Words Which Sound Quotes & Sayings

According to a hadith, the tongue is the "interpreter of the heart." Hypocrisy is wretched because the hypocrite says with his tongue what is not in his heart. He wrongs his tongue and oppresses his heart. But if the heart is sound, the condition of the tongue follows suit. We are commanded to be upright in our speech, which is a gauge of the heart's state. According to a prophetic tradition, each morning, when the limbs and organs awaken in the spiritual world, they shudder and say to the tongue, "Fear God concerning us! For if you are upright, then we are upright; and if you deviate, we too deviate." Engaging in the regular remembrance of God (dhikr) safeguards the tongue and replaces idle talk with words and phrases that raise one in honor. The tongue is essential in developing courtesy with God, which is the whole point of existence. — Hamza Yusuf

Then I stop existing. She is talking, talking, takes off who knows where, she says it all starts over, speech, paths, butterflies and that she just loves words' inevitable slowness, she says that when in distress everything is overcome by the sound of words and that everything then becomes impossible to understand, she says things are exploding in her head and that everything must be attempted again like a backhand, a lob in mindspace, she repeats the mind is fragile but the eyes, but the eyes Melanie, she says one must not give up, that nothing is impossible if in the realm of the improbable memory realises the certitude which in us keeps an eye out for beauty on the horizon, she talks about our attachment to certain words, that they are like small slow deaths in concise reality. — Nicole Brossard

During these times immediately ahead, the world will need many trumpets to sound the clarion call. The world will need many voices to speak the words of truth and healing for which millions long. The world will need many hearts joined together in the work of the soul, and prepared to do the work of God. — Neale Donald Walsch

How it is that animals understand things I do not know, but it is certain that they do understand. Perhaps there is a language which is not made of words and everything in the world understands it. Perhaps there is a soul hidden in everything and it can always speak, without even making a sound, to another soul. — Frances Hodgson Burnett

Let's all do it," said Mr. Watts. "Close your eyes and silently recite your name."
The sound of my name took me to a place deep inside my head. I already knew that words could take you into a new world, but I didn't know that on the strength of one word spoken for my ears only I would find myself in a room that no one else knew about.
"Another thing," Mr. Watts said. "No one in the history of your short lives has used the same voice as you with which to say your name. This is yours. Your special gift that no one can ever take from you. — Lloyd Jones

That's the spirit, kid," said the voice of the grown man. "Come on, Snow Scouts, let's all say the Snow Scout Alphabet Pledge together."
Instantly the cave echoed with the sound of many voices speaking in perfect unison, a phrase here which means "reciting a list of very odd words at the very same time." "Snow Scouts," recited the Snow Scouts, "are accommodating, basic, calm, darling, emblematic, frisky, grinning, human, innocent, jumping, kept, limited, meek, nap-loving, official, pretty, quarantines, recent, scheduled, tidy, understandable, victorious, wholesome, xylophone, young, and zippered - every morning, every afternoon, every night, and all day long! — Lemony Snicket

Let him tell them the truth. Before the Gospel is a word, it is silence. It is the silence of their own lives and of his life. It is life with the sound turned off so that for a moment or two you can experience it not in terms of the words you make it bearable by but for the unutterable mystery that it is. Let him say, "Be silent and know that I am God" (Psalm 46:10). Be silent and know that even by my silence and absence I am known. Be silent and listen to the stones cry out.
Out of the silence let the only real news comes, which is sad news before it is glad news and that is fairy tale last of all. — Frederick Buechner

In Bulgaria, they use the Cyrillic alphabet, which is completely different from ours. You can't sound the words out, so you can't read street signs or packages in the grocery store! You have to rely on pictures and guesses. — Katherine McNamara

