Words But English Quotes & Sayings

When The Journal of Words compiled its list of the one hundred best novels written in English, do you know that Pride and Prejudice was number twelve?" She stopped pacing and glared at Jane. "And do you know where Jane Eyre was?" she asked. She looked at the four of them in turn, but nobody answered her. "Number fifty-two!" she shrieked. "Fifty-two! Below that pornographic travesty Lolita!" She spat the title as if it were poison. "Below Huckleberry Finn! Below Ulysses. Have you ever tried to read Ulysses? Have you ever finished it? No, you haven't. No one has. They just carry it around and lie about having read it. — Michael Thomas Ford

Old English poetry is characterised by a number of poetic tropes which enable a writer to describe things indirectly and which require a reader imaginatively to construct their meaning. The most widespread of these figurative descriptions are what are known as kennings. Kennings often occur in compounds: for example, hronrad (whale-road) or swanrad (swan- road) meaning 'the sea'; banhus (bone-house) meaning the 'human body'. Some kennings involve borrowing or inventing words; others appear to be chosen to meet the alliterative requirement of a poetic line, and as a result some kennings are difficult to decode, leading to disputes in critical interpretation. But kennings do allow more abstract concepts to be communicated by using more familiar words: for example, God is often described as moncynnes weard ('guardian of mankind'). — Ronald Carter

The Latin word for sausage was botulus, from which English gets two words. One of them is the lovely botuliform, which means sausage-shaped and is a more useful word than you might think. The other word is botulism.
Sausages may taste lovely, but it's usually best not to ask what's actually in them. Curiosity may have killed the cat, but it was a sausage-maker who disposed of the body. — Mark Forsyth

The English language may hold a more disagreeable combination of words than "The doctor will see you now." I am willing to concede something to the phrase "Have you anything to say before the current is turned on?" That may be worse for the moment, but it doesn't last so long. For continued, unmitigating depression, I know nothing to equal "The doctor will see you now." But I'm not narrow-minded about it. I'm willing to consider other possibilities. — Robert Benchley

I don't think there's any words in the English language to explain what it's -what it's like to- to sit on Texas death row and your thoughts are laying on that gurney, convicted but innocent and being put to death. — Kerry Max Cook

I followed the words of the famous Russian proverb: Doveryai, no proveryai (or, in English, 'Trust, but verify'). — Randi Minetor

Conventional English usage, including the generic use of masculine-gender words, often obscures the actions, the contributions, and sometimes the very presence of women. Turning our backs on that insight is an option, of course, but it is an option like teaching children that the world is flat. — Casey Miller

They have to be born, you know," the Third Rail says. "They don't come from nowhere! When a child sits in her chair with a clean suzuri and her long brush, she believes she is writing, but she is simply calling to these poor lambs, calling them to attend her, to pass through her. We can hardy keep up with the demand; the pollination season is intense. And yet, they learn fewer and fewer kanji as the years go by, and more and more English, more katakana, more foreign things. The graveyard is on another train, where turtles set incense on the stones of words no one learns in your world anymore, words passed out of reach of any mouth. It is important work we do. We hope you agree, of course, but we are willing to admit it foolish if you call it so. — Catherynne M Valente

I am a part of the old school where I feel that purity of the language should be retained. But English is a constantly evolving language where new words are being added to the dictionary, so I don't see any harm in experimenting with the language. Only poor editing standards need to be improved. — Ashwin Sanghi

It is time," said the Lord Pilot, "to see this calamity to its end." Spoken in Archaic English: the words uttered by Thomas Clarkson in 1785, at the beginning of the end of slavery. "I have set my will against this disaster; I will break it, or it will break me." Ira Howard in 2014. "I will not share my universe with this shadow," and that was the Lord Pilot, in an anger hotter than the nova's ashes. "Help me if you will, or step aside if you lack decisiveness; but do not make yourself my obstacle, or I will burn you down, and any that stand with you - — Eliezer Yudkowsky

Because English has so many words of foreign origin, and words that look the same but mean something different depending on their context, and words that are in flux, opening and closing like flowers in time-lapse photography, the human element is especially important if we are to stay on top of the computers, which, in their determination to do our job for us, make decisions so subversive that even professional wordsmiths are taken by surprise. — Mary Norris

From deep in the tradition, from The Cloud of Unknowing, a fourteenth-century text from an unnamed English monk: "You only need a tiny scrap of time to move toward God." The words slap. Busyness is not much of an excuse if it only takes a minute or two to move toward God. But the monk's words console, too. For, of time and person, it seems that scraps are all I have to bring forward. That my ways of coming to God these days are all scraps. — Lauren F. Winner

So why is Chinese social networking booming despite the censorship? Part of the reason is the Chinese language. Posts on Twitter and Twitter clones such as Weibo are limited to 140 characters. In English that comes to about 20 words or a sentence with a short link - in effect, a headline. But in Chinese you can write a whole paragraph or tell a whole story in 140 characters. One Chinese tweet is equal to 3.5 English tweets. In some ways, Weibo (which means "microblog" in Chinese) is more like Facebook than Twitter. As far as the Chinese are concerned, if something is not on Weibo, it does not exist. — Michael Anti

