Workshop Sign Quotes & Sayings

That is our 'pointed task. Love & die. — John Berryman

God asks for men who are totally broken and who will follow Him even to death to work for Him ... — Watchman Nee

You're crazy,' I say.
'Aye,' Logan says. 'Crazy about you. — Cindy Miles

Bootlegs totally defeat the purpose of going to a show. They take away from the preciousness of the lived experience. It happened. You were there for it. And now it's your responsibility to remember it, not to try and re-create it all the time by listening to some shittily recorded attempt at preservation. — Jessie Ann Foley

A radio was playing quietly. Nobody was listening. It was there to drown out the silence. — Rachel Abbott

There is no one in this world who can't be replaced. — Haruki Murakami

I never met a winner who had a work ethic. Not somebody who says I have so much talent that naturally I won. — Arnold Palmer

It was great spending the nights with him, but sometimes, she needed a little break from him and the her that she became around him. — Peter Murphy

There can be no greater error than to expect, or calculate, upon real favors from nation to nation. It is an illusion which experience must cure, which a just pride ought to discard. — George Washington

Together with God you can successfully handle any difficulty. — Jim George

Harness the fire hidden in The Eucharist to bring about a true brotherhood and unity. — Jaime Sin

If your workshop praises a poem, don't think everyone is too nice to tell you how terrible it really is. (If it is that kind of workshop, you should get out of it as soon as possible - honest feedback is the sign that people respect your writing and take it seriously.) — Kim Addonizio

The direct pursuit of happiness is a recipe for an unhappy life. — Donald Campbell

Empirical interest will be in the facts so far as they are relevant to the solution of these problems. — Talcott Parsons

I'm still getting to the good part / the breaking down / learning how to write my story. — Lucy Hale

Most descriptions make Beijing sound overbuilt: not a blade of grass left. — George Vecsey

In the late 1600s the finest instruments originated from three rural families whose workshops were side by side in the Italian village of Cremona. First were the Amatis, and outside their shop hung a sign: "The best violins in all Italy." Not to be outdone, their next-door neighbors, the family Guarnerius, hung a bolder sign proclaiming: "The Best Violins In All The World!" At the end of the street was the workshop of Anton Stradivarius, and on its front door was a simple notice which read: "The best violins on the block." — Freda Bright