Women S Stories Quotes & Sayings

It's a booley village," Ian told her. "The islanders used to take their animals into the hills for the summ. They'd camp out in these stone huts: men, women, and children. Everyone stayed up all night, sang, told stories, watched the stars. It must have been great craic."
"How do you know this stuff?" she asked, admiringly.
"I' a bloody genius." When she threw him a look, he grinned. " I also read it in the guidebook. — O.R. Melling

It's not enough to have a few women's studies courses. Why is it more important to study Paul Revere's midnight ride than it is Susan B. Anthony's 50-year effort to transform the face of America for women? When you're in school, most of the events you study are about men. Men's activities lauded and repeated over and over. What about us? What about commemorating the decades-long struggle for suffrage? Why don't we hear those stories over and over and over again. It's almost inconceivable for men to understand what it would be like to live without that constant valorization. — Judy Chicago

What a storyteller does is *see* more than most of us. We say he's making up his stories, but he - or better yet, *she* - watches more carefully, and then tells us what we would have seen ourselves if we'd just stopped to look.
-Leah said - to Nadine, although she was looking at Marjorie (pg 138) — Dean Hughes

I was so full of missing her that I felt my heart would splinter into a thousand tiny pieces, but I found comfort in the thought of them together up there in the shade of those old trees, overlooking the bay. It tempered my grief ever so slightly, like a feather come to lodge in a dark place. — Ute Carbone

To understand women who look both ways requires hearing their stories, not just noting the sex of their current partner. And when you listen closely, it's apparent these women have learned something crucial in these relationships. — Jennifer Baumgardner

(Theodore) Roosevelt confessed early fascination with "girls'stories" such as Little Man and Little Women and An Old-Fashioned Girl. — Doris Kearns Goodwin

It's extremely important for women to be writing their own stories and giving them to people to really be emotionally impacted by — Rosario Dawson

historically fairy tales were women's stories, passed orally in a time when women didn't have many rights. — Nora Roberts

The most powerful decision-making part of the audience is women. Boys have a lot of impact on the industry, but it's often women who impact what stories get made. — Nina Jacobson

We have noted thatthe two creation stories contained no pointers toward male "headship" in the sense that men or husbands are supposed to exercise authority or leadership over women or wives. But the audience of Genesis knew that patriarchy was a reality of life. Genesis here tells them how this came to be. Male authority or domination was not God's design but a consequence of a breakdown in relationship between humanity and God, between humanity and the animal world, and between human beings and one another. From now on, the Bible will assume the reality of patriarchy and of male headship, but it begins by noting that this came about only as a result of those various breakdowns of relationship. — John E. Goldingay

Arnold Schwarzenegger is in some trouble. Today, the Los Angeles Times broke a story that quoted six women who claimed that Arnold Schwarzenegger sexually harassed them. When asked about it, President Clinton said 'six? That's not enough experience to be governor.' — Conan O'Brien

People say 'Women's Wear' is a scandalous, gossipy publication. Sure we have gossip; we also have some very, very solid business stories. We are a creation of this business, which is fast, mean, tough, sometimes artistic, sometimes horrible. — John Fairchild

I have heard stories from the depths of human lives where men and women were wrestling with the elemental problems of misery and sin--stories that put upon a man's heart a burden of vicarious sorrow, even though he does but listen to them. Here was real human need crying out after the living God revealed in Christ. Consider all the multitudes of men who so need God, and then think of Christian churches making of themselves a cockpit of controversy when there is not a single thing at stake in the business. So much of it does not matter! And there is one thing that does matter--more than anything else in all the world--that men in their personal lives and in their social relationships should know Jesus Christ. — Harry Emerson Fosdick

The history of fan fiction demonstrates how efficient, and effective, women have been at pooling together to get what they want out of their stories. It's been a largely female-driven world. — Sherwood Smith

