work wonders, and by sorcerers, or prestidigitators, and impostors; concerning the power of charms, and their driving out of demons, or evil spirits; and the like. Not to keep quails for the game; nor to be mad after such things. Not to be offended with other men's liberty of speech, and to apply myself unto philosophy. Him also I must thank, that ever I heard first Bacchius, then Tandasis and Marcianus, and that I did write dialogues in my youth; and that I took liking to the philosophers' little couch and skins, and such other things, which by the Grecian discipline are proper to those who profess philosophy. — Marcus Aurelius

My goal from the very beginning was just to write good songs that don't require any production to be felt or understood. I wanted to be able to sit in a room with a guitar and play the song from beginning to end and have it be as impactful as if you heard the studio version with all the bells and whistles. — Madonna Ciccone

Fiction operates through the senses, and I think one reason that people find it so difficult to write stories is that they forget how much time and patience is required to convince through the senses. No reader who doesn't actually experience, who isn't made to feel, the story is going to believe anything the fiction writer merely tells him. The first and most obvious characteristic of fiction is that it deals with reality through what can be seen, heard, smelt, tasted, and touched. — Flannery O'Connor

Is he immortal do you think? Because I've seen much in my years, and heard rumors of much more, but never of a man or woman who lived forever."
" I don't think he needs to be immortal. I think all he needs to do is write the right story. Because some stories do live forever — Stephen King

I don't think that TV on the Radio is some dark mysterious band that no one can know about. We write music because it's an immediate form of communication. We're able to put on record what's happening in our times, and we want that message to be heard by the most amount of people. — Dave Sitek

When I write, I can be heard. And known. But nobody has to look at me. Nobody has to see me at all. — Nora Raleigh Baskin

She wanted to write to him. Tell him she was glad he was back, that he was alive, that he was home and safe. But words to him no longer fit right in her her mouth.Words which belonged in his ownership were no longer hers to give. Silence was the only acceptable state her heart would grant. He would never know what he missed, because she refused to be heard in his presence. All the words he could have had, all the phrases he might have danced with. The smiles which would have been imprinted upon his heart, would never be. And his lips would never be able to reply to the words she could not say. — Coco J. Ginger

Death went on, If I'd sent you, with your taste for expeditious methods, the matter would have been resolved, but times have changed a lot lately, and one has to update the means and the systems one uses, to keep up with the new technologies, by using e-mail, for example, I've heard tell that it's the most hygienic way, one that does away with inkblots and fingerprints, besides which it's fast, you just open up outlook express on microsoft and it's gone, the difficulty would be having to work with two separate archives, one for those who use computers and another for those who don't, anyway, we've got plenty of time to think about it, they're always coming out with new models and new designs, with new improved technologies, perhaps I'll try it some day, but until then, I'll continue to write with pen, paper and ink, it has the charm of tradition, and tradition counts for a lot when it comes to dying. — Jose Saramago

In the workshop where I started to write fiction, you had to read your work in public. Most times, you read in a bar or coffeehouse where you'd be competing with the roar of the espresso machine. Or the football game on television. Music and drunk people talking. Against all this noise and distraction, only the most shocking, most physical, dark and funny stories got heard. Our test audience would never sit still for Barn-Raising Club. — Chuck Palahniuk

Schoolchildren all over America are told to write to authors-often to authors whom they have never before heard of, whose work they are to young to understand in the least, and often in letters which are almost illiterate. If children are to be taught to respect the work of American poets I think some better way might be found to do so- some way which would not make such an inconsiderate demand on the author's time. — Conrad Aiken