There are all kinds of pedants around with more time to read and imitate Lynne Truss and John Humphrys than to write poems, love-letters, novels and stories it seems. They whip out their Sharpies and take away and add apostrophes from public signs, shake their heads at prepositions which end sentences and mutter at split infinitives and misspellings, but do they bubble and froth and slobber and cream with joy at language? Do they ever let the tripping of the tips of their tongues against the tops of their teeth transport them to giddy euphoric bliss? Do they ever yoke impossible words together for the sound-sex of it? Do they use language to seduce, charm, excite, please, affirm and tickle those they talk to? Do they? I doubt it. They're too farting busy sneering at a greengrocer's less than perfect use of the apostrophe. Well sod them to Hades. They think they're guardians of language. They're no more guardians of language than the Kennel Club is the guardian of dogkind. — Stephen Fry

We have as many planes of speech as does a painting planes of perspective which create perspective in a phrase. The most important word stands out most vividly defined in the very foreground of the sound plane. Less important words create a series of deeper planes. — Constantin Stanislavski

I know of nothing more terrible than the poor creatures who have learned too much. Instead of the sound powerful judgement which would probably have grown up if they had learned nothing, their thoughts creep timidly and hypnotically after words, principles and formulae, constantly by the same paths. What they have acquired is a spider's web of thoughts too weak to furnish sure supports, but complicated enough to provide confusion. — Ernst Mach

Literature destabilizes thought by breaking open language and smuggling in sound, rhythm, and image--an invasion of aesthetics. More easily than analytic writing, poetry can emancipate itself from the standard definitions of words, enabling a breakthrough to new (and perhaps wayward or even nonsensical) meaning, which can then develop after the fact--different at each new reading. Literary language is presumptuous. It dips into the unknown in order to get nearer to a truth different from that of the superficially visible. As the poet Franz Josef Czernin described it, it is as though one step after another into emptiness could become a ladder. Literary writing can take the writers themselves by surprise; it can disturb and disappoint them--for stirring up turmoil is inherent in metaphor. Thus with every flash of understanding that comes from hearing or reading a poem, the fundamental work of thinking is taken up anew. — Marie Luise Knott

Love is a fugacious word. Rounded and comfortable, it lifts the tongue and fills the back of the throat, before slipping beyond reach as the sound is exhaled from the mouth. Yet the word eludes meaning. Love teeters on the edge of the unknown beyond which it becomes almost impossible to speak. It moves us beyond words. We speak about love when we define our longing and desire and yet we fall into silence when we attempt to speak about it in the present. — Jonathan Rutherford

But we had with us, to keep and to care for, more than five hundred bruised bodies of men- men made in the image of God, marred by the hand of man and must we say in the name of God? And where is the reckoning for such things? And who is answerable? One might almost shrink from the sound of his own voice, which had launched into the palpitating air words of order- do we call it? - fraught with such ruin. Was it God's command we heard or His forgiveness we must forever implore? — Joshua Lawrence Chamberlain

Yet man dies not whilst the world, at once his mother and his monument, remains. His name is lost, indeed, but the breath he breathed still stirs the pine-tops on the mountains, the sound of the words he spoke yet echoes on through space; the thoughts his brain gave birth to we have inherited to-day; his passions are our cause of life; the joys and sorrows that he knew are our familiar friends
the end from which he fled aghast will surely overtake us also!
Truly the universe is full of ghosts, not sheeted churchyard spectres, but the inextinguishable elements of individual life, which having once been, can never die, though they blend and change, and change again for ever. — H. Rider Haggard

I wanted to hear his window open, hear his espadrilles on the balcony, and then the sound of my own window, which was never locked, being pushed open as he'd step into my room after everyone had gone to bed, slip under my covers, undress me without asking, and after making me want him more than I thought I could ever want another living soul, gently, softly, and, with the kindness one Jew extends to another, work his way into my body, gently and softly, after heeding the words I'd been rehearsing for days now, Please, don't hurt me, which meant, Hurt me all you want. — Andre Aciman

My friend opened a small box which Lestrade had produced. Inside lay a beautiful silver cigarette case monogrammed with Holmes's initials, underneath which ran the words, "With the Respects of Scotland Yard, November 1888."
Sherlock Holmes sat with his lips parted, but no sound emerged.
"Thank you," he managed at length. — Lyndsay Faye

