Words Virginia Woolf Quotes & Sayings
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Words, English words, are full of echoes, of memories, of associations. They have been out and about, on people's lips, in their houses, in the streets, in the fields, for so many centuries. And that is one of the chief difficulties in writing them today
that they are stored with other meanings, with other memories, and they have contracted so many famous marriages in the past. — Virginia Woolf

For pain words are lacking. There should be cries, cracks, fissures, whiteness passing over chintz covers, interference with the sense of time, of space ; the sense also of extreme fixity in passing objects ; and sounds very remote and then very close ; flesh being gashed and blood sparting, a joint suddenly twisted - beneath all of which appears something very important, yet remote, to be just held in solitude. - Virginia Woolf, The Waves — Virginia Woolf

[ ... ] to catch those unrecorded gestures, those unsaid or half-said words, which form themselves, no more palpably than the shows of moths on the ceiling, when women are alone, unlit by the capricious and coloured light of the other sex. — Virginia Woolf

Why was it that relations between different people were so unsatisfactory, so fragmentary, so hazardous, and words so dangerous ... What had Evelyn really wished to say to him? What was she feeling left alone in the empty hall? The mystery of life and the unreality even of one's own sensations overcame him as he walked down the corridor which led to his room. — Virginia Woolf

Rachel read what she chose, reading with the curious literalness of one to whom written sentences are unfamiliar, and handling words as though they were made of wood, separately of great importance, and possessed of shapes like tables or chairs. In this way she came to conclusions, which had to be remodelled according to the adventures of the day, and were indeed recast as liberally as any one could desire, leaving always a small grain of belief behind them. — Virginia Woolf

I do think all good and evil comes from words. I have to tune myself into a good temper with something musical, and I run to a book as a child to its mother. — Virginia Woolf

So I have to create the whole thing afresh for myself each time. Probably all writers now are in the same boat. It is the penalty we pay for breaking with tradition, and the solitude makes the writing more exciting though the being read less so. One ought to sink to the bottom of the sea, probably, and live alone with ones words. — Virginia Woolf

When I cannot see words curling like rings of smoke round me I am in darkness - I am nothing. — Virginia Woolf

Why then did she do it? She looked at the canvas, lightly scored with running lines. It would be hung in the servants' bedrooms. It would be rolled up and stuffed under a sofa. What was the good of doing it then, and she heard some voice saying she couldn't paint, saying she couldn't create, as if she were caught up in one of those habitual currents in which after a certain time experience forms in the mind, so that one repeats words without being aware any longer who originally spoke them. — Virginia Woolf

... the art of writing has for backbone some fierce attachment to an idea ... . It is on the back of an idea, something believed in with conviction or seen with precision and thus compelling words to a shape ... .
You have not finished with it because you have read it, any more than friendship is ended because it is time to part. Life wells up and alters and adds. Even things in a book-case change if they are alive; we find ourselves wanting to meet them again; we find them altered. So we look back upon essay after essay by Mr. Beerbohm, knowing that, come September or May, we shall sit down with them and talk. — Virginia Woolf

She didn't know their names, but friends she knew they were, friends without names, songs without words, always the best. — Virginia Woolf

But for pain words are lacking. There should be cries, cracks, fissures, whiteness passing over chintz covers, interference with the sense of time, of space; the sense also of extreme fixity in passing objects; and sounds very remote and then very close; flesh being gashed and blood spurting, a joint suddenly twisted - beneath all of which appears something very important, yet remote, to be just held in solitude. — Virginia Woolf

I am tied down with single words. But you wander off; you slip away; you rise up higher, with words and words in phrases. — Virginia Woolf

Love ought to stop on both sides, don't you think, simultaneously?' He spoke without any stress on the words, so as not to wake the sleepers. 'But it won't - that's the devil,' he added in the same undertone. — Virginia Woolf