European languages and a Google app can now turn your words into a foreign language, either in text form or as an electronic voice. Skype, an internet-telephony service, said recently that it would offer much the same (in English and Spanish only). But claims that such technological marvels will spell the end of old-fashioned translation businesses are premature. Software can give the gist of a foreign tongue, but for business use (if executives are sensible), rough is not enough. And polyglot programs are a pinprick in a vast industry. The business of translation, interpreting and software localisation (revising websites, apps and the like for use in a foreign language) generates revenues of $37 billion a year, reckons Common Sense Advisory (CSA), a consulting firm. — Anonymous

I loved English literature - if didn't it would have been hard - but I had to learn it myself. I remembered ways to repeat words, to put more emphasis on certain lines. — Benjamin Clementine

word 'dream' in the English language, or its equivalent in other languages, is probably one of the most familiar words in our vocabulary. It tends to have a variety of uses, such as, visionary, as in the above quotation, or wishful, as in hoping to win a lottery or to meet a soul mate or to have a successful career. Such dreams would fall into a category of waking or conscious experiences (mostly!), but the most common form of dreams, — Michael Sheridan

[from The One and Only Official Mr. Gum Official Glossary That Tells You What Words Mean by Explaining Them Using Other Words] :
Cups of tea: People in England are always drinking cups of tea. "Oh let's have a cup of tea " they say. "That will prove we are English and not American." Sometimes American people try to have cups of tea to pretend they are English but forget it We can always tell you are faking it — Andy Stanton

Cam restored her clothing slowly, his strong hands lifting her from the beech. Crushing her close, he muttered something incomprehensible against her hair. Another spell to bind her, she thought hazily, her cheek pressed to his smooth, hard chest. "You're speaking in Romany," she mumbled.
Cam switched to English. "Amelia, I - " He stopped, as if the right words eluded him. "I can't stop myself from being jealous, any more than I can stop being half Roma. But I'll try not to be overbearing. Just say you'll be my wife."
"Please," Amelia whispered, her wits still scattered, "let me answer later. When I can think clearly."
"You do too much thinking." He kissed the top of her head. "I can't promise you a perfect life. But I can promise that no matter what happens, I'll give you everything I have. We'll be together. You inside me ... me inside you. — Lisa Kleypas

Guys get a bad rap for not wanting to talk about their feelings but maybe women are in part to blame for that. One thing that I learned from working with people where English was not their first language was this: just because they don't speak your language doesn't mean that they're dumb. Maybe we just need to talk more slowly, use simpler words and have lots more patience. — Dermot Davis

I used to do miserably in English literature, which I thought was a sign of moral turpitude. As I look back on it, I think it was rather to my credit. The notion of actually putting writers' words into other words is quite ridiculous because why bother if writers mean what they mean, and if they don't, why read them? There is, I suppose, a case for studying literary works in depth, but I don't quite know what 'in depth' means unless you read a paragraph over and over again. — Patricia Wentworth

He wished he knew what to say to make her feel better, but the truth was, he
didn't feel all that great himself and he didn't know if there were even any words in the English
language to take away this kind of stunning shock, this understanding that the world isn't the place
you thought it was. — Jodi Picoult

Is there any finer phrase in the English language than Midsummer Day? There are no words to touch it for conjuring. It is the beginning of blooming roses and ripening corn, of days that stretch on, reaching for midnight until the spangled blue velvet of night descends and beginning again before cockcrow, when the dew jewels the grass like diamonds scattered while the earth slumbers. I, of course, expected rain. Not just rain, but torrential, heaving, biblical rain - the sort to set arks afloat. Everything else had gone awry, why not that? But when I awoke on Midsummer Day, the sun greeted me cordially, coaxing the dew from the grass and the early roses as a light breeze wafted the scent of charred chimney over the gardens. I stood at the window and breathed in deeply all the scents of summer, fresh grass and carp ponds and blossoming herb knots until the whole of it mingled in my head and made me dizzy. A bee floated lazily in the window and out again as if beckoning me to follow. — Deanna Raybourn

It's fascinating. You know all these words, and they're all English, but when you string them together into sentences, they just don't make any sense. — Cassandra Clare

Then the woman in the bed sat up and looked about her with wild eyes; and the oldest of the old men said: 'Lady, we have come to write down the names of the immortals,' and at his words a look of great joy came into her face. Presently she, began to speak slowly, and yet eagerly, as though she knew she had but a little while to live, and, in English, with the accent of their own country; and she told them the secret names of the immortals of many lands, and of the colours, and odours, and weapons, and instruments of music and instruments of handicraft they held dearest; but most about the immortals of Ireland and of their love for the cauldron, and the whetstone, and the sword, and the spear, and the hills of the Shee, and the horns of the moon, and the Grey Wind, and the Yellow Wind, and the Black Wind, and the Red Wind. ("The Adoration of the Magi") — W.B.Yeats

