Work Space Quotes & Sayings

By refocusing our space program on Mars for America's future, we can restore the sense of wonder and adventure in space exploration that we knew in the summer of 1969. We won the moon race; now it's time for us to live and work on Mars, first on its moons and then on its surface. — Buzz Aldrin

It's interesting how as an artist you keep evolving, but if you can get into the contemporary art space, if the works are in institutions and museums, they keep living on and on and on, even if you move to a different space, that work is still operating. — Kalup Linzy

In the work of Ramanujan, the number 24 appears repeatedly. This is an example of what mathematicians call magic numbers, which continually appear, where we least expect them, for reasons that no one understands. Miraculously, Ramanujan's function also appears in string theory. The number 24 appearing in Ramanujan's function is also the origin of the miraculous cancellations occurring in string theory. In string theory, each of the 24 modes in the Ramanujan function corresponds to a physical vibration of the string. Whenever the string executes its complex motions in space-time by splitting and recombining, a large number of highly sophisticated mathematical identities must be satisfied. These are precisely the mathematical identities discovered by Ramanujan. (Since physicists add two more dimensions when they count the total number of vibrations appearing in a relativistic theory, this means that space-time must have 24 + 2 = 26 space-time dimensions.) — Michio Kaku

Felt pressure, sensed texture and perceived space can work upon the body and so too upon the mind, altering the textures and inclinations of thought. — Robert Macfarlane

With no gravitational force to work against, your body not only doesn't need the same amount of muscle and bone, it starts breaking them down. As on Earth, so in space: use it or lose it. And exercise may not solve the problem. — Neil DeGrasse Tyson

Remember, we really grew up separately; our life experience was very different because of segregation. So I think comedy is a good space to work those things out and educate everyone about the different experiences and different race groups in South Africa. — Riaad Moosa

You need to be able to hit, kick, grapple, wrestle, but for me so much of this is about the mind, about feeling you are in complete control of the space around you, and you know what to do at any moment. That is a wonderful feeling, but it doesn't just happen, you have to work for it, train for it, think about it all the time. — Conor McGregor

I don't have friends. I talk to people when I have to. I smile. I do the socially acceptable thing and tolerate people when I'm at work. But no one gets in my personal space. I don't need anybody! — Stevie J. Cole

In fact the "mask" theme has come up several times in my background reading. Richard Sennett, for example, in "The Corrosion of Character: The Personal Consequences of Work in the New Capitalism", and Robert Jackall, in "Moral Mazes: The World of Corporate managers", refer repeatedly to the "masks" that corporate functionaries are required to wear, like actors in an ancient Greek drama. According to Jackall, corporate managers stress the need to exercise iron self-control and to mask all emotion and intention behind bland, smiling, and agreeable public faces.
Kimberly seems to have perfected the requisite phoniness and even as I dislike her, my whole aim is to be welcomed into the same corporate culture that she seems to have mastered, meaning that I need to "get in the face" of my revulsion and overcome it. But until I reach that transcendent point, I seem to be stuck in an emotional space left over from my midteen years: I hate you; please love me. — Barbara Ehrenreich

Nobody else can be a better critic of yours than your enemy, who hates you to the core.
He will speculate your work minutely to find out your mistakes to let you down, the more he lets you down, the more you will excel.
And your true victory will be the day he praises your work.
The only condition is, you have to be negatively positive and positively negative to provide the comments and compliments, a space in your heart and mind, respectively. — Himmilicious

As i emerge on deck the ordered arrangement of the stars meets my eye, unclouded, infinitely wearisome. There they are: stars, sun, sea, light, darkness, space, great waters; the formidable Work of the Seven Days, into which mankind seems to have blundered unbidden. Or else decoyed. — Joseph Conrad

If they can work out the kinks, it could revolutionize space travel." " 'Work out the kinks'?" Jared said. "I'm about to use this thing. Kinks are bad. — John Scalzi

I gave it a shot, Lex. I gave you your space. I let you be happy. That's what you said you wanted." He gripped her hand a little harder. "How did that work? Are you happy? Are you happy without me? — K.A. Linde

Defined simply, narcissism means excessive self-preoccupation; pragmatism means excessive focus on work, achievement, and the practical concerns of life; and restlessness means an excessive greed for experience, an overeating, not in terms of food but in terms of trying to drink in too much of life...And constancy of all three together account for the fact that we are so habitually self-absorbed by heartaches, headaches, and greed for experience that we rarely find the time and space to be in touch with the deeper movements inside of and around us. — Ronald Rolheiser