Now begins to rise in me the familiar rhythm; words that have lain dormant now lift, now toss their crests, and fall and rise, and falls again. I am a poet, yes. Surely I am a great poet. — Virginia Woolf

We can best help you to prevent war not by repeating your words and following your methods but by finding new words and creating new methods. — Virginia Woolf

Words belong to each other. — Virginia Woolf

The young man had killed himself; but she did not pity him; with the clock striking the hour, one, two, three, she did not pity him, with all this going on. There! the old lady had put out her light! The whole house was dark now with this going on, she repeated, and the words came to her, Fear no more the heat of the sun. She must go back to them. But what an extraordinary night! She felt somehow very like him - the young man who had killed himself. She felt glad that he had done it; thrown it away. The clock was striking. The leaden circles dissolved in the air. He made her feel the beauty; made her feel the fun. But she must go back. She must assemble. She must find Sally and Peter. And she came in from the little room. — Virginia Woolf

Fiction is like a spider's web, attached ever so lightly perhaps, but still attached to life at all four corners. — Virginia Woolf

There was nobody. Her words faded. So a rocket fades. Its sparks, having grazed their way into the night, surrender to it, dark descends, pours over the outlines of houses and towers; bleak hillsides soften and fall in. But though they are gone, the night is full of them; robbed of colour, blank of windows, they exist more ponderously, give out what the frank daylight fails to transmit - the trouble and suspense of things conglomerated there in the darkness; huddled together in the darkness; reft of the relief which dawn brings when, washing the walls white and grey, spotting each windowpane, lifting the mist from the fields, showing the red brown cows peacefully grazing, all is once more decked out to the eye; exists again. I am alone; I am alone! — Virginia Woolf

I am not sinuous or suave; I sit among you abrading your softness with my hardness, quenching the silver-grey flickering moth-wing quiver of words with the green spurt of my clear eyes. — Virginia Woolf

Words belong to each other, although, of course, only a great writer knows that the word incarnadine belongs to multitudinous seas. — Virginia Woolf

Behind the cotton wool is hidden a pattern; that we - I mean all human beings - are connected with this; that the whole world is a work of art; that we are parts of the work of art. Hamlet or a Beethoven quartet is the truth about this vast mass that we call the world. But there is no Shakespeare, there is no Beethoven; certainly and emphatically there is no God; we are the words; we are the music; we are the thing itself. — Virginia Woolf

But Lord! once one began mouthing words
aloud, how silly they sounded! — Virginia Woolf

Perhaps then one reason why we have no great poet, novelist or critic writing today is that we refuse to allow words their liberty. We pin them down to one meaning, their useful meaning: the meaning which makes us catch the train, the meaning which makes us pass the examination. — Virginia Woolf

But this I can never explain to a painter, I suppose; how words live in companies, never used, exept when one writes. (5/2/1925 - From a letter to Jacques Raverat) — Virginia Woolf

She was feeling reckless; nothing that she did mattered. She walked to the window and twitched the curtain apart. There were the stars pricked in little holes in the blue-black sky. There was a row of chimney-pots against the sky. Then the stars. Inscrutable, eternal, indifferent - those were the words; the right words. But I don't feel it, she said, looking at the stars. So why pretend to? What they're really like, she thought, screwing up her eyes to look at them, is little bits of frosty steel. And the moon - there it was - is a polished dish-cover. But she felt nothing, even when she had reduced moon and stars to that. — Virginia Woolf

And there he would lie all day long on the lawn brooding presumably over his poetry, till he reminded one of a cat watching birds, when he had found the word, and her husband said, "Poor old Augustus--he's a true poet," which was high praise from her husband. — Virginia Woolf