Out here, the deadly shit seeking your blood and meat is not confined to snakes and bears and weather. Other forces resent your presence too. Ghosts of long-gone wolves and buffalo and Indians and pioneers, dead in the service of implacable history. If you stop and camp early, while it's still early, while it's still daylight
claim your space, plant your flag, build your fire
you push them back into the past. But alone in the dark, the minute you sit your ass down they circle close around. Lie on the ground, and the cold seeps up as they try to equalize your temperature with theirs. Get quiet, and you hear the voices. A few words in English, but mostly in other languages. The ones that came before the Indians. Words the long-gone animals thought to one another. Words flowing against you. Wishing you ill. Yet, somehow, all gentle as an outbreath. — Charles Frazier

Space and force pervade language. Many cognitive scientists (including me) have concluded from their research on language that a handful of concepts about places, paths, motions, agency, and causation underlie the literal or figurative meanings of tens of thousands of words and constructions, not only in English but in every other language that has been studied. — Steven Pinker

It pleases him how Spell is how the word is made but also, in the hands of the magician, how the world is changed. One letter separates Word from World, and that letter is like the number one, or an 'I', or a shaft of light between almost closed curtains. There is an old letter called a thorn, which jags and tears at the throat as it's uttered. Later he learns that Grammar and Glamour share the same deeper root, which is further magic, and there can be neither magic without that root, nor plant. He's lost in it like Chid in Child, or God reversed into Dog. Somewhere inside him is a colon. A sentence can last for life. — Charles Lambert

as the descendants of the Normans finally amalgamated with the English natives, the Anglo-Saxon language reasserted itself; but in its poverty it had to borrow hundreds of French words (literary, intellectual, and cultural) before it could become the language of literature. — Richard A. LaFleur

A poet, yes, but an Englishman too. Do you know what is the pride of the English? Do you know what is the proudest word you will ever hear from an Englishman's mouth? The seas' ruler. His seacold eyes looked on the empty bay: it seems history is to blame: on me and on my words, unhating. - That on his empire, Stephen said, the sun never sets. - Ba! Mr Deasy cried. That's not English. A French Celt said that. — James Joyce

I can remember only a few of the strange and curious words now dead but living and spoken by the English people a thousand years ago. — Carl Sandburg

The early dictionaries in English were frequently created by a single author, but they were small works, and not what we think of today as dictionaries. Robert Cawdrey's A Table Alphabeticall, published in 1604, is generally regarded as the first English dictionary. It was an impressive feat in many respects, but it contained fewer than 2,500 entries, the defining of which would not be a lifetime's work. This and the other dictionaries of the seventeenth century were mostly attempts to catalog and define "difficult words"; little or no attention was given to the nuts and bolts of the language or to such concerns as etymology and pronunciation. For — Ammon Shea

I had one companion. He was a teacher from the Ukraine who spoke English so we could communicate a bit. I learnt a few Russian words, but it was hard to concentrate. — Mathias Rust

In the English language there are orphans and widows, but there is no word for the parents who lose a child. — Jodi Picoult

Colonialism is a terrible bane for a people upon whom it is imposed, but a blessing for a language. English's drive to exploit the new and the alien, its zeal in robbing words from other languages, its incapacity to feel qualms over the matter, its museum-size overabundance of vocabulary, it shoulder-shrug approach to spelling, its don't-worry-be-happy concern for grammar
the result was a language whose colour and wealth Henry loved. — Yann Martel

I draw because words are too unpredictable.
I draw because words are too limited.
If you speak and write in English, or Spanish, or Chinese, or any other language, then only a certain percentage of human beings will get your meaning.
But when you draw a picture everybody can understand it.
If I draw a cartoon of a flower, then every man, woman, and child in the world can look at it and say, That's a flower. — Sherman Alexie

Likewise, Oscar Wilde asked an English journalist to look over 'The Picture of Dorian Gray' before publication: "Will you also look after my 'wills' and 'shalls' in proof. I am Celtic in my use of these words, not English." Wilde's novel upset virtually every code of late Victorian respectability, but he had to get his modal auxiliaries just right. — Andrew Elfenbein

When I think of anything properly describable as a beautiful idea, it is always in the form of music. I have written and printed probably 10,000,000 words in English but all the same I shall die an inarticulate man, for my best ideas beset me in a language I know only vaguely and speak only as a child. — H.L. Mencken

The English language has about 450,000 commonly used words, but more may be needed. What to you call someone who has lost a sibling or had a miscarriage? Or a gay person whose partner has died? Or an elderly person who has lost every friend and relative? So many heartaches can't be found in the dictionary. — Jeffrey Zaslow