You were told how much space so it was a matter of whether you could send in two paintings or three paintings, you know, pending where the show was being held. You did submit work to be accepted. Once you were accepted that was it. You did your own selection of what went in. — Lee Krasner

Where are we?" Ni asked.
"This is my work place and the center of
Universe as well." Simone said.
"Do you mean the tower is in the center of Universe?" Ni asked
"I mean that we are both in space and inside the tower at the same time."
"Why is it so dark here?" Ni asked.
"At the beginning, it is always dark." Simone replied, "Then everything comes into existence little by little.
Even Light is born out of Darkness. — Leora Cika Waldman

The availability of cheap effective lighting alone, following Thomas Edison's invention of the incandescent bulb in 1879, greatly extended the range of waking human consciousness, effectively adding more hours onto the day - for work, for entertainment, for study, for discovery, for consumption. Subsequently, one development led to another, and to yet another, fueled by a corporate economy in developed nations, and then later by the arms race, and then the space race, as human ambition literally outgrew the planet. It seemed that there was no limit on what humanity could achieve. But there was a flaw at the heart of that expansive optimism - namely, that humanity cannot exist as a thing apart from nature; it has no destiny but annihilation apart from the land that gave it birth. — Clark Strand

I was starting to wonder if I was ready to be a writer, not someone who won prizes, got published and was given the time and space to work, but someone who wrote as a course of life. Maybe writing wouldn't have any rewards. Maybe the salvation I would gain through work would only be emotional and intellectual. Wouldn't that be enough, to be a waitress who found an hour or two hidden in every day to write? — Ann Patchett

The poor young man must work for his bread; he eats; when he has eaten, he has nothing left but reverie. He enters God's theater free; he sees the sky, space, the stars, the flowers, the children, the humanity in which he suffers, the creation in which he shines. He looks at humanity so much that he sees the soul, he looks at creation so much that he sees God. He dreams, he feels that he is great; he dreams some more, and he feels that he is tender. From the egotism of the suffering man, he passes to the compassion of the contemplating man. A wonderful feeling springs up within him, forgetfulness of self, and pity for all. In thinking of the countless enjoyments nature offers, gives, and gives lavishly to open souls and refuses to closed souls, he, a millionaire of intelligence, comes to grieve for the millionaires of money. All hatred leaves his heart as all light enters his mind. And is he unhappy? No. The poverty of a young man is never miserable. — Victor Hugo

I would never go to a studio. I need my space, you know what I mean? I need to be able to chain smoke and pace about, cry and like ... spit. Just make noise, make a huge mess. I also feel like if I was concerned for the cost of the studio - like, 'this is costing 40 dollars an hour' - I wouldn't be able to work. — Grimes

It's rare to find a consistently creative or insightful person who is also an angry person. They can't occupy the same space, and if your anger moves in, generosity and creativity often move out. It's difficult to use revenge or animus to fuel great work. — Seth Godin

I think context, location matters a lot. Because location obviously in my situation, it's the space in which the work is going to be exhibited. And since some of the work I do is created onsite, it requires a different type of space, versus the smaller drawings or more subject-oriented work. So that the context becomes important. — Shahzia Sikander

He is well satisfied with his accommodation, which provides all modern amenities in a compact and convenient form, and leaves him the maximum amount of time free for his work. How much time people waste in walking from one room to another ... Space is time. — David Lodge

Exactly what she was doing - tears leaked from the corners of her eyes and wove crooked paths down her cheeks. How could she have been so insensitive to her own sister? Chapter 24 All week Cassie had worked feverishly to put Steve out of her mind, but it hadn't worked. She couldn't wait to see him, and a week had never dragged on for so long. Nothing felt the same without him at the construction site, running the project. Saturday morning, Cassie was up early. The Hoedown was being held in an airport hangar, and a lot of work had to be done in order to get the space ready. Several other volunteers arrived to work off their hours by putting up long folding tables and chairs, placing red-and-white checkered plastic tablecloths across the tables, and then setting the tables, lining each place setting up perfectly. To the front of the hangar was a mechanical bull quartered off with stacks of hay. In the middle of the room were tables displaying — Debbie Macomber

If Earth is considered a closed system, there will be less for all forever. The frontier is closed, the wilderness is gone, nature is being destroyed by human consumers, while billions are starving. The future indeed looks grim, and there are, ultimately, no really long-range, positive solutions, nor motivation for making the sacrifices and doing the hard work needed now, unless we understand that we are evolving from an Earth-only toward an Earth-space or universal species. — Barbara Marx Hubbard