And that's the last oath I shall ever be able to swear," she thought; "once I set foot on English soil. And I shall never be able to crack a man over the head, or tell him he lies in his teeth, or draw my sword and run him through the body, or sit among my peers, or wear a coronet, or walk in procession, or sentence a man to death, or lead an army, or prance down Whitehall on a charger, or wear seventy-two different medals on my breast. All I can do, once I set foot on English soil, is to pour out tea and ask my lords how they like it. D'you take sugar? D'you take cream?" And mincing out the words, she was horrified to perceive how low an opinion she was forming of the other sex, the manly, to which it had once been her pride to belong. — Virginia Woolf

The words (she was looking at the window) sounded as if they were floating like flowers on water out there, cut off from them all, as if no one had said them, but they had come into existence of themselves. "And all the lives we ever lived and all the lives to be are full of trees and changing leaves." She did not know what they meant, but, like music, the words seemed to be spoken by her own voice, outside her self, saying quite easily and naturally what had been in her mind the whole evening while she said different things. — Virginia Woolf

To speak or to be silent was equally an effort, for when they were silent they were keenly conscious of each other's presence, and yet words were either too trivial or too large. — Virginia Woolf

I fear I shall be a clinger to the outsides of words all my life. — Virginia Woolf

I love tremendous and sonorous words. — Virginia Woolf

In other words, now that she had rid herself of falsehood, that young woman had only to be herself. Ah, but what is "herself"? I mean, what is a woman? I assure you, I do not know, I do not believe that you know. — Virginia Woolf

The words issuing from her lips like crumbs of dry biscuit. — Virginia Woolf

I feel that I have had a blow; but it is not, as I thought as a child, simply a blow from an enemy hidden behind the cotton wool of daily life; it is or will become a revelation of some order; it is a token of some real thing behind appearances; and I make it real by putting it into words. It is only by putting it into words that I make it whole; this wholeness means that it has lost its power to hurt me; it gives me, perhaps because by doing so I take away the pain, a great delight to put the severed parts together. — Virginia Woolf

Use words that soak up life. — Virginia Woolf

I begin to long for some little language such as lovers use, broken words, inarticulate words, like the shuffling of feet on pavement. — Virginia Woolf

(But he could not bring himself to say he loved her; not in so many words.) — Virginia Woolf

I like her. She makes life interesting. She, herself, is interesting, I suppose. She talks right from the heart. I appreciate her frankness and I like the fact that she doesn't force the natural flow of a conversation. There's personality in her words. She thus gets to the core of things and that's important because with her - I can talk knowing that the talk is real! Oh believe me, it's amazingly real! And she also gives me the opportunity to listen as fully and completely as possible. And I can't seem to get her out of my head [ ... ] — Virginia Woolf

Thoughts without words ... Can that be? — Virginia Woolf

And for some reason she held the sentence suspended without meaning in her mind's ear, " ... quite enough for everybody at present," she repeated. After all the foreign languages she had been hearing, it sounded to her pure English. What a lovely language, she thought, saying over to herself again the common place words ... — Virginia Woolf

She liked getting hold of some book ... and keeping it to herself, and gnawing its contents in privacy, and pondering the meaning without sharing her thoughts with any one, or having to decide whether the book was a good one or a bad one. — Virginia Woolf

To possess one single thing (it is Louis now) must waver, like the light in and out of the beech leaves; and then words, moving darkly, in the depths of your mind will break up this knot of hardness, screwed in your pocket-handkerchief. — Virginia Woolf

The words of authority are corrupted by those who speak them. — Virginia Woolf

Recall, then, some event that has left a distinct impression on you
how at the corner of the street, perhaps, you passed two people talking. A tree shook; an electric light danced; the tone of the talk was comic, but also tragic; a whole vision, an entire conception, seemed contained in that moment.
But when you attempt to reconstruct it in words, you will find that it breaks into a thousand conflicting impressions. — Virginia Woolf

I sincerely hope I'll never fathom you. You're mystical, serene, intriguing; you enclose such charm within you. The lustre of your presence bewitches me. I like the unreality of your mind; the whole thing is very splendid and voluptuous and absurd. It is not mere words on paper, Mrs. Nicholson, it is both my mind and heart addressing you. — Virginia Woolf