... so many ticks steadily around the clock. My heart beats ferociously, as if to say it will not digest this leaving. But you are gone. I could never look into your tormenting eyes again. You mock me with each word you choose ... . of the millions of words in the English tongue you could have chosen ... you select the one's that break me down. — Coco J. Ginger

I've always had a fondness for language ... English. Not that I use it correctly but I like words. I like books and I like poetry.. I like the written word ... and the sung word. — Joel Plaskett

I most likely like books which are out of my language... English... for example is a great example - Not my native language, but I enjoy the covers and how the words sound. — Deyth Banger

I never dream in French, but certain French words seem better or more fun than English words - like 'pois chiches' for chick peas! — Lydia Davis

The most self-damaging words in the English language are: try, might, and if. These are words of uncertainty. Will you fail? That is possible. But continue doubting your abilities and you'll never succeed. — Dannika Dark

The wise words of a friend and guide rang in my head. 'How would you distinguish a true servant of God from a traitor? ... You should take especial notice of how a person speaks, not of other things, but of God. — Harry Blamires

Ye'll ken the Declaration of Arbroath, will ye? Four hundred years since, it was our sires, our grandsires, who put their hands to these words: ... for as long as but a hundred of us remain alive, never will we on any conditions be brought under English rule." He stopped to steady his voice, then went on. "It is in truth not for glory, nor riches, nor honours that we are fighting, but for freedom - for that alone, which no honest man gives up but with life itself. — Diana Gabaldon

The words alone, lonely, and loneliness are three of the most powerful words in the English language ... those words say that we are human; they are like the words hunger and thirst. But they are not words about the body, they are words about the soul. — Donald Miller

If these Mount Everests of the financial world are going to labor and bring forth still more pictures with people being blown to bits with bazookas and automatic assault rifles with no gory detail left unexploited, if they are going to encourage anxious, ambitious actors, directors, writers and producers to continue their assault on the English language by reducing the vocabularies of their characters to half a dozen words, with one colorful but overused Anglo-Saxon verb and one unbeautiful Anglo-Saxon noun covering just about every situation, then I would like to suggest that they stop and think about this: making millions is not the whole ball game, fellows. Pride of workmanship is worth more. Artistry is worth more. — Gregory Peck

The most beautiful words in the English language are not 'I love you', but 'It's benign'. — Woody Allen

Four. That's what I want you to remember. If you don't get your idea across in the first four minutes, you won't do it. Four sentences to a paragraph. Four letters to a word. The most important words in the English language all have four letters. Home. Love. Food. Land. Peace ... I know peace has five letters, but any damn fool knows it should have four. — Lyndon B. Johnson

I didn't understand him. I mean, he was speaking English, and I understood the words, but I was confused. "What do you mean? What are you doing? — Gayla Twist

Is that all?" asked the butler. His slightly melodic accent was nearly impossible to place. It could have been British, but it wasn't any British accent I had ever heard. The words Old English came to mind, too. As in old, old English. This, I'm certain, was a psychic hit, but I could have been wrong. Just how old Franklin was remained to be seen. "Thank you, Franklin. That will be all," said Kingsley, waving him off. The butler nodded. "If you and the lady need anything else, please do not hesitate to rouse me from a deep and satisfying sleep." "We won't, Franklin. Now, off you go! — J.R. Rain

I couldn't even have a guitar. But I got a three-track recorder that was so small that I could take it with me. Then I started recording and writing properly. I recorded lots of voices, not just my own. I was interested in people speaking and singing English and trying out words. — Jenny Hval

I fell in love the moment I saw her in her grandfather's kitchen, her dark curls crashing over her Portuguese shoulders. 'Would you like to drink coffee?' she smiled.
'I'm really not that thirsty.'
'What? What you say?' Her English wasn't too good. Now I'm seventy-three and she's just turned seventy. 'Would you like to drink coffee?' she asked me today, smiling.
'I'm really not that thirsty.'
'What? What you say?' Neither of us has the gift of language acquisition. After fifty years of marriage we have never really spoken, but we love each other more than words can say. — Dan Rhodes

Being dyslexic, I'm lucky if I can recognize English words, but, being a demigod, Ancient Greek is sort of hardwired into my brain. 'Ke-rau-noh,' I pronounced. 'Blast?'

Annabeth gave me a wicked little smile. 'Closest term I could think of. Literally it means strike with lightning bolts .'

