Wood Art Quotes & Sayings

The essence of knowledge is generalization. That fire can be produced by rubbing wood in a certain way is a knowledge derived by generalization from individual experiences; the statement means that rubbing wood in this way will always produce fire. The art of discovery is therefore the art of correct generalization ... The separation of relevant from irrelevant factors is the beginning of knowledge. — Hans Reichenbach

If you construct a room in paint, you haunt it. Your life rests in every stroke. So paint only the rooms that you can bear to occupy forever. Or paint the stars instead. — Benjamin Wood

She knocked a third time, three regular strokes, gentle, but perfectly distinct, and with meaning in them; for, modulate it with what cautious art we will, the hand cannot help playing some tune of what we feel , upon the senseless wood. — Nathaniel Hawthorne

Perfume is magic. It's mystery. We recreate the smell of a flower. Of wood. Of grass. We capture the essence of life. Liquefy it. We store memories. We make dreams," he told her once. "What we do is a wonder, an art, and we have a responsibility to do it well. — M.J. Rose

Metaphysics may be, after all, only the art of being sure of something that is not so and logic only the art of going wrong with confidence. — Joseph Wood Krutch

To be a full-blooded hillbilly was to be a living koan. Half of you wanted to be dignified and half of you couldn't tolerate any restraint. You could see it in the regional art and hear it in the music. Wood carving with chainsaws. Cloggers who danced up a storm with the lower half of their bodies, but held the upper half perfectly still and stared off into the distance stone-faced. Or a group of bluegrass musicians who'd be playing the most raucous tunes imaginable, looking around at each other with bemused expressions that seemed to say where's all that racket comin from?
Phoebe believed that nearly all the adult males everywhere were pretty much the same way. Most of them could manage to keep the top half of themselves under a semblance of control, but the bottom half tended to run wild. As she continued to descend the trail she couldn't help but think that most men were mentally ill below the waist. — Carolyn Jourdan

The artist glanced at the inflexible image of king, commander, dame, and allegory, that stood around, on the best of which might have been bestowed the questionable praise that it looked as if a living man had here been changed to wood, and that not only the physical, but the intellectual and spiritual part, partook of the stolid transformation. But in not a single instance did it seem as if the wood were imbibing the ethereal essence of humanity. What a wide distinction is here! and how far the slightest portion of the latter merit have outvalued the utmost degree of the former! — Nathaniel Hawthorne

Philosophy does not claim to secure for us anything outside our control. Otherwise it would be taking on matters that do not concern it. For as wood is the material of the carpenter, and marble that of the sculptor, so the subject matter of the art of life is the life of the self. — Epictetus

I threw so hard (after striking out Art Fletcher & Doc Crandall in the 9th inning of Game 1 of the 1912 World Series) I thought my arm would fly right off my body. — Smoky Joe Wood

Fred is staying with his mother these holidays. She's living in London for six months, in Chelsea, studying Georgian underwear at the National Art Library. It's a thesis, not a fetish. — Fiona Wood

I wanted to become an artist because it meant endless possibilities. Art was a way of reinventing myself. — Sam Taylor-Wood

The wood-carver can fashion whatever he will. Yet his products are but toys of the moment, to be glanced at in jest, not fashioned according to any precept or law. When times change, the carver too will change his style and make new trifles to hit the fancy of the passing day. But there is another kind of artist, who sets more soberly about his work, striving to give real beauty to the things which men actually use and to give to them the shape which tradition has ordained. This maker of real things must not for a moment be confused with the maker of idle toys. — Murasaki Shikibu

The only works of art America has given are her plumbing and her bridges. — Beatrice Wood

The term 'Pre-Raphaelite' is in danger of becoming one of the most misused tags in art history — Christopher Wood

Jesus must have had man hands. He was a carpenter, the Bible tells us. I know a few carpenters, and they have great hands, all muscled and worn, with nicks and callused pads from working wood together with hardware and sheer willpower. In my mind, Jesus isn't a slight man with fair hair and eyes who looks as if a strong breeze could knock him down, as he is sometimes depicted in art and film. I see him as sturdy, with a thick frame, powerful legs, and muscular arms. He has a shock of curly black hair and an untrimmed beard, his face tanned and lined from working in the sun. And his hands - hands that pounded nails, sawed lumber, drew in the dirt, and held the children he beckoned to him. Hands that washed his disciples' feet, broke bread for them, and poured their wine. Hands that hauled a heavy cross through the streets of Jerusalem and were later nailed to it. Those were some man hands. — Cathleen Falsani