The tragedy of her death was not that it made one, now and then and very intensely, unhappy. It was that it made her unreal; and us solemn, and self-conscious. We were made to act parts that we did not feel; to fumble for words that we did not know. It obscured, it dulled. — Virginia Woolf

I am overwhelmed with things I ought to have written about and never found the proper words. — Virginia Woolf

No, she thought, one could say nothing to nobody. The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low. — Virginia Woolf

He is forced to coin words himself, and, taking his pain in one hand, and a lump of pure sound in the other (as perhaps the people of Babel did in the beginning), so to crush them together that a brand new word in the end drops out. — Virginia Woolf

The taste for books was an early one. As a child he was sometimes found at midnight by a page still reading. They took his taper away, and he bred glow-worms to serve his purpose. They took the glow-worms away and he almost burnt the house down with a tinder. — Virginia Woolf

The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low. Then one gave it up; then the idea sunk back again; then one became like most middle-aged people, cautious, furtive, with wrinkles between the eyes and a look of perpetual apprehension. — Virginia Woolf

I need a little language such as lovers use, words of one syllable such as children speak when they come into the room and find their mother sewing and pick up some scrap of bright wool, a feather, or a shred of chintz. I need a howl; a cry. When the storm crosses the marsh and sweeps over me where I lie in the ditch unregarded I need no words. Nothing neat. Nothing that comes down with all its feet on the floor. None of those resonances and lovely echoes that break and chime from nerve to nerve in our breasts making wild music, false phrases. I have done with phrases. — Virginia Woolf

But she could not reduce her vision to words, since it was no single shape coloured upon the dark, but rather a general excitement, an atmosphere, which, when she tried to visualize it, took form as a wind scouring the flanks of the northern hills and flashing light upon cornfields and pools. — Virginia Woolf

In illness words seem to possess a mystic quality. — Virginia Woolf

For in marriage a little licence,a little independence there must be between people living together day in and day out in the same house; which Richard gave her, and she him. — Virginia Woolf

One always sees the soul through words. (22 July 1922) — Virginia Woolf

Desiring truth, awaiting it, laboriously distilling a few words, forever desiring
— Virginia Woolf

Finally, to hinder the description of illness in literature, there is the poverty of the language. English, which can express the thoughts of Hamlet and the tragedy of Lear, has no words for the shiver and the headache. It has all grown one way. The merest schoolgirl, when she falls in love, has Shakespeare or Keats to speak her mind for her; but let a sufferer try to describe a pain in his head to a doctor and language at once runs dry. There is nothing ready made for him. He is forced to coin words himself, and, taking his pain in one hand, and a lump of pure sound in the other (as perhaps the people of Babel did in the beginning), so to crush them together that a brand new word in the end drops out. Probably it will be something laughable. — Virginia Woolf

So, when there is a strife of tongues, at some meeting, the chairman, to obtain unity, suggests that every one shall speak in French. Perhaps it is bad French; French may not contain the words that express the speaker's thoughts; nevertheless speaking French imposes some order, some uniformity. — Virginia Woolf

The flower bloomed and faded. The sun rose and sank. The lover loved and went. And what the poets said in rhyme, the young translated into practice. — Virginia Woolf

She was like a fox, or an olive tree; like the waves of the sea when you look down upon them from a height; like an emerald; like the sun on a green hill which is yet clouded
like nothing he had seen or known in England. Ransack the language as he might, words failed him. He wanted another landscape, and another tongue. English was too frank, too candid, too honeyed a speech for Sasha. For in all she said, however open she seemed and voluptuous, there was something hidden; in all she did, however daring, there was something concealed. — Virginia Woolf

He was not afraid. At every moment Nature signified by some laughing hint like that gold spot which went round the wall
there, there, there
her determination to show, by brandishing her plumes, shaking her tresses, flinging her mantle this way and that, beautifully, always beautifully, and standing close up to breathe through her hollowed hands Shakespeare's words, her meaning. — Virginia Woolf