The biggest challenge facing the great teachers and communicators of history is not to teach history itself, nor even the lessons of history, but why history matters. How to ignite the first spark of the will o'the wisp, the Jack o'lantern, the ignis fatuus [foolish fire] beloved of poets, which lights up one source of history and then another, zigzagging across the marsh, connecting and linking and writing bright words across the dark face of the present. There's no phrase I can come up that will encapsulate in a winning sound-bite why history matters. We know that history matters, we know that it is thrilling, absorbing, fascinating, delightful and infuriating, that it is life. Yet I can't help wondering if it's a bit like being a Wagnerite; you just have to get used to the fact that some people are never going to listen. — Stephen Fry

O, Times! O, Manners! It is my opinion
That you are changing sadly your dominion
I mean the reign of manners hath long ceased,
For men have none at all, or bad at least;
And as for times, altho' 'tis said by many
The "good old times" were far the worst of any,
Of which sound Doctrine I believe each tittle
Yet still I think these worst a little.
I've been a thinking -isn't that the phrase?-
I like your Yankee words and Yankee ways -
I've been a thinking, whether it were best
To Take things seriously, Or all in jest — Edgar Allan Poe

What was exchanged in the language of their eyes, more perfect than their lips, the language afforded the soul so that no sound disturbs an ecstasy of feeling? In those moments, when the thought of the two happy beings meld through their pupils, words move slowly, coarsely, like the raspy, awkward noise of thunder from dazzling light that appears after the quickness of the flash. It expresses feelings previously known, ideas yet understood, and in the end, if one must use words, it is because the heart's ambitions - which dominates one's whole being and overflows with happiness - wishes with the whole human organism, with all its physical and psychical faculties, to embody the poem of joy that the spirit has intoned. Language has no answer to the questions of love that either shimmer or hide within a glance. The smile must respond; the kiss, the sigh. — Jose Rizal

The word is a thing of mystery, so volatile that it vanishes almost on the lip, yet so powerful that it decides fates and determines the meaning of existence. A frail structure shaped by fleeting sound, it yet contains the eternal: truth. Words come from within, rising as sounds fashioned by the organs of a man's body, as expressions of his heart and spirit. He utters them, yet he does not create them, for they already existed independently of him. One word is related to another; together they form the great unity of language, that empire of truth-forms in which a man lives. — Romano Guardini

Although music appeals simply to the emotions, and represents no definite images in itself, we are justified in using any language which may serve to convey to others our musical expressions. Words will often pave the way for the more subtle operations of music, and unlock the treasures which sound alone can rifle, and hence the eternal popularity of song. — Hugh Reginald Haweis

Miss, n. A title with which we brand unmarried women to indicate they are in the market. Miss, Misses (Mrs.) and Mister (Mr.) are the three most distinctly disagreeable words in the language, in sound and sense. Two are corruptions of Mistress, the other of Master. In the general abolition of social titles in this our country they miraculously escaped to plague us. If we must have them let us be consistent and give one to the unmarried man. I venture to suggest Mush, abbreviated to Mh. — Ambrose Bierce

hardest time: our voice will not be our own. The crusader's voice is the voice of the crowd and must rise louder all the time, for there is, of course, the other side to be drowned out. Worse, the voices of most crowds sound alike. Worse still, the voice that seeks to do other than communicate when it makes a noise has something brutal about it; it is no longer using words as words but as something to brandish, with which to threaten, brag or condemn. — Eudora Welty

We live in secret cities
And we travel unmapped roads.

We speak words between us that we recognize
But which cannot be looked up.

They are our words.
They come from very far inside our mouths.

You and I, we are the secret citizens of the city
Inside us, and inside us

There go all the cars we have driven
And seen, there are all the people

We know and have known, there
Are all the places that are

But which used to be as well. This is where
They went. They did not disappear.

We each take a piece
Through the eye and through the ear.