You can trace an entire childhood in sexism through the entries sent in to the Everyday Sexism Project. The flashes of realization and first, painful moments of learning a woman's place. Often the memories are so vivid women carry and are shaped by them for the rest of their lives. I've been asked in countless interviews what has shocked me the most since starting the project. I think journalists expect me to tell them that it's the stories of rape, or the most appalling accounts of violence. Those stories have certainly angered and devastated me, of course, but nothing has shocked me more than the thousands and thousands of entries from young girls under the age of eighteen. When I started the project, I thought adult women would share their stories. The torrent of harassment, abuse, violence and assault being faced by children was a horribly unexpected surprise. People — Laura Bates

None of it made any sense to her - the deceit, the betrayal, the sheer chutzpah of it. Like something from a movie. Who in real life acted this way? But then she remembered this had happened in India, and India was not real life. The most heartbreaking, most desperate, most bizarre stories she had ever heard all came from India. Every story was epic; every emotion was exaggerated; every action was melodramatic. Desperate love, mad obsessions, outbursts of rage, bizarre self sacrifice, self immolation. Young women eat rat poison, jumping off buildings, or burning themselves alive. Young men throwing themselves onto railroad tracks in the path of oncoming trains. And all this self destruction over issues that in the West would be solved by a simple elopement or estrangement from one's parents or a move to a different city. — Thrity Umrigar

Men feel challenged when a woman is in danger, so those types of stories interest women and they interest men on a level that the crimes against men tend to draw a different visceral reaction. Again, not saying it's right, but they tend to draw a different visceral reaction, which is that the man was out in the world doing men stuff and something happened to him. — Bill James

It's been suggested that most women fail to write significantly because the female mind is viscerotonic, and occupied almost exclusively with the moment-to-moment reality of emotions. If this is true, literature's loss is science fiction's gain, for Out of Bounds, Judith Merril's collection of short stories, is a warm and colorful rendering of the minutiae of the future. — Alfred Bester

The Grimm brothers always said that their informants were women, which is possibly not true, women of the people. There is the constant evocation of women's voices, in the collecting and arrangement of these stories, and yet the message of so many of them is incredibly misogynist. I was very puzzled by that, and that book explores that contradiction. — Marina Warner

We have to get women's stories out there so a guy will read it, laugh, and think, 'I'm not laughing at a chick story but a story.' — Jen Kirkman

Writing is an act of faith. One must believe and see people who are invisible to others and be faithful to tell half formed stories. It's like being on the trail of an apparition who's repeatedly just out of reach.
K. Youngblood — Katherine Imogene Youngblood

Over the years I've worked with countless women who have inspired me with their stories. Beyond makeup, we've talked about life-altering events. Everything from the joy of being a new mom to dealing with homelessness and divorce. With each conversation, these women have shown that when you have the will and the heart, almost anything is possible - and that's what Pretty Powerful is all about. — Bobbi Brown

I don't think that there's a target audience at all. These stories were in circulation. The stories were told by men, told in the marketplace by men, but also behind doors by women, but there's no real record of this. It's likely they were told by women to children in their interior rooms. The story could be a negative story, they could be presented as a, "Watch out! Women will get round you, do things to you, weave you in their toils." It could be buried in it an old cautionary story about women and their wiles. — Marina Warner

Meanwhile the indefiniteness remains, and the limits of variation are really much wider than any one would imagine from the sameness of women's coiffure and the favorite love-stories in prose and verse. — George Eliot

Most people view female directors as female only, that we only deal with women's issues and women characters. Although most of my films have dealt with women, I do have work that deals with other matters, and I'm always open to different stories regardless of gender. — Shahad Ameen

Few stories are written about what happens to the princess after the wedding. Reading between the lines of other stories, we can sketch out her "happily ever after": The princess gets pregnant and hopes for sons. As long as she is faithful and bears sons, she is considered to be a good wife. We don't hear whether or not she's a good mother, unless something goes wrong with her children ... All of history has been written about the subsequent adventures in the chapters of his life. — Elizabeth Debold