I am made and remade continually. Different people draw different words from me. — Virginia Woolf

It seemed now as if, touched by human penitence and all its toil, divine goodness had parted the curtain and displayed behind it, single, distinct, the hare erect; the wave falling; the boat rocking, which did we deserve them, should be ours always. But alas, divine goodness, twitching the cord, draws the curtain; it does not please him; he covers his treasures in a drench of hail, and so breaks them, so confuses them that it seems impossible that their calm should ever return or that we should ever compose from their fragments a perfect whole or read in the littered pieces the clear words of truth. For our penitence deserves a glimpse only; our toil respite only. — Virginia Woolf

Beneath my eyes opens
a book; I see to the bottom; the heart
I see to the depths. I know what loves are trembling into fire; how jealousy shoots its green flashes hither and thither; how intricately love crosses love; love makes knots; love brutally tears them apart. I have been knotted; I have been torn apart. — Virginia Woolf

One could say nothing to nobody. The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low. Then one gave it up; then the idea sunk back again; then one became like most middle-aged people, cautious, furtive, with wrinkles between the eyes and a look of perpetual apprehension. For how could one express in words these emotions of the body? express that emptiness there? — Virginia Woolf

Men must not cut down trees. There is a God. (He noted such revelations on the backs of envelopes.) Change the world. No one kills from hatred. Make it known (he wrote it down). He waited. He listened. A sparrow perched on the railing opposite chirped Septimus, Septimus, four or five times over and went on, drawing its notes out, to sing freshly and piercingly in Greek words how there is no crime and, joined by another sparrow, they sang in voices prolonged and piercing in Greek words, from trees in the meadow of life beyond a river where the dead walk, how there is no death. — Virginia Woolf

Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words. But on the other hand here am I sitting after half the morning, crammed with ideas, and visions, and so on, and can't dislodge them, for lack of the right rhythm. Now this is very profound, what rhythm is, and goes far deeper than any words. A sight, an emotion, creates this wave in the mind, long before it makes words to fit it. — Virginia Woolf

(W)hy is poetry wholly an elderly taste? When I was twenty I could not for the life of me read Shakespeare for pleasure; now it lights me as I walk to think I have two acts of King John tonight, and shall next read Richard the Second. It is poetry that I want now -- long poems. I want the concentration and the romance, and the words all glued together, fused, glowing; having no time to waste any more on prose. When I was twenty I liked Eighteenth Century prose; now it's poetry I want, so I repeat like a tipsy sailor in the front of a public house. — Virginia Woolf

So, thought Septimus, looking up, they are signalling to me. Not indeed in actual words; that is, he could not read the language yet; but it was plain enough, this beauty, this exquisite beauty, and tears filled his eyes as he looked at the smoke words languishing and melting in the sky and bestowing upon him in their inexhaustible charity and laughing goodness one shape after another of unimaginable beauty and signalling their intention to provide him, for nothing, for ever, for looking merely, with beauty, more beauty! Tears ran down his cheeks. — Virginia Woolf

Flinging himself from his horse, he made, in his rage, as if he would breast the flood. Standing knee-deep in water he hurled at the faithless woman all the insults that have ever been the lot of her sex. Faithless, mutable, fickle, he called her; devil, adulteress, deceiver; and the swirling waters took his words, and tossed at his feet a broken pot and a little straw. — Virginia Woolf

After all, she may have thought, do words say everything? Can words say anything? Do not words destroy the symbol that lies beyond the reach of words? — Virginia Woolf

