World Outside Lyrics Quotes & Sayings

Yet when, one day, standing on the outskirts of Yokohama town, bristling with its display of modern miscellanies, I watched the sunset in your southern sea, and saw its peace and majesty among your pine-clad hills, - with the great Fujiyama growing faint against the golden horizon, like a god overcome with his own radiance, - the music of eternity welled up through the evening silence, and I felt that the sky and the earth and the lyrics of the dawn and the dayfall are with the poets and idealists, and not with the marketmen robustly contemptuous of all sentiment, - that, after the forgetfulness of his own divinity, man will remember again that heaven is always in touch with his world, which can never be abandoned for good to the hounding wolves of the modern era, scenting human blood and howling to the skies. — Rabindranath Tagore

I think I took a few stabs at writing socially conscious lyrics. I had never intended to write a song about the Gulf War, but when I wrote "Before You Hit The Floor," I didn't know what the hell was going on in the world. — Bucky Pope

You see, there's some blues for folks ain't never had a thing, and that's a sad blues ... but the saddest kind of blues is for them that's had everything they ever wanted and has lost it, and knows it won't come back no more. Ain't no sufferin' in this world worse than that; and that's the blue we call 'I Had It But It's All Gone Now. — Ken Grimwood

Sometimes I need to reject the music proposed for my songs because the musicians misunderstand that the Fanny Crosby who once wrote for the people in the saloons has merely changed the lyrics. Oh my no. The church must never sing it's songs to the melodies of the world. — Fanny Crosby

I use music and mantras that transform my thoughts from the negative to the positive. If I'm thinking the world is a horrible place, I can transform my life by saying, 'I won't give up', 'I won't worry my life away' and 'I won't hesitate no more', using these lyrics to change my experience. That is, I believe, what makes me seem like a positive person. — Jason Mraz

Even though we don't admit it, every single one of us aspires to be like somebody, whether they live in the world today, within the bard's lyrics, or on the pages in the Library — Evan Meekins

I have a folder that's labeled "The Folder of 24." Inside it are letters from twenty-four people who were actively in the process of planning their suicide, but who stopped and got help - not because of what I wrote on my blog, but because of the amazing response from the community of people who read it and said, "Me too." They were saved by the people who wrote about losing their mother or father or child to suicide and how they'd do anything to go back and convince them not to believe the lies mental illness tells you. They were saved by the people who offered up encouragement and songs and lyrics and poems and talismans and mantras that worked for them and that might work for a stranger in need. There are twenty-four people alive today who are still here because people were brave enough to talk about their struggles, or compassionate enough to convince others of their worth, or who simply said, "I don't understand your illness, but I know that the world is better with you in it. — Jenny Lawson

Ridge: I'm only going to say this once, Sydney. Are you ready? Me: Oh, God. No. I'm turning off my phone. Ridge: I know where you live. Me: Fine. Ridge: You're incredible. Those lyrics. I can't even describe to you how perfect they are for the song. How in the hell does that come out of you? And why can't you see that you need to LET it come out of you? Don't hold it in. You're doing the world a huge disservice with your modesty. I know I agreed not to ask you for more, but that was because I really didn't expect to get what I got from you. I need more. Give me, give me, give me. — Colleen Hoover

Country music and the world will miss George Jones. He was someone who set a high standard in our industry for great music and lyrics that tapped into the emotions of the human heart at a very deep level. His music has touched the lives of country music lovers for over five decades. My prayers are with his family and I pray for the repose of his soul. May you rest in peace, brother. — Collin Raye

That was how we spoke, my mother and I: in puns and games and rhymes. In, you might say, lyrics. This was our tragedy. We were language's magpies by nature, stealing whatever sounded bright and shiny. We were tinpan alleycats, but the gift of music had been withheld. We could not sing along, though we always knew the words. Still, defiantly, we roared our tuneless roars, we fell off the high notes and were trampled by the low ones. And if bitter ices were the consequence, well, there were worse fates in the world than that. — Salman Rushdie