It's loud inside us, in there, and when we speak
In the outside world

We have to hope that some of that sound
Does not come out, that an arm

Not reach out
In place of the tongue. — Alberto Alvaro Rios

You see, King, we have a legend - I used to believe that it was all fairy-tale rubbish and empty smoke. It is a legend about how such things as war and death and despair were common in our country at one time. These terrible words, which we have long since stopped using in our language, can be read in collections of our old tales, and they sound awful to us and even a little ridiculous. Today I've learned that these tales are all true ... But now tell me, don't you have in your soul a sort of intimation that you're not doing the right thing? Don't you have a yearning for bright, serene gods, for sensible and cheerful leaders and mentors? Don't you ever dream in your sleep about another, more beautiful life where nobody is envious of others, where reason and order prevails, where people treat other people only with cheerfulness and considerations? — Hermann Hesse

Frederick Douglass, of sainted memory, once, in addressing his race, used these words: "We are to prove that we can better our own condition. One way to do this is to accumulate property. This may sound to you like a new gospel. You have been accustomed to hear that money is the root of all evil, etc. On the other hand, property - money, if you please - will purchase for us the only condition by which any people can rise to the dignity of genuine manhood; for without property there can be no leisure, without leisure there can be no thought, without thought there can be no invention, without invention there can be no progress. — Booker T. Washington

Christmas is the marriage of chaos and design. The real sound of life, for once, can burst out because a formal place has been set for it. At the moment when things have gotten sufficiently loose, the secret selves that these familiar persons hold inside them shake the room ... An undercurrent of clowning and jostling is part of the process by which we succeed finally in making our necessary noise: despite the difficulty of getting the words right, of getting the singers on the same page, of keeping the ritual from falling apart into the anarchy of separate impulses. From such clatter
extended and punctuated by whatever instrument is handy, a triangle a tambourine, a Chinese gone
beauty is born. — Geoffrey O'Brien

Into the fire - and that's an end to it. It'll all burn and not a trace of me will remain on earth...'
Here, as if shocked by the sound of her own words, she made a vigorous movement. Leaning her elbow on the pillow, she lifted herself up and called out, panting quickly and heavily:
'Will there really be no trace, no trace at all?'
In her eyes, which suddenly became brighter, I saw the same uneasy, violent, and almost desperate question. And she tormented herself over it continuously for the next few days.
'Because if nothing, not one thing is left... then why... what's the point? — Eliza Orzeszkowa

If I were a psychiatrist, I should advise my patients who suffer from "anguish" to read this poem of Baudelaire's whenever an attack seems imminent. Very gently, they should pronounce Baudelaire's key word, vast. For it is a word that brings calm and unity; it opens up unlimited space. It also teaches us to breathe with the air that rests on the horizon, far from the walls of the chimerical prisons that are the cause of our anguish. It has a vocal excellence that is effective on the very threshhold of our vocal powers. The French baritone, Charles Panzera, who is sensitive to poetry, once told me that, according to certain experimental psychologists, it is impossible to think the vowel sound ah without a tautening of the vocal chords. In other words, we read ah and the voice is ready to sing. The letter a, which is the main body of the word vast, stands aloof in its delicacy, an anacoluthon of spoken sensibility. — Gaston Bachelard

She smiled. She knew she was dying. But it did not matter any longer. She had known something which no human words could ever tell and she knew it now. She had been awaiting it and she felt it, as if it had been, as if she had lived it. Life had been, if only because she had known it could be, and she felt it now as a hymn without sound, deep under the little whole that dripped red drops into the snow, deeper than that from which the red drops came. A moment or an eternity- did it matter? Life, undefeated, existed and could exist. She smiled, her last smile, to so much that had been possible. — Ayn Rand

There sighs, lamentations and loud wailings resounded through the starless air, so that at first it made me weep; strange tongues, horrible language, words of pain, tones of anger, voices loud and hoarse, and with these the sound of hands, made a tumult which is whirling through that air forever dark, and sand eddies in a whirlwind. — Dante Alighieri

Words are the light and sound of our existence, the heat lightning by which the night is illuminated. — Dan Simmons

Man has used human rhythmic movement as raw material out of which to create works of art, as the composer of music uses sound, the sculptor uses stone and wood, the painter his pigments, and the writer - words. — Ted Shawn