It was chivalrous because she was too remote for real companionship, so that there was always a kind of chance in one's offering; perhaps she would not perceive it; perhaps she would kindle rapture by a sudden recognition; her distance made such close moments exquisitely sweet. But alas, no humble friendship however romantic, could give her the sense that we completely shared her thoughts; the nature of them made it hard for anyone to understand; and her sorrow was very lonely. Perhaps one would come into a room unexpectedly and surprise her in tears, and, to one's miserable confusion, she would hide them instantly, and speak ordinary words, as though she did not imagine that one could understand her suffering. — Virginia Woolf

Imaginatively she is of the highest importance; practically she is completely insignificant. She pervades poetry from cover to cover; she is all but absent from history. She dominates the lives of kings and conquerors in fiction; in fact she was the slave of any boy whose parents forced a ring upon her finger. Some of the most inspired words, some of the most profound thoughts in literature fall from her lips; in real life she could hardly read, could scarcely spell, and was the property of her husband. — Virginia Woolf

But words have been used too often; touched and turned, and left exposed to the dust of the street. The words we seek hang close to the tree. We come at dawn and find them sweet beneath the leaf. — Virginia Woolf

The only advice, indeed, that one person can give another about reading is to take no advice, to follow your own instincts, to use your own reason, to come to your own conclusions. If this is agreed between us, then I feel at liberty to put forward a few ideas and suggestions because you will not allow them to fetter that independence which is the most important quality that a reader can possess. After all, what laws can be laid down about books? The battle of Waterloo was certainly fought on a certain day; but is Hamlet a better play than Lear? Nobody can say. Each must decide that question for himself. To admit authorities, however heavily furred and gowned, into our libraries and let them tell us how to read, what to read, what value to place upon what we read, is to destroy the spirit of freedom which is the breath of those sanctuaries. Everywhere else we may be bound by laws and conventions-there we have none. — Virginia Woolf

I skim through our notebook, thick with words, and then through our Facebook messages - so many now - and then I write a new one, quoting Virginia Woolf: Let us wander whirling to the gilt chairs. ... Are we not acceptable, moon? Are we not lovely sitting together here ... ? — Jennifer Niven

When the storm crosses the marsh and sweeps over me where I lie in the ditch unregarded I need no words. — Virginia Woolf

Whatever pain achieves, it achieves in part through its unsharability, and it ensures this unsharability through its resistance to language. "English," writes Virginia Woolf, "which can express the thoughts of Hamlet and the tragedy of Lear has no words for the shiver or the headache." ... Physical pain does not simply resist language but actively destroys it. — Elaine Scarry

It was a desire, an echo, a sound; she could drape it in color, see it in form, hear it in music, but not in words; no, never in words. She sighed, teased by desires so incoherent, so incommunicable. — Virginia Woolf

Ransack the language as he might, words failed him. He wanted another landscape, and another tongue. — Virginia Woolf

When you asked me to speak about women and fiction I sat down on the banks of a river and began to wonder what the words meant. They might mean simply a few remarks about Fanny Burney; a few more about Jane Austen; a tribute to the Brontes and a sketch of Haworth Parsonage under snow, some witticisms if possible about Miss Mitford; a respectful allusion to George Eliot; a reference to Mrs Gaskell and one would have done. — Virginia Woolf

This self now as I leant over the gate looking down over fields rolling in waves of colour beneath me made no answer. He threw up no opposition. He attempted no phrase. His fist did not form. I waited. I listened. Nothing came, nothing. I cried then with a sudden conviction of complete desertion. Now there is nothing. No fin breaks the waste of this immeasurable sea. Life has destroyed me. No echo comes when I speak, no varied words. This is more truly death than the death of friends, than the death of youth. — Virginia Woolf

To evade such temptations is the first duty of the poet. For as the ear is the antechamber to the soul, poetry can adulterate and destroy more surely then lust or gunpowder. The poet's, then, is the highest office of all. His words reach where others fall short. A silly song of Shakespeare's has done more for the poor and the wicked than all the preachers and philanthropists in the world. — Virginia Woolf

The word-coining genius, as if thought plunged into a sea of words and came up dripping. — Virginia Woolf