Thorny compositions that sound as if female teen punkers the Shaggs received doctorates in the music of 12-tone composer Alban Berg, and then rewrote their Philosophy of the World ... Carefully notated structures and interplay morph effortlessly into free improvisation that is intelligent and expressive, but never self-indulgent. Also featuring intense lyrics sung with their clear and melodic voices, the two women make transcendent chamber music outside of any genre. — Elliott Sharp

I think you can have the greatest lyrics in the world and if it doesn't have the best tune in the world it will suck. I mean if the music wasn't important it would just be a poem. — Julian Cope

Each day, at the same time, Jude would return and they would be there, led by Webb, whose life could not have been more different than his. Where Webb's memories of childhood were idyllic and earthy, Jude's reeked of indifference. Webb read fantasy; Jude read realism. Webb believed a tree house was the perfect place for gaining a different perspective on the world; Jude saw it as perfect for surveillance and working out who or what was a threat to them. They argued about sport codes and song lyrics. Jude saw the rain-dirty valley; Webb saw Brigadoon. Yet, despite all this, they connected, and the nights they spent in the tree house discussing their brave new worlds and not so brave emotions made everything else in their lives insignificant. Somehow the world of Webb and Fitz and Tate and Narnie became the focus of Jude's life. — Melina Marchetta

Won't you let me take you for a ride.
You can stop the world, try to change my mind. Won't you let me show you how it feels. You can stop the world, but you won't change me. I need music." -"Bleed — Cold

As James entered the El Paso city limits, he began thinking about lyrics to a song that would describe his journey. "I'm just cruise'n in my ride, with my posse by my side." Well, he didn't have anyone by his side - not even that dumb loser Grady, but that was hardly the point. This song would be his legacy, and he wanted to get it right. It would embody the contempt that he felt for society with all its rules and restrictions. It would make him into a folk hero. He would not pretend to die for any "cause." He would let the world know that he had preferred a watery death to an existence where he was bound by mindless regulations. — Joyce Swann

I think there is a song out there to describe just about any situation. — Criss Jami

We all know what good writing is: It's the novel we can't put down, the poem we never forget, the speech that changes the way we look at the world. It's the article that tells us when, where, and how, the essay that clarifies what was hazy before. Good writing is the memo that gets action, the letter that says what a phone call can't. It's the movie that makes us cry, the TV show that makes us laugh, the lyrics to the song we can't stop singing, the advertisement that makes us buy. Good writing can take form in prose or poetry, fiction or nonfiction. It can be formal or informal, literary or colloquial. The rules and tools for achieving each are different, but one difficult-to-define quality runs through them all: style. "Effectiveness of assertion" was George Bernard Shaw's definition of style. "Proper words in proper places" was Jonathan Swift's. You — Mitchell Ivers

The visual side of being a performer or in a band is, to me, as important as the music. I know not everyone shares that same opinion, but when I'm writing songs or working on lyrics or coming up with an idea, I think about videos as I'm in the studio. If I had all the money in the world, I would have the most amazing videos ever, you know? You're saying grandiose, and big; if the song warrants it, I try to push the visuals as far as I can. — Tamaryn

Regarding The Music Man, Jay Nordlinger wrote: The Music Man (for which Willson also wrote the lyrics) is an astonishing creation. It came in a spurt of brilliance. It is shot through with originality, verve, and-why not go all the way?-genius. People love it, can't get enough of it, can't stop performing it-and they are not wrong. For closing in on a half- century now, The Music Man has been performed continually, in every American city, town, and village, and in other parts of the world as well, not excluding Peking. — Meredith Willson