The 'idea' for the poem, which may come as an image thrown against memory, as a sound of words that sets off a traveling of sound and meaning, as a curve of emotion (a form) plotted by certain crises of events or image or sound, or as a title which evokes a sense of inner relations; this is the first 'surfacing' of the poem. Then a period of stillness may follow. — Muriel Rukeyser

I think I read in at least two ways. First, by following, breathlessly, the events and the characters without stopping to notice the details, the quickening pace of reading sometimes hurtling the story beyond the last page < ... >. Secondly, by careful exploration, scrutinizing the text to understand its ravelled meaning, finding plesasure merely in the sound of the words or in the clues which the words did not wish to reveal, or in what I suspected was hidden deep in the story itself, something too terrible or too marvellous to be looked at. — Alberto Manguel

But to ask pity of our body is like discoursing in front of an octopus, for which our words can have no more meaning than the sound of the tides, and with which we should be appalled to find ourselves condemned to live. — Marcel Proust

I thought I had not been out for long; I showed no symptoms of concussion or other ill effects from the blow, save a sore patch on the base of my skull. My captor, a man of few words, had responded to my questions, demands and acerbic remarks alike with the all-purpose Scottish noise which can best be rendered phonetically as "Mmmmphm." Had I been in any doubt as to him nationality, that sound alone would have been sufficient to remove it. — Diana Gabaldon

Glorious,' said Steerpike, 'is a dictionary word. We are all imprisoned by the dictionary. We choose out of that vast, paper-walled prison our convicts, the little black printed words, when in truth we need fresh sounds to utter, new enfranchised noises which would produce a new effect. In dead and shackled language, my dears, you *are* glorious, but oh, to give vent to a brand new sounds that might convince you of what I really think of you, as you sit there in your purple splendour, side by side! But no, it is impossible. Life is too fleet for onomatopoeia. Dead words defy me. I can make no sound, dear ladies, that is apt.' 'You could try,' said Clarice. 'We aren't busy.' She smoothed the shining fabric of her dress with her long, lifeless fingers. 'Impossible,' replied the youth, rubbing his chin. 'Quite impossible. Only believe in my admiration for your beauty that will one day be recognized by the whole castle. Meanwhile, preserve all dignity and silent power in your twin bosoms. — Mervyn Peake

This work is the link between my Dear Natalie piece and my upcoming Agatha work. It bridges that lapse in time and shows how my thinking has changed. It shows me telling a story through the surreal and trying to use thought fragments alone to show a tortured existence. This piece was written after the Dear Natalies and before the Agatha mystery, but it is meant to be read after you've already read both.
This book is a bridge between two books, which would make it a bridge between two bridges. That's strange, but I've seen stranger. Like the time I woke up in a fish tank, having morphed into a goldfish during my sleep. I still fear the sound of a flushing toilet, and since then I refuse to let myself fall asleep while wearing flippers.
This book is 3,088 words of pure nonsense, strung together like pearls hurled at bacon. Yum! — Jarod Kintz

Books saved you. Having become your refuge, they sustained you. The power of books, this marvelous invention of astute human intelligence. Various signs associated with sound: different sounds that form the word. Juxtaposition of words from which springs the idea, Thought, History, Science, Life. Sole instrument of interrelationships and of culture, unparalleled means of giving and receiving. Books knit generations together in the same continuing effort that leads to progress. They enabled you to better yourself. What society refused you, they granted. — Mariama Ba

Spirit in its human manifestation is man's response to his You. Man speaks in many tongues - tongues of language, of art, of action - but the spirit is one; it is response to the You that appears from the mystery and addresses us from the mystery. Spirit is word. And even as verbal speech may first become word in the brain of man and then become sound in his throat, although both are merely refractions of the true event because in truth language does not reside in man but man stands in language and speaks out of it - so it is with all words, all spirit. Spirit is not in the I but between I and You. It is not like the blood that circulates in you but like the air in which you breathe. Man lives in the spirit when he is able to respond to his You. He is able to do that when he enters into this relation with his whole being. It is solely by virtue of his power to relate that man is able to live in the spirit. — Martin Buber