Looking, touching, material, place and form are all inseparable from the resulting work. It is difficult to say where one stops and another begins. The energy and space around a material are as important as the energy and space within. The weather
rain, sun, snow, hail, mist, calm
is that external space made visible. When I touch a rock, I am touching and working the space around it. It is not independent of its surroundings, and the way it sits tells how it came to be there. — Andy Goldsworthy

I think the people that want to fly in space, who want to work in space, who want to go to station, these people realize that there is a risk inherent to what they do. They understand that there are possible off-nominal situations, dangerous situations in space, and there's no insurance against that. — Roman Romanenko

Whenever I see the alcove of a tastefully built Japanese room, I marvel at our comprehension of the secrets of shadows, our sensitive use of shadow and light. For the beauty of the alcove is not the work of some clever device. An empty space is marked off with plain wood and plain walls, so that the light drawn into its forms dim shadows within emptiness. There is nothing more. And yet, when we gaze into the darkness that gathers behind the crossbeam, around the flower vase, beneath the shelves, though we know perfectly well it is mere shadow, we are overcome with the feeling that in this small corner of the atmosphere there reigns complete and utter silence; that here in the darkness immutable tranquility holds sway. — Jun'ichiro Tanizaki

I won't eat in a restaurant with filthy bathrooms. This isn't a hard call. They let you see the bathrooms. If the restaurant can't be bothered to replace the puck in the urinal or keep the toilets and floors clean, then just imagine what their refrigeration and work spaces look like. — Anthony Bourdain

College is a safe space where it can be hard to truly fail. The institution is rooting for you because your failure makes them look bad, too. New York City has no such mandate. I've had to hone and sharpen and refine my work here at a pace which may not have happened in other cities. — Baratunde Thurston

Consciously or not, we feel and internalize what the space tells us about how to work. When you walk into most offices, the space tells you that it's meant for a group of people to work alone. Closed-off desks sprout off of lonely hallways, and in a few obligatory conference rooms a huge table ensures that people are safely separated from one another. — David Kelley

I favor parking a few miles from the office and walking to work. You get the benefit of exercise and besides it is easier to get a parking space. — Paul Dudley White

The camp suddenly felt light-years away, as distant as Earth used to look from the Colony. "You make me feel legitimately crazy. You know that, right?" Wells whispered, running his hand down her back. "Why? Because I'm seducing you in a tree?" "Because no matter what else is going on, being with you makes me perfectly happy. It's crazy, switching gears that fast." Wells ran his hand along her cheek. "You're like a drug." Sasha smiled. "I think you need to work on your compliments, space boy." "I've — Kass Morgan

Reaking up the space and using the space, using the length of the space, the height of it, whatever, the light, all of those things. It's something that you have to kind of slowly recognize in your work and develop over years of making work. — Robert Barry

Each one of us needs time and space for recollection, meditation and calmness ... Thanks be to God that this is so! In fact, this need tells us that we are not made for work alone, but also to think, to reflect or even simply to follow with our minds and our hearts a tale, a story in which to immerse ourselves, in a certain sense to lose ourselves to find ourselves subsequently enriched. — Pope Benedict XVI

Being shelled is the main work of an infantry soldier, which no one talks about. Everyone has his own way of going about it. In general, it means lying face down and contracting your body into as small a space as possible. — Louis Simpson

But it wasn't Neil or Buzz that had interested her, or even the moon itself. She had been attracted to the missions' most unsung hero: Michael Collins, alone in Columbia, drifting around the moon in exquisite solitary splendor while Buzz and Neil had gone about the terrestrial work of putting down a plaque, erecting a flag, and gathering rocks. Every two hours Michael Collins had gone out of radio contact for forty-eight minutes when the moon stood between himself and Earth, and during those minutes he was the most alone person in the history of people. Helen still liked to think about that. That had always been her dream: space, not a location with it, just space. — Meg Howrey

Philosophick Work, to proceed at all smartly, wouldn't you agree, requires a controll'd working-space. — Thomas Pynchon

I continue to see good growth in the mobile space; I expect to see PCs being the core driver in the home. And I mean that for entertainment along with the work-at-home space. — Jim Allchin

My work at MIT had focused on what we could build in space once we had inexpensive space transportation and industrial facilities in orbit. And this led to various sorts of work in space development. — K. Eric Drexler