You float like a feather," sings Radiohead, "In a beautiful world." I've listened several times to the Radiohead songs, because it was nice of Raymond to say he heard a bit of them in what I sang. I'm not sure I hear it myself, but I am pleased and touched. Sometimes that's what you need, just a quick casual word of knowledgeable encouragement. Radiohead reminds me a little of the songs in Garden State soundtrack. Now, that's a soundtrack. They were all songs that Zach Braff liked, so he put them in his movie. And there's that beautiful moment near the beginning where Natalie Portman hands him the headphones and she watches him listen to the song and she smiles her huge, innocent Natalie Portman smile. — Nicholson Baker

Light a candle for the sinners set the world on fire — Marilyn Manson

Walking thru this graveyard, I realize times were never really hard. We live, we love, we let it go. The world ain't changed me at all. — Kevin Dalton

All the way out I listen to the car AM radio, bad lyrics of trailer park love, gin and tonic love, strobe light love, lost and found love, lost and found and lost love, lost and lost and lost love - some people were having no luck at all. The DJ sounds quick and smooth and after-shaved, the rest of the world a mess by comparison. — Lorrie Moore

Hello again, friend of a friend, I knew you when
Our common goal was waiting for the world to end
Now that the truth is just a rule that you can bend
You crack the whip, shape shift and trick the past again
I'll send you my love on a wire
Lift you up, everytime, everyone, ooo, pulls away, ooo
From uou — Metric

OUCH

"The arrabal (a term used for poor neighbourhoods in Argentina and Uruguay) and carpa (informal mobile theatre set up inside tents, once common in Latin America), with their caliente (hot) rhythms such as the rumba or the cha-cha-cha, were conquering audiences all over the world, a trend allegorised in song lyrics about their popularity among the French and other non-Latin Americans - "The Frenchman has fun like this/as does the German/and the Irishman has a ball/as does even the Muslim" ("Cachita") - even as they filtered in the presence of a blackness - "and if you want to dance/look for your Cachita/and tell her "Come on negrita"/let's dance" - denied in the official discourse of those Spanish=speaking countries wielding the greatest economic power in the region: namely, Argentina and Mexico, the latter of which would eventually incorporate Afro-Latin American culture into its cinema - although being careful to mark it as Cuban and not Mexican. — Robert McKee Irwin

Concert pianists get to be quite chummy with dead composers. They can't help it. Classical music isn't just music. It's a personal diary. An uncensored confession in the dead of night. A baring of the soul. Take a modern example. Florence and the Machine? In the song 'Cosmic Love,' she catalogs the way in which the world has gone dark, distorting her, when she, a rather intense young woman, was left bereft by a love affair. 'The stars, the moon, they have all been blown out. — Marisha Pessl

I was in love with the lyrics, the rhythm, and the way it could sweep me away to another world. — Jessica Sorensen

You can't start a fire
Worrying 'bout your little world falling apart
This gun's for hire
Even if we're just dancing in the dark — Bruce Springsteen

I see the world, it makes me puke,
But then I look at you and know,
that somewhere there's a someone who can soothe me. — Morrissey

Every single thing I've done has made me who I am today. The only thing I would take back is hurting the people that I love, and the people who I love have already read my lyrics and heard my apologies. But the rest of the world, I don't need to apologize to them. My life doesn't have anything to do with the rest of the world. — Scott Weiland

The most profound voice of any musician I have ever heard. Joe (Strummer) took his message to the world, and the world listened. He managed to influence more than one generation with his innovative and determined manner, and I am not alone in repeatedly turning to his thoughts and lyrics when searching for inspiration. The Clash was the greatest rock band. They wrote the rule book for U2. — Bono

JAMIE'S SONG 'Bright Blue Dream':

I watch the world go round and round.
And see the sun go up and down.
I think I've heard most every sound
Except your voice.

I feel the river by my feet.
And let the tears dry indiscrete.
Seems the horizon's incomplete
Without your face.

The world is a colder place,
Shadows everywhere you used to be.
Darker than the darkest nights I've seen.

And I try go back to that
Bright blue dream.
When there was nothing, there was nothing, but you and me.
Clear blue sky.
Yes there was something, there was something, I could not see. — Neha Yazmin