Your teaching must have the integrity of serious, sound words to which no one can take exception. If it does, no opponent will be able to find anything bad to say about us, and hostility will yield to shame. — Paul The Apostle

Finally, to hinder the description of illness in literature, there is the poverty of the language. English, which can express the thoughts of Hamlet and the tragedy of Lear, has no words for the shiver and the headache. It has all grown one way. The merest schoolgirl, when she falls in love, has Shakespeare or Keats to speak her mind for her; but let a sufferer try to describe a pain in his head to a doctor and language at once runs dry. There is nothing ready made for him. He is forced to coin words himself, and, taking his pain in one hand, and a lump of pure sound in the other (as perhaps the people of Babel did in the beginning), so to crush them together that a brand new word in the end drops out. Probably it will be something laughable. — Virginia Woolf

So which guideline should a writer follow, "Avoid elegant variation" or "Don't use a word twice on one page"? Traditional style guides don't resolve the contradiction, but psycholinguistics can help. Wording should not be varied capriciously, because in general people assume that if someone uses two different words they're referring to two different things. And as we shall soon see, wording should never be varied when a writer is comparing or contrasting two things. But wording should be varied when an entity is referred to multiple times in quick succession and repeating the name would sound monotonous or would misleadingly suggest that a new actor had entered the scene. — Steven Pinker

To listen fully means to pay close attention to what is being said beneath the words. You listen not only to the 'music,' but to the essence of the person speaking. You listen not only for what someone knows, but for what he or she is. Ears operate at the speed of sound, which is far slower than the speed of light the eyes take in. Generative listening is the art of developing deeper silences in yourself, so you can slow our mind's hearing to your ears' natural speed, and hear beneath the words to their meaning. — Peter Senge

Gray stood up and came round the desk. "Think of the words on that memorial, Wraysford. Think of those stinking towns and foul bloody villages whose names will be turned into some bogus glory by fat-arsed historians who have sat in London. We were there. As our punishment for God knows what, we were there, and our men died in each of those disgusting places. I hate their names. I hate the sound of them and the thought of them, which is why I will not bring myself to remind you. But listen." He put his face close to Stephen's. "There are four words they will chisel beneath them at the bottom. Four words that people will look at one day. When they read the other words they will want to vomit. When they read these, they will bow their heads, just a little. 'Final advance and pursuit.' Don't tell me you don't want to put your name to those words. — Sebastian Faulks

Such a voice this man has. The way he sounds isn't a sound at all. It's a river into which words are thrown. — Laura Bynum

Sweetheart, darling, dearest, it was funny to think that these endearments, which used to sound exceedingly sentimental in movies and books, now held great importance, simple but true verbal affirmations of how they felt for each other. They were words only the heart could hear and understand, words that could impart entire pentameter sonnets in their few, short syllables. — E.A. Bucchianeri

The moment we shake our addiction to narrative and give up our strong-headed intent that language must say something "meaningful," we open ourselves up to different types of linguistic experience, which could include sorting and structuring words in unconventional ways: by constraint, by sound, by the way words look, and so forth, rather than always feeling the need to coerce them toward meaning. — Kenneth Goldsmith

Faith is a myth and beliefs shift like mists on the shore; thoughts vanish; words, once pronounced, die; and the memory of yesterday is as shadowy as the hope of to-morrow ... In this world - as I have known it - we are made to suffer without the shadow of a reason, of a cause or of guilt ... There is no morality, no knowledge and no hope; there is only the consciousness of ourselves which drives us about a world that ... is always but a vain and floating appearance ... A moment, a twinkling of an eye and nothing remains - but a clot of mud, of cold mud, of dead mud cast into black space, rolling around an extinguished sun. Nothing. Neither thought, nor sound, nor soul. Nothing. — Joseph Conrad

Feeling are communicated by means of ideas, which are their intellectual equivalent; at the sound of the words conveying the ideas the appropriate emotion is evoked. — Aldous Huxley

I don't want to talk to anyone, lest I squander your words' echo, which ripples like a shine over mine and lends their sound a richness. — Rainer Maria Rilke