I think there's so many points of view that you want to make sure your stories are being told from men and women ... you get all of the different backgrounds. You don't want every story being told from the same point of view. So just for better storytelling, I'm like, 'Yes, please, bring some more ladies on.' — Melissa McCarthy

Some women get erased a little at a time, some all at once. Some reappear. Every woman who appears wrestles with the forces that would have her disappear. She struggles with the forces that would tell her story for her, or write her out of the story, the genealogy, the rights of man, the rule of law. The ability to tell your own story, in words or images, is already a victory, already a revolt. — Rebecca Solnit

When female stories are muted, we are teaching our kids that their dignity is second class and the historical accounts of their lives [are] less relevant. This lowered value carries over when women face sexual objectification and systemic brutalization from inside and outside the community. — Aurin Squire

So much of the world is being brought up on these stories that Hollywood is coming up with and exporting all over. They have so much power and influence, so it's really important that they represent women properly. — Brit Marling

Over and over again, stories in women's magazines insist that women can know fulfillment only at the moment of giving birth to a child. They deny the years when she can no longer look forward to giving birth, even if she repeats the act over and over again. In the feminine mystique, there is no other way for a woman to dream of creation or of the future. There is no other way she can even dream about herself, except as her children's mother, her husband's wife. — Betty Friedan

The creative process is a very collaborative process. I know it might seem that way because so much ink is spilled and the media is obsessed with business and numbers and studios ... but filmmakers don't think of it that way. We just go off and we tell our stories. It's the same torture that we adore, it's the same torture that our forefathers endured making movies in the golden era of Hollywood. So, from my perspective it's no different, I'm sure, from the men and women who I admire so much who made the earliest movies. — Steven Spielberg

Perhaps all love stories no matter how varied are essentially the same. — Roy L. Pickering Jr.

I don't know if my films are about women in a kind of frolicking - here's a grab bag of women's issues. They are about women of substance with very particular stories. — Lisa Cholodenko

As a Black woman filmmaker I feel that's my job: visibility. And my preference within that job is Black subjectivity. Meaning I'm interested in the lives of Black folk as the subject. Not the predicate, not the tangent.[These stories] deserve to be told. Not as sociology, not as spectacle, not as a singular event that happens every so often, but regularly and purposefully as truth and as art on an ongoing basis, as do the stories of all the women you love. — Ava DuVernay

You can't tell the story of the women's movement through the story of one woman. — Dyllan McGee

I try not to think of myself as a woman filmmaker. I don't look for women influences. I have noticed that there is a certain ceiling that a woman filmmaker can reach. I don't believe that it's sexism per se, but there are certain expectations in the industry about what films should be, how they should be made, what stories they should tell, and it's a habit, it's a tradition. — Signe Baumane

Many of my readers are women and some of them email me their thoughts about the stories I've written. Almost all of them find a delicious pleasure in being totally frightened by the strange and dark side of life. Perhaps it's because horror books are an escape from our sometimes-mundane lives? Or could it be that many of us actually do have a private darker side that we like to explore secretly through books, movies and music? — Sara Brooke

Women's books are kind of discriminated against. If a man writes a book about his family stories, people think of it as literature. If it's a woman, she's 'spilling her guts,' and it's not art. — Erica Jong

There is another version of the tale. That is the tale the women tell each other, in their private language that the men-children are not taught, and that the old men are too wise to learn. And in that version of the tale perhaps things happened differently. But then, that is a women's tale, and it is never told to men. — Neil Gaiman

There's not a lot of stories for women told by women in a very real, true voice. — Heather Graham

Clearly, I'm committed to women's issues and stories and promoting gender equality. I have two incredible role models in Jenji [Kohan] and Shonda [Rhimes]. — Alysia Reiner

Who says great literatue has to be written by men? Who says great literature has to be about scary, creepy stuff like adulterers being punished and black slaves breaking loose and giant whales eating people? Why can't literature just be stories about women? Refined, respectable women have just as much to say as ignorant black slaves or bloodthirsty Indians or mad white whaling captains. Why do we have to pretend those people's lives matter more than our own? — Anna Quindlen