'Ooh,' Sadie said. 'I love striking things with lightning bolts. — Rick Riordan

While thought exists, words are alive and literature becomes an escape, not from, but into living.
Cyril Connolly (English critic and editor, 1903-1974) — Cyril Connolly

People are always saying these things about how there's no need to read literature anymore-that it won't help the world. Everyone should apparently learn to speak Mandarin, and learn how to write code for computers. More young people should go into STEM fields: science, technology, engineering, and math. And that all sounds to be true and reasonable. But you can't say that what you learn in English class doesn't matter. That great writing doesn't make a difference. I'm different. It's hard to put into words, but it's true. Words matter. — Meg Wolitzer

And what did Maurice buy when he first got paid? A Russian-English dictionary! Maurice bought a novel and began to try to read it. Each time he saw a word he didn't know, he copied it on a piece of paper. After he finished each page, he looked up the words he didn't know in his new dictionary, then read the page again until he could understand it.
Maurice did this, page by page, until he finished the book. It was slow going, but he didn't give up. 'Every day more of the strange sounds took on meaning as words arranged themselves into sentences. — Deborah Hopkinson

The problem with being ravished by books at an early age is that later rereadings are often likely to disappoint. "The sharp luscious flavor, the fine aroma is fled," Hazlitt wrote, "and nothing but the stalk, the bran, the husk of literature is left." Terrible words, but it can happen. You become harder to move, frighten, arouse, provoke, jangle. Your education becomes an interrogation lamp under which the hapless book, its every wart and scar exposed, confesses its guilty secrets: "My characters are wooden! My plot creaks! I am pre-feminist, pre-deconstructivist, and pre-postcolonialist!" (The upside of English classes is that they give you critical tools, some of which are useful, but the downside is that those tools make you less able to shower your books with unconditional love. Conditions are the very thing you're asked to learn.) You read too many other books, and the currency of each one becomes debased. — Anne Fadiman

Written in ink, in German, in a small, hopelessly sincere handwriting, were the words, "Dear God, life is hell." Nothing led up to or away from it. Alone on the page, and in the sickly stillness of the room, the words appeared to have the statue of an uncontestable, even classic indictment. X stared at the page for several minutes, trying, against heavy odds, not to be taken in. Then, with far more zeal than he had done anything in weeks, he picked up a pencil stub and wrote down under the inscription, in English, "Fathers and teachers, I ponder, 'What is hell?' I maintain that it is the suffering of being unable to love." He started to write Dostoevski's name under the inscription, but saw - with fright that ran through his whole body - that what he had written was almost entirely illegible. He shut the book. — J.D. Salinger

If only.
You got to admit, standing alone those words are pretty awful, but married together like that, they must be two of the saddest in the English language. — Lesley Kagen

Great Britain, for instance, is too big and too diverse to be home to a small-island civilization, but in modern times the English - though not, I think, other peoples of the island - have cultivated what might be called a small-island mentality: all their most tiresome history books stress, sometimes in their opening words, that their history is a function of their insularity. They still write and read histories with such titles as Our Island Story and The Offshore Islanders.4The conviction that their island "arose from the azure main" and is like a gem "set in the silver sea" resounds in national songs and scraps of verse which they hear repeatedly. In the eighteenth and nineteenth centuries, the English invested heavily in naval security. They created the cult of the "English eccentric" - which is a way of idealizing the outcome of isolation. They have projected an image as "a singular race, one which prides itself on being a little mad. — Felipe Fernandez-Armesto

Shakespearean words, foreign words, slang and dialect and made-up phrases from kids on the street corner: English has room for them all. And writers - not just literary writers, but popular writers as well - breathe air into English and keep it lively by making it their own, not by adhering to some style manual that gets handed out to college Freshmen in a composition class. — Donna Tartt

But even we, with our supposed mastery of the English language, were not immune to the shortcoming of our vocabularies.
Words can only help you if you speak them. — Bianca Phipps

GT: You know how you think you know these things about yourself?
GT: Like all these personal attributes about you as if theyre written down somewhere like a sort of mini biography so they have to be true.
GT: So you just believe them and hope that the believing is what makes them true.
GT: But then you spend so much time believing those things and taking their truth for granted that you somehow forget to MAKE them true with your words and deeds.
GT: How can i truly love adventure when i never even knew what it was? — Andrew Hussie

She'd always been comforted by how many words there were in the English language -- more than a million. With so many words surely anything could be said, everything could be understood.
But what did the volume of words matter in any language when she couldn't even manage to ask the simplest questions? Will you tell me your story? Will you let me in to my own family? Isn't it my story, too? — Fiona Wood

The fact that the descent of the Quran led not only to the foundation of one of the world's great civilizations, but also to the creation of one of the major scientific, philosophical, and artistic traditions in global history was not accidental. Without the advent of the Quran, there would have been no Islamic sciences as we know them, sciences that were brought later to the West and we therefore would not have words such as "algebra," "algorithm," and many other scientific terms of Arabic origin in English. Nor would there be the Summas of St. Thomas Aquinas, at least in their existing form, since these Summas contain so many ideas drawn from Islamic sources. — Seyyed Hossein Nasr

Rap isn't poetry, not least because it involves music and often other elements that aren't words. But the way poets in English use things like rhyme and meter, and the ways these conventions both do and don't apply to rap we try to lay out the rules for rap, in order to understand the techniques that artists like Jay-Z and Kanye employ. — Andrew Hoberek

Although I write in English, and despite the fact that I'm from America, I consider myself an Armenian writer. The words I use are in English, the surroundings I write about are American, but the soul, which makes me write, is Armenian. This means I am an Armenian writer and deeply love the honor of being a part of the family of Armenian wrtiters. — William, Saroyan

Oh, Jesus," he said, wheezing with the effort it took to control
himself. He wiped his eyes with the back of his hand. "You little
innocent. I'm fluent in French, but it isn't my first language." It
was plain by the mortified expression in those green eyes that she
didn't understand, so he explained. "Baby , if I can still think
clearly enough to speak French, then I'm not totally involved in
what I'm doing. It may sound pretty , but it doesn't mean
any thing. Men are different from women; the more excited we are,
the more like cavemen we sound. I could barely speak English with
you, much less French. As I remember, my vocabulary
deteriorated to a few short, explicit words, 'fuck' being the most
prominent."
To his amazement, she blushed, and he smiled at this further
evidence of her charming prudery. "Go to sleep," he said gently.
"Lindsey didn't even rate a replay. — Linda Howard

Can't I?" he said. "Did you know that they fertilized crops with human ash? After the war, the tomatoes were the size of an infant's head." He gave the words the same inflection that his grandfather did, only in English. They had a new but not unfamiliar sound on his tongue. He knew how to say them. — Boris Fishman

had chewed and swallowed it, he said: "I don't generally let the language flow around here. People, the richer they get, the more they dislike to hear a Negro express himself in well-chosen words. I guess they feel there's no point in being rich unless you can feel superior to somebody. I study English on the college level, but if I talked that way I'd lose my job. People are very sensitive. — Ross Macdonald

My friend had a brilliant idea. This impressed me. It reflected an immense deal of credit on his brain. But when he expressed it,it lost all value, and enjoyed but a commonplace status. My friend blamed this devaluation on the language. "I hate English," he said. So he studied another language. He mastered it so perfectly that there was no room left in his brain for a brilliant idea. Now he has a grudge against words. He refuses to use them. He prefers to shrug or grunt. A new crop of ideas is growing. They show promise of future refinement. — Marvin L. Cohen

Finally, to hinder the description of illness in literature, there is the poverty of the language. English, which can express the thoughts of Hamlet and the tragedy of Lear, has no words for the shiver and the headache. It has all grown one way. The merest schoolgirl, when she falls in love, has Shakespeare or Keats to speak her mind for her; but let a sufferer try to describe a pain in his head to a doctor and language at once runs dry. There is nothing ready made for him. He is forced to coin words himself, and, taking his pain in one hand, and a lump of pure sound in the other (as perhaps the people of Babel did in the beginning), so to crush them together that a brand new word in the end drops out. Probably it will be something laughable. — Virginia Woolf

The two last were in full tide of spirits, and the Baron rallied in his way our hero upon the handsome figure which his new dress displayed to advantage. 'If you have any design upon the heart of a bonny Scottish lassie, I would premonish you when you address her to remember the words of Virgilius:
"Nunc insanus amor duri me Martis in armis,
Tela inter media atque adversos detinet hostes."
Whilk verses Robertson of Struan, Chief of the clan Donnochy, unless the claims of Lude ought to be preferred primo loco, has thus elegantly rendered:
"For cruel love has gartan'd low my leg,
And clad my hurdies in a philabeg."
Although indeed ye wear the trews, a garment whilk I approve most of the two, as more ancient and seemly.'
'Or rather,' said Fergus, 'hear my song:
"She wadna hae a Lowland laird,
Nor be an English lady;
But she's away with Duncan Graeme,
And he's rowed her in his plaidy. — Walter Scott

I studied French in high school and German in college and I once took a 24-hour Italian crash course. English has by far the most words in it of any other language. Our money might not be worth anything anymore, but the language is. — Roy Blount Jr.

Like prepositional phrases, certain structural arrangements in English are much more important than the small bones of grammar in its most technical sense. It really wouldn't matter much if we started dropping the s from our plurals. Lots of words get along without it anyway, and in most cases context would be enough to indicate number. Even the distinction between singular and plural verb forms is just as much a polite convention as an essential element of meaning. But the structures, things like passives and prepositional phrases, constitute, among other things, an implicit system of moral philosophy, a view of the world and its presumed meanings, and their misuse therefore often betrays an attitude or value that the user might like to disavow.
— Richard Mitchell

The allowance vanished absolutely; and in its place there came into being an arrangement. By this, his lordship was to have whatever money he wished, but he must ask for it, and state why it was needed. If the request were reasonable, the cash would be forthcoming; if preposterous, it would not. The flaw in the scheme, from his lordship's point of view, was the difference of opinion that can exist in the minds of two men as to what the words reasonable and preposterous may be taken to mean. Twenty pounds, for instance, would, in the lexicon of Sir Thomas Blunt, be perfectly reasonable for the current expenses of a man engaged to Molly McEachern, but preposterous for one to whom she had declined to remain engaged. It is these subtle shades of meaning that make the English language so full of pitfalls for the foreigner. — P.G. Wodehouse

But for the first time, I don't feel like the English language has developed enough letters in the alphabet to adequately express the words I want to say to you. — Colleen Hoover

I wish they would use English instead of Greek words. When I want to know why a leaf is green, they tell me it is coloured by "chlorophyll," which at first sounds very instructive; but if they would only say plainly that a leaf is coloured green by a thing which is called "green leaf," we should see more precisely how far we had got. — John Ruskin

Jace rolled his eyes. "It's fascinating," he said. "You know all these words, and they're all English, but when you string them together into sentences, they just don't make any sense."
(Jace, to Simon) — Cassandra Clare

Why are people are so afraid of death? Why do they avoid talking about it? Maybe it's because there are no words. With my limited knowledge of the English language, there is not a word I have ever heard that accurately describes what "death" is. You can look it up in the dictionary for yourself. I don't believe what they say it is. How can you say death is death when it is not death at all, but life? — Kate McGahan

To write or even speak English is not a science but an art. There are no reliable words. Whoever writes English is involved in a struggle that never lets up even for a sentence. He is struggling against vagueness, against obscurity, against the lure of the decorative adjective, against the encroachment of Latin and Greek, and, above all, against the worn-out phrases and dead metaphors with which the language is cluttered up. — George Orwell

In the most basic way, writers are defined not by the stories they tell, or their politics, or their gender, or their race, but by the words they use. Writing begins with language, and it is in that initial choosing, as one sifts through the wayward lushness of our wonderful mongrel English, that choice of vocabulary and grammar and tone, the selection on the palette, that determines who's sitting at that desk. Language creates the writer's attitude toward the particular story he's decided to tell. — Donald E. Westlake

Beowulf stands out as a poem which makes extensive use of this kind of figurative language. There are over one thousand compounds in the poem, totalling one-third of all the words in the text. Many of these compounds are kennings. The word 'to ken' is still used in many Scottish and Northern English dialects, meaning 'to know'. Such language is a way of knowing and of expressing meanings in striking and memorable ways; it has continuities with the kinds of poetic compounding found in nearly all later poetry but especially in the Modernist texts of Gerard Manley Hopkins and James Joyce. — Ronald Carter

The Christian idea of marriage is based on Christ's words that a man and wife are to be regarded as a single organism - for that is what the words 'one flesh' would be in modern English. And the Christians believe that when He said this He was not expressing a sentiment but stating a fact - just as one is stating a fact when one says that a lock and its key are one mechanism, or that a violin and a bow are one musical instrument. — C.S. Lewis

I found cause to wonder upon what ground the English accuse Americans of corrupting the language by introducing slang words. I think I heard more and more different kinds of slang during my few weeks' stay in London than in my whole "tenderloin" life in New York. But I suppose the English feel that the language is theirs, and that they may do with it as they please without at the same time allowing that privilege to others. — James Weldon Johnson

It's not entirely absurd to think that somewhere in the past of mankind someone, for the first time, did in his mind the equivalent of putting an adjective to a noun, and saw, not only a relationship, but this special relationship between two things of different kinds ... In sum, all the seemingly complicated kinds of modification in English are just ways of thinking and seeing how things go with each other or reflect each other. Modifiers in our language are not aids to understanding relationships; they are the ways to understand relationships. A mistake in this matter either comes from or causes a clouded mind. Usually it's both. — Richard Mitchell

Each of these passages has faults of its own, but, quite apart from avoidable ugliness, two qualities are common to all of them. The first is staleness of imagery; the other is lack of precision. The writer either has a meaning and cannot express it, or he inadvertently says something else, or he is almost indifferent as to whether his words mean anything or not. This mixture of vagueness and sheer incompetence is the most marked characteristic of modern English prose, and especially of any kind of political writing. As soon as certain topics are raised, the concrete melts into the abstract and no one seems able to think of turns of speech that are not hackneyed: prose consists less and less of words chosen for the sake of their meaning, and more and more of phrases tacked together like the sections of a prefabricated hen-house. — George Orwell

Whatever pain achieves, it achieves in part through its unsharability, and it ensures this unsharability through its resistance to language. "English," writes Virginia Woolf, "which can express the thoughts of Hamlet and the tragedy of Lear has no words for the shiver or the headache." ... Physical pain does not simply resist language but actively destroys it. — Elaine Scarry

When we were little, Eric and Fitz and I invented a language. I've forgotten most of it, with the exception of a few words: valyango, which meant pirate; palapala, which meant rain; and ruskifer, which had no translation to English but described the dimpled bottom of a woven basket, all the reeds coming together to form one joint spot, and that we sometimes used to explain our friendship. — Jodi Picoult

Words are instruments, they are tools that, in their different ways, are as effective as any sharp edge or violate chemical. They are, like coins, items of great value, but they represent a currency that, well spent, returns ever greater riches. — Tim Radford

The problem with English is this: You usually can't open your mouth and it comes out just like that
first you have to think what you want to say. Then you have to find the words. Then you have to carefully arrange those words in your head. Then you have to say the words quietly to yourself, to make sure you got them okay. And finally, the last step, which is to say the words out loud and have them sound just right.
But then because you have to do all this, when you get to the final step, something strange has happened to you and you speak the way a drunk walks. And, because you are speaking like falling, it's as if you are an idiot, when the truth is that it's the language and the whole process that's messed up. And then the problem with those who speak only English is this: they don't know how to listen; they are busy looking at your falling instead of paying attention to what you are saying. — NoViolet Bulawayo

Lately I have been feeling hulihudu. And everything around me seemed to be heimongmong. These were words I had never thought about in English terms. I suppose the closest in meaning would be "confused" and "dark fog."
But really, the words mean much more than that. Maybe they can't be easily translated because they refer to a sensation that only Chinese people have, as if you were falling headfirst through Old Mr. Chou's [Mr. Sandman's] door, then trying to find your way back. But you're so scared you can't open your eyes, so you get on your hands and knees and grope in the dark, listening for voices to tell you which way to go.
I had been talking to too may people ... to each person I told a different story. Yet each version was true, I was certain of it, at least at the moment I told it. — Amy Tan

Where shall we look for standard English but to the words of a standard man? — Henry David Thoreau

For me, art in our time is strongest when it is aware of science, includes science, is inspired by science, or is about science. On the linguistic level, the new words coined by scientists to describe their new discoveries form a giant growing lexicon that means English is simply bursting with new possibilities, resembling the Elizabethan age in that respect. Then conceptually, science is creating new stories to tell, by deluging us with new information and potentialities. In this deluge we need art to do its usual job of sorting things out, by giving things their human dimension and by exploring how they might feel and what they might mean. So to me the arts and the sciences are completely intertwined. Maybe that's always been true, but now more than ever. — Kim Stanley Robinson

In the context of the English language, there were many more important words than "in." There were fancy words, historic words, words that meant life or death. There were multi-syllabic tongue-twisters that required a sort out before speaking, and mission-critical pivotals that started wars or ended wars ... and even poetic nonsensicals that were like a symphony as they left the lips. Generally speaking, "in" did not play with the big boys. In fact, it barely had much of a definition at all, and, in the course of its working life, was usually nothing but a bridge, a conduit for the heavy lifters in any given sentence. There was, however, one context in which that humble little two-letter, one-syllable jobbie was a BFD. Love. The difference between someone "loving" somebody versus being "in love" was a curb to the Grand Canyon. The head of a pin to the entire Midwest. An exhale to a hurricane. — J.R. Ward

The captain was amusing. He said that he himself couldn't draw and proved his words by drawing his own house for his prisoner to see. It was just such a house as the babies drew in the kindergarten: a square box with four square windows, a door and two chimneys, each with a neat curl of smoke. "That's best I can do," said the Captain, laughing.
Max laughed with him for politeness' sake, though inwardly he was shocked that an important man like the Captain made a fool of himself. "Vater does not draw," he said kindly, "nor does Mutti; but they are both very keen on photography. Perhaps you are good at that?"
"Not brilliant," said the Captain. — Constance Savery

At the negotiations in Irvine, it became clear to me that there was no side I could stand on. The English despise me and my countrymen don't trust me. Wallace and the others are rebelling in the name of Balliol. I cannot fight with them. It would be as much a betrayal of my oath as when I was fighting for England. I know what I must do. What I should have done months ago.'
Robert felt embarrassed, about to say the words. Inside, his father's voice berated him, but he silenced it. 'I want you to weave my destiny,' he finished. 'As you did for my grandfather.'
When she spoke, her voice was low. 'And what is your destiny?'
He met her eyes now, all hesitation and embarrassment gone. 'To be King of Scotland.'
A smile appeared at the corners of her mouth. It wasn't a soft smile. It was hard and dangerous. 'I will need something of yours,' she said, rising. — Robyn Young

When Isaac Newton embarked on his great program, he encountered a fundamental lack of definition where it was most needed. He began with a semantic sleight of hand: "I do not define time, space, place, and motion, as being well known to all," he wrote deceptively. Defining these words was his very purpose. There were no agreed standards for weights and measures. Weight and measure were themselves vague terms. Latin seemed more reliable than English, precisely because it was less worn by everyday use, but the Romans had not possessed the necessary words either. — James Gleick

Students who take Latin are more proficient and earn higher scores on the verbal SAT exam. The business world has long recognized the importance of a rich vocabulary and rates it high as evidence of executive potential and success. Understanding the etymological history of a word gives the user vividness, color, punch, and precision. It also seems that the clearer and more numerous our verbal images, the greater our intellectual power. Wheelock's Latin is profuse with the etymological study of English and vocabulary enrichment. Our own experiences have shown that students will not only remember vocabulary words longer and better when they understand their etymologies, but also will use them with a sharper sense of meaning and nuance. — Frederic M. Wheelock