Perhaps one may be out late, and had got separated from one's companions. Oh horrors! Suddenly one starts and trembles as one seems to see a strange-looking being peering from out of the darkness of a hollow tree, while all the while the wind is moaning and rattling and howling through the forest - moaning with a hungry sound as it strips the leaves from the bare boughs, and whirls them into the air. High over the tree-tops, in a widespread, trailing, noisy crew, there fly, with resounding cries, flocks of birds which seem to darken and overlay the very heavens. Then a strange feeling comes over one, until one seems to hear the voice of some one whispering: "Run, run, little child! Do not be out late, for this place will soon have become dreadful! Run, little child! Run!" And at the words terror will possess one's soul, and one will rush and rush until one's breath is spent - until, panting, one has reached home. — Fyodor Dostoyevsky

My training in music and composition then led me to a kind of musical language process in which, for example, the sound of the words I play with has to expose their true meaning against their will so to speak. — Elfriede Jelinek

"Sound, sound the clarion, fill the fife! To all the sensual world proclaim, One crowded hour of glorious life Is worth an age without a name". Do not then (concludes the Stoic) take good words in your mouth, and prate before applauding citizens of honour, duty, and so forth, while you make your private lives a mere selfish calculation of expediency. We were surely born for nobler ends than this, and none who is worthy the name of a man would subscribe to doctrines which destroy all honour and all chivalry. The heroes of old time won their immortality not by weighing pleasures and pains in the balance, but by being prodigal of their lives, doing and enduring all things for the sake of their fellow-men. — W. Lucas Collins

Aesthetic enthusiasm. Perception of beauty in the external world, or, on the other hand, in words and their right arrangement. Pleasure in the impact of one sound on another, in the firmness of good prose or the rhythm of a good story. Desire to share an experience which one feels is valuable and ought not to be missed. The aesthetic motive is very feeble in a lot of writers, but even a pamphleteer or writer of textbooks will have pet words and phrases which appeal to him for non-utilitarian reasons; or he may feel strongly about typography, width of margins, etc. Above the level of a railway guide, no book is quite free from aesthetic considerations. — George Orwell

You ask me where I get my ideas. That I cannot tell you with certainty. They come unsummoned, directly, indirectly - I could seize them with my hands - out in the open air, in the woods, while walking, in the silence of the nights, at dawn, excited by moods which are translated by the poet into words, by me into tones that sound and roar and storm about me till I have set them down in notes. — Ludwig Van Beethoven

Atheism is a conclusion reached by the most reasonable methods and one which is not asserted dogmatically but is explained in its every feature by the light of reason. The atheist does not boast of knowing in a vainglorious, empty sense. He understands by knowledge the most reasonable and clear and sound position one can take on the basis of all the evidence at hand. This evidence convinces him that theism is not true, and his logical position, then, is that of atheism.
We repeat that the atheist is one who denies the assumptions of theism. he asserts, in other words, that he doesn't believe in a God because he has no good reason for believing in a God. That's atheism
and that's good sense. — E. Haldeman-Julius

I don't think meaning is something that can be explained. You have to understand
hopeful and selectively blind as the next guy, but because I don't think meaning is something that can be explained. You have to understand
it on your own. It's like when you're starting to read. First, you learn the letters. Then, once you know what sounds the letters make, you use them to sound out words. You know that c-a-t leads to cat and d-o-g leads to dog. But then you have to make that extra leap, to understand that the word, the sound, the "cat" is connected to an actual cat, and that "dog" is connected to an actual dog. It's that leap, that understanding, that leads to meaning. And a lot of the time in life, we're still just sounding things out. We know the sentences and how to say them. We know the ideas and how to present them. We know the prayers and which words to say in what order. But that's only spelling. — David Levithan

Now his imagination spun about the hand as about the edge of a vortex; but still he made no effort to draw nearer. He had known the love that is fed on caresses and feeds them; but this passion that was closer than his bones was not to be superficially satisfied. His one terror was to do anything which might efface the sound and impression of her words; his one thought, that he should never again feel quite alone. — Edith Wharton

