Women Of Great Character Quotes & Sayings

Tyrants are willing to commit to anything ... including mass murder to maintain their domination over every human being alive. They abuse the lives of the people they are entrusted with by the perverse dictates that they, themselves, would never live by. And they feel justified in this by their own self-righteous elite morality, which sets them high above everyone else in their own minds.
You and I, however, are made of quite different stuff. Our words are filled with our true beliefs and backed by the honesty of our actions. We take great pride in not only who we are ... but overcoming the struggle it took to make us this way. We are men and women of character ... principles ... and courage! — R.G. Risch

No system can long command the loyalties of men and women which does not expect of them certain measures of discipline, and particularly self-discipline. The cost in comfort may be great. The sacrifice may be real. But this very demanding reality is the substance of which comes character and strength and nobility. Permissiveness never produced greatness. Integrity, loyalty, and strength are virtues whose sinews are developed through the struggles that go on within as we practice self-discipline under the demands of divinely spoken truth. — Gordon B. Hinckley

I love Dexter. I love Top Chef. I can't wait for it to come back. I love Friday Night Lights. I think TV is in a great place right now. It's definitely getting better and better. I think there is some of the most complete writing for women and female characters, they're done in television production and not really film production. — Alyssa Milano

People often tell me, "You write such great women." I don't think about it, I just write characters as rigorously and as truthfully as I can and hope, no matter their gender, that their humanity comes through. — Donald Margulies

Fiction
good fiction, anyway
is dream made flesh, given purpose and drive, and set on a quest to show us the best in us and to give us the power and the tools to dream beyond reality's 'merely good enough' to a vision of what is truly great ...
... and then to give us the stories of men and women of character who in turn inspire those of us who dare to reach for the truly great within ourselves.
THAT is why you write fiction. — Holly Lisle

Never say never - and I certainly don't judge anyone who does it. But most of the characters I play are going through some kind of emotional turmoil, so my job requires me to have expression. If my face was froze, what right do I have to play that part? All the women who haven't done anything to their faces are still able to play great roles. And some of the ones who have done something have messed it up- they look freakish. Anyway, for me it's about playing women with rich lives - and the longer the life, the deeper the wrinkles. — Naomi Watts

Between now and then and I just felt it was ready and it was a long enough period gone by. I obviously didn't want to hurt anybody, you know. It was done out of a genuine memorial or tribute whatever you want to call it. — Jack Bruce

The other me, who did not mean to drown herself, went under the sea and remained there for a long time. Eventually she surfaced near Japan and people gave her gifts but she had been so long under the sea she did not recognize what they were. She is a sly one. Mostly at night we commune. Night. Harbinger of dream and nightmare and bearer of omens which defy the music of words. In the morning the fear of her going is very real and very alarming. It can make one tremble. Not that she cares. She is the muse. I am the messenger. — Edna O'Brien

It has been said that Shakespeare, the great delineator of human character, has failed in distinguishing his principal women - and that such as he meant to be amiable are all equally gentle and good. How difficult then it is for a novelist to give to one of his heroines any very marked feature which shall not disfigure her! Too much reason and self-command destroy the interest we take in her distresses. It has been observed, that Clarissa is so equal to every trial as to diminish our pity. Other virtues than gentleness, pity, filial obedience, or faithful attachment, hardly belong to the sex. — Charlotte Turner Smith

Be calm, patient, and frank. Tell her that women in magazines aren't the best role models, that people who judge everyone on their looks probably have terrible self-esteem issues. Tell her that what matters is not how thin someone is, but what her character is. And tell her what is great about her, what you like about her, what you hope for her. — Meg Meeker

I'm a huge fan of good, procedural-type shows on television ... there are a lot of roles for women. But there aren't a lot of great network television roles for girls that will let you start a character in one place and finish up with her in a totally different one. — Rachael Taylor

I liked the way my character, Shane, was first introduced. You get introduced to her through this sexual action, and I thought that was so cool and just kind of summed up what she enjoys and who she is, to a certain extent. She's a complete sexual being and the great thing is that she doesn't apologize for it. It's just who she is. We rarely see women be able to do that on television. — Katherine Moennig

We can never put ourselves in the shoes of children; we cannot fathom their thoughts, we lend them ours; and always following ourown reasoning, we stuff their heads with extravagance and error. — Jean-Jacques Rousseau

Racism is a phenomenal thing; it is like a thick mist that obscures the vision and judgement of even great minds. — J. Nozipo Maraire

To some it may seem old-fashioned to speak of virtue and chastity, honesty, morality, faith, character, but these are the qualities which have built great men and women and point the way by which one may find happiness in the living of today and eternal joy in the world to come. These are the qualities which are the anchors to our lives, in spite of the trials, the tragedies, the pestilences, and the cruelties of war which bring in their wake appalling destruction, hunger, and bloodshed — Harold B. Lee

Great men speak secrets about themselves with nods and gestures, walking away from jokes about women rather than condemn the jokester; if with a woman, the turning of their head during a nude scene in a movie speaking volumes about their character without ever saying a word. It is a language foreign to women, but those that take the time to learn it find themselves knowing more about their man than by any other means. — Lee Goff

It was a great joy for me to develop a strong female character in the spirit of an Icelandic woman. Icelandic women tend to be very strong and very independent, and I think that came in very handy. — Anita Briem

The American women are very pretty and have great simplicity of character, and the extreme neatness of their appearance is truly delightful: cleanliness is everywhere even more studiously attended to here than in England. — Marquis De Lafayette

The mythic American character is made up of the virtues of fairness, self-reliance, toughness, and honesty. Those virtues are generally stuffed into a six-foot-tall, dark-haired, can-do kind of guy who is at once a family man, attractive to strange women, carefree, stable, realistic, and whimsical. in the lore of America, that man lives on the Great Plains. he's from Texas, Dodge City, Cheyenne, the Dakotas, or somewhere in Montana. In fact, the seedbed of this American character, from the days of de Tocqueville through Andrew Jackson, Wyattt Earp, Pony Express riders, pioneers, and cowboys to modern caricatures played by actors such as Tom Mix, Gary Cooper, and John Wayne has aways been the frontier. It's a place with plenty of room to roam, great sunsets, clear lines between right and wrong, and lots of horses. It's also a place that does not exist and never has. The truth is that there has never been much fairness out here. — Dan O'Brien

Our Nation is in great need of young men and women of character to lead in every arena of our society. — Michael Burgess

Here's my feeling: For everyone, men and women, it's important to be a feminist. It's important to have female characters. It's wonderful for women to mentor other women, but it's just as important for women to mentor men and vice-versa. In my line of work, having Greg Daniels be such a great mentor to me is fantastic. Finding a writer's assistant, be it a man or a woman, and encouraging them to think with a feminist perspective, is key. — Mindy Kaling

I've always been a fan of [Mary Elizabeth Winstead's]. She gets to do some fun action-y stuff she brings this gritty swashbuckle to. I think there's a lot of movies that have women in peril running away from the scarier things and then end up being saved by a man, so it's great to see this character MacGyver her way out of situations, whether physically MacGyvering away, or mentally MacGyvering a way out of something. I relate to her more than I relate to most leading men in movies. — Dan Trachtenberg

Her [Mrs Croft's] manners were open, easy, and decided, like one who had no distrust of herself, and no doubts of what to do; without any approach to coarseness, however, or any want of good humour. Anne gave her credit, indeed, for feelings of great consideration towards herself, in all that related to Kellynch; and it pleased her. — Jane Austen

Great artistic works are often based on solving several psychological problems simultaneously. In literature this is often accomplished by splitting apart the conflict and assigning each aspect to a different character. Marjie Rynearson, for instance, wrote an award-winning play, Jenny, about the meeting and reconciliation of two women: the mother of a murder victim and the mother of the murderer. Within the dialogue between the two characters she sought to resolve two sets of problems: the rage and grief of the victim's mother, and the horror, guilt, and grief of the murderer's mother. She worked on the play for several years, and only when it was finished did she realize that through it she was struggling to resolve her feelings about the suicide of her best friend. Rynearson had simultaneously been, in effect, both the friend of the victim and the friend of the perpetrator of the killing. The power of the work lay in its simultaneous resolution of conflicting problems. — Linda Austin

During my long and intimate acquaintance with Mr. Sherlock Holmes I had never heard him refer to his relations, and hardly ever to his own early life. This reticence upon his part had increased the somewhat inhuman effect which he produced upon me, until sometimes I found myself regarding him as an isolated phenomenon, a brain without a heart, as deficient in human sympathy as he was pre-eminent in intelligence. His aversion to women and his disinclination to form new friendships were both typical of his unemotional character, but not more so than his complete suppression of every reference to his own people. I had come to believe that he was an orphan with no relatives living, but one day, to my very great surprise, he began to talk to me about his brother. — Arthur Conan Doyle

Falling is the first step in learning how to fly. — Jodi Picoult

I've got all these great broads in me, all these character women. I was playing a torn-down stripper at twenty-five on Broadway, and now I fit the shoes. — Faith Prince

To keep any great nation up to a high standard of civilization there must be enough superior characters to hold the balance of power, but the very moment the balance of power gets into the hands of second-rate men and women, a decline of that nation is inevitable. — Christian D. Larson

The bending of men's hearts to believe and persevere are the supernatural fruits of God's eternal decree, and not the natural fruits of man's depraved and frail free will. — William Jenkyn

Now, Marlon and I - for some reason, even today - even today, we can't say two words to each other. We really can't talk to each other. You know, I say to him - Marlon can't talk. I mean, he'd talk to you. But he can't talk. — Anthony Quinn