Even the most perfect reproduction of a work of art is lacking in one element: its presence in time and space, its unique existence at the place where it happens to be. — Walter Benjamin

The last achievement of the serious admirer is to stop immediately putting to work the energies aroused by, filling up the space opened by, what is admired. Thereby talented admirers give themselves permission to breathe, to breathe more deeply. But for that it is necessary to go beyond avidity; to identify with something beyond achievement, beyond the gathering of power. — Susan Sontag

There's always a pattern in order to make a thing, but the starting point must be something I've never seen before. It's not two-dimensional, but it's like a sample. I work with patterns like a sculptor. I try to get [the team] not to work on a body, [but] to work on a free space, on a table. The work is basically on flat surfaces. — Rei Kawakubo

Except they kept asking me questions like 'What is your biggest source of conflict about the Pope?' Or 'Has the Pope ever tried to suppress your scientific work?' Completely out of left field!
"They didn't want to hear me tell them how much Pope Benedict supported the Vatican Observatory and its scientific work. So, finally, frustrated that they weren't getting the story they wanted out of me, one of them asked, 'Would you baptize an extraterrestrial?'
"What did you answer?"
"Only if she asks!"
"I love it! How did they react?"
"They all got a good laugh, which is what I intended. And then, the next day, they all ran my joke as if it were a straight story, as if I had made some sort of official Vatican pronouncement about aliens. — Guy Consolmagno

You don't understand!' Foaly objected.
Trouble cut him off with a chop of his hand through the air. 'I never understand. That's why we pay you and your dork posse.
Foaly objected again. 'They are not dorks!'
Trouble found space for yet another holster. 'Really? That guy brings a Beanie Baby to work every day. And your nephew, Mayne, speaks fluent Unicorn.'
'They're not all dorks,' said Foaly, correcting himself. — Eoin Colfer

All you need is a little space and a little time - a place to work, and some time to do it; a little self-imposed solitude and temporary captivity. — Austin Kleon

I sell a complete package ... a life style that's in harmony with and exemplified by the exterior and interior living space. I'm obsessive about the way I live and work, so when it comes to renovating, I believe in finding the true integrity of a house, then breathing life back into it in a way that connects with a certain type of buyer. — Jeffrey Lewis

The relatively new trouble with mass society is perhaps even more serious, but not because of the masses themselves, but because this society is essentially a consumers' society where leisure time is used no longer for self-perfection or acquisition of more social status, but for more and more consumption and more and more entertainment ... To believe that such a society will become more "cultured" as time goes on and education has done its work, is, I think, a fatal mistake. The point is that a consumers' society cannot possibly know how to take care of a world and the things which belong exclusively to the space of worldly appearances, because its central attitude toward all objects, the attitude of consumption, spells ruin to everything it touches. — Hannah Arendt

Spacemen - men who work in space, pilots and jetmen and astrogators and such - are men who like a few million miles of elbow room. — Robert A. Heinlein

I want to know: How does a space suit on Mars work? Show me how it is pressurized, and how it is cooled. What's the glove design? None of that stuff can be bought off the rack. It does not exist. You can't just go to SpaceMart and buy those things. — Chris Hadfield

All too often we bemoan our imperfections rather than embrace them as part of the process in which we are brought to God. Cherished emptiness gives God space in which to work. We are pure capacity for God. Let us not, then, take our littleness lightly. It is a wonderful grace. It is a gift to receive. At the same time, let us not get trapped in the confines of our littleness, but keep pushing on to claim our greatness. Remind yourself often, "I am pure capacity for God; I can be more. — Macrina Wiederkehr

They're at the gates now, and there's no lock on them that Parks can see, but they don't open. Used to be electric, obviously, but bygones are bygones and in the brave new post-mortem world that just means they don't bloody work. "Over!" he yells. "Up and over!" Which is easily said. A head-high rampart of ornamental ironwork with functional spear points on top says different. They try, all the same. Parks leaves them to it, turns his back to them and goes on firing. The up side is that now he can be indiscriminate. Set to full auto and aim low. Cut the hungries' legs out from under them, turning the front-runners into trip hazards to slow the ones behind. The down side is that more and more of them keep coming. The noise is like a dinner bell. Hungries are crowding into the green space from the streets on every side, at what you'd have to call a dead run. There's no limit to their numbers, and there is a limit to his ammo. Which — M.R. Carey

When we are busy at work and busy at home, an hour's walking every day becomes a real luxury. If done alone, the walk injects a period of meditation into the day, and if done in company, it allows space for some really good conversation. — Tom Hodgkinson