The few psychiatrists I respect always talk about people being mad. Use the short, simple, true words... "Mad" has the right sound to it. It's an ordinary word, a word which tells us how lunacy might come and call like a delivery van. — Julian Barnes

I don't think of poetry as a 'rational' activity but as an aural one. My poems usually begin with words or phrases which appeal more because of their sound than their meaning, and the movement and phrasing of a poem are very important to me. — Margaret Atwood

Miss: A title with which we brand unmarried women to indicate that they are in the market. Miss, Misses (Mrs.) and Mister (Mr.) are the three most distinctly disagreeable words in the language, in sound and sense. — Ambrose Bierce

There is a song of Gainsbourg that Jane Birkin sang, and the words are beautiful in French. It says, "Le jeu et les moi." It's impossible to translate, because it has a very nice sound. It sounds so lovely in French. So I took that because it was the subject: I and myself and myself and I. Which is, in a way, boring, because it is a contradiction. — Agnes Varda

The badger had paused on the edge of the shadows that filled the back of the cave. Its powerful shoulders were hunched and its claws scraped on rock. Its head swung to and fro, the white stripe glimmering, as if it were deciding which of them to attack first. Then it spoke. "Midnight has come." Brambleclaw's mouth fell open, and for a moment he felt as if the ground had given way beneath him again. That a badger could speak, could say words he understood, words that actually meant something . . . He stared in disbelief, his heart pounding. "I am Midnight." The badger's voice was deep and rasping, like the sound of the pebbles turning under the waves. "With you I must speak. — Erin Hunter

He called her'daughter of Abraham,' which likely sent a shock wave through the room; it was the first time the phrase had ever been spoken. People had only ever heard 'sons of Abraham'
never daughters. But at the sound of Jesus' words daughter of Abraham, he gave her a place to stand alongside the sons, especially the ones snarling with their sense of ownership and exclusivity over it all, watching. — Sarah Bessey

How did I love her?
Let me count the ways.
The freckles on her nose like the shadow of a shadow; the way she chewed on her lower lip when she walked and how when she ran she looked like she was born going fast and how she fit perfectly against my chest; her smell and the touch of her lips and her skin, which was always warm, and how she smiled.
Like she had a secret.
How she always made up words during Scrabble. Hyddym (secret music). Grofp (cafeteria food). Quaw (the sound a baby duck makes). How she burped her way through the alphabet once, and I laughed so hard I spat out soda through my nose.
And how she looked at me like I could save her from everything bad in the world.
This was my secret: she was the one who saved me. — Lauren Oliver

Archaism, in the linguistic order, is not, in any event, synonymous with simplicity of structure, very much to the contrary. Languages generally grow poorer with the passing oftime by gradually losing the richness of their vocabulary, the ease with which they can diversify various aspects of one and the same idea, and their power of synthesis, which is the ability to express many things with few words. In order to make up for this impoverishment, modern languages have become more complicated on the rhetorical level; while perhaps gaining in surface precision, they have not done as as regards content. Language historians are astonished by the fact that Arabic was able to retain a morphology attested to as early as the Code of Hammurabi, for the nineteenth to the eighteenth century before the Christian era, and to retain a phonetic system which preserves, with the exception of a single sound, the extremly rich sound-range disclosed by the most ancient Semitic alphabets discovered, [...] — Titus Burckhardt

The problem with English is this: You usually can't open your mouth and it comes out just like that
first you have to think what you want to say. Then you have to find the words. Then you have to carefully arrange those words in your head. Then you have to say the words quietly to yourself, to make sure you got them okay. And finally, the last step, which is to say the words out loud and have them sound just right.
But then because you have to do all this, when you get to the final step, something strange has happened to you and you speak the way a drunk walks. And, because you are speaking like falling, it's as if you are an idiot, when the truth is that it's the language and the whole process that's messed up. And then the problem with those who speak only English is this: they don't know how to listen; they are busy looking at your falling instead of paying attention to what you are saying. — NoViolet Bulawayo

I most likely like books which are out of my language... English... for example is a great example - Not my native language, but I enjoy the covers and how the words sound. — Deyth Banger