Men, for some mysterious reason, find life more difficult than women do. (My mother believes this, despite the female bodies, trapped, diseased, disappearing, or abandoned, thayt litter her stories.) Men must be allowed to play in the sandbox of their choice, as happily as they can, without disturbance; otherwise they get cranky and won't eat their dinners. There are all kinds of things men aren't equipped to understand, so why expect it of them? Not everyone shares this belief about men; nevertheless, it has it's uses. — Margaret Atwood

Feminist narrative theory notes that for most of literary history there's been an imbalance between men's and women's stories. Male characters go out into a world of infinite possibilities. Female characters either get married or die. This makes enlightened female readers such as ourselves pissed off. But however much we deconstruct the narrative, however vigilantly we plow and apply the theory and read with our skeptical, over-educated eyes, still some lessons are hard to fully internalize, and the dream of happily-ever-after love, in real life and in literature, dies hardest of all. — Laurie Frankel

No one is on this road, she thought. No one but us. Everyone knows this isn't the place to be at three o'clock on a summer afternoon. Everyone but us. — V.S. Kemanis

One of them confessed to Paul that his tribe had heard stories about the fiercely cannibalistic ways of white men. Paul's first instinct was to laugh him off as a simpleminded fool. But the legend hadn't been conjured from thin air. When Paul tried to assure him that white men didn't eat black men, the man confronted him with a direct challenge: explain why they bought and sold Africans as if they were cattle, not human beings.
"Why do you come from nobody knows where, and carry off our men, and women, and children?" the man asked Paul. "Do you not fatten them in your far country and eat them? — Monte Reel

Yet Katie held fast to the dream that perhaps there were men in the world who appreciated good women - men capable of loving a woman enough to die for her.
Something had to inspire the heroes in fairy tales and books.
Her Aunt Augusta always said it was only womenfolk's eternal wish for better men that inspired such stories ... but Katie liked to believe that living or, at least, once-living men inspired them. — Marcia Lynn McClure

The healing that can grow out of the simple act of telling our stories is often quite remarkable. Even more remarkably, this healing is not just our own healing, it is the healing of all women. That's why, as we tell our stories to ourselves, it is also important to share them with others. This sharing brings a sense of kinship, of sisterhood. We understand that we are not alone in our efforts to become conscious, whole, healthy persons. — Susan Wittig Albert

back in the middle ages
they burned unruly women at the stake
and out of the ashes of their bones and flesh
rose the Enlightenment and Reason fresh
and the white men declared
there's no such thing as witches
they're just crazy psycho-bitches
but we certainly can't let them run free
lock 'em up and throw away the key
yeah they said: lock 'em up and throw away the key

cause there's nothing scarier than a woman mad and/or
aware of her own magic
tragic how much violence is done
in the name of science
to ensure our silence

in Victorian times they located suffering in our uterus
in the blood in the soft internal organs
took our pain our righteous rage
they called it 'hysteria'
and then Dr. Freud ignored women's horror stories
herstories of abuse and rape and
took a justified hatred of the penis and called it
envy (he sold more books that way) — Leah Harris

If you spend any amount of time doing media analysis, it's clear that the most frenzied moral panic surrounding young women's sexuality comes from the mainstream media, which loves to report about how promiscuous girls are, whether they're acting up on spring break, getting caught topless on camera, or catching all kinds of STIs. Unsurprisingly, these types of articles and stories generally fail to mention that women are attending college at the highest rates in history, and that we're the majority of undergraduate and master's students. Well-educated and socially engaged women just don't make for good headlines, it seems. — Jessica Valenti

Women's stories have been neglected for so long - unless they were queens. Exploring the history of women is a way of redressing that imbalance. — Kate Williams

Part of me wanted to swoon into nothing, but the other women's bones were talking. I didn't see the bones but I knew they were there, under the house. The little runaway bones of skinny, hungry girls who didn't think they were worth much - anything - so they stayed after the party was over and let Derrick Blue tell them his stories. He probable didn't even have to use much force on most of them. — Francesca Lia Block

I love vampire stories. That's why I did the movie. Women especially were taken with that movie-even more so when it came out on video. — Catherine Deneuve

It starts with my mother ... .Boys get fucked up by their fathers, right? That's why so many tales are really Daddy Issue stories at their core, because men run the world, and men get to tell their stories first. If women told most of the stories, though, then all the best stories would be about Mommy Problems. — Chuck Wendig

Somebody asked me earlier if I thought it was really important to tell stories about women's struggles. And I said yes, but at the same time, it's also important to tell stories about women's triumphs, women being slackers, women being criminals, women being heroes. — Diablo Cody

She's no lady. Her songs are all unbelievably unhappy or lewd. It's called Blues. She sings about sore feet, sexual relations, baked goods, killing your lover, being broke, men called Daddy, women who dress like men, working, praying for rain. Jail and trains. Whiskey and morphine. She tells stories between verses and everyone in the place shouts out how true it all is. — Ann-Marie MacDonald

The road has been viewed as a male turf. If you think of the classic "Odyssey," of, you know, classical literature or Jack Kerouac or almost any road story, it's really about a man on the road. There's an assumption that the road is too dangerous for women. — Gloria Steinem

Romance novels feature nuanced portrayals of female characters having adventures, making choices, and accepting themselves just as they are. When we say these stories are silly and unrealistic, we are telling young girls not to expect to be the heroines in their own real lives. — Maya Rodale

It's important for me to play women who can overcome adversity, make change, and take control of their lives. I think it's a great time for women in TV and film in general, and I want to help tell these stories. — Beth Riesgraf

I see God now as an unimaginative writer of popular fictions, someone who builds stories around sadistic and graceless plots, narratives that exist only to express His terror of a woman's power to choose who and how to love, to redefine love as she sees fit, not as God thinks it ought to be. The author is unworthy of His own characters. — Joe Hill

I want women to know God can use everything the enemy meant for evil in their lives for good. He can take their stories of shame and redeem them-- first for their own freedom and then to help others.
I want women to know that they are not less than, weaker, second, or not enough. They are created in God's image-- greatly valued, loved, chose, wanted and adored by the Creator of the universe. — Christine Caine

Who reads short stories? one is asked, and I like to think that they are read by men and women in the dentist's office, waiting to be called to the chair; they are read on transcontinental plane trips instead of watching banal and vulgar films spin out the time between our coasts; they are read by discerning and well-informed men and women who seem to feel that narrative fiction can contribute to our understanding of one another and the sometimes bewildering world around us. — John Cheever

There's that line in that show Designing Women when Julia Sugarbaker says something like, 'We here in the South don't hide our crazy relatives up in the attic; we bring them downstairs and show them off.' My stories are about what then happens when they run out the front door, jump off the front porch and run down the street naked. You might lock the front door to prevent it but it's going to happen sooner or later. Life is always going to have those crazy moments, so I'll always have something to write about. — Thomas F. Clardy

You must be thinking of stories from other cultures. Irish women tend to kick ass and do whatever they want. For exhibits A, B, and C, I give you the Morrigan, Brighid, and Flidais.
Fair enough. So who's the god of cooking among the Tuatha De Danann?
I don't think there is one.
So the ancient Irish had a god of brewing but not cooking?
We had our priorities straight. — Kevin Hearne

Children are not deceived by fairy-tales; they are often and gravely deceived by school-stories. Adults are not deceived by science-fiction ; they can be deceived by the stories in the women's magazines. — C.S. Lewis

Most films these days are men's stories. Women are for add-on romance. That's very hard. — Uma Thurman

But many, many stories were told; from what could be gathered, all fifty of the mine's inhabitants had reacted on each other, two by two, as in combinatorial analysis, that is to say, everyone with all the others, and especially every man with all the women, old maids or married, and every woman with all the men. All I had to do was to select two names at random, better if different sex, and ask a third person, "What happened with those two?" and lo and behold, a splendid story was unfolded for me, since everyone knew the story of everyone else. — Primo Levi

Women's stories are as powerful, inspiring, and terrifying as the goddess herself. And in fact, these are the stories of the goddess. As women, we know her because we are her. Each woman, no matter how powerless she might feel, is a cell within her vast form, an embodiment of her essence, and each woman's story is a chapter in the biography of the sacred feminine. — Jalaja Bonheim

Stories about the ongoing dramas in our lives as we age are not being told because women find it difficult to be honest about what's going on - about, for example, our heightened sexuality as we age or about living in a society that only values youth. — Olympia Dukakis

What are you grinning at?' Nal muttered. As if in response, the gull spread its wings and opened its shadow over the miniature ruins of the castle - too huge, Nal thought, and vaguely humanoid in shape - and then it flew off, laboring heavily against the wind. In the soft moonlight this created the disturbing illusion that the bird had hitched itself to Nal's shadow and was pulling his darkness from him. — Karen Russell

Men grow up expecting to be the hero of their own story. Women grow up expecting to be the supporting actress in somebody else's. As a kid growing up with books and films and stories instead of friends, that was always the narrative injustice that upset me more than anything else. I felt it sometimes like a sharp pain under the ribcage, the kind of chest pain that lasts for minutes and hours and might be nothing at all or might mean you're slowly dying of something mundane and awful. It's a feeling that hit when I understood how few girls got to go on adventures. I started reading science fiction and fantasy long before Harry Potter and The Hunger Games, before mainstream female leads very occasionally got more at the end of the story than together with the protagonist. Sure, there were tomboys and bad girls, but they were freaks and were usually killed off or married off quickly. Lady hobbits didn't bring the ring to Mordor. They stayed at home in the shire. — Laurie Penny

It was about men, the kind who caused women to fall. I did not ascribe any intentions to these men. They were like the weather, they didn't have a mind. They merely drenched you or struck you like lightning and moved on, mindless as blizzards. Or they were like rocks, a line of sharp slippery rocks with jagged edges. You could walk with care along between the rocks, picking your steps, and if you slipped you'd fall and cut yourself, but it was no use blaming the rocks.
That must be what was meant by fallen women. Fallen women were women who had fallen onto men and hurt themselves. There was some suggestion of downward motion, against one's will and not with the will of anyone else. Fallen women were not pulled-down women or pushed women, merely fallen. Of course there was Eve and the Fall; but there was nothing about falling in that story, which was only about eating, like most children's stories. — Margaret Atwood

Thomas Builds-the-Fire's stories climbed into your clothes like sad, gave you itches that could not be scratched. If you repeated eve a sentence from one of those stories, your throat was never the same again. Those stories hung in your clothes and hair like smoke, and no amount of laundry soap or shampoo washed them out. Victor and Junior often tried to beat those stories out of Thomas, tied him down and taped his mouth shut. They pretended to be friendly and tried to sweet talk Thomas into temporary silences, made promises about beautiful Indian women and cases of Diet Pepsi. But none of that stopped Thomas, who talked and talked. — Sherman Alexie

I'm interested in things women do that aren't spoken about. Manto's stories let me breathe. They make me feel like less of a monster. — Mohsin Hamid

The small lives of women don't make for good stories. That's why there were no girls in the stories Myrddin told, unless they were there as a prize for the hero to win at the end of his adventures. — Philip Reeve

I'm still very interested in telling one-of-a-kind women's stories. — Lily Koppel

I think it's pretty obvious that women's stories are not necessarily being told in Hollywood and women are not necessarily being put in the leadership positions they deserve in mainstream film. — Diablo Cody

Women's fiction is just a marketing category, designed to appeal more to women than to men. But there are stories in that category that any human being would like. — Kristine Grayson

Sex and dominance. It's what modern humans think vampire relationships are all about," I said. "Their stories are full of crazed alpha-male vampires throwing women over their shoulders before dragging them off for dinner and a date." "Dinner and a date?" Matthew was aghast. "Do you mean . . . ?" "Uh-huh. You should see what Sarah's friends in the Madison coven read. Vampire meets girl, vampire bites girl, girl is shocked to find out there really are vampires. The sex, blood, and overprotective behavior all come quickly thereafter. Some of it is pretty explicit." I paused. "There's no time for bundling, that's for sure. I don't remember much poetry or dancing either." Matthew swore. "No wonder your aunt wanted to know if I was hungry." "You really should read this stuff, if only to see what humans think. It's a public-relations nightmare. Far worse than what witches have to overcome. — Deborah Harkness

Once in a great while, she was distressed by the way she looked. As she was rounding the bend to forty she would write to Avis DeVoto that whenever she read Vogue she "felt like a frump....but I suppose that is the purpose of all of it, to shame people out of their frumpery so they will go out and buy 48 pairs of red shoes, have a facial, pat themselves with deodorizers, buy a freezer, and put up the new crispy window curtains with a draped valence."
Julia was able to deconstruct the disingenuous motives that drive women's magazines with the ease she normally reserved for deboning a duck, seeing quite clearly that while ostensibly offering inspiration and useful advice, the stories and articles quietly pummel the reader's sense of self, the better to drive her into the arms of the advertisers. — Karen Karbo

Wolsey sits with his elbows on his desk, his fingers dabbing his closed lids. He takes a great breath, and begins to talk: he begins to talk about England. You can't know Albion, he says, unless you can go back before Albion was thought of. You must go back before Caesar's legions, to the days when the bones of giant animals and men lay on the ground where one day London would be built. You must go back to the New Troy, the New Jerusalem, and the sins and crimes of the kings who rode under the tattered banners of Arthur and who married women who came out of the sea or hatched out of eggs, women with scales and fins and feathers; beside which, he says, the match with Anne looks less unusual. These are old stories, he says, but some people, let us remember, do believe them. — Hilary Mantel

You Can't Kill the Spirit resonates with the voices and power of women around the globe who have refused to be either passive or violent but instead act firmly and imaginatively to oppose oppression in its many guises. A wonderful tonic for activists and a treasure for those who teach, these stories bring women's history to life. — Charlotte Bunch

It's really hard to get stories made that are about women. Not just women being obsessed with men, or supporting men. And it's really hard to get men to be a part of films that are about women in a leading role. I'm really interested in how we can adjust that. — Olivia Wilde

Captain Harvile: Poor Phoebe, she would not have forgotten him so soon. It was not in her nature.
Anne Elliot: It would not be in the nature of any woman who truly loved.
Captain Harvile: Do you claim that for your sex?
Anne Elliot: We do not forget you as soon as you forget us. We cannot help ourselves. We live at home, quiet, confined, and our feelings prey upon us. You always have business of some sort or other to take you back into the world.
Captain Harvile: I won't allow it to be any more man's nature than women's to be inconstant or to forget those they love or have loved. I believe the reverse. I believe ... Let me just observe that all histories are against you, all stories, prose, and verse. I do not think I ever opened a book in my life which did not have something to say on women's fickleness.
Anne Elliot: But they were all written by men. — Jane Austen

The limits of variation are really much wider than any one would imagine from the sameness of women's coiffure and the favourite love-stories in prose and verse. Here and there a cygnet is reared uneasily among the ducklings in the brown pond, and never finds the living stream in fellowship with its own oary-footed kind. Here and there is born a Saint Theresa, foundress of nothing, whose loving heart-beats and sobs after an unattained goodness tremble off and are dispersed among hindrances, instead of centering in some long-recognisable deed. — George Eliot

[When asked about Writing Conferences]
You meet people that will change your life. — Susan Wingate

My mother clutches at the collar of my shirt. I rub her back and feel her tears on my neck. It's been decades since our bodies have been this close. It's an odd sensation, like a torn ligament knitting itself back, lumpy and imperfect, usable as long as we know not to push it too hard. — Chitra Banerjee Divakaruni

Why do men so often filter out the detail when they tell personal stories Do they think it's the way to draw out the universality Women know better. It's detail unique detail which more truly does so providing points of divergence and comparison coincidence and dissonance throwing a slanting light on the idiopathic features of our own lives to bring out long weighty shadows of universal human meaning. — Lilian Darcy

There's no damsel with a tragic history in there? With a name like the Three Craftsmen, they each should build something awesome for a beautiful princess to try to win her favor and then two of them would die.> You must be thinking of stories from other cultures. Irish women tend to kick ass and do whatever they want. For exhibits A, B, and C, I give you the Morrigan, Brighid, and Flidais. — Kevin Hearne

Those who seek to glorify biblical womanhood have forgotten the dark stories. They have forgotten that the concubine of Bethlehem, the raped princess of David's house, the daughter of Jephthah, and the countless unnamed women who lived and died between the lines of Scripture exploited, neglected, ravaged, and crushed at the hand of patriarchy are as much a part of our shared narrative as Deborah, Esther, Rebekah, and Ruth. — Rachel Held Evans

Bound souls. He had always thought the stories of men and women bound throughout all eternity by the strength of passion, either love or hate, were but pleasant tales for long winter's nights. Bound souls, two sides of the same counter, together through all the lives of the souls, and forever before and afterward. But he recognized the woman just as surely as she recognized him, and he knew the tales were true. — Ann Marston

As a journalist in Providence, I was particularly drawn toward stories about women's issues: I wrote about discrimination, abortion, violence against women. I wrote about women's health, sexism in the media, cultural imagery. I even wrote about women (other women) with eating disorders. And quietly, privately, I starved myself half to death. There you have it: intellectual belief without the correlary of emotional roots; feminist power understood in the mind but not known, somehow, in the body. — Caroline Knapp

Women owe Friedan an incalculable debt for The Feminine Mystique. Domesticity was not a satisfactory story of an intelligent woman's life. — Elizabeth Fox-Genovese

All of women's stories in the 19th century had either one of two endings: you either had the good Jane Austen marriage at the end and you were happy; or you had the terrible Henry James savage downfall because of your own hubris as a woman, or you've made some great error leading you down a path to ruin. One is the story of love that's successful and the other is the story usually of reckless love that goes terribly wrong that destroys the woman. — Elizabeth Gilbert

There's something really unique about 'Orphan Black' is that it has a lot of female leads, so it's about a lot of women's stories, but it's not women's stories in terms of trying to find a guy or keep a guy; it's about entirely other things. — Tatiana Maslany

Men feel about sex the way vampires feel about blood. They don't just like it, they crave it. That's why vampire stories always have strong sexual undercurrents. A vampire's hunger is simply a metaphor for a man's lust. And if a guy is paying attention to you, he wants to have sex with you. — Oliver Markus

The women I know are smart, interesting people who aren't just there to service the men's stories, so I don't know why our art continues to do that. — Carrie Coon

With female-oriented movies, unless it's something like 'Bridesmaids' or a romantic comedy, you've got to really worry about your opening weekend. And I'm always telling stories about women, not younger women, and it's just a much tougher audience to get to the movie theater. — Callie Khouri

A typical National World Weekly would tell the world how Jesus' face was seen on a Big Mac bun bought by someone from Des Moines, with an artist's impression of the bun; how Elvis Presley was recently sighted working in a Burger Lord in Des Moines; how listening to Elvis records cured a Des Moines housewife's cancer; how the spate of werewolves infesting the Midwest are the offspring of noble pioneer women raped by Bigfoot; and that Elvis was taken by Space Aliens in 1976 because he was too good for this world. Remarkably, one of these stories is indeed true. — Neil Gaiman