These values are signposts toward another way of living: simplicity of living, as much as possible, to retain a true awareness of life; balance of physical, intellectual, and spiritual life; work without pressure; space for significance and beauty; time for solitude and sharing; closeness to nature to strengthen understanding and faith in the intermittency of life. — Anne Morrow Lindbergh

The color and spectacle of Mexico's streets sparked my interest in community driven space and experience, a passion that I began to develop while studying architecture at Syracuse University and then at the Architectural Association School in London. Having been immersed in such a diverse array of lively environments, it would be impossible for me not to use these memories and experiences as inspiration for my work. — David Rockwell

Identify in your work opposites of color, form, compositional arrangements, space, etc. — Joshua L. Goldberg

You honor your writing space by recovering, if you are an addict. You honor your writing space by becoming an anxiety expert, a real pro at mindfulness and personal calming. You honor your writing space by affirming that you matter, that your writing life matters, and that your current writing project matters. You honor your writing space by entering it with this mantra: "I am ready to work." You enter, grow quiet, and vanish into your writing. — Eric Maisel

Names generate meaning in a short amount of space - they provoke thoughts, questions. That's something I like doing. Of course, you have to be careful. Sometimes it can alienate the reader, it can be another level of mediation, to make a character carry the great burden of a metaphoric name. The character can be a device before he or she becomes a person, and that can be a bad thing for a writer who wants to offer up a kind of emotional proximity in the work. It's a constant struggle, the desire to be playful and the desire to communicate on some very stark emotional level. — Joshua Ferris

Cannot you see, cannot all you lecturers see, that it is we that are dying, and that down here the only thing that really lives in the Machine? We created the Machine, to do our will, but we cannot make it do our will now. It was robbed us of the sense of space and of the sense of touch, it has blurred every human relation and narrowed down love to a carnal act, it has paralyzed our bodies and our wills, and now it compels us to worship it. The Machine develops - but not on our lies. The Machine proceeds - but not to our goal. We only exist as the blood corpuscles that course through its arteries, and if it could work without us, it would let us die. — E. M. Forster

Me: Morning. How's the thesis coming along?

Maggie: Do you want me to sugar-coat it, or are you honestly giving me an opening to vent?

Me: Wide open. Vent away.

Maggie: I'm miserable, Ridge. I hate it. I work on it for hours every day, and I just want to take a bat to my computer and go all Office Space on it. If this thesis were a child, I'd put it up for adoption and not even think twice about it. If this thesis were a cute, fuzzy puppy, I'd drop it off in the middle of a busy intersection and speed away.

Me: And then you would do a U-turn and go back and pick it up and play with it all night. — Colleen Hoover

In the early days of space travel, one interesting problem emerged from experiments with weightlessness. Americans found that ... normal ink pen would not work without gravity feed. Scientists undertook extensive research, finally developed high-technology pen to work in conditions of no gravity. In Russia, scientist faced with the same problem found a different solution. Instead of pen, they used pencil. — Marina Lewycka

It is the hope of those who work toward the breakout from planet Earth that the establishment of permanent, self-sustaining colonies of humans off-Earth will ... make human life forever unkillable, removing it from the endangered species list, where it now stands on a fragile Earth overarmed with nuclear weapons. Second, the opening of virtually unlimited new land areas in space will reduce territorial pressures and therefore diminish warfare on Earth itself. — Gerard K. O'Neill

set up an appointment with yourself in the morning, during a busy work schedule, or at night to find a quiet space and practice mindfulness. It's as easy as being still, listening, focusing on your breathing, and emptying your thoughts, while practicing non-judgment. Every time a thought pops up, just let it go, without judgment, and return your attention to the moment. Build this up and practice every day. This may be one of the hardest things you'll ever do. If you can stick with it, your life (and brain, whoo hoo!) will begin to change in amazing ways. Tool #6: Compassionate Self-Talk "A moment of self-compassion can change your entire day. — Sarah Owens

Peter Gibbons: The thing is, Bob, it's not that I'm lazy, it's that I just don't care.
Bob Porter: Don't... don't care?
Peter Gibbons: It's a problem of motivation, all right? Now if I work my ass off and Initech ships a few extra units, I don't see another dime; so where's the motivation? And here's something else, Bob: I have eight different bosses right now.
Bob Slydell: I beg your pardon?
Peter Gibbons: Eight bosses.
Bob Slydell: Eight?
Peter Gibbons: Eight, Bob. So that means that when I make a mistake, I have eight different people coming by to tell me about it. That's my only real motivation is not to be hassled; that, and the fear of losing my job. But you know, Bob, that will only make someone work just hard enough not to get fired. — Mike Judge

That beauty may, for instance, be composed of lovely flowers, and glittering streams, and blue sky and white clouds; and yet the thing that impresses us most, and which we should be sorriest to lose, may be a thin grey film on the extreme horizon, not so large, in the space of the scene it occupies, as a piece of gossamer on a near-at-hand bush, nor in any wise prettier to the eye than the gossamer; but because the gossamer is known by us for a little bit of spider's work, and the other grey film is known to mean a mountain ten thousand feet high, inhabited by a race of noble mountaineers we are solemnly impressed by the aspect of it, and yet all the while the thoughts and knowledge which cause us to receive this impression are so obscure that we are not conscious of them. — Gaston Bachelard

Interfacing street sculpture in public space creates an installation environment that turns regular space into art space. Signs and people and everything around a street sculpture-they all become part of it. A two-dimensional work, being confined to surfaces, doesn't have as much of a capacity. — Mark Jenkins

And that brings me to one last point. I've got a simple message for all the dedicated and patriotic federal workers who have either worked without pay, or who have been forced off the job without pay for these last few weeks. Including most of my own staff. Thank you. Thanks for your service. Welcome back. What you do is important. It matters. You defend our country overseas, you deliver benefits to our troops who earned them when they come home, you guard our borders, you protect our civil rights, you help businesses grow and gain footholds in overseas markets. You protect the air we breathe, and the water our children drink, and you push the boundaries of science and space, and you guide hundreds of thousands of people each day through the glories of this country. Thank you. What you do is important, and don't let anybody else tell you different. — Barack Obama

The art of the great historic civilizations never impress us as much as an Eskimo harpoon or a mask from the South Pacific. The contact is physical, and the feeling we experience is very much like acute anxiety. Inner or outer space, the world below or beyond, becomes a great weight pressing down upon us. Each work is a solid block of time, time standing still, time more massive than a mountain, despite the fact that it is as intangible as air or thought. The handiwork of primitive peoples reveals the time before time. — Octavio Paz

It will take as long as it takes. Your work is to take the time and make the space. Everything else is beyond your influence. — Vironika Tugaleva

Where you need to make fast decisions, people have to work in an open space where I can just walk to somebody's cube, so we don't need to schedule meetings for absolutely everything. — Marcelo Claure

I read, write and create. I must lose myself in work, so that there is no space for the other/anything else. — Patricia Highsmith

Divine worship means the same thing where time is concerned, as the temple where space is concerned. "Temple" means ... that a particular piece of ground is specially reserved, and marked off from the remainder of the land which is used either for agriculture or habitation ... Similarly in divine worship a certain definite space of time is set aside from working hours and days ... and like the space allotted to the temple, is not used, is withdrawn from all merely utilitarian ends. — Josef Pieper

The old tyrants invoked the past; the new tyrants will invoke the future evolution has produced the snail and the owl; evolution can produce a workman who wants no more space than a snail, and no more light than an owl. The employer need not mind sending a Kaffir to work underground; he will soon become an underground animal, like a mole. He need not mind sending a diver to hold his breath in the deep seas; he will soon be a deep-sea animal. Men need not trouble to alter conditions, conditions will so soon alter men. The head can be beaten small enough to fit the hat. Do not knock the fetters off the slave; knock the slave until he forgets the fetters. — G.K. Chesterton

It's something that's difficult to explain but I think all writers work this way to some extent, whether we're aware of it or not. For me, writing has little to do with thinking. I don't want to control the narrative. I listen to the rhythm of the words and dialogue and try to give the characters the space in which to say and do what they want without intervening too much. — Mary J. Miller

Today, indeed, you can find urban white artists - people who could not reliably tell a coyote from a german shepherd at a hundred feet - casually incorporating the figure of Coyote the Trickster into their work. A premise common to all such efforts is that power can be borrowed across space and time. It cannot. There's a difference between meaning that is embodied and meaning that is referenced. As someone once said, no one should wear a Greek fisherman's hat except a Greek fisherman. CANON — David Bayles

Evil people relate more to the black pole. It's - this is not exact, of course, as the science of magic is as complex as the magic of electronics - it's like traveling past a mountain. The white pole is at the apex, and it is an exhilarating height, but it takes a lot of work and few missteps to ascend it. The black pole is at the nadir, and it is easy to walk downhill; sometimes you can just sit down and slide or roll and, if you fall, you can get there very fast indeed. If you don't pay attention to where you're going, you'll tend to go down, because it is the course of least resistance. Since the average person has only the vaguest notion where he is going and tends to shut out awareness of the consequence of evil, he inevitably drifts downward. There is much more space at the base of the mountain than at the peak! — Piers Anthony

She surrounded herself with books at work and at home. Her living space was a testament to her first and abiding love with shelves jammed with books tables crowded with them. She saw them not only as knowledge entertainment comfort even sanity but as a kind of artful decoration. — Nora Roberts

The guitar. Rubbing the gentle polish
On Every smooth contour.
On the lap. Knowing every curve
As the light shines from it.

On stage a planned metamorphosis
Takes places as the hours go by and the
Space is transformed to a concert hall.
The energetic nemesis has struck.

The risers are transformed into a stage
And black boxes turned into powerful
Pieces of sound equipment.
The spring is taut.

Backstage while pandemonium
Sweeps the hall and people
Crowd the arena as ants flow to a cake.

The stage is set, the
Instruments tuned and placed.
The musicians work out last minute
Kinks as the lights dim.

An intense force hits the spectators.
Energy is released in every form.
A power rage beyond comprehension. — David Morrell

I expect to see the coming decades transform the planet into an art form; the new man, linked in a cosmic harmony that transcends time and space, will sensuously caress and mold and pattern every facet of the terrestrial artifact as if it were a work of art, and man himself will become an organic art form. There is a long road ahead, and the stars are only way stations, but we have begun the journey. To be born in this age is a precious gift, and I regret the prospect of my own death only because I will leave so many pages of man's destiny - if you will excuse the Gutenbergian image - tantalizingly unread. But perhaps, as I've tried to demonstrate in my examination of the postliterate culture, the story begins only when the book closes. — Marshall McLuhan

Nothing could be less conducive to reaching an art-work than critical remarks:it's always simply a matter of more or less fortunate misunderstandings. Everything cannot be so easily grasped and conveyed as we are generally led to believe; most events are unconveyable and come to pass in a space that no word has ever penetrated; more unconveyable than all else are art-works, whose mysterious existences, whose lives run alongside ours, which perishes, whereas theirs endure. — Rainer Maria Rilke

When we're growing up there are all sorts of people telling us what to do when really what we need is space to work out who to be. — Ellen Page

I work just as hard and have just as much fun whether in a 50-seat house or in a 1000-seat house. It's a luxury to be in a tiny space every once in a while and a rush to be on a giant stage every once in a while. — Laurie Metcalf

shoulder again and she was laughing. "You can rot in hell, Dillon." Dillon said, "For God's sake, no," and half-slipped to the floor. "Now don't be silly, old friend, make it easy on yourself. Just get up." Which Dillon did, at the same time he was drawing the Colt from the ankle holster, ramming the muzzle into the side of Rupert Dauncey's head, and pulling the trigger. There was an explosion of bone fragments and blood, the hollow point cartridge doing its work, and Dauncey dropped the Walther and fell back against the side of the door. Dillon pushed and sent him out into space. He grabbed at the Airstair door and closed it. He turned and found that Kate Rashid had put the Eagle on automatic and was reaching for her purse. She took out a small pistol, but he lunged, wrestled it from her, and tossed it to the back of the plane. She was hysterical with rage and — Jack Higgins

What my work is, is my approach to it. It's the practice. And my work is about the effort that I make to get there. And I think if there's anything artistic, it's in that middle space. — Anna Deavere Smith

I work to attain a 'state of heart', a gentle space offering inspirational substance that could purify one's vision. Photography, like music, must be born in the unmanifest world of spirit. — Paul Caponigro

It's a two-way street," Emma murmured, her words soft, but fierce at once. "Sometimes you have to take what you need and hope the other person can handle the invasion."
"Invasion?"
"That's what love is, isn't it? Families, friends, lovers. It's an invasion of each other's space, minds, hearts. Someone's always jockeying for control. For it to truly work, there has to be equality. Each side has to be strong enough to handle it."
Invasion. An oddly perfect way to describe it. "Yet again, I ask, who are you, Emma Strickland? — Kate Meader

Before they are able to enter a new story, most people - and probably most societies as well - must first navigate the passage out of the old. In between the old and the new there is an empty space. It is a time when the lessons and learnings of the old story are integrated. Only when that work has been done is the old story really complete. Then, there is nothing, the pregnant emptiness from which all being arises. Returning to essence, we regain the ability to act from essence. Returning to the space between stories, we can choose from freedom and not from habit. — Charles Eisenstein

All the art of the past rises up before me, the art of all ages and all civilizations, everything becomes simultaneous, as if space had replaced time. Memories of works of art blend with affective memories, with my work, with my whole life. — Alberto Giacometti

Elon is one of the few people that I feel is more accomplished than I am," said Craig Venter, the man who decoded the human genome and went on to create synthetic lifeforms. At some point he hopes to work with Musk on a type of DNA printer that could be sent to Mars. It would, in theory, allow humans to create medicines, food, and helpful microbes for early settlers of the planet. "I think biological teleportation is what is going to truly enable the colonization of space," he said. "Elon and I have been talking about how this might play out. — Ashlee Vance

China's economy became more complex. By now there is a large number of small- and medium-sized companies that work quite differently from big, state-owned enterprises. They don't follow any long-term business plan and don't rent office space for years to come. They start out and need an office right away, for a week, a month or half a year, and they want to be among other entrepreneurs like themselves. — Zhang Xin

I think the Space Shuttle is worth one billion dollars a launch. I think that it is worth two billion dollars for what it does. I think the Shuttle is worth it for the work it does. — Pete Conrad

Discussions of sustainability as a political process have been taken up by a number of the social sciences centred on questions of power and outcomes for particular groups of people, across space and time. In short, this work raises sustainable development as a moral concept that seeks to define a 'fair and just' development (Starkey and Walford, 2001). The notion of 'environmental justice' is now a prominent part of contemporary discussions of the meaning and practice of sustainable development (see — Jennifer A. Elliott

My work has always dealt with a kind of space that allows one to daydream. — Robert Wilson

... Have you ever reflected that posterity may not be the faultless dispenser of justice that we dream of? One consoles oneself for being insulted and denied, by reyling on the equity of the centuries to come; just as the faithful endure all the abominations of this earth in the firm belief of another life, in which each will be rewarded according to his deserts. But suppose Paradise exists no more for the artist than it does for the Catholic, suppose that future generations prolong the misunderstanding and prefer amiable little trifles to vigorous works! Ah! What a sell it would be, eh? To have led a convict's life - to have screwed oneself down to one's work - all for a mere delusion!...

"Bah! What does it matter? Well, there's nothing hereafter. We are even madder than the fools who kill themselves for a woman. When the earth splits to pieces in space like a dry walnut, our works won't add one atom to its dust. — Emile Zola

When I make my work, I am making what I hope to be something functional - a space for individual contemplation and reflection. I want my art to be useful. — Bill Viola

But all progressive movements have to beware their own successes. The progress they make reinvents the society they work in, and they must in turn reinvent themselves to keep up, otherwise they become hollow echoes from a once loud, strong voice, reverberating still, but to little effect. As their consequence diminishes, so their dwindling adherents become ever more shrill and strident, more solicitous of protecting their own shrinking space rather than understanding that the voice of the times has moved on and they must listen before speaking. It happens in all organizations. It is fatal to those who are never confronted by a reckoning that forces them to face up and get wise. — Tony Blair

Every day is a writing day. I get to my desk between 8 and 8:30 in the morning and then work through until 6pm, and then normally I'll take up whatever will be happening in the evening, usually painting or photography.
I do about four drafts total. I do handwritten drafts because I don't type and I have no wish to type. I mean, I know how to type, but I have no interest in putting the words down that way.
Maybe that's because I'm an artist and because I've always used a pen and so there's a sort of natural feel to it.
I don't know how familiar you are with Blake's illuminated texts, but you know very often he'll literally make words flower. It's really this glorious thing in bringing words and pictures into the same place, the same space. — Clive Barker

What no one tells you about having children is that it isn't tbe physical demand thry make in your life that affects your art, it's the emotional space they fill, crowding out your art. So even when you have the time to work, you're still mentally occupied. — Whitney Otto

With today's work, I'm about one-fourth of the way through the whole cut. At least, one-fourth of the way through the drilling. Then I'll have 759 little chunks to chisel out. And I'm not sure how well carbon composite is going to take that. But NASA'll do it a thousand times back on Earth and tell me the best way to get it done. — Andy Weir

Sleeping here is harder here in space than on a bed because the sleep position here is the same position throughout the day. You don't ever get that sense of gratifying relaxation here that you do on Earth after a long day at work. — Scott Kelly