When I first started all this, it was mostly music fans that came along, Stones fans. But now, I'm being taken seriously. I've got highfalutin' art collectors and everything! — Ron Wood

We are sorry about the way things turned out. We gave, in the phrasing of our words if not literally in the words themselves, the false impression that these pages might hold some small fragment, some slight fragrance of a greater truth. That there might be something here to be learned. Before we go any further the author of this cartoon wishes to make an apology. Such an impression was deliberately cultivated. It is a ruse. It is a lie. We are every bit as lost and afraid as children abandoned in a wood: every bit as lost as you. — Anders Nilsen

Good stuff!" [Knud] said. "All organic, of course! All fresh! We take care of the earth here! You like smoked herring? You will. Of course you will! I work in iron, though I have also done some of these wood carvings. All of my work is based on traditional Danish art. I am a Viking! Eat! — Maureen Johnson

Philosophy does not promise to secure anything external for man, otherwise it would be admitting something that lies beyond its proper subject-matter. For as the material of the carpenter is wood, and that of statuary bronze, so the subject-matter of the art of living is each person's own life. — Epictetus

Rhetoric takes no real account of the art in literature and morality takes no account of the art in life. — Joseph Wood Krutch

My art is an attempt to reach beyond the surface appearance. I want to see growth in wood, time in stone, nature in a city, and I do not mean its parks but a deeper understanding that a city is nature too-the ground upon which it is built, the stone with which it is made. — Andy Goldsworthy

If the art of ship-building were in the wood, ships would exist by nature. — Aristotle.

I think people are 'just creative,' and this can be expressed in a number of ways. Bob Dylan and David Bowie create both music and art. — Ronnie Wood

Those who are esteemed umpires of taste, are often persons who have acquired some knowledge of admired pictures or sculptures, and have an inclination for whatever is elegant; but if you inquire whether they are beautiful souls, and whether their own acts are like fair pictures, you learn that they are selfish and sensual. Their cultivation is local, as if you should rub a log of dry wood in one spot to produce fire, all the rest remaining cold. Their knowledge of the fine arts is some study of rules and particulars, or some limited judgment of color or form which is exercised for amusement or for show. It is a proof of the shallowness of the doctrine of beauty, as it lies in the minds of our amateurs, that men seem to have lost the perception of the instant dependence of form upon soul. — Ralph Waldo Emerson

And I have exposed myself to art so that my work has something beyond just the usual potter. — Beatrice Wood

But, you see, the theatre is not always art in America. — Beatrice Wood

When a man despoils a work of art we call him a vandal, when he despoils a work of nature we call him a developer. — Joseph Wood Krutch

All the same, the fundamental truths which govern that art are still unchangeable; just as the principles of mechanics must always govern architecture, whether the building be made of wood, stone, iron or concrete; just as the principles of harmony govern music of whatever kind. It is still necessary, then, to establish the principles of war. — Ferdinand Foch

If a man seeks to change the world, he should first understand it.' The apprentice trotted the words out as if by rote, evidently relieved to be asked a question he knew the answer to. 'The smith must learn the ways of metals, the carpenter the ways of wood, or their work will be of but little worth. Base magic is wild and dangerous, for it comes from the Other Side, and to draw from the world below is fraught with peril. The Magus tempers magic with knowledge, and thus produces High Art, but like the smith or the carpenter, he should only seek to change that which he understands. With each thing he learns, his power is increased. So must the Magus strive to learn all, to understand the world entire. The tree is only as strong as its root, and knowledge is the root of power. — Joe Abercrombie

If there was an ethos at Squid Frames, it came from the elevation of craft. When a piece of wood was stained and finished particularly well, eyebrows were raised but little was said. The type of things that would score the most admiration were precisely the things that others would not recognize at all, because when the frames were well made, the eye would simply travel to the art. — Samuel Fromartz

Let every Christian be a gardener so that he and she and the whole of creation, which groans in expectation of the Spirit's final harvest, may inherit Paradise. If we Christian's truly treasure the hope that one day we, like Adam and the penitent thief, will walk alongside the One who caused even the dead wood of the Cross to blossom with flowers, then we must also imitate the Master's art and make the desolate earth grow green. — Vigen Guroian

A pair of stockings is no less suitable o make a painting of than wood,nails,turpentine,oil,and fabric. — Robert Rauschenberg

Man has used human rhythmic movement as raw material out of which to create works of art, as the composer of music uses sound, the sculptor uses stone and wood, the painter his pigments, and the writer - words. — Ted Shawn

I understand what it is to go through emotional trauma and retreat and go into the world of your imagination. I understand how art and music can be a place of safety in a world of reinvention. — Sam Taylor-Wood

One more point must be made with regard to the general conditions of learning an art. One does not begin to learn an art directly, but indirectly, as it were. One must learn a great number of other - and often seemingly disconnected things - before one starts with the art itself. An apprentice in carpentry begins by learning how to plane wood; an apprentice in the art of piano playing begins by practicing scales; an apprentice in the Zen art of archery begins by doing breathing exercises. 1 If one wants to become a master in any art, one's whole life must be devoted to it, or at least related to it. One's own person becomes an instrument in the practice of the art, and must be kept fit, according to the specific functions it has to fulfill. With regard to the art of loving, this means that anyone who aspires to become a master in this art must begin by practicing discipline, concentration and patience throughout every phase of his life. — Erich Fromm

Science! true daughter of Old Time thou art!
Who alterest all things with thy peering eyes.
Why preyest thou thus upon the poet's heart,
Vulture, whose wings are dull realities?
How should he love thee? or how deem thee wise?
Who wouldst not leave him in his wandering
To seek for treasure in the jewelled skies,
Albeit he soared with an undaunted wing?
Hast thou not dragged Diana from her car?
And driven the Hamadryad from the wood
To seek a shelter in some happier star?
Hast thou not torn the Naiad from her flood,
The Elfin from the green grass, and from me
The summer dream beneath the tamarind tree? — Edgar Allan Poe

Perhaps this is what Henry James meant when he talked about the "irresponsibility" of characters. Characters are irresponsible, art is irresponsible when compared to life, because it is first and foremost important that a character be real, and as readers or watchers we tend to applaud any effort made towards the construction of that reality. We do not, of course, indulge actual people in the world this way at all. In real life, the fact that something seems real to someone is not enough to interest us, or to convince us that that reality is interesting. But the self-reality of fictional characters is deeply engrossing, which is why villains are lovable in literature in ways that they are not in life. — James Wood

I went to Goldsmith College of Art in London in the '80s and there I made sculptures, but the objects had nothing to do with how I was thinking. I was making beautifully sanded wooden boxes! — Sam Taylor-Wood

Jobs described Mike Markkula's maxim that a good company must "impute"- it must convey its values and importance in everything it does, from packaging to marketing. Johnson loved it. It definitely applied to a company's stores. " The store will become the most powerful physical expression of the brand," he predicted. He said that when he was young he had gone to the wood-paneled, art-filled mansion-like store that Ralph Lauren had created at Seventy-second and Madison in Manhattan. " Whenever I buy a polo shirt, I think of that mansion, which was a physical expression of Ralph's ideals," Johnson said. " Mickey Drexler did that with the Gap. You couldn't think of a Gap product without thinking of the Great Gap store with the clean space and wood floors and white walls and folded merchandise. — Walter Isaacson

Not stones, nor wood, nor the art of artisans make a state; but where men are who know how to take care of themselves, these are cities and walls. — John Quincy Adams

There is no one who has cooked but has discovered that each particular dish depends for its rightness upon some little point which he is never told. It is not only so of cooking: it is so of splicing a rope; of painting a surface of wood; of mixing mortar; of almost anything you like to name among the immemorial human arts. — Hilaire Belloc

A man that steps aside from the world and has leisure to observe it without interest and design, thinks all mankind as mad as they think him. — E. F. L. Wood, 1st Earl Of Halifax

Cedar groaned and picked up her spoon with her bright blue fingers. While the rest of her was the fiery brown of the cedar wood she'd been carved from, her fingers were covered in blue paint up to her knuckles. You could tell a lot about Cedar's current art projects by the color of her fingers. She didn't mind getting messy. She just sanded the paint off. — Shannon Hale

At school, I always felt the art room was the place where you could sit and talk. It was a place of solace. I wasn't the best artist at school by a long shot; it was more the understanding and the support that came from that room. — Sam Taylor-Wood

Quit the bitching on your blog
And stop pretending art is hard.
Just limit yourself to three chords
And do not practice daily.
You'll minimize some stranger's sadness
With a piece of wood and plastic.
Holy fuck it's so fantastic,
Playing ukulele. — Amanda Palmer

A Gift for You
I send you ...
A cottage retreat on a hill in Ireland. This cottage is filled with fresh flowers, art supplies, and a double-wide chaise lounge in front of a wood-burning fireplace. There is a cabinet near the front door, where your favorite meals appear, several times a day. Desserts are plentiful and calorie free. The closet is stocked with colorful robes and pajamas, and a painting in the bedroom slides aside to reveal a plasma television screen with every movie you've ever wanted to watch. A wooden mailbox at the end of the lane is filled daily with beguiling invitations to tea parties, horse-and-carriage rides, theatrical performances, and violin concerts. There is no obligation or need to respond.
You sleep deeply and peacefully each night, and feel profoundly healthy. This cottage is yours to return to at any time. — SARK

I owe it all to art books, chocolate and young men. — Beatrice Wood

It's taken folk a while to come around, hasn't it? Even the boys in the band weren't too sure about the whole art thing. They just wanted me to concentrate on the music. But they respect it now. — Ron Wood

she came out - dancing around in a white shirt with nothing underneath, the rosy coins of her nipples visible under the thin fabric - asking for a wood saw and spackle, he'd been jumpy as a jackrabbit sniffing Easter candy. He could have looked in the bedroom when she left to sleep, to go to Brass and Bones, to go wherever sex-witch art-fairies go. She came back every day with packages from the Indian import store, bags from the pagan crystal shop, boxes that smelled like incense and old wood. But he didn't look because deep down he liked the mystery, that a woman had claimed a space in the house he'd designed, made it hers to reveal on her terms. — Kira A. Gold

Ruins. Places built up by man, painstaking, sometimes over centuries. Layer upon layer of human experience, history, and art, represented in stone and wood and glass. Every single building had been put together with the idea of meeting some specific goal, a specific individual's tastes, filling a purpose as an institution, or being built to cater to society's tastes as a whole. Virtually every building had been a familiar place to someone, a home, a place of business. Roads had once been a part of people's daily routines, bridges a convenience that was appreciated, if rarely acknowledged. — Wildbow

I feel the art world in New York has a stronger following than Britain. If you go to a New York art district on a Saturday morning, it will be so busy with families and openings - art is much more ingrained in the culture. — Sam Taylor-Wood

Art in order to move you has to be political or sexual - whether it is on canvas, in the drum of the cello, in the words of the poet. If it doesn't move you, what is the point? And if it does move you, what is the point? The point is to touch your senses, your soul. To carve, as a knife in the right hands, carves beauty from a block of wood. — Chloe Thurlow

No better way is there to learn to love Nature than to understand Art. It dignifies every flower of the field. And, the boy who sees the thing of beauty which a bird on the wing becomes when transferred to wood or canvas will probably not throw the customary stone. — Oscar Wilde

His sister, in a big turquoise Angora sweater, leaned upon the wood frame of the open nursery door, anxiously looking out to see if he was really going to show, beaming and waving like a pastel colored TV Muppet when she spotted him. — Alan Moore

Seriously, I wanted to be an artist because I saw that it meant endless possibilities. I came from a badly managed family background, so art was a way of reinventing myself. — Sam Taylor-Wood

You employ stone, wood and concrete, and with these materials you build houses and palaces. That is construction. Ingenuity is at work.
But suddenly you touch my heart, you do me good, I am happy and I say: This is beautiful. That is Architecture. Art enters in. — Le Corbusier

My furniture, boxes, and turnings are simple, practical designs for everyday use. I love the grain and beauty of wood. Each piece of lumber is a work of art, after all, and I'd like to honor that gift and pass it on for someone else to appreciate. — Steve Miller

Doggedness in art is no substitute for inspiration. — Benjamin Wood

When you're working with wood, every stroke of the tool dulls the edge just a little. Once, in my last year at the violin-making school, I had been passing through the workshop when I overheard one of the younger students ask the instructor how it was that his tools stayed sharp so much longer than ours. "I use them less," he said, looking out the window, which was where he addressed his replies to obvious questions. It took him two cuts to get where we took fifty. Art didn't need to cut a hundred times to get where he wanted to be. He lived the life he wanted to live the first time